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29.08.2015
Jan Bohuslav Sobota died on May 2nd of 2012 and this is my remembrance of this fine man who was a friend and mentor to me. Each autumn, salmon return to the rivers of their birth a€“ there to spawn and once again trigger a renewal of the eternal passion play. Salmon that do eventually arrive at their destinations must once again compete a€“ this time for mates and to fight for access to the precious and very limited gravels. The profligate expenditure of life and extravagant wealth of biology is there everywhere to behold, as Death dances lightly among the gathering throngs of fish, picking and choosing from among them; who from their number shall successfully spawn and who shall just be food for the gathering predators and scavengers. Spend a day in silence, walking among the spawning salmon, as they dig spawning redds, jockey for position and slash at competitors with those gaping, snaggletoothed, hooked jaws.
Jan Bohuslav Sobota has died, while half a world away; I was preparing these etchings of Spawned Salmon and dedicating them to Jan, the lover of fish. The book you hold in your hands has evolved from my simply giving these etchings a second life in book form, to my using them as a vehicle for honoring a friendship of three decades. In 1985, Jan and I had been corresponding for some months without ever meeting a€“ all quite distant and correct.
A short bit of background on Jan Sobota to begin, but fear not; Ia€™ll soon be spinning anecdotes and thoughts on books as art a€“ celebrating Jana€™s life of course, telling a few stories out of school, but also straying into the personal and speculative in search of the meaning to be derived from the life and death of a friend.
Jana€™s father was a serious bibliophile and collector of fine books, who nurtured that same love of books in his son a€“ an appreciation that steadily grew, until he was apprenticed to master bookbinder Karel A ilinger in PlzeA?. The pivotal event in Jana€™s early life as a book artist was the posthumous retrospective exhibition of fellow Pilsener, Josef VA?chal in 1969.
Jan supported a family, sponsored workshops, exhibited widely, did conservation work on rare historic books, ran a gallery a€“ and on it went.
What Jan did for contemporary bookbinding, was to act as a bridge between the traditionally trained masters of the past and innovators of the present. America was a great place to be a book artist in the early 1980a€™s precisely because it was an active zone of hybridization and hotbed of creativity. An instructive contrast to the anything-goes US scene was the icy reception I got when I showed a wooden box containing loose sheets of poetry and etchings to a Prague publisher. Neither Jan nor I had much interest in the book-like objects that often sneak into the museums as book arts a€“ the carved and glued together things that sorta, kinda have a bookish aspect to them a€“ rough-looking a€“ perhaps chain-sawed Oaken boards or granite slabs, slathered in tar and lashed together with jute; but lacking text. When Jana€™s books went beyond function, conservation or decoration, they were subtle statements about binding and the place of books, knowledge and art, as well as statements about the dignity inhering in the handcrafted - with a good dose humor.
There are others who know their conservation and those, whose scientific contributions are far greater, but few of them are also artists at heart. It can sound so pedestrian, these eternal compromises between art and craft, yet what Jan represented was not at all common.
There is an inflection point at which exceptional craft begins to make the transition to art and it is closely associated with surmounting the limitations inhering to the discipline.
Visiting with Jan in his workshop you quickly realized, that he did what a professional must, but ultimately, he just loved messing about with books. A curiously protean hybrid of artist and craftsman, ancient and modern, one cannot think of Jan without seeing an unabashed Czech patriot in a foreign land. Early on in their stay in Cleveland, the Sobotas experienced the quintessential American disaster. Even after their medical debts were retired, money was still an issue for a family of immigrants with three kids a€“ two with special needs. Later on, when they were living in Texas, the massacre at Waco opened Jana€™s eyes to yet another difficult side of his adopted home. In 1979, I apprenticed with Jindra Schmidt, an engraver of stamps and currency, living in Prague. Schmidt had engraved stamps for Bulgaria, Iraq, Ethiopia, Albania, Guinea, Vietnam and Libya. In 1992, Jindra Schmidt was honored for his contributions and depicted on the last stamp of a united Czechoslovakia, before it split into Czech and Slovak republics a€“ a fitting tribute.
Unlike most children of immigrants, my destiny remained connected to that of my parentsa€™ homeland.
My vocation as artist clarified itself in Prague while learning the increasingly obsolete skills of steel engraving. My first book was indeed, modeled after VA?chal, even to the extent of its diabolical subject matter.
Jan showed me a great deal in the following years about the tradition of books as the meeting place of art, craft and ideas a€“ where printmaking intergrades seamlessly with the worlds of language, typography and illustration.
