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Shapland and Petter produced a wide range of furniture in the Arts and Crafts style designed to appeal to the growing market of middle class consumers who wanted tasteful homes and modern artistic furniture in the mid 1890’s to 1900. Ernest and Sidney Barnsley were Arts and Crafts movement master builders, furniture designers and makers associated with Ernest Gimson. Sidney’s son, Edward continued the family tradition, making fine furniture according to his fathers philosophy and became a figure head in his own right. They were also associated with the designers and makers Gordon Russell and the Dutchman Peter Waals,or van der Waals. Sidney Barnsley rebuilt a church, formerly in Hagia Sophia in 1891 in the free Byzantine style. Blackwell is one of Britain’s finest houses from the turn of the last century and survives in a truly remarkable state of preservation retaining almost all of its original decorative features, including the rare and fragile hessian wall-hangings in the Dining Room.
Blackwell’s period rooms have been carefully furnished with the blend of Arts and Crafts furniture and early country-made pieces advocated by its architect, Baillie Scott. Blackwell is a large house, but with its half-landings and split-level spaces its architect created somewhere with the atmosphere of an intimate family home. Visitors are encouraged to sit and soak up the atmosphere in Blackwell’s fireplace inglenooks, which boast fine examples of tiles by Arts & Crafts designer William de Morgan, and are free to enjoy the house as it was originally intended, without roped-off areas.
Birmingham Guild of Handicraft was an Arts and Crafts organisation operating in Birmingham, England. It began as a loose part of the Birmingham Kyrle Society, then became a more fully formed group within the Kyrle Society in 1890, under the leadership of the silversmith and architect Arthur Stansfield Dixon (1856–1929) and with the lawyer Montague Fordham as first director, in Vittoria Street School for jewellers and silversmiths.
The Guild was modelled on Charles Robert Ashbee’s 1888 Guild and School of Handicraft, and it found itself in similar financial difficulties due to high running-costs and lack of money-making ventures.
Sir (Sydney) Gordon Russell (1892-1982) was one of the most important figures in the history of 20th century furniture. Russell spent his early years in Cricklewood, London, before moving to the Cotswolds town of Broadway in 1904, when his father bought the Lygon Arms Hotel.
In 1938 Russell set up the Good Furnishing Group, promoting the retailing of high-quality, mass produced furniture.
Gordon Russell’s antique cabinets, desks and bookcases continue to be in demand today, evoking images of the very best in 18th century design – with a modern touch. Romney Green was at the hub of the 20th century Arts and Crafts movement, helping to bring the Cotswold style to a wider audience. He later moved to Christchurch, Hampshire, where he was joined by three other influential young designers – Eric Sharpe, Stanley W Davies and Robin Nance. Numerous links were forged between Green, Gimson and the Barnsley Brothers, which helped promote his work.
Today, his antique cabinets, tables and dining chairs are found in antique dealers and museums across the British Isles. Charles Rennie Mackintosh (1868-1928) was one of the most significant figures in the history of Arts & Crafts Furniture, and a major influence on the Art Nouveau movement. Mackintosh was apprenticed to architects Honeyman and Keppie in 1889, also studying at the Glasgow School of Art. Mackintosh believed that designers and architects should have freedom of expression, and began experimenting with design, aided by his friends Herbert MacNair and Frances and Margaret Macdonald (who he later married). In 1896 Mackintosh, was awarded a major commission to design a new wing for the Glasgow School of Art. Mackintosh’s best-known works were for Catherine Cranston, who commissioned him for her tearooms between 1896 and 1917. He was articled to J.P Seddon  in 1874 staying there for five years, had a short spell with Saxon Snell and then two years with George Devey. Wylie & Lochhead was a Scottish cabinetmaking firm who became famous for their high level of craftsmanship in their furniture, which followed the Glasgow School style of design.

