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A And yet Arnheiter's vast catalog of Hates originals details a uniquely personal vision that extends beyond the mimicked moves of a fixated fan.
A At first, the Mohawk, black leather, Doc Martens and Sex Pistols T-shirt are intimidating, even when set against the cluttered domesticity of Arnheiter's Montrose apartment.
A An ex-army brat who grew up with his mother in northeast Houston, Arnheiter formed the Hates in mid-1978, a few months after he'd had the transforming experience of witnessing the Sex Pistols live. A Then, on a chilly January night in 1978, Arnheiter and Kainer piled into a car with some friends and drove to San Antonio to see the Sex Pistols.
A Arnheiter says the punk lifestyle in Houston circa '78 was a lighter version of the hard-core practices rumored to be the norm in London, Los Angeles and New York. A In the States, sales have been much slower, but now that punk's finding its way into the Heartland, the Hates may finally start to command some respect. A "I used to have to go into some little mom-and-pop record shop and buy a fanzine to read about punk.
For two decades, his band the Hates has been thrashing away in blissful obscurity, all the while upholding the tattered flag of the punk aesthetic. Much of the weightier early Hates material is featured on the group's ninth and latest release, Greatest Hates. So it's a welcome surprise to find out that Arnheiter's imposing image doesn't carry over into his personality, which is polite, mild-mannered and chipper.
And what was weird was that the owner didn't really want to have punk there, he wanted to have rock bands," Arnheiter recalls. As far as the Hates were concerned, intoxicants never got any heavier than booze and marijuana, and the vibe was more rowdy than sadistic. Since 1982, there have been five Hates recordings (including the new Greatest Hates) and seven roster changes. It just seemed like it all fell into place for me when punk rock came along," Arnheiter says.

Closer to home, the band has been performing more frequently; club owners, it seems, no longer look at the Hates as some nostalgia act. Now you can go into a bookstore and see Green Day on the cover of Rolling Stone," Arnheiter muses. Christian Anarchy is the only original member left, but his band has become an institution that still wreaks some old-school punk rock havoc upon the Houston, Texas music scene.
And now he has to watch as bands such as Green Day, Rancid and the Offspring cash in on the resurgence of a sound that his Houston group had a hand in fashioning in the first place.
It's a career retrospective of sorts on which Arnheiter, bassist Dave Deviant and drummer Screech recreate a number of Hates songs from the '70s and '80s. A city employee who spends most of his time taking surveys for water-meter projects, Arnheiter says everyone at his workplace has long since gotten over his protruding, hair-sprayed mane.
True punks, he'll tell you, were never in it for the money or the fame (Sex Pistols impresario Malcolm McLaren be damned). Lovingly dubbed Destroy All Music, the show gave Arnheiter the chance to debut the records he'd purchased each week. Still, Arnheiter kept the group going, bringing in his friend Paul Minot (the guy who'd bought him the Pistols tickets back in '78) on bass and Lawrence Baker on drums. The newest Hates incarnation (Dave Deviant has been with the group almost three years, and drummer Joel Mora just joined) features players who are decades younger than Arnheiter, but who were drawn to the music for the same reasons as the band's founders. And while he's unlikely to change his ways, Arnheiter says he's beginning to see some sense in popularizing the genre he cherishes. If he had a mind to, Arnheiter might muster up a few putdowns to go with his been there, done that attitude. He's been sporting the look since 1982, and over the years, the Mohawk has changed in length and color more times than he can remember. But rather than talk income, this December evening Arnheiter would rather talk shop, rummaging through a closet for his crate of rare punk rock 45s.

At first, the pair called themselves the Guyana Boys Choir, opting for the Hates several months later, inspired by a term used by George Orwell in 1984.
This version of the Hates released a full-length debut, Panacea, in 1982, and continued performing for anyone who'd have them. He's consumed by the music, often sitting for hours spinning vinyl and watching grainy videos from an era that he can't seem to shake from his consciousness -- not that he wants to shake it. The dated protests and laundry-list-of-ills commentary -- driven home by simple chord changes, menacing vocals and unchecked speed -- may sound like so much dogma nowadays, but the CD's directness, and outright tunefulness in many cases, is exhilarating in measured amounts. At the time, the epicenter of Houston's limited punk scene was the Paradise Island club on Main Street, where the Hates played regularly with such short-lived local groups as Really Red, AK-47 and Legionnaire's Disease and the occasional national touring act. As the decade dragged on, and safety pins, hail of guitars and rebellion were displaced by eye-liner, synthesizers and MTV, the list of punk-friendly venues -- minuscule to begin with -- shrunk to nil. Before, I was struggling trying to learn the guitar, but with punk, I could pick it up and just start playing. There's no slighting Arnheiter's efforts to cast his own unnerving portrait of the city in which he's spent most of his 40 years.
Arnheiter fingers through his prized possessions, each lovingly preserved in transparent dust sleeves and many long out of print, with the enthusiasm of a kid showing off his prized baseball card collection. He can't quite articulate it, but you get the feeling that until punk came along, Arnheiter was living only half a life.
And rest assured, Arnheiter is as true as they come, a living, breathing, Mohawked anachronism.
It's his hobby, his emotional and intellectual release and -- perhaps more than anything -- his identity.

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