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The Empire State Building is the world’s most famous building – thanks to King Kong! 1)  it only took two weeks to complete the architectural drawings – so, be careful up there!
2)  the building was finished only 410 days after construction began – so, really be careful up there!
3)  the building has its own zip code (10118) – I wonder of they have their own stamps? 4)  more than 21,000 people work in the Empire State Building – that was before the recession!
6)  record time in the annual run up is 9 minutes 33 seconds – we once had a panicked tourist who took 45 minutes to walk down! 7)  the best view of the Empire State Building is from Top-of-the-Rock at Rockefeller Center (see photo to the right) - you can’t see the Empire State Building when you’re in it! Not only are the best views of the Empire State Building from Top-of-the-Rock, but the process of getting to the top is a much more efficient, quicker and orderly process. KPF was selected by The Museum of Modern Art to serve as Executive Architect for a 630,000 square-foot renovation, rebuilding and expansion project in collaboration with the Japanese architecture firm Taniguchi and Associates. The carefully considered design responds to the complex site and program demands of the Museum’s role as the preeminent international center for modern art. A new through-block entry connecting 53rd and 54th Streets reinforces the Museum’s integration within its urban context.

The 4,200-square-foot new Galleries are located on the second floor of the historic, 1939 Goodwin Stone, 11 West 53rd Street Building.
MoMA will occupy 69,000 square feet in the lower floors of a hotel and condominium high-rise development located immediately west of the existing museum campus.
A new headquarters for the New York Times newspaper was commissioned via invited competition in 2000. The best view of the Empire State Building in New York is from Top-of-the-Rock – the tallest building in Rockefeller Center. Kohn Pedersen Fox’s responsibilities include a significant portion of design development, coordination, preparation of all construction documents, and construction administration.
Galleries are vertically organized around a central atrium space, each a separate museum within a museum.
The new Galleries replaced temporary museum offices that were relocated after the opening of the Education and Research Building in 2006. New exhibition galleries on floors two, four and five will substantially expand and connect to the existing galleries on these floors. RPBW’s winning design opens up a neglected corner of Manhattan opposite the Port Authority, with a 52-storey building whose themes of permeability and transparency express the intrinsic link between the newspaper and the city.
The expansion allows the Museum to greatly increase the size of its existing gallery space. Administrative, curatorial, and educational facilities overlook the restored and renovated Sculpture Garden.

A second-floor corridor feature connects the Education and Research Building to the Museum II Building, East Wing and Gallery Building.
The new Galleries opened in mid 2008 with viewing material from the museum’s collections. They total 39,000 square feet, providing a 30% increase in exhibition area for the entire Museum. Exterior set-backs and an interior atrium skylight provide ample opportunities for natural light.
The block-wide flexible galleries on the second floor will have the capacity to bring in monumental art through a removable wall. The clean lines of the exterior facade incorporate and adapt to the original building designed by Goodwin and Stone in 1939, as well as Phillip Johnson’s design for the subsequent expansion and Sculpture Garden, and the residential tower designed by Cesar Pelli in 1984. The medium-scaled, architecturally distinctive galleries on floors four and five will exhibit masterpieces from MoMA’s modern and contemporary art collections.
The result is an architectural collage that is reflective of MoMA’s crucial role in the ongoing definition of modernism.

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