Manufactured by Parker Knoll they are made from solid quarter sawn oak which is lightly limed to give a beautiful mellow finish, this is also know as a weathered finish. The drop arm mechanism shown in the detail photographs, allows for the arms to be dropped flat to make good size day bed, being two meters or six foot six inches in length , the back is fixed and will not therefore drop, so it makes  a long single day bed or put you up.
It has an attractive shaped apron front panel of quarter sawn limed Oak that hides the wooden racket mechanism. The back and arms have  long material covered spring straps that hook onto a metal bar within the frame, most of the springs look to be original, which shows just how durable and well made this sofa is.
These type of springs can still be purchased today, so it would not be a problem to replace any in the future.
We have had new seat cushions made in fire retardant foam with a Dacron wrap and fibre filled back cushions covered in a good quality Calico, ready to be top covered in a fabric of your own choice. Belgian Linen Sofa - Arts & Crafts - Sofas & Corner Sofas - jacksonville - by Original Elements Co. RSS on Antiques Now allows you to subscribe to receive updates from particular areas of the website. He used Red brick and stone in various patterns eg chequer work, herringbone and basketweave and a plain tile roof.
One of the real joys of Blackwell lies in its wealth of detail, from the leaf-shaped door handles and curious window catches to spectacular plasterwork, stained glass and carved wooden panelling. The Arts & Crafts Movement, a reaction against the increasing dominance of mechanisation brought about by the Industrial Revolution, was championed by John Ruskin and William Morris, the ‘fathers’ of the movement, who sought to re-establish the importance and worth of designer-craftsmen. In 1895 the Guild set up as an independent workshop and limited company with the guidance of Edward R. The Quest began in November 1895 and aimed to appear three times a year, but was short-lived. Due to commercial pressures there was a merger with E & R Gittins in 1905 which brought Llewelyn Roberts in to the organisation. Henry were wholesale manufacturers in Old Street, London, of light, ornamental furniture from about 1880, and Art Nouveau pieces of mahogany and satinwood with decorative inlays in the 1890s. From his early Cotswold Arts and Crafts furniture , to the modernist antique desks of the post-war period, he managed to embrace mass production and mechanisation without losing the underlying concepts of high quality craftsmanship. Upon finishing his education he was put in charge of the family workshop, repairing the hotel’s antique furniture.
His aim was to combine Arts and Crafts workmanship with mass-production to produce high quality furniture affordable to everyone. The Depression caused a downturn, but he kept afloat designing and making Murphy radio cabinets. During the war he spearheaded the government’s utility furniture scheme, and in the post-war years took posts leading to directorship of the Design Centre. Green’s antique dining tables , chairs and cabinets are prized for their craftsmanship and elegant, simple lines. He began his furniture-making career in Haslemere, Surrey, in 1904, after visiting the workshops of Ernest Gimson at Sapperton and being inspired to create original designs in the same idiom.
Sidney Barnsley’s son, Edward Barnsley, set up a workshop in Froxfield, Hampshire, working with Oliver Morel, who had been greatly influenced by Romney Green, Eric Sharpe and Stanley Davies.
A particularly fine collection of his work is on display at the Red House Museum, Christchurch.
A talented architect, designer and artist, he was central to the development of the Glasgow Style of design. His first major architectural commission was the Glasgow Herald Building (1894), which showed amazing innovation and maturity. Constructed in two stages, it was Mackintosh’s most important work, containing baronial Scottish, rustic Japanese and many other elements.

He was allowed complete freedom of expression, providing everything from the light fittings to the cutlery. However, Mackintosh had only a few patrons, his ethic of total design making him unpopular with clients. He became an architect of domestic houses for the prosperous, completing some fifty or so by the time he retired.
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Their beautiful pieces were retailed through a Paris agent at the 1900 Centennial Exhibition, where they won two silver medals. The history of his antique cabinets, tables, chairs and concept furniture can be tracked at the Gordon Russell Museum, housed in his original workshop premises in Worcestershire. After gaining military honours in World War I, he returned to the family business and began making Arts & Crafts furniture for retail. This ranged from homely dining tables to elaborate antique marquetry furniture , such as the 1925 print cabinet now residing in the Cheltenham Museum.
They can be found in many antique dealers specialising in Arts & Crafts furniture, adding the same touch of class to modern homes as they did those of the 1920s. Nance settled in St Ives, Cornwall, while Eric Sharpe opened a workshop in nearby Martyr Worthy.
In the 1960s Morel established the Eric Sharpe Resource Centre, which showcased the work of many of modern Arts & Crafts Furniture designers, notably Romney Green and his associates. He had few clients, yet his distinctive stained glass panels elegant Victorian dining chairs are known the world over.
The Library is a complex geometry of timber posts and beams, complemented by dark slender antique bookcases and elegantly pierced chairs. The dramatic high-backed Victorian dining chairs, so prized by Lancashire collectors, are still copied by designers today. Today, of course, his genius is recognised, and in Cumbria his antique dining tables and elegant chairs sell for many thousands of pounds.
The houses are notable for end buttresses to the wall corners, deep eaves under flat cornices and leaded windows set tight under eaves and gables- not remote from his furniture. After marrying in 1921 he began experimenting with modern styles – beginning with the marriage bed. He retired to the Cotswolds in 1958, but remained closely connected with his company until his death. In 1871  his father was expelled from the Church Of England for his unorthodox thinking, so Voysey was moved to the Dulwich College in South London. The Guild’s first address was at Kyrle Hall, Sheep Street, the same studios later being taken over by John Paul Cooper. This upbringing may account for the apparently rather austere, uncompromising nature of a lofty man now celebrated as a major figure in the Arts & Crafts movement. The Guild produced furniture and metalware, taking special advantage of the switch to electric lighting and the consequent need for new light fittings. The Press was still active in 1919, when it published Memorials: The Work of the Architect and Craftsman in the Design and Execution of War Memorials.

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