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At around 1:00 on Sunday afternoon, clouds in the sky above the 2008 Falcon Ridge Folk Festival cast an ominous pall and the wind gathered strength.
Wea€™ve never forgotten Phila€™s (and Jeffa€™s) buoyant spirit that day, coming hand-in-hand with his amazing voice and inspiring songs. With the advent of his new album Robots and Romance (folkier than the title might suggest), ita€™s time to give the man his props. Phil was born in 1975 in Saranack Lake, New York, a part of the Adirondack mountain region.
Phil sang in school choir from 3rd grade on and additionally, picked up trumpet study in the 6th grade. He describes himself at that time as a a€?closet writer.a€? Phil decided that, if he couldna€™t play songs on the radio, hea€™d write his own. After high school, Phil attended college at SUNY in Potsdam, New York, up near the Canadian border.
After graduation, he taught chorus and a a€?general music classa€? at a middle school in Ticonderoga, New York.
Back in New York someone had given him a tape by Martin Sexton, and later, in Burlington Vermont, he caught one of Martina€™s live shows. The lyrics to a€?Open Range,a€? one of the favorites for this author, contain the album title. No mere navel-gazer, Phil shows on this CD that he can generate stories a€?from the ground up,a€? using outside stimuli. While Phil continues to follow a career as a performer, he is also very proud of the job he does as a teacher in the Vermont school system, instilling the love of music in his students. Wea€™re guessing that Phila€™s innovative approach continues to pay dividends in helping him to build on his already-considerable performance talents. There are performers who scale the heights of imagination and feeling, who walk the high wire of entertainment with such aplomb it leaves audience members giddy. When Ariana sings a€?Oh The World,a€? about an act of love so precious, it seems too good to be true.
In one of her many YouTube videos, we watch as she and her father, David, play a€?Oh The Worlda€? as a duet. When Ariana was 15 or16, she attended an Ontario Council of Folk Festivals (OCFF) Conference. When she was 16, she released a self-titled demo which had only 300 copies printed a€” primarily used for her appearance at her first conference. At her fathera€™s urging, Ariana attended more folk conferences which continued to raise her profile.
Ariana didna€™t really become serious about music until a three-month bout with double pneumonia brought her close to death. Arianaa€™s first album, To Make It Make Sense, was released in 2009, when she was 18 years old. I asked Ariana about the source for the allegorical song, a€?John and the Monster.a€? She couldna€™t pinpoint anything in particular. In the video, her father, ever the supporter and mentor, sits across from her and when she finishes, he murmurs, a€?Not bad.a€? In response, Ariana laughs. When we first encountered Ariana at the 2011 NERFA last November, we were shocked to discover that the youthful-looking sideman on guitar, Dobro and mandolin was Arianaa€™s father, David.
Ariana and David will be making a number of appearances in the United States this fall, and specifically the Living Room in NYC each month. We discussed the underlying truth of the fantastical story in the song a€” that something of beauty can be destroyed by a society who would imprison it and destroy its magic. Julia was inspired by old movies and loved musicals a€” unaware that these were traits she would share with her future husband. As a testament to her advanced talent, Julia was invited to join her piano teachera€™s family musical group a€” one of the only non-family members so honored. Julia went to college at Briarcliff University in Sioux City, Iowa, getting a degree in Music and Education. As a member of a 200-person choir a€” part of her study program a€” she had fun, but it led to something more auspicious.
Julia spent a summer on a cruise ship on the inside passage of Alaska playing jazz piano, which is what inspired her to move to the West Coast. Around 1996, she moved to Marin, Calif., and continued to teach K-5 musical education, not bothering to pursue her own music. She had already decided it was time to get back to playing music and had begun performing at coffeehouses again. Iraa€™s dad would frequently pull a classical record out of a closet full of them, put it on the turntable, and tell him to close his eyes and describe what he a€?sawa€? a€” a great way to develop an imaginative relationship to music. Hea€™d hold a€?Evenings with Iraa€? in his parentsa€™ living room, entertaining his parents and their friends with various monologues and comedic bits originated by Shelly Berman, Bob Newhart and Mel Brooks.
Iraa€™s father was appointed Floridaa€™s Secretary of Commerce, so they moved to Tallahassee and thata€™s where Ira finished high school. After high school, Ira attended Florida State University in Tallahassee, majoring in theater. After graduation, Ira taught drama at a community center for a summer and played in a band. Ira started doing singing telegrams in Boulder just before moving to Berkeley, Calif., and continued doing them there. At the same time, Ira had been doing a lot of rock a€?na€™ roll with Jewish community centers as a director of music at summer camps.
