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Following up on the rather impressive cinematic trailer recently released for The Secret World, Funcom has released a handful of new screenshots that show off some rather daunting bosses and a few ballsy players. I especially like the screenshot that shows the young girl up on top of some boxes with a shotgun, staring down a gargantuan boss that looks like he eats flesh suits for breakfast.
Anyway, the screenshots are some of the more impressive in-game visuals we?ve seen in quite some time for The Secret World. I hope someday soon Funcom will give us a legitimate release date for this game because it?s starting to feel like The Secret World is borderline vaporware. You can check out the new screenshots below or head on over to the recently updated Official Website to learn more.
These films of the 2000s have left a mark for generations to come, and while being animated, most of them are not for younger audiences.
Hollywood, specifically Disney and Pixar, offer us many animated features, often great, but their popularity is usually their most significant feature. The film portrays not just Havana but also New York, Las Vegas and other cities through impressive colors and backgrounds. Originally, it was meant to be a live action film dedicated to his relationship with his daughter.
This well-known, unconventional human-dog duo fall into a league of their own, jumping from a short film series into a feature-length film directed by original creator and writer Nick Park and Steve Box.
Scripted by Hayao Miyazaki and Keiko Niwa, this Japanese film animated by Studio Ghibli is based on an English children’s book by Mary Norton about a family of tiny people living in the walls of households, borrowing from humans the various things they need to survive. In the feature, one of ‘the Borrowers’ is Arrietty, a spirited young girl who fails to live carefully in hiding and is seen by a sick human boy, Shawn, when he is spending a week in the country at his aunt’s place. One of the crucial aspects of this feature is, of course, the animation itself, a true art form that, although not directed by Miyazaki, feels undeniably his.
This Irish-French-Belgian film is an homage to the creation of the Book of Kells, an illuminated manuscript of the bible.
The animation is wonderful, with terrific shadows falling on the characters, and displaying various patterns, borders and lines that remind us of religious designs. This British-American animated comedy was Aardman Animations’ first feature length production, and was first conceived in 1995 by Aardman co-founder Peter Lord and Wallace and Gromit creator Nick Park. Following the same claymation technique, it tells the story of an English egg farm in the 1950s and the chickens who want to escape from it. Its memorable lines (one of my all time favorites is “All me life flashed before me eyes – it was really borin’!”), its optimistic characters, the villains, the jokes – full of witty chicken puns, outstanding good humor and plenty of metaphors to relate our own human lives. Co-written by Kon and Seishi Minakami, its main focus isn’t the sometimes overly mind-boggling plot, but the extensive hallucination effects and other visual delights. I have to agree with others on the thread that Graveyard of the Fireflies should have been included. Uhh, Ernest and Celestine committed the crime of stealing a bunch of candy and teeth, not being friends with each other.
I know it’s not as good as the first one, but still better than a lot (if not all) on this list. You could at least put some diversity with japanese animation, like Takahata, Hosoda, Michael Arrias, Takeshi Koike, or more recently Mizuho Nishikubo’s Giovanni’s Island?

