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The first official movie trailer of Unstoppable has been unleashed online, you may watch it below:UNSTOPPABLEInspired by true events.Unstoppable is going to be a damned thrilling movie!
Unstoppable is an upcoming action thriller movie directed by Tony Scott and starring Denzel Washington, Chris Pine, and Rosario Dawson. Inspired by a true story, a runaway train carrying a cargo of toxic chemicals pits an engineer (Denzel Washington) and a conductor (Chris Pine) in a race against time before it derails and destroys a Pennsylvania town. Indeed, aside from the actors, the main character of the film is a train: two large engines and 25 train cars, out-of-control and speeding toward an inevitable disaster.
There were a wide variety of 2D and 3D shots: Replacing the undercarriages of flipping cars, removing camera and crew reflections, adding flying debris, enhancing huge explosions, flatbed removal and often replacement of entire portions of the train as it sped along (behind a blur of organic and man-made structures). In addition, not only were there speed restrictions on how fast the train could go, but they couldn't have two trains on the same section of track when shooting.
Since it was unclear which shots would require a CG train (and what details would be visible and from what angles), each car was carefully measured and photographed.
Thus, with such attention given early in the process, most initial renders integrated very well with plates based on the lighting data that it had been possible to acquire.
Since there was no refinery present in the area around the Stanton Curve in the movie, this would also need to be created in CG. Thomas the Unstoppable Tank Engine is crossover between Thomas the Tank Engine and Unstoppable. Frank Barnes and Percy attempt to stop an unstoppable Thomas the Tank Engine from crashing.
Narrator: It was a lovely day on the Island of Sodor, the air was crisp, (scene goes to Thomas and Sir Topham Hatt) and there wasn’t a cloud in the sky.
Thomas: If you hadn’t stopped me, I would have crushed the little town of Strawberry Shortcake! Thomas became unstoppable simply by having Sir Topham Hatt (and later Frank) slap him, which starts him rolling. In the background of Frank Barnes and Sir Topham Hatt, there were screens full of Thomas, Harold, the Island of Sodor, purple and black screens, and one of them was Alfred E. Also in the background of Frank and Sir Topham Hatt, there were people who were shadows and black and mysterious. Percy's relevant absent-mindedness is a reference to the dumbing-down his character has had in the more recent seasons of Thomas and Friends. Percy has six stripes instead of four, blue window frames and is MORE absent minded than in the actual show.

The background music was more childish than real life Thomas & Friends background music. In the shot of Percy and Frank before both met Thomas, Percy's wheels and siderods were going forward even though he was going backward.
Percy was coupled up to Thomas when both brake up, but when Thomas squashes the little town of Strawberry Shortcake, Percy wasn't coupled to Thomas. Unstoppable falls into that same category for me – great action sequences, but not much else. One cannot argue against this excellent DTS-HD Master Audio 5.1 soundtrack that absolutely rattles and booms with every explosion. There are two audio features, including the director’s commentary and a script development audio feature.
The wife of a gun manufacturer is held hostage by a man seeking revenge for the death of his daughter in a high school shooting incident. It is a simple premise, but as a film it begs to be a gritty and unquestionably real experience. But the most crucial and most prominently featured challenges had to do with the faithful recreation of the speeding train and the danger that lay ahead. But, it hadn't been possible (within the production schedule) to acquire the detailed lighting data required to accurately illuminate every point along the train as it moved through varying lighting conditions. The refinery, with its 20 large tanks fitted with hundreds of pipes, catwalks, guardrails, vents and related details, and the surrounding fences and assorted props, needed to be rendered in each shot. Starting from a small footprint, the refinery nearly doubled in size to accommodate the requirements of specific shots and angles, pressing into the corners where tracks converge and even threatening to envelope the road. His shape, however, perfectly matches the dimensions of his original basis, an LBSCR E2 tank engine. Films like Man on Fire, The Taking of Pelham 1-2-3 and Domino all contained a good bit of action, even of they weren’t great films.
If you want to know what Unstoppable is like, think of Speed without the bad guys or the cheekiness from Keanu. Those trains screech and scream down the rails and every speaker is used to its fullest advantage, while dialogue is clear is balanced nicely in the mix. Additionally, there are a good amount of HD video featurettes that take viewers behind the scenes of the film’s production.
This train is off the rails with non-stop action, and not much else, but the wild soundtrack and acceptable video transfer will provide a fun home theatre experience worthy of a rental.

So what I have to do is be a supporter of Tony's rather than a problem solver trying to fix it in post using visual effects.
So, where needed using the available survey and lighting information, (and available reference as a guide) environment representations were constructed in 3D and incorporated as the trains were rendered in PRMan in order to lend local detail to the reflections and indirect diffuse.
Rendered for scenes from all hours of the day and from all conceivable angles (seen from different vantage points), the integration needed to be flawless. Lit in PRMan using HDRI and incorporating global illumination to accurately reflect specular and the subtle bleed of diffuse illumination, the tanks were fit seamlessly into the world of the Stanton Curve.
There’s a runaway train towing dangerous chemicals heading for heavily populated areas and it has no breaks. And then when I have to I'm under immense pressure to make sure that it matches the photography so it doesn't look like visual effects. Tools were generated to quickly build tracks and animate trains based on survey and tracking information. This allowed for more natural lighting interaction as each point along the quarter-mile length of the train reflects its own unique view of the world around it. Detailed survey data was used to construct a virtual environment into which the refinery was built. Attention was given to the slightest bumps and defects along the varied surfaces to ensure that the rendered result was indistinguishable from reference.
For each component of the 3D environment, highly detailed models and textures were generated to accommodate the viewing requirements. Meanwhile, Frank (Denzel Washington) and rookie Will (Chris Pine), who got the job because of his uncle, are on a training run and just manage to get out of the way of the runaway engine that could.
They find themselves in a race against time to stop an unmanned, half-mile-long freight train carrying enough combustible liquids and poisonous gas to wipe out a nearby city."Cast:- Denzel Washington as Frank Barnes, a veteran railroad engineer- Chris Pine as Will Gordon, a young train conductor- Rosario Dawson as Connie Hooper, a train dispatcher- Kevin Dunn as the boss of Dawson's character- Jessy Schram as the wife of Pine's characterDenzel Washington must have a thing for trains!
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