After Julia met Ira at Freight and Salvage and went to his house for the songwritera€™s soiree, they became good friends.
My Friend Hafiz (2009) is based on the writings of Persian lyric poet Hafiz of Shiraz (1326-1390), widely recognized as one of the great Sufi poets. On the EP, they cover the old standard a€?Blue Skiesa€? with a melodic twist I hadna€™t heard before. Ira and Julia love writing together and were the winners of the 2011 CT folk Festival songwriting contest. As a testament to her advanced talent, Julia was invited to join her piano teachera€™s family musical group a€” one of the only non-family membersA  so honored. As I was building the layout of this feature article, I found myself unprepared for the iconic beauty I encountered in the photos by Asia Kepka on Meg Hutchinsona€™s website. A phone interview with Meg uncovered some of the unique elements that went into the creation of this fiercely dedicated poet and songsmith. Meg affectionately referred to her parents as a€?hippies,a€? [extremely bright hippies] and said that their record collection included all the classic stuff, including Bob Dylan, Joni Mitchell, James Taylor and Jackson Browne. When her grandmother passed away, an uncle sent the grandmothera€™s guitar, a beautiful old Martin, to Mega€™s family.
In eighth grade, Meg wrote a song, a€?Freedoma€™s Ocean,a€? about apartheid in South Africa for a geography project.
In spite of the revelation that came after singing her apartheid song at the talent show, Meg, overwhelmed by the culture shift and her parentsa€™ unraveling marriage, put her musical ambitions aside in high school and concentrated on athletic pursuits.
By the time she was 17, while attending Simona€™s Rock, Meg had her own apartment and worked at an organic farm. Meg experienced many mood swings during her early years that she attributed to a€?artistic temperamenta€? but they became more pronounced as she got older. Her first self-titled album grew out of her college poetry study, working on the farm and dealing with her varying emotional states. Her next album, Against the Grey, was more formally produced at a studio by musician Robby Baier and released in 1999.
Meg had been a a€?huge Martin Sexton fan,a€? and wanted his producer, Crit Harmon, to produce a CD for her.
Passim, the renowned folk club in Boston, runs a fundraising festival each year called a€?The Cutting Edge of the Campfire.a€? Meg was grouped with fellow songwriters Antje Duvekot, Anne Heaton and Natalia Zukerman. The last few performers to play their showcases at the Acoustic Live booth gathered inside as rain fell. As hail, carried on a 70 mile-per-hour wind, buffeted our shelter, Phila€™s sideman, Jeff Kimball, sang a song about the Titanic. When the wind subsided, it was still raining, and Phil and Jeff announced that theya€™d play their set. Since 2005, hea€™s been a valued performer in every Falcon Ridge and NERFA showcase wea€™ve held. He played trumpet through high school in both the jazz and marching bands, thereby achieving full band geekdom (as opposed to the author, who achieved geek status while throwing spitballs in study hall). Crane School of Music, a part of SUNY at that location, is certified for Music Education, and that became Phila€™s major.
While there, hea€™d drive one-and-one-half hours each way once a week to play the open mics at Caffe Lena, in Saratoga.
In 2005, he was selected as one of the 25 a€?Emerging Artistsa€? at Falcon Ridge, picked to play two songs at the Friday afternoon showcase. Around the campfires, into the wee hours of the morning, he soaked up the songs of players, many with hundreds more miles on their tire treads. While the themes deal with contemporary issues, theya€™re expressed with the traditional tools of acoustic guitar, banjo and mandolin. The opening track, a€?Drive-ina€?(and cover art) is a call to remember the pleasures of a now-disappeared form of recreation. After a robbery occurred a few blocks from where he lives, he wrote a€?Hold Upa€? from the viewpoint of a desperate man needing to care for a sick wife. Another fascinating song-profile is a€?Annie Hold On,a€? an ode to photographer Annie Liebovitz. It happened at the Northeast Regional Folk Alliance (NERFA) Conference last year when we first saw Ariana Gillis, and it happens over and over, every time we see her. Ariana took piano lessons when she was young and didna€™t become interested in guitar until she got one when she was 12. When I mentioned that I found her to be a lot like Josh Ritter in her imaginative storytelling, she verified that observation, saying a€?I like it that he [Josh] tries to intertwine another story with a love songa€¦ it makes it more interesting. When Ariana was around 13, her father would take her with him when he was playing certain gigs, especially ones that hea€™d booked himself.
