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YouTube’s relationship with the music industry should be more alarming for competing streaming services than the duel-threat of ad-free videos and music.
This new wave of accountability had even further ramifications in regards to how YouTube handled music. Google is not wrong to claim that accurately processing DMCA takedown notices is not simply solved with an automated process. YouTube can circumvent the copyright expectations of other music streaming services for now.
As a colleague pointed out, YouTube has already started to roll out an automated, official-upload process. If YouTube continues to mimic the features of a legitimate music streaming service, the video giant will have to respect copyright like its competitors.
While this disregard for copyright is great for consumers, it is unfair for the rest of the streaming market.
For instance, I use LiveMixtapes, which has long been a digital giant for rap mixtapes from popular artists and up-and-coming artists, through their affiliated site Indy LiveMixtapes. A lawyers' forum submitted application seeking registration of a case against Google, YouTube, PTA chairman. Judge Abdul Sattar Langah issued this order in response to a petition moved by Khatam-e-Nabuwwat Lawyers Forum and further directed the police to lodge an FIR if any cognisable offence was commited against the respondents. Mustafa stated that the culprits behind the film committed a blasphemy and are liable to be punished under the law. He further said that the PTA could have blocked access to the movie on social media websites but failed to do so. The forum’s president alleged that an application was filed to the Islampura Police Station for registration of a case against the respondents but the police was reluctant to take any action. Does anyone in Pakistan ever wonder why your judicial system seems to work different than the rest of the World? There are thousands of videos and sites in the internet denigrating, insulting, faking the Prophet and Islam. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. With Google’s global audience, YouTube’s movement into the streaming industry is bad news for other giants like SoundCloud, Spotify, and Apple Music. Primarily a video service, YouTube is an inherently different position than the rest of the music streaming industry. Most songs are accompanied by album art, lyrics, or pictures, and even if a song does not have any visual aids, it still consists of a black or white box with copyrighted material playing in the background. SoundCloud was great because users could upload anything: remixes, samples, DJ mixes, albums, etc.
YouTube already commands a majority of music streams in terms of pure plays, and adoption for YouTube music will be quick and easy due to its integration with regular Google accounts. You have a huge depth of knowledge on the various music streaming sites and their operations. I’m not sure where LiveMixtapes fits in within the context of other music sites, but I do know that you can find copyrighted material from albums as well as free material on this site. For streaming alone, Youtube might be unparalleled for providing content that you cannot find elsewhere. He submitted that the PTA chairman should also be booked on charges of criminal negligence.

Judge says ban does not hurt freedom of thought.Actor to move federal US court to have anti-Islam film pulledActor says she reserves copyright to the film, in addition to claiming film violates YouTube's hate speech laws. Judges are suppose to be impartial making rulings based on evidence provided by all parties involved – they are not the police, prosecutor or serve in any executive capacity. The judges (most of them) are cowards and would dare not antagonize the dimwit clerics.The judiciary in Pakistan, especially where it pertains to blasphemy, have made us the laughing stock of the world. I could disclose a few (thousands actually) websites hosting equally blasphemous movies or texts. While services like Apple Music and Spotify boast huge catalogs of songs, these industry-focused platforms lack the mixtapes, remixes, and user-submitted tracks that make SoundCloud and YouTube popular. For users who already rely on YouTube to fit their streaming needs, audio-only mode is a crucial development. A blog post on the official RIAA website delves into the record industry’s specific grievances.
Furthermore, services like SoundCloud prove that automated systems should be able to handle music industry copyright disputes.
While this minor copyright problem has not been addressed by other websites, it certainly proves that Apple Music, Amazon, SoundCloud, and Spotify respond to copyright issues in a timely fashion.
If a consumer wants to find a mixtape or a song that has been taken down elsewhere, he or she can likely find the track on YouTube. However, if YouTube wants to enter the music streaming market legitimately, Google needs to play by the rules.
From my own quite limited knowledge, I agree with what you are saying: Youtube does seem to hold a unique position in the music world due to their partnership with Google. For downloads and more genre-specific streaming, LiveMixtapes and other sites remain popular and attractive options for certain audiences.
In Pakistan someone shows up and makes a complaint and the judges are off to the races making broad rulings often with little or no formal evidence from the parties effected – and often making statements that make it obvious that they are not impartial and should recuse themselves from the case. This judge is for sure next judge of Lahore High Court and in near future Judge of The Supreme Court and may be future CJP. Relying on user-submitted content since the start, YouTube has evolved into a unique position that gives Google far more flexibility with copyright laws than other services.
Reducing unnecessary data consumption is essential for customers with expensive cellphone plans, and removing video from streams will save heavy YouTube users GBs of data per a month. The 1998 Digital Millennium Copyright Act created preventative measure for handling potential internet-copyright issues, but no one was truly prepared for what would happen.
While most of these takedown issues surround Google as a search engine, YouTube is still implicated as a subsidiary.
Since SoundCloud’s negotiation with major labels, the streaming service has received overwhelmingly negative press.
If SoundCloud’s automated system can prevent copyright infringement, surely YouTube can weed out user-submitted material that violates these same restrictions. However, with the release of YouTube Music, the video giant’s streaming culture may have to change fundamentally.
At first glance, YouTube’s approach to copyright law is great for consumers, allowing users to access songs unavailable on any other streaming platform, but if YouTube can continue to get away with rampant copyright infringement, the company will gain a huge advantage in a small, competitive market. But, in reference to your point about the importance of sites like Soundcloud for mixtape music and user remixes, I think there are other, perhaps less-mainstream, sites that also serve this niche market.
Unlike Youtube, you can actually download the songs on LiveMixtapes for free, which makes it an attractive option instead of member-only applications that cost like Spotify and Apple Music.

