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The quick answer is this: Nowadays, there are affordable Super Tuscans made all over Tuscany.
But to fully experience Super Tuscansa€™ seductive siren song, you have to go to the land of their birth: Bolgheri, a small town in the province of Livorno, in the coastal area known as the Upper Maremma. The Marquis planted his first thousand cuttings not in Sassicaia, but up in the hills where hea€™d hid from SS roundups during the war. The premise of Sassicaiaa€”an Italian wine using French varietals, nurtured in barrique, and intended for long aginga€”was revolutionary.
In 1994, Bolgheri Sassicaia became a DOCa€”the first in Italy tied exclusively to one winery.
Other wineries sprang to life and all followed the Marquisa€™s lead, using French grapes and barrique aging. This Gold Rush has continued unabated over the past decade, with winemakers and investors from all over Italy snatching up property up and down the Tuscan coast, including Piedmonta€™s Gaja (Caa€™ Marcanda), Amarone producer Allegrini (Poggio al Tesoro), and Chiantia€™s Castello di Fonterutoli (Belguardo), among other wine stars. Splurge a bit more, and youa€™ll take a great leap forward: Guidalberto ($45), the second label to Sassicaia, and Le Serre Nuove della€™ Ornellaia ($55) usher you into the realm of dark plush fruit that gets its ripeness from the Tuscan sun. My professional credentials have allowed me to taste iconic wines that are well beyond my price range.
Every winemaker with a few hectares of land puts together some kind of blend that falls outside the official DOC and DOCG categories, utilizes French grapes, and adopts this nomenclature. And to truly appreciate their shock value and influence, you have to travel back in time to the days when cabernet, merlot, and other bordelaise varietals were no more common in Italy than Dijon mustard or Brie cheese. Born in the Piedmont town of Rocchetta, the Marquis schooled in Pisa and by age 30 had married a Bolgheri aristocrat, Clarice della Gherardesca, whose family once lorded over coastal land from Pisa to Piombino. Called Castiglioncello, this plot of land was surrounded by virgin woods and was high enough to catch the cool sea breezes, which provided a freshness and temperature excursion well suited for grapes. The Marquisa€™s son recognized that they had no expertise, no contacts, and no track record in wine marketing or distribution. These early pioneers included Grattamacco, Michele Satta, Tua Rita, and Ornellaia, the latter founded by NicolA? Antinoria€™s son Ludovico. Virtually all the top wineries now have one or two labels made from a€?lessera€? vineyards (that is, with younger vines or in less advantageous positions) or from grapes that dona€™t undergo quite the same rigorous selection at harvest.
These wines will be labeled under the broader category a€?Toscana IGT.a€? Ludovico Antinori recently created Tenuta di Biserno in Bibbona, just north of the DOC border, and its entry-level Insoglio del Cinghiale ($24) is truly superb.
This selected line-up includes other good, well-priced coastal Super Tuscans that Ia€™ve encountered at professional tastings, through wine shop recommendations, and at the wineries themselves. Ia€™d tried the pinnacle of Super Tuscans, wines like Sassicaia, Ornellaia, Masseto, and Grattamaccoa€”names that inspire a certain kind of hushed awe. In the 1930s, the Maremma was a region of peaches, strawberries, swamps, and thoroughbred horse farms, not wine.
Hea€™d first tasted cab during his childhood in Rocchetta Tanaro, and cabernet was the grape his great-grandfather Leopoldo had recommended as a€?the most reliablea€? in his 1869 catalog of 376 grape varietals. But when his workers tasted the wine that Marcha€”the standard waiting period among peasant-farmers to judge a new vintagea€”they pronounced it undrinkable. His other son, Piero, created the first Super Tuscan in the Chianti Classico region (Tignanello in 1971) and more recently pushed Gualdo al Tasso into the modern age with its eponymous Super Tuscan. Since ita€™s the same winemakers who craft these wines a€”with the same skill and pridea€”the standards are high.
Like their top-tier brethren, these polished wines dona€™t overreach or aim for ultra-extraction. Perhaps ita€™s the presence of dark, briary syrah in that blend that strikes my fancy, since I also adore Il Bruciato, another blend containing syrah.
Tuscans drank a light, simple sangiovese that was bottled and ready to quaff six months after harvest.
At the entry level, therea€™s Le Difese ($25) from Tenuta San Guido, Il Bruciato ($22) from Gualdo al Tasso, and Le Volte ($23) from Ornellaia.
Lagone ($15) from the Aia Vecchia winery is also a good buy from the area between Bolgheri and Bibbona.