David started calling around asking bookers for venues to let Ariana open for artists theya€™d already booked.


These soul-defining experiences are the catalyst that affects the skewed stories she is compelled to tell. She got a publicist who helped her introduce her CD, getting radio airplay even before it was officially released, and who helped her get bookings a€” and they were exclusively her gigs. Wea€™re used to it now, but it hasna€™t lost that sense of a treasured combination of father-daughter bonding in such an exalted endeavor a€” the making of music. Beginning in the seventh grade and through high school, Julia became the piano player for all the choral teachers. The choir director drafted her into the university madrigal group, telling her a€?I need you for this part.a€? It involved singing a big solo in a piece by the late heralded operatic composer, Benjamin Britten, and gave her a new perspective as an accomplished singer she hadna€™t realized she was. She joined the Northern California Songwritera€™s Association (NCSA) which held open mics at the Freight and Salvage Coffeehouse in Berkeley. When he performed Bill Cosbya€™s a€?Chickenhearta€? routine in school and his classmates chanted his name, he was fatally bitten by the entertainer bug. A friend showed him the basic chords and how to play a€?Maleguena.a€? From there Ira ran with it, learning on his own. Music by The Allman Brothers Band and Southern rock in general were added to his growing storehouse of influences. While he did a lot of theater, he also played in clubs and bars, doing acoustic rock covers, solo or with a friend. The director of the community center where Ira worked said to him, a€?Ia€™ve created a songwriting class for you to teach the kids.a€? Ira responded with a skeptical, a€?Oh really?a€? but readily agreed to do it. She helped him pack for his trip to Scotland for The Fringe Festival as a performer of childrena€™s music. The romance got serious as they watched a DVD of the movie The Philadelphia Story one night, knocking back glasses of champagne along with the actors, then slow dancing in the wee morning hours.
The album 36 (2008) is based on the Jewish concept of the 36 Lamed Vavnicks, 36 humble and righteous saints who live on earth and hold the fate of the world in their hands. Although I tend to raise an eyebrow at the cliches of songs about coffee, when they sing a€?Coffee My Love,a€? Ia€™m won over. At first, I wanted to hear them do it the way Ia€™d always heard it before, perhaps with that archly sad version some artists use. Ita€™s the aural equivalent of having very expensive imported chocolate melt on your tongue a€” a velvety, bittersweet tone that carries with it all the pain and all the dreams in her life.
The picture I chose for this first page reminds me of a George Hurrell Hollywood photograph from the 1940s. Mega€™s father has been an English professor at Simona€™s Rock College (now called Bard College at Simona€™s Rock) all her life. She remembered, once, after playing in the yard, she came stomping into the kitchen in protest while her mother was playing Bob Dylan. She went to the Great Barrington Rudolf Steiner School, one of the network of Waldorf schools. Simona€™s Rock College had an early entry program for students with good grades, so she began her college career at around age 15 and, because her parents worked there, got free tuition. She said that she had no idea how serious things were, but attempted to express the depths of her feelings through poetry and music. Meg was now being managed by the same woman whoa€™d helped her earlier, and a€?was teaching me about the music business,a€? Meg said.
Shea€™d met him at Falcon Ridge Folk Festival, but was too shy to present herself as a prospective client.
After my early infatuation with a€?Everything Familiar,a€? ita€™s difficult to pick a favorite.
She was hospitalized by July of that year, and after several months of treatment and therapy in and out of a mental health facility, she was diagnosed with bipolar disorder.
She was signed by Red House Records and in 2008, Come Up Full, produced again by Crit Harmon, was released.
This time around, she ponders both the depths shea€™s plunged and the heights to which her bipolar disorder has taken her. Theya€™d been on the same circuit together and quickly realized how good the combination was and how much fun they were having. In quelling her bipolar symptoms, Meg lost the manic creative highs, but forges on, banking on truthtelling for inspiration. In my t-shirt, I was chilled to the bone, but I wasna€™t about to run out to the car for a sweatshirt. At each showcase he played for us, in addition to his stellar voice, wea€™d invariably hear a melody that seemed ready for radio airplay, a cut above our average showcase performer.
There was instrument training, enabling students to teach different instruments and weekly vocal lessons. In Martin, he saw a€?folk music with a rock attitude.a€? After this, he began writing in earnest. Or a crash in a rented DeVille.a€? The central figure tells the listener to look for his demise in an old cowboy film on TV during a couch-potato Saturday afternoon.
