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739 61 0 2 667 9 0 0 0 0Although it’s sometimes sad when some of our favorite things become obsolete, it also signifies a new time of inspiration for artists. Today I’d like to share with you the retro vinyl record artwork of Angelo Bramanti and Giuseppe Siracusa who collectively call themselves L017. Paula Scher is an American graphic designer who first rose to prominence in the early 1970's with her work designing record sleeves for CBS Records in New York City. This is an example of a page, you could edit this to put information about yourself or your site so readers know where you are coming from. It is also possible to obtain a copy of your criminal record by visiting a local law enforcement office. Take books for example, now that we are well within the era of iPads and Kindles, we get to see countless ways imaginative artists are able to give old books a new life with their creations. Their work is well known in the design community, and they’ve recently updated their portfolio. During her time in the record industry she produced a prolific body of work designing over 150 album covers a year.

Download our weight loss charts as printable PDF files or as weight loss tracker for Excel.Everyone wants to lose weight as they are never satisfied with their own body weight or shape. They take vinyl records and melt them down into warped statues, portraits and bizarrely interesting 3D art pieces. A particularly impressive feat considering many of these albums are considered some of the most visually recognisable LP covers of the 70's.In 1982, Scher left CBS Records and formed the studio Koppel and Scher with her fellow Tyler School of Art graduate Terry Koppel. The FBI's Identity History Summary, typically called a criminal history record, contains information collected by the FBI in connection to arrests, military service, federal employment and immigration.
For the next six years Scher honed her considerable design talent in new areas and embraced the challenges of running her own studio.
We’ve featured a few artists who have come up with some pretty creative ways to reuse vinyl records. The two partners ran the studio until the recession of 1989, when Koppel resigned to take an editorial staff job at a magazine. This artist shingled his roof with them, and this other one made some super cool clocks with them.

If I were to see that one in a gallery, I would never guess it was made from melted vinyl records.
Left to run the business solo and also turning 40 Scher remembers, "the scale of the jobs I was working on were always going to stay the same." For the talented and ambitious designer this was obviously an uncomfortable realisation. Looking back Scher sees this work as her 'break-out' project; one that set her trajectory as a designer into a new orbit. An orbit that has seen her become one of he most respected and celebrated designers of her generation.

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