Good List, As many mentioned, most of Satoshi Kon’s work could fit in there, especially the delightful Tokyo Godfather. A family of miniature people find their existence threatened due to a forbidden friendship in this Studio Ghibli adaptation of author Mary Norton's beloved children's book The Borrowers.
The enemies look especially vicious and the environments actually seem to help tell a story rather than just being placeholders for one grinding session to the next.
But with EA now at the publishing helm I tend to get the feeling that they?ll soon enforce Funcom to make a release date announcement sooner rather than later.
We can take time to appreciate technicalities along with complex storylines: these films encourage spiritual growth and provide a view of the world that otherwise would be lost in translation. These are the other ones, that may fly under the radar for the most part, yet have won the deserved attention of less mainstream cinephiles. Its most impressive aspects are the story and the music, a tragic romance set in Havana, Cuba, between a pianist and a singer. The seemingly hand-drawn diverse animation fits the exoticism of the picture, merging with the action and adding poignancy to the characters. When he died in 1982, the screenplay was kept in his family until more than 50 years later director Sylvain Chomet begged Tati’s daughter to let him adapt it. This is very neatly represented in old-style animation with a charming simplicity and spectacular backgrounds. Using clay animation to portray Wallace, an inventor, and his dog Gromit (the adult in the story), we follow their disastrous mission to secure the village’s Giant Vegetable Fete and keep gigantic melons and carrots from being ravaged by rabbits.
This unleashes a series of events that eventually result in Arriety’s family having to move but not before they face a range of challenges and have to take a new perspective on their existence.
The film is impossible to predict but always fluid and startlingly profound, depicting a growing friendship between Arrietty and Shawn, as well as the fragile lives of each.
It features a young, brave monk named Brendan who lives within the walls of Kells with his uncle, who is terrified of what lies beyond Kells, specifically Vikings. Definitely a very soulful picture that leaves us thinking about important questions that aren’t often asked in other animated films, or at least not with such subtlety, all the while having great art to look at. The fierce and distinctive hen named Ginger who insists on making escape plans and being constantly punished for it remindes us of films like The Great Escape. Although the world of talking farm animals has issues almost as weighty as ours, it is wholly suitable for children and will be enjoyed by many.
It’s bright, vivid and colorful in every possible way, and one might have mixed feelings when contemplating the confusing animation it presents. I do wish Grave of the Fireflies was included, but it’s given me lots of ideas for weekend viewing. Headstrong and full of energy, 14-year-old Arrietty (voice of Bridgit Mendler) is just like any other adolescent girl -- except for the fact that she's only a few inches tall. The protagonists are talented artists who fall in love, but whose dreams and bittersweet sense of nostalgia get in the way.
The main character is a clear representation of Tati himself: an old man with a hunched back, usually wearing a trench coat and a pipe in his mouth, stirred by an aging career at the end of the 1950s. Everything is very vivid and the characters are of a whimsical nature, with great timing for particular movements of the main character.

In order to do this, they resort to using Wallace’s terrible inventions, such as a vaccum to suck bunnies and rabbit rehabilitation. The easy British humor makes it a family movie enhanced by the exceptional voice of actors such as Peter Sallis, Helena Bonham Carter and Ralph Fiennes. A traditional yet enchanting story with breathtaking animation and a delightful soundtrack. Brendan meets master illuminator Brother Aidan who has escaped from the Vikings and is working on the Book. Definitely not aimed at children, but remarkable in how it manages to portray an alternative reality.
I have been making research on the internet for a very long time and now come up with something useful. Arrietty and her family are Borrowers: a race of tiny people who live among the regular-size humans undetected, and only emerge to scrounge miniscule amounts of essential living supplies from well-stocked cupboards and cabinets. Certainly there are others worth mentioning, but for now we are paying these films the respect they deserve. The story deals with complex matters such as discrimination, exploitation and the search for fame, making it a truly profound piece. The character, an old-fashioned conjuror specializing in – among other similarly primitive illusions – rabbits and hats, is forced to move to another country to find a job, where he meets a young girl, possibly the only one who still looks up to him. It serves as a unique piece of art with an even more interesting backstory – more or less a gentle, innocent addendum to Tati’s life.
The story loses direction somewhat in places, but overall it doesn’t fail to entertain. He takes Brendan under his wing and gets him to sneak into the forest surrounding Kells where he eventually gets lost. It’s not until an American rooster lands up at the farm after escaping from a circus that the chickens start considering learning to fly so as to not be turned into chicken pies – the farm owner’s newest idea.
Contact with the Borrowers' normal-size counterparts is strictly forbidden, but when Arrietty attempts to help her father stock up on necessities and meets 12-year-old Shawn (voice of David Henrie), the pair develop an unlikely bond.
This happens in a world where Christianity, Fairies, Viking invaders, dark gods, Saints and wild animals co-exist. Shawn has come to live with his great aunt, and should she find out about the Borrowers, it would be disastrous for Arrietty and her family. It portrays various religious points of view, but more importantly people’s different realities and belief systems are brought into conflict.
But perhaps by working together, Shawn and Arrietty can figure out a way for the Borrowers and humans to live together in harmony.

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