Phil had noticed that the photo in the newspaper looked a lot like him (his co-workers did also, generating a lot of teasing). Almost a doo-wop number, ita€™s done a capella in harmony with hand claps as the only accompaniment.
As he states: a€?One big thing that I offer my students that many schools dona€™t is that we put on a coffeehouse concert twice a year with my Middle School and High School chorus students. Or a crash in a rented DeVille.a€?A  The central figure tells the listener to look for his demise in an old cowboy film on TV during a couch-potato Saturday afternoon. We find ourselves wondering, a€?Just how good can she get?a€? Her powerful voice, soaring through the high registers, suggests the pinnacle is not yet in sight. During that time she thought shea€™d overcome it, but had to retreat to bed as it hadna€™t really gone away. She played recordings of her original work for the interviewer and, highly impressed, he advised her not to attend school, but to stick with her own work. Sometime soon after that six-month period, Ariana was in the studio doing the vocals for her first full CD.
We learn from her bio that: a€?David Marsh played the track, a€?John and the Monstera€™ to his radio audience a€” one response was a phone call from an enthusiastic listener who wanted to know more about the unusual song, and the singer. John, dying of a brain tumor rows out to the middle of the lake and coaxes the monster out of hiding. We have all these dreamsa€¦ but it slowly starts to disintegrate in front of us and we wonder, what happened to my shiny dream?a€? Ita€™s difficult to express here, its sound and the way it packs such an emotional wallop. Ozzie and Harriet, Laurel and Hardy, Simon and Garfunkel, Lennon and McCartneya€¦ Ira and Julia Levin. However, unlike many in her age bracket, she became a big fan of British jazz pianist Marian McPartlanda€™s late-night radio shows. It happened that a certain musician was highly involved there a€” Julia Bordenaroa€¦ meet Ira Levin. Later, Ira went on a a€?Teena€? travel tour when he was 14 and was exposed to a variety of music and what he terms a€?the counterculture.a€? His parents called it a€?the big mistake,a€? he recalled, laughing.
During this time, he and a group of friends formed an a€?undergrounda€? (non-performing) band called The Testonious Phibonz BanzA . Ira took classes at The Institute for Music at Naropa University and got deeper into musical theory. No one batted an eyelash and he thought to himself, a€?OKa€¦ this is a wild place.a€? The tentacles of Iraa€™s continuing development have a long reach. Ira got intensely interested in Fats Waller, Charlie Parker and the music of the Harlem renaissance period a€” Duke Ellington and The Cotton Club.
He followed the festival up with a trip to London, busking at Covent Garden, a highly competitive scene.
She is listed as a€?Aunt Eyea€? on Hyperactive Talking Cows, playing on a number of tracks. In this day of discord between Muslim and Western societies, the embracing of this essentially Muslim-sourced material is typical of The Levinsa€™ focus on one-ness through musical expression The Levins plan to rerelease My Friend Hafiz with bonus tracks and original stories in early 2013. This is unlike her first song to get its hooks in me, a€?Everything Familiar,a€? from her previous album, The Crossing. Her mother would go on walks and play the recorder and both her mom and dad sang lullabies to all three kids. Her mother stayed home to raise the children and later became a writing teacher at the same college.
The family didna€™t have enough money to visit her often, so she remained an elusive revered figure.
Their grief for the loss of their matriarch seemed to transfer to the guitar and everyone wept upon seeing the damage. She sat onstage in the auditorium, calmly playing for the very first time in front of an audience. There were manic periods of great energy where shea€™d write and perform, feeling very powerful. The album, named after watching Maine fishermen pull their nets from the water, is full of new self-awareness. The performers played their songs under one canopy while the sparse audience spread out under that one and a second canopy tethered to the first. Renown jazz pianist Dave Brubeck visited and played a new piece of music he had written, with the choir accompanying him.
He spent time alone, a€?woodshedding.a€? Phil recorded each song he wrote into a tape recorder. He finishes with, a€?I thought Ia€™d follow in the gunslingera€™s path, but theya€™re all in some Hollywood grave. They get experience choosing a song, rehearsing it with guitar or piano players, using microphones, talking to an audience a€¦ These are skills I didna€™t learn until I was out of college, and ones that I use all the time.
Likewise, her song-stories, fed by a keen mind open to both reality and parables of fantasy, spark a wonder in us. Catherine until Ariana was a year old, then moved further west to Vineland a€” about an hour south of Toronto. She also took music lessons in high school, studying oboe and upright bass and drums a€” and still wants to learn trumpet. More often than not, it would be Ariana and a girlfriend whoa€™d do a cover song, something that the student body could relate to and that reflected the sermon that day.


