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Animated tale, produced by a staff of Disney-trained artists led by "American Tail's" Bluth; concerns a newly widowed mouse who discovers a secret agency of superintelligent rats (they've escaped from a science lab) who aid her in protecting her family. The Rats were the subject of animal research, described by the leader of the Rats as ?unspeakable tortures?. A more subtle, but pervasive, topic in The Secret of NIMH is the ambivalence people show towards animals in general. More evidence of Bluth?s general disinterest of humans can be found in the abomination that is the housecat, Dragon. One of the central themes of The Secret of NIMH is that of sacrifice, and its essential nature in group dynamics. For the animals in the world of the film, humans are giant and powerful but also ignorant and arrogant beings who are best avoided at virtually any cost. If I were to hazard a guess, Don Bluth had a fair share of contempt for the human race and its inability to live as part of a natural system. What seals the recommendation for NIMH is that its imagery of the film flaunts both charm and visceral power. As is usually the case with Bluth films, the animation is superb while the socially aware plot struggles to keep pace.
Words are minced as sparingly as the images, as you see massive needles puncturing the abdomens of various animal subjects with nauseating ?plunk? sounds. The animals are heroic, clever, smart, dumb, reckless, thoughtful, malevolent, or horny; none of them are indifferent to the fate of the meadow and its inhabitants. Numerous examples can be found of characters who sacrifice a great deal for the common good, or even for the benefit of an individual. The Rats violate this rule by stealing from them, sneaking electrical cords out to their home in an attempt to? well, I?m not sure what they have to gain by creating elaborately lit sparkle shows, but at least they?re having fun with it.
Or perhaps the independence of the Rats was symbolic of his secession from Disney, and the success of the film was one final ?fuck you? to the old man. Most of the films that I feel are excellent for children to watch in order to avoid growing up selfish and insular have death and its randomness as a primary subject. The film sweeps effortlessly from the beauty of the meadow at dawn to the sinister cave of the wise owl (voiced by John Carradine), the view of the glittering garden of the rosebush is interrupted by the towering sentry, Brutus. DNA is restructured as a rat writhes in pain ? the result is that the rats and mice develop intelligence, enough to understand people.

He is as big as a building, is missing one eye, and hates everything within impaling distance. One faction of the Rats wishes to move far away to a valley where farming is impossible, to live without depending on humans at all, perhaps a permeation of the Rats consider themselves superior to people in every way. Dragon casts a vicious shadow, and is probably the reason I hate housecats with every fucking atom in my body. Okay, the film is short on realism (all animals understand human language anyway, weapons are electrified, and why was Brisby living in an area that is plowed yearly, anyway?), but NIMH isn?t meant to spark reasoned debate on animal rights.
One of the few humans shown in the film resolves to bulldoze the rosebush that the Rats call home, even though he is well aware of their existence.
Brisby is killed while drugging the cat, an activity that allows the Rats to prepare for their eventual move. The tractor rips the land and destroys everyone in its path, Dragon kills the hero?s husband, a Rat is crushed with a cinderblock and two others stabbed to death, and a host of mice are sucked to their deaths in a cavernous air passage. The animation is kinetic and gives every action scene tension as real as the movie is fantastic, escapist and an allegory. It is meant to evoke a point of view: animals subjected to testing are not interested in how people benefit from it. In fact, he wants the rosebush flattened because of the Rats and is obviously excited about it. Nicodemus is murdered and Rats are injured while they move the Brisby home, which benefits only Timothy, Mrs.
A body count of at least 20 is respectable for an ?80s action movie ? for an animated film, the number is astonishing and for it the director deserves a medal. No matter how animation progresses technologically, this film will age remarkably well, because its agenda and intelligence are both timeless. What I saw in the movie pushed me to read up on animal research, and as an eight year old kid I learned what an LD-50 test is and how all pharmaceuticals are tested extensively, at lethal doses, on legions of lab animals before a person would ever ingest them.
Regardless of how you feel about rats, the human characters here are bloodless and mindless, driven by mechanical concerns.
Death comes to us all, and the only reasonable wish a person could have is that we meet it on our feet. Frisby and the Rats of NIMH’ in fifth grade which left a big impression on me as did the animated film.

Even cosmetic or cleaning products are injected, sprayed, or force-fed to entire warehouses full of animals to find out not whether the products are dangerous or lethal, but how much or little it takes of a given chemical to cause blindness, seizure, gastrointestinal bleeding, or death. The animals in the film might be anthropomorphized beyond recognition, but it?s done to create a world that bloodless and mechanical humans can understand and relate to. Personally, even animal testing that is meant to medically benefit humans is hardly necessary ? we cover the earth, and members of our species live twice as long as our genetics intended.
Interestingly, the Rats are political, each attempting to edge out a rival, striving to make their ambitions that of the rest of the group. Inscribed on the back: ?Courage of the heart is very rare? the Stone has a power, when it is there?, the Stone represents this quality of sacrifice, which is basic and sometimes a necessity for the survival of the animal community. The Secret of NIMH confronts this topic head-on; the generation of children who saw it were not to be excused an opinion on a contentious matter through pleading ignorance.
In reality, gregarious animal groups have far more complex relationships than people often realize ? baboons, meerkats, elephants, rats, and even insect groups have their own complex rules of interaction with nuance approaching human behavior. It seems that everyone pays dearly for this quality, except for the humans, who show no such altruism. Brisby must move her home to the other side of a big rock before the farmer’s plow comes to destroy it. Brisby employs the help of the rats of NIMH – a highly advanced society of freed lab rats.
More sci-fi connections!)This film may fall into one of those semi-genre categories, something I like to call “sorta kinda science fiction”, but it fits into the sci fi genre nonetheless.
The environment is rationally imaginative in that we suppose a world where animal testing has made lab rats so advanced, they’ve created their own mini-advanced world in a rosebush. We are thrust into a world where we see how scientific inquiry can be disastrous even to the littlest of creatures. There are very adult themes appearing throughout the film such as the trials and tribulations of being a widowed mother and how class systems are built based on literacy and the availability of resources.Plus, there’s animals who talk.

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