The Marquis, whoa€™d grown up with age-worthy Bordeaux favored by the Piemontese gentry, yearned for something more sturdy and enduring. Like most classic Bolgheri reds, they contain a dose of caberneta€”in this case, 70 percent, 50 percent, and 10 percent respectively, while the balance is sangiovese for Le Difese, merlot and syrah for Il Bruciato (which has Bolgheria€™s prettiest label, picturing the ubiquitous umbrella pines), and sangiovese plus merlot for Le Volte.


After devoting his energies to horseracing in the pre-war decades, he turned his attention to wine after 1942 when the Gherardesca property was divided between two sisters.
But when he tasted the cabernet some years later after the tannins had mellowed, it was a different wine entirely. A master blender, Giacomo Tachis helped refine Sassicaiaa€™s cabernet sauvignona€“cabernet franc mix and began overseeing their wine production. It came from the waves of a torrent,a€? deposited there during the flooding of the Mediterranean eons ago, after Africaa€™s northward drift reopened the gates of Gibraltar.
His wife inherited Tenuta San Guido and a tract of land called Sassicaia, named after the rocks, or sassi, pulled from the soil. This rush of water created the hills and valleys at the foot of the Apennines and accounts for the vastly different soil types on Tuscanya€™s coast, which range from marine sand to 100-million-year-old soil from the third geological era. Her sister, Carlotta, had married NicolA? Antinori, the 25th generation of a great Florentine family that had been making noteworthy wine since the 1300s. Italya€™s most prominent wine critic of the time, Luigi Veronelli, gave it a hearty endorsement. The Sassicaia vineyard, says Scienza, a€?is rich in metals and has a degree of clay thata€™s not present elsewhere in Bolgheri. Encouraged, the Marquis expanded his vineyards, planting in Sassicaia and another plot nearby. He modernized his cellar and started aging the wine in French oak barriques at the suggestion of his nephew, a recent enology graduatea€”much like the Bordeaux the Marquis so loved. Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts. Thus, this is a wonderful time to have him take a look at your script.i»?A This page is set aside to give us an opportunity to keep our visitor abreast of what is going on with Maxima Vision Films and our film school.
At the same time we encourage our visitor to write us anything they feel may be of interest in film and television to our community.
Many of these articles are written by our own CEO who is serious about keeping our whole community up to date with any breaking news and events we may be involved with. In the event you write to us a story we find the community may want to know about we will post here on this page. These stories may be of any kind pertaining to the film and television industry, from casting calls our community may want to know about, to events in the area, to a new story ideas you come up with you think might make for a good film or television production.
Randall Maxwell of Maxima Vision Films takes some of the backdrop of that particular White House, fictionalizes the story, orchestrates some look-a-likes and dramatizes a womana€™s lust for power who is willing to do whatever it takes to become the first lady president of the United States, including assassination, sex, love or war.
When three unlikely but well-intentioned groups of mighty people join forces to battle the demon, they face challenges within and without. Their variegated backgrounds, including slavery, military, and commoners, must be overlooked if they are to stop Man Burnera€™s evil quest. The powerful and precious Atma stones must be kept secret if the world is to be saved.Will Man Burner be able to succeed on his quest to find the Atma stones? This delay is expected to last a couple of months, postponing production of every film by a couple of months.The reason for this suspension is due largely to the fact of us not yet having our film school, which is attached to our production company at the point where our investment group had wanted it by summer of 2013. Another large factor is not finding a large enough pool of talent here locally who have enough professional film experience or training to allow us to completely cast four feature films per year, let alone finding enough professionally experienced crew.Thus, one of the things we are now awaiting is hiring a casting director in Hollywood to cast any remaining major speaking roles for each film we have been unable to cast thus far. This is an all out effort to raise the bar in this region of professionally trained actors as well as crew. At this summer feature filmA  consortium; Whether you are an aspiring producer, director, script writer, editor, animator, actor, cinematographer, or just want to learn the ins and outs of the film making industry, you may begin as early as the summer of 2013 building your working resume by participation in our Summer Feature Film Consortium! Well, we have serious investors who share our same passions who are willing to put their money where their mouths are.
Let us commit ourselves then together to perfecting our craft of film making and television production by committing to professional training and stop spending money with so-called agencies who are simply in business to sell schools and photos, but have no real connections to even consider making even a feature film.
It is a very sad thing that so many have been lured into such scams and have been taken advantage of, but now it is time for change and a part of this change is a must, raising the bar of excellence. It is now time for us to show our investors that we are willing to invest in our future so that very soon they will allow us the opportunity that all of us can make a very good living doing what each of us love doing and that we are extremely passionate about.A This film school has always been and will continue to be always a very specialA  part of our production company and our plans for the future as a means of keeping well trained professionals continuing to come on board with our production offices, from professionally trained actors to crew. This keeps fresh ideas coming through the doors, but more importantly it allows us to always know we have the most highly skilled actors and crew that money can buy.