David would also perform at an annual Christmas show and would have Ariana perform as well. She slept in an upright position to keep breathing, waking up every hour, each night, coughing from the fluid in her lungs. The mystery caller was Elton Johna€™s lyricist and songwriting partner Bernie Taupin.a€? Thata€™s quite a connection a€” and one hell of a quote that came out of it. Shea€™d turn on her tape cassette recorder at night before going to sleep, press a€?recorda€? and a€?see what I would wake up with the next day.a€? Adding to that, after hearing Harry Connicka€™s jazz version of a€?If I Only Had a Brain,a€? from The Wizard of Oz, Julia wanted to focus on playing solo piano and singing. She then moved to the a€?big citya€? of Des Moines, as she laughingly called it, continuing to teach while she played music. His father was the general manager of one of the first talk radio stations in the United States, WKAT. His mom played a little bit and therea€™d always be sheet music on the piano of themes from then-current movies.
They would wait until someonea€™s parents left for an evening, then would converge at the house and bang out versions of songs by The Doors, The Who and Jethro Tull.
He dabbled in writing his own material but mostly did stuff by Neil Young and The Grateful Dead as well as those he did with Testonious Phibonz. He was in a band called Ceiling People where he sang, played guitar and flute (self-taught), and later, after a key player left, filled in on saxophone. He studied voice with Judy Davis, a legendary vocal coach whose students included Barbra Streisand, Frank Sinatra and Judy Garland. Comfy Chair shifted from art rock to a€?slam swing.a€? Ira wrote an entire albuma€™s worth of music based on that period.
After one such performance, Linda Hirshorn of Vocolot saw Julia and asked her to join her a cappella group and Julia accepted. A central idea in the concept is to treat every person one meets as if they are one of the 36.
They encouraged children to be creative a€” allowing them to move their bodies, draw, build stuff and make gardens a€” a path to letting the child be a whole person. The entire family suspended their normal routine and made a pilgrimage to the Martin guitar factory in Nazareth, Pa., to get it fixed.
She laughed as she recalled how, at one point, shea€™d fallen in love with a champion high school wrestler and lost him to a cheerleader.
One friend had a four-track recording setup and allowed her to use his living room as a studio and put the tracks together. We sang along to the Titanic song, laughing as the situation (we hoped) seemed like a miniature version of a sinking ship. More often than not, his smiling face would be the first to greet us on day one, when we pulled into the parking lot at the festival, as he directed cars into the proper lane. Hea€™d practice on an acoustic guitar at home but would play an electric when he jammed with his friends.
Never a huge fan of classical music, Phil said he felt a€?out of place.a€? Nevertheless, Phil graduated with a degree in Music Education in 1997.
Phil came to my attention that year, as someone to watch, after he asked to play a showcase slot at the Acoustic Live booth at Falcon Ridge. At the songa€™s end, the captured monster is dying, so John, sacrificing himself, sets him free, becomes sick again and perishes. Additionally, there was a progressive piano teacher, Monica McGregor, in Jefferson a€” quite unusual in a small town of 4,000 people.
Playing the baseline was necessary in emulating Harry Connick, but had to be discarded when she got into ensemble playing a€” giving it over to other instruments.
Though he was obliged to also invite her then-current boyfriend, it quickly became obvious that, next to Ira, the boyfriend had no shot. Ira became enamored of the Marx Brothers, Woody Allen and Mel Brooks, absorbing their brazen wackiness. Ira and Julia got married in 2002 and when they returned from their honeymoon, Julia joined the group. Every time I hummed the song to myself, the melody running through my head was The Levinsa€™ version. Ira and Julia got married in 2002 and when they returned from their honeymoon, JuliaA  joined the group. One main teacher acted as a a€?a€?corea€? teacher and a€?that teacher would become like a third parent,a€? Meg said. Meg said that this was a powerful, extremely moving experience for her, bonding her with her family over the value of music and this particular instrument. She wrote an unrequited love song that was the extent of her song production during high school.
She finally met Crit at a Folk Alliance conference and he agreed to allow her to demo a song for him. Suddenly the rain turned to hail and the wind ferociously pushed and pulled at our shelter, threatening to yank it out of the ground. For his closer, in a clear, high tenor, Phil sang his song "WQRZ,a€? about a radio station in Hancock, Mississippi, devastated by Hurricane Katrina, manned by a DJ who stayed behind to give out needed information, while others fled. He would constantly stop to play his guitar sitting nearby and finally gave up the piano and just stuck with the guitar.
