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In 1965, while working as a waiter that summer in the Catskills, a folkie came through and stopped at our little hotel to visit a friend on the staff. Upon my return to Connecticut, I promptly sought out Will Tressler, my folk-singing Industrial Design professor.
We were also getting off on rock staples like the Beatles and Stones and our homebred establishment bashers, The Jefferson Airplane.
His father had seen Jorma pick up and fail to continue with other instruments, so he agreed that if Jorma could learn two songs on his friend's guitar, he could get a brand-new one. In high school he became friends with Jack Casady, also a guitarist, and together they went to concerts and clubs. A subsequent work-study program through Antioch allowed him to live in New York City and strengthen his chops further. He played at open mics at Folk City, and got to watch the Reverend play live there, as well as people like Sonny Terry and Brownie McGee and John Lee Hooker. In 1962, Jorma moved to the San Francisco Bay area and enrolled at Santa Clara University where he finished getting his degree in