One can like these things just fine and admire them from an uncomprehending distance, or you can become engaged.
The book you hold was to have been a simple reprint of the Spawned Salmon a€“ something fun for Jan to work his magic upon. Nice sentimental reminiscences, but there is still the matter of getting the work accomplished and out before the public, organizing exhibitions, printing catalogs and paying for transatlantic flights.
The Prague show was reconfigured and curated by Jana€?s longtime friend, Ilja A edo, for exhibition at the West Bohemian Museum in PlzeA?. Quite predictably, I like seeing the kind of work I do honored a€“ the wood engravings and etchings made to shine in the context of crisply printed type and an excellent binding. Ia€™ve heard printmakers lament that the surest way to devalue prints is to add excellent poetry, sensitive typography and a bang-up binding a€“ and then live to see the whole thing sell for half the price of just the unbound prints.
Therea€™s nothing quite like seventeenth century Bohemia, the dead center of Europe, for particularly thorough violence a€“ with the Bubonic Plague stepping in afterwards as mop-up crew.
The chapel at Sedlec was rebuilt after the major blood-letting of the thirty-years war as a memento mori a€“ reminder of death. What can you say about the mounds of dead, the ruined lives, destroyed nations and misery multiplied by millions that isna€™t trite or self-evident?
But then I pan over to other fields a€“ not the kind where the grass is composting my fellow man, but to fields of endeavor where the ferment is of ideas recombining into ever more refined ways of thinking.
I once lived at the Golem house in Prague a€“ at Meislova ulice, number 8, in the old Jewish ghetto. Horoscopes might seem a curious basis on which to select ministers and diplomats, but it is also more common than youa€™d think.
Picture the scene before you: Ita€™s a late night in Prague, before the Marlboro man dominated every street corner, even before the neon of casinos and the vulgarity of Golden Arches assaulted the nightwalkersa€™ eyes at all hours a€“ back when darkness, oh yes, that beautiful comforting velvety, all-enveloping and blessed dark, broken only by the moon, stars and late night taxis, still ruled the streets after the sun went down.
The Golem was a mythic being of Jewish folklore, created from clay and quickened by the Shem, a magical stone engraved with an ancient Hebraic inscription, inserted into Golema€™s forehead.
The maternal tongues of these small nations have miraculously survived all the invasions, floods, plagues and foreign occupiers to this day a€“ a gift preserved and delivered to them across the generations. Minority languages, on the other hand, carry an emotional load that can scarcely be exaggerated. Ishi and his sister were the last of the Yahi tribe to survive the genocidal colonization of California. Those whose language and culture are not threatened can never know the burden under which the carriers of small minority languages labor a€“ nor how those in exile bring up their children to preserve that which is beyond their capacities to save. Jan was all about preserving traditions and the kind of ancestral knowledge that today is mostly enshrined in books. Today, the stories of our tribes are less and less passed on as oral tradition and most often read to us from the childrena€™s books wea€™ve learned to treasure a€“ illustrated by fine artists and produced with care for the highly discriminating purchasers of childrena€™s books a€“ for grandparents. A?epelA?k employed binders and typesetters to present complete suites of his work and in this too, he introduced me to a new world. Later in Prague I missed my flight back, due to the World Trade Center bombing and was delayed by a week.
The difficult thing to bear in acknowledging my teachers, models, heroes, suppliers and inspirations, is that these masters of the crafts and industries surrounding and supporting the book arts are mostly deceased. The fruit we seek is not fast food, but laden with full-bodied flavors, attained by slow natural processes.
All of us come from grandfathers who once were wheelwrights, cobblers or instrument makers; men with a profound love of wood and leather, who knew the working qualities of every kind of obscure tree growing in their countryside a€“ men who knew when to reach for elm or hickory a€“ as well as for goat, dog or even fish-skins. Jan spoke fondly of his grandmother, who baked bread every week of the year to feed an entire estate a€“ farm hands, livery people, gentry, trainers and hod-carriers alike. Working consciously is the ultimate goal a€“ and that is the legacy youa€™ll find evidently contained within and upon the boards of every book bound by Jan Bohuslav Sobota. The etchings you see here first came to life as illustrations for the wedding anniversary announcements of MA­la and Jaroslav KynA?l. Jan Bohuslav Sobota died on May 2nd of 2012 and this is my remembrance of this fine man who was a friend and mentor to me.A  He was an exceptional bookbinder, teacher and promoter of the book arts, but also an exile who successfully returned home after years abroad.