Better close the internet all-together and start burning books, round-up illegal DVDs and CDs. Google blatantly has an advantage –especially when comparing YouTube’s success with the downfall of SoundCloud. Users can still use YouTube Music without YouTube Red, but a free plan prevents mobile listeners from playing audio in the background, limiting the usefulness of the service. Google claims that the shear amount of DMCA takedown notices makes processing requests difficult –even with automated systems in place. Automated takedowns and account suspensions have prompted outcry from the very users who gave SoundCloud value.
Despite SoundCloud’s demise, Google continues to finesse the system due to its dominance of the music streaming market. Some uploads time stretch songs and add silence to avoid automatic content detection, but both of these examples retain the proper song length and BPM. YouTube music cannot become a legal and viable replacement for streaming services like Rdio, Apple Music, and Spotify if it continues to neglect issues like sound quality and copyright.
The cost of licensing vast catalogs already creates a huge barrier for entry for services that may try to compete with streaming giants, and giving Google an illegal advantage will only decrease competition. When Salman Taseer was assassinated, his colleague and dear friend, Rehman Malik (interior minister) stepped out and to appease the stupid rioters, said that if he was to witness someone commit blasphemy, he would himself shoot him.
YouTube’s massive market share has created a situation where Google is practically immune from the dangers posed by copyright infringement, giving Google an advantage over competing music services. Beyond the lack of takedown measures, content creators were also enjoying the promotional power that YouTube offered.
A remix, a work that uses an audio recording (sample), audio-visual syncs (music videos, music in a film, music in a video game).
Using the large volume of takedown notices to excuse takedown delays, Google and YouTube hold an unfair advantage over the rest of the streaming industry. It is unacceptable to have five user-submitted versions of a song when a consumer is expecting one official upload. If YouTube Music continues to ignore copyright infringement while legitimizing its music services, Google will become the best value for a $9.99 monthly subscription. Looking at Sound Furthermore, as a video and music platform, YouTube’s ad-free subscription provides value beyond music alone, offering customers an irreplaceable, commercial-free experience on the world’s most popular video platform as well.
A strict interpretation of what constitutes a derivative work would require YouTube to pay for sync licenses, which could end up becoming extremely expensive.
If YouTube is going to enter the music streaming space legitimately, Google needs to follow the same rules as its competitors. This predicament makes the audio-visual aspect of derivative works a glaring issue for YouTube. Things will have to change if YouTube continues to take over the music market, and that probably means even stricter content removal across Google services. YouTube, Inc, which argued that YouTube was not adequately preventing copyright infringement before being settled out of court.

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