He wanted me to get better.a€? She said that shea€™d often co-opt Patty Griffin material and turn it into something of her own. When Monica found that Julia was learning more by ear than sight reading, she stressed chord structure to keep things fun and allowed Julia to play pop songs such as those by Cheap Trick.
Upon seeing Iraa€™s band room, filled with rock posters, Julia found herself thinking a€?I cana€™t marry this guy!a€? Then, examining those unexpected thoughts, she pondered, a€?Why am I thinking this?a€? We found the answer in examining the life forces that had created the galvanizing personality of Ira Levin. He was a€?thrown intoa€? the theater crowd at around 5 years old, doing child roles (a€?Auntie Mame,a€? etc.) in community theater. His mom would play recordings of the scores of Broadway musicals on a regular basis and that went into the influence database. The swing revival hit and Electra, their record company, put out a compilation, Jump Up and Boogie (1998). Their single, a€?Cereal Days,a€? with its nostalgic look at the breakfasts we loved as kids, has had audience members waving boxes of cereal as they sing along. You did a good job!a€? Meg was actually overwhelmed with the sudden knowledge that she had just experienced what she was meant to do. The song demo grew into a series of a€?living room sessionsa€? where a€?hea€™d rip my songs to shreds.a€? Crit would dissect each song Meg presented and send her home with pieces that were like a puzzle for her to put together again. It carried some resonance given our own (much less dire) situation and very typical of Phila€™s propensity to see larger societal issues and craft songs about them to sing in his clarion voice. Phil has played at every one of the Acoustic Live Falcon Ridge and NERFA guerilla showcases ever since. David created his own arrangements of songs and eventually competed in the annual United States championship contest in Winfield, Kan.
Other than the last name pronunciation, therea€™s no confusion a€” especially regarding talent a€” once Ira and Julia Levin start to sing. Although Julia eventually learned to sight read musical notation, Monica was wise enough to show Julia how to improvise using chords that worked well together. The Levins were invited to play in both Amsterdam for the Jewish Music Festival and to Englanda€™s UK Limmud because of this album. They left the guitar there, and it was later shipped (safely this time) back to Massachusetts.
She walked out of the school, into a snowy day, carrying her guitar case, feeling that she was a€?home.a€? The song was so well-received that later she performed it at a number of open mics in town.
She told one interviewer, Bob Edwards (Sirius xm), that it was possible some days, between tips and selling CDs to make $200 in a few hours. Crit may not have known what he was dealing with, perhaps expecting Meg to dissolve and run away in tears. Even though her illness left her debilitated, she still managed to graduate from high school and made the honor roll.
The band morphed again into theatrical vaudevillian rock and put out an album, Hello Dali, a tribute to the Surrealists. He developed a persona called a€?Uncle Eyea€? and appeared on PBS as a singing storyteller. During this period, shea€™d express elements about her recurring depression, but not own it as being about herself. Meg accepted every criticism and rebuilt her songs, her lyrics becoming leaner and more concise, less dense than her earlier work.
At 1:55, a blurry picture I took shows audience members gripping the struts of the canopy to keep our structure from blowing away. He had a small career going when he was younger but gave it up and decided to help Ariana when he saw how talented she was.
Employing a kind of hybrid rock, a cross between Shel Silverstein and Frank Zappa, he did two frenetically energetic albums as Uncle Eye. My tendency to get swept up in melody and rhythm led to a late-blooming awareness of Mega€™s poetic lyricism.
Another photo, also marked 1:55, focussed outside shows other vendor booths totally closed, their sidewalls violently billowing and rippling in the wind. Another photo, also marked 1:55,A  focussed outside shows other vendor booths totally closed, their sidewalls violently billowing and rippling in the wind. A review from Parentsa€™ Press for one of them, Hippo On My Head, read a€?definitely not for naptime.a€? The title track of his second Uncle Eye CD, Hyperactive Talking Cows, came to life in 45 minutes with an assist from a large room filled with 80 camper co-writers. Similarly, my knowledge of Mega€™s journey through the dark landscape of bipolar disorder came only after my online discovery of other interviews shea€™d done. As I continued listening to her music, each bit of knowledge gave the songs greater weight. The origins of all that talent and energy blossomed in each of their pasts, building a depth of experience uniquely suited to their musical essence.



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