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The diary also includes his thoughts on social events that took place in the years 1981 and 1982, such as the royal wedding of  Prince Charles and Lady Diana. A second series, The Growing Pains of Adrian Mole, was also commissioned, and was transmitted in January 1987, also on ITV.
The title character was played by Gian Sammarco, while Adrian’s mum was played by Julie Walters in the first series.
Because of the success of the books, this show was quite a sensation in the 80s, even though both series only spanned a  couple of months each. Gian Sammarco, the actor who played the teenaged Adrian in the first two TV series has now retired from acting and is now a psychiatric nurse. There are actually nine books in the Adrian Mole Series in total, the most recent, Adrian Mole: The Prostrate Years was published in November 2009. Adrian Mole: adolescent schoolboy, thwarted intellectual, would-be lover, is constantly bewildered by the trials and tribulations of teenage life. We use cookies to enhance your visit to our site and to bring you advertisements that might interest you.
For my taste, though, the big productions numbers – choreographed with cheeky wit by Tim Jackson – occasionally feel at odds with what is special and funny in Townsend's warm, low-key treatment of these drab, downbeat lives and the Thatcher zeitgeist.  They replace that distinctiveness with generic razzmatazz pastiche (traffic cones and hockey sticks pressed into action for the toppers-and-canes welcome to Pandora in “Look at That Girl”) that seems insufficiently an expression of Adrian's fantasy life.
There are problems of perspective and tone that need sorting out before this amiable show can be seriously be ranked with Billy Elliot and Matilda. No awkward teenage girl’s journey to adulthood is complete without a reading of The Bell Jar. I don’t want to get too light hearted about the book as it is a serious work of literature that seriously explores mental illness, and all that.
The Catcher in the Rye is so cliched at this stage if you attempt to talk about Holden Caulfield you’ll be greeted with a host of scowling disaffected youths.
The novel follows red-hatted teenager Holden Caulfield as he wanders the streets of New York, declaring some people phonies, and generally not getting up to much apart from being confused and angry about his life, all in his unique youngster vernacular.

The popular complaint against the book is that the 17 year old protagonist is irritating, self-obsessed and full of angst. Also, thanks to the J.D Salinger lack of trust in the film industry, there’s never been a film adaptation, so your brain can imagine whatever kind of angsty teenage adventure you like without Hollywood’s glossy version encroaching on your brain-thoughts. The first book, The Secret Diary of Adrian Mole, Aged 13? , introduces us to the tragic every-boy, as we follow his painful progress through puberty in a hilariously relatable way.
While being a clever and funny book in its own right, the lasting brilliance of Adrian Mole is that is captures the both the awkwardness, the dullness and the solipsism of teenagers. Like the title suggests the book chronicled the diary entries of a 13 year old boy called Adrian Mole, who is a bit of a geek. The last in the TV franchise, Adrian Mole: The Capuccino Years was broadcast in 2001, nearly 15 years later, this time on BBC1.
My favourite bit was the song in the opening credits, which was performed by Ian Dury and the Blockheads, below. Combined with skinny jeans, and a look of utter and hopeless despair, carrying The Bell Jar around is going to pave a teenager’s path to hanging out with youths who have asymmetric fringes and are still convinced that Courtney Cox killed Kurt Cobain. Admittedly you may only see one half of their scowl due to the asymmetric fringe, but you’ll feel its full force nonetheless. Plath’s tale of deep psychological burden and perturbing mental distress is almost 100% guaranteed to make you one of the group. I win this week by default because two of the three other choices, Perks and The Bell Jar, wouldn’t have even existed if J.D. He feels isolated from both the worlds of adults and of children, and is stuck in an emotional limbo, not knowing what to do apart from converse with disinterested prostitutes and judge everyone in sight. But what these critics seem to have forgotten about this 17 year old is that he is, in fact, 17 years old. Unlike other teen books where the main character is either popular or a crippling loser, Adrian is just normal.

All written with the humor and poignancy, that would make Sue Townsend the most read British author of the 1980s. First, it allows for deep insight into mental illness and Plath’s own psychological state and second, it reminds those misanthropic amongst us that there is in fact someone more miserable and disturbed than we are. You may even all end up painting one another’s nails different colours and running around parks shouting “conformist” at people. It’s jam-packed with every emotion under the sun, the same as any angsty teen usually is, and the issues it tackles are pretty timeless.
You may think most of Holden’s opinions are immature, which is completely fine because why should you have to agree with him?
The plot doesn’t come from events around him, but his interpretation and understanding of them. We were all benignly stupid at that age, not able to focus beyond the misery of a crush, or how to marginally reduce the number of pimples plaguing your face. He has a few friends, he gets a girlfriend for a bit, and there’s a guy who picks on him a bit but not too badly. In fact, it’s not just these two books that have been heavily influenced by Salinger’s pondering mini-epic, but literally every piece of fiction since. Part of the appeal of the book is rereading it, your opinion of Holden changing as you yourself grow up. The main things going on in Adrian’s world are his tragic belief in his intellectualism, the baffling antics of his family and his all consuming love for an pretentious girl called Pandora.
Perhaps that’s an exaggeration, but for a book where essentially nothing happens, its cultural impact is both amazing and spectacular.

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