Our investment group has always made the film school a stipulation on their investing in our feature films and will continue to do so. A One of the biggest concerns of our investment group is to keep from happening here what happened in Louisiana, where their film makers were at least diligent in getting their law makers to raise the incentives to entice major film production companies like Maxima to come into their state to produce films in their state. They were able to do this by quoting statistics which prove, when major film production companies come into your state and begin producing motion pictures, they bring with them literally millions of dollars into the local economy. In Louisiana, they experienced tremendous success in enticing these companies into their state.A Unfortunately, these companies came by the droves, however, once there they found there was not enough professionally trained talent already there to produce the number of films they wanted to produce, causing them to have to hire the bulk of their needed talent out of state. Because these incentives are based on hiring local talent, these companies when they were forced to hire outside of state talent, they lost their incentives.
Louisiana has since worked diligently trying to get professional instructors in their public schools and universities to train up a workforce of professionally trained film and television professionals to salvage what they can of the professional production companies who have remained and tried working with them.A At Maxima Vision Films, we have experienced the same thing in this region as far as finding sufficient professionally trained talent to do here what we had planned to do in this region. When I speak of this region, I am speaking of the region of Tennessee, Arkansas, Oklahoma and Louisiana. We have two investment groups, one of which has already committed to funding four feature films or television productions per year over the next five years here in this region with Maxima.
We want to shoot films that matter, films which can help to shape our culture positively as opposed to negatively.
These films will be marketed directly to the Christian community, which when one considers 70% of the USA population are professed Christian, this is an enormous market. We are certain if we can keep our production cost down under a million dollars the odds are in our favor of at least breaking even if not making a few dollars, especially considering telling stories that matter. If we can keep our films under $500,000 the odds go up even further, and we know one film in 6-7 will make a substantial return.
Our main goal though is telling stories that matter, that might help shape our culture positively, and we can all make a decent living while doing what we are all passionate about doing. A To accomplish all of this though, we are going to have to raise the bar here in this Texas region as far as talent goes. We are diligently seeking those individuals who have a real passion for film making and television productions, who are driven by this passion to do whatever it takes to one day be able to make a living in a industry that chances are very bleak in anyone getting to a point of making a living.
However, one thing is for certain, to have any chance at all, the more one is willing to do in the industry, whether it be sweeping the floors, taking coffee to the director, or being the lead role, or simply investment of time, energy, and money to keep perfecting their craft, all tends to lead to work, which gives us more exposure, that in turn leads to more work, etc, etc, etca€¦ A The point is this; we have investors, which is something, if not the one and only thing which keeps most from doing what they truly want to do in this industry! These investors are seeking individuals like yourself who are like minded, those who have a real passion for film making and television productions, but who are also just as passionate about telling stores that matter. However, the real key is finding these like minded individuals who take this business very serious, as serious as our investors take it, those who are willing to invest into their own future, so as to help them to perfect their individual craft so that they are the very best they can become, so that as a collaborative art form we are able as a group of individuals creating a quality product. After he began his own recovery, he helped set up centers to help other addicts."I abandoned my old life to serve the Lord Jesus Christ," he said. One twin struggles with an addition to prescription drugs, while the other battles doctors whose prescription anti-psychotics are driving her sister to madness and death.a€?One is what I call a€?preachya€™ and more for the church community and affirming faith,a€? Maxwell said. With the first type of film we will focus on films which are considered preachy and on the nose which will be marketed directly to the Christian community. The second types of films we will focus on are those designed to reach the un-churched with a message of hope for a hurting world, a film with at least a redemptive message.
This investment group is especially interested in getting involved with projects where the project owner has some sort of invested interest in the project themselves or have some avenue to put together a split funded project somehow, thus splitting the risk as well.A A Thus, this investment group funded many trips around the country for Dr.
Maxwell to travel and meet with other investment individuals, companies and groups who had expressed interest in partnerships with the films we were already in pre-production stage which were our films a€?Rachela€™s Gracea€? and a€?Sister Surrendereda€?, both of which had an estimated production budget of around $300,000. We had felt with partnering with others who could double the production budget we could add at least some actors with much experience as well as other talents. Unfortunately, at this point, though we met many such investment groups who had expressed interest in split funding our film projects, most simply had projects themselves who they wanted our investment group to invest in their film projects and did not show us even any interest what so ever in split funding our film projects after our investment group paid travel and lodging expenses for Dr Maxwell to meet with these people.
A With this being said, this has been a very expensive summer for our investment group in trying to put together split funded film projects.




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