Here's a look at what you need to know about the shooting death of 17-year-old Trayvon Martin in February 2012. Maldives, Somalia, finally disasters stuck America and you still You did nothing and others did little. T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE.
Why not acquire one of these versatile wood products and recycle it into something useful that you and your family can enjoy for years to come?
There they encounter resident trout and bass a€“ even sunfish, chubs and dace, all keyed into the increasingly plentiful and highly nutritious bounty of salmon eggs.
Situated 90A km south-west of Prague at the confluence of four rivers, PlzeA? is first recorded in writings from the tenth century. That vision was about innovation and creativity within the context of an historical tradition.
This is what youa€™ll see in a Sobota binding a€“ exceptional attention paid to context and relationships, using materials and technical means that do indeed function and last. He knew his work was valuable and documented it fastidiously a€“ confident that it would be last.
There was, however, nothing about his nationalism that demeaned anybody elsea€™s traditions or origins. That smallish incident within the parade of American fringe politics elicited an insanely violent level of suppression. Masaryk a€“ and the cute little girl with a bouquet of flowers, is my mother Eva, at the age of three.
Schmidta€™s income from the federal mint far exceeded anybody elsea€™s in the extended family and supported a network of cars, cottages and rent-controlled flats.
Schmidt, as he preferred to be called, was a man of conservative demeanor who preferred polite and reserved forms of speech and address. While visiting their unassuming engraver and extending my tourist visa 30 days at a time, I was quietly becoming qualified for life as a counterfeiter a€“ a vocation within which, one is set for life, however it may eventually turn out. Jan allowed several binders to have their way with it a€“ amo boxes for slipcases with shell casings for hinges and so forth.
This next incarnation of our exhibit in PlzeA? was all just a bit more prosaic and provincial. Is it the binding we consider and exhibit a€“ or is the binding there to conserve a text, which is ultimately the point? There are also binders to whom everything else is merely the text block, who care little if it is an offset trade edition or a book made by hand. The tales therein recorded reflected the accreted wisdom and wit of a people as they retold them across the highlands in modest log cottages after the harvest was in. The way of working belongs to the Sobota vision I addressed earlier a€“ the honor and soul to be found in conscientiously made handcrafts.
I dona€™t feel that accomplished or ready to assume their mantle and yet with every generation that is what must happen. Gravels, with just the right flow of fresh water running up through stones of the right size are but a tiny portion of the riverbed.A  The salmon must struggle past cities and sewer pipes, farms and irrigation systems, dams and turbines, fishermen and waterfalls a€“ just to reach the streams of their birth.
Pakistan, Iran, charity, Charities, Red Cross, Christian Children's Fund, United Way, Methodist, Episcopalian, Presbyterian, Orthodox Russian Greek, Catholic Charities, Catholicism, Baptist, Muslim, Hindu, Buddhist, Shinto, Naturalist, Atheist, Agnostic, Agnosticism, Mormon, Mormons, Temple, Church, Cathedral, Bible, Koran, Shinto, Islam, Good Samaritan, Children's Hospital, St. Below we have 64 different pallet recycling ideas to show you different possibilities that can be created with a wood pallet. This widely beloved stamp was re-issued in 2000 and mother continues to receive philatelic fan mail to this day.
He died the day I was composing a colophon for the Spawned Salmon with words of praise for his lifea€™s work. This initiative is based on the reality that "One Can Make a Difference." That means you and me!
The engraving was masterfully done by Schmidta€™s long-dead colleague, Bohumil Heinz (1894-1940). The state security apparatus was surely aware of my presence, but if they kept tabs on me, I never knew.
Garlock found on firing up the engine salst week that the timbers were too light to hold it in place, and went over to Tehachapi to haul out heavier ones.A  This will necessitate perhaps a fortnight delay, and Messrs. Everything is just so wonderful and everybody so creative, but suspending judgment long enough to actually look at some artwork and then giving it a chance isna€™t so bankrupt, is it? Human body parts are again flying and the Baron is at his best defeating Turks and evading friendly fire from buffoonish generals. Farmers would occasionally find their possessions and take them as souvenirs, unaware that the last Indians still lived in their midst. Damn the cost; ita€™s who we are and the last material vestiges of soulful encounters with our elders a€“ onea€™s whose stories are slipping inexorably away, thinned by each passing year and generation. Their kids were grown and they were by then slipping into that last, reflective phase of life a€“ done competing.
These scraps turned out to be a deck of medieval playing cards - the second oldest such cards known. A book is so much more than the sum of its parts a€“ and yet each of us tends to have our own bailiwick in which we shine and to which we look first.
CALIFORNIA STATE MINING BUREAU, THIRTEENTH REPORT OF THE STATE MINERALOGIST FOR THE TWO YEARS ENDING SEPTEMBER 15, 1896Garlocka€™s Custom Milla€”It is at Caldwell, 30 miles North of Mojave, at 2420a€™ altitude, and has 8 stamps of 750 lbs. Cadmium Yellow, for instance, is made from the compound of cadmium zinc sulfide, and calcined iron oxide is the chemical name for Burnt Sienna. These plates have been inked and wiped by hand, employing methods that woulda€™ve been familiar to Rembrandt. A way to determine whether a tube of paint contains a genuine color is to look for the ASTM designation (usually on the back of the tube, and occasionally on the face).
They crashed with my wife Jana and me in Kalamazoo, while taking the a€?orientation coursea€?nearby.
I can confidently report back to my English reader, that Jan would only grow in stature for you, if you could have fully understood the subtlety of his thoughts in his own maternal tongue. If there is a single ASTM number, the paint is made from a genuine pigment of a single substance.
Perhaps right for those who shouldna€™t have sharp objects, for fear of hurting themselves.
That show was purchased whole by Special Collections at Western Michigan University and constitutes the largest collection of Sobota bindings and the most complete archive of my work. If you find more than one ASTM number, it means several different pigments were combined to make the paint and it is not a genuine color.A An ASTM designation starts with the letter "P" for pigment, followed by a letter or set of letters for the color group, such as "Y" for yellow or "Br" meaning brown, and then a one to three digit number for the specific color.
Few people would have cast a second glance at that glued-up mess of moldering old papers before pitching it, nor would they have recognized what they had in hand or known how to restore or sell it.
OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. These folks were a profound blessing to a family facing some truly rough sailing a€“ a Godsend.
Schmidt had worked was signed with warm dedications to him and thus worth real money to collectors. He wanted to see the printmaker in me come to full fruition and I wanted to be worthy of his attentions.
The family has dwelled within sight of the seats of power, pushing copper plates through a press and outlived the Hapsburg Monarchy, First Republic, Nazis and Communists.
The intact packages were still there on their shelves, all duly graded, labeled and priced, awaiting an owner who was never to return.
Having a high ceiling gives you the opportunity to build and add a loft to your existing home. Back home, their Czech neighbors would have envied them and accused them of theft or worse, but people here seemed to be pleased as punch to see them prosper a€“ genuinely happy for them. Those items too, kept trickling out the door, until there came a sad, sad day, when the golden eggs were all gone. THE LOS ANGELES DAILY TIMES, May 20, 1898THE RAND MOUNTAINThe ore from the Rand, which is milled at Garlock by the Henry, Garlock, and Visalia mills, averages considerably over $30 to the ton.
They bashfully admitted their foolishness and went back to making beautiful books a€“ and their American friends were so relieved to see them regain their sanity.
You take time to grieve and then pick yourself up by your bootstraps (by God a€“ get a grip) and get on with it (Rome wasna€™t built in a day you know).


StrejA?ek was still working, but it was all coming to an inevitable end, as he grew shaky of hand and hard of seeing. ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900. Kings Blue, for instance, is just Zinc White (PW1) or Titanium White (PW6) plus Cobalt (PB36) or French Ultramarine Blue (PB29), yet it saves the landscape painter much time by not having to mix it on the palette each time she needs a sky color.A Some convenience colors are intended to replace an obsolete but useful pigment. For instance, the production of genuine Indian Yellow is now barred by law, so today producers create alternatives from mixtures of other colors.A imitationLike a convenience color, an a€?imitationa€? is a mixture, one that allows the manufacturer to offer an inexpensive alternative to a costly color.
Enriched by my days of being nurtured by Prague, Matkou MA›st (Mother of Cities), I moved on to meet my destiny with art. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL. Also like a convenience color, properly labeled imitations are identified with two or more ASTM numbers.
FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN. Having a Murphy bed is great for a guest room or your bedroom as it can be stored in the wall. Garlock has resided in Kern County for the past twenty years and was prominent a farmer at Tehachapi and as a miner on the desert.a€?The fact is that he was taken seriously ill with sore eyes at Garlock some six weeks ago and when the Masonic Club at this place discovered his condition the editor of the Miner drove down to Garlock with a team furnished by Mr. THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO. Burcham and brought him here to the Yellow Aster Hospital where he was cared for and treated by Dr. THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES.
You can by building this bed yourself and adding a string of LED rope lights to the bottom. Have a Chili mill also at the same place (Garlock), with a capacity of two tons per day.KOEHN MILLTHE CALIFORNIA (BAKERSFIELD) 10-16-96Eleven tons of ore from the Butte mine, milled at Koehna€™s last week netted the neat little sum of $1700. AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL. The wood for this project will cost around $300 dollars depending on where you purchase it from.
AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time.
OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. Two mills of ten stamps each have been running on the Wedge ore this week, one at Garlock, and the other at Koehn Springs, and with clean up tomorrow.
The product of this clean will not be less than $15,000, which, with that on hand, willmake this shipment aggragate $20,000.A BENSON BROS. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street.
It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique.
Elmo and on top of that fabulously rich mine a Los Angeles company calling itself the Stein Mining and Milling Company, of which J. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time. A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content. Although the ground is scarcely dry enough yet for good work.A  Soon the big dry washers of the Stine Mining and Milling Company at St.
They are beautiful in workmanship, and at first sight would seem to be too delicate for ordinary use, but they are so nicely adjusted and so carefully fitted for the work that there is neither jar nor friction noticable as they perform their work.
The concentrators are closely boxed in all the bearings and jornals, being dust-proof, and every part when in motion, running at such slow speed that there is very little wear in any portion. The end and top being covered in glass instead of wood, a full view can be had of the inside at anytime. The building and room which contain the concentrators is a frame structure 18x36 feet in size and immediately adjoining on the east is the small enging room, 11x11 in which is located the two-horse power Foos gasoline engine, which furnished the power to run the concentrators, each concentrator requiring about one-eight of a horsepower to run it. Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. Wood the inventor is here on the fround, and has had charge of overything connnected with it from the beginning.A  He is a New Haven Ct. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26. Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio.
Wood has borne all expenses and experimented entirely on his own capital.A  Believing it now to be a success he organized the Wood Automatic Dry Concentrator Company, with a capital of $100,000, and J.
One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). 2.A  Fine specimens of this ore now on view at General Manager Singletona€™s office are litterally plastered all over with free gold, and in one day recently a few men took out above $3000. They have put in a new twenty-ton wagon scale, and everything is weighed as it is shipped, and weighed again when it reaches Barstow.A  A watchman accompanies each car of ore from the time it leaves here until it is placed in charge of Mr. ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T. 30 STAMP MILL (Randsburg)THE LOS ANGELES DAILY TIMES, May 20, 1898THE RAND MOUNTAINThe ore from the Rand, which is milled at Garlock by the Henry, Garlock, and Visalia mills, averages considerably over $30 to the ton.
YELLOW ASTER MINING AND MILLING COMPANYA ( Randsburg)THE DAILY CALIFORNIAN 4-16-98The Yellow Aster Mining Company has purchased the Skillinga€™s wells and pipe line , and will soon begin the erection of a mill of suitable size to do their own milling.A  The mill will not be less than thirty stamps and may be larger. Mooers, all of the Yellow Aster Mining Company, are in Randsburg for the first time in some weeks.A  Mr.
Van Meter for a long time in the employee of the Union Iron Works at San Francisco.A  His first assistant is W.
Van Meter has been in the employee of the company for more than two years and has planned and installed all the machinery at the different works. The coldest blue is French Ultramarine, followed by Cobalt, Cerulean, Manganese, and the warmest, Prussian and Phthalocyanine. Phthalocyanine may be labeled Phthalo, Thalo, Monstral, or Winsor)i»?The darkest blues are Prussian, then Phthalocyanine.
Both colors are so potent that even a tiny amount has a powerful impact upon other colors in mixtures. Even though they are transparent, due to their intensity they effectively hide what they are painted over unless worked out into an extremely thin veneer. Rich, vibrant blacks can be made with them when combined with a strong red like Alizarin Crimson, Cadmium Red Deep, or Indian Red.
By adding white to these blackish mixtures, the blacks become handsome violet, pinkish, or greenish grays.
The most sparkling greens come from Prussian or Phthalo Blue plus yellow paint, particularly when it is a lemony yellow.i»?.



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