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Rarely have the dynamics of a loving yet unhealthy relationship been explored with such tenderness and insight. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. A report from a panel at Los Angeles Asian Pacific Film Festival about diversity in the light of the 2015 Oscar ceremony.
I have not read "Therese Raquin," the 1867 Emile Zola novel upon which "In Secret" is based.
A little research also revealed that the ripest plot elements of "In Secret" come straight from its source. Mary, a bitter young orphan girl from India, is brought to England to live with her uncle on the Yorkshire Moors. Nice response in return of this query with genuine arguments and describing the whole thing concerning that. It seems you are using a browser that isn't fully supported and some of our features may not work as intended. Max's life as the favorite pet goes haywire when his owner brings home a new pet name Duke. A little research revealed that Zola's serialized story of adultery, murder and marriages, both arranged and desired, has been adapted numerous times. This explains the TV movies, the opera and the vampires, all of which thrive when fed a good, soapy, trashy story. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. Upon encountering numerous problems in adjusting to the rigid, lonely, and unfamiliar life of her uncle’s mansion, she gradually befriends Dicken and her cousin Colin.

Together, they venture to restore the Secret Garden, into which entry had been forbidden by Mary’s uncle. In 19th century France, Madame Raquin (Jessica Lange) is visited by her brother, who leaves young Therese (Lily Laight) in her charge.
The Secret Garden conveys a message of hope–a message based on the powerful role of friendship in bringing about a change for the better. Camille is a sickly boy whose coughing keeps Therese awake in the bed they share; she pulls the bedcovers over her head in frustration. Courtesy of the film's editor, when Therese pulls the bed covers down, she has morphed into Elizabeth Olsen.Now 21, Therese is forced by Madame into an arranged marriage with her first cousin.
Camille (Tom Felton) moves Mom and wife to Paris, where he starts his career and meets up with an old family friend named Laurent (Oscar Isaac). It's designed and lit like a mausoleum, and though people come and go, I don't recall seeing anyone buy anything. Her contemporaries talk of the most morbid of subjects, including the foreshadowing topics of scandalous murder and the gruesome aftermath one witnesses at the morgue.
So when the sexually frustrated Therese takes one look at the dark haired, brooding Laurent, her libido starts doing the Can-Can. Their lunchtime trysts occur above the shop, right under the nose of Madame, but go undetected. Camille, of course, is completely unaware of his betrayal, at least until he winds up at the bottom of the river.Stratton wisely withholds the murder at first, cutting directly to the agonized cries of the murderers pretending to be upset at the "accidental" death.
When Camille's body is finally pulled from his watery grave and delivered to the morgue, Laurent discovers it's just as gross as Madame's domino buddies described. Thus begins his downfall.With Camille out of the picture, the lovers try to figure out how to get together publicly without arousing suspicion.

They misread everything by filtering the obvious through a prism of societal sexism and individual idiocy. The film becomes haunted by Camille's ghost, which the guilty see in their grisly dreams and Madame literally sees the moment before she experiences a life-changing event. Therese and Laurent turn on each other; their guilt becomes a bucket of ice water on their sex-based relationship. Isaac is a better in his early scenes as a seducer, Olsen is better in her bitter, angry later scenes, but they synch up by the film's over-the-top last moments.
Shirley Henderson plays the hell out of a scene that seems inspired by "The Shining."None of them, however, can match Jessica Lange. Those years on "American Horror Story" have convinced me that Lange can bring credibility to the most ridiculous plot twists. Somehow, she finds the perfect line of lunacy to tow, which "In Secret" requires for her character's arc.
She goes from villainous to victimized to vengeful, stopping along the way for what I'll simply describe as an extremely important game of charades. The plot forces a late-movie restriction on her performance, and her handling of it made me want to throw roses at the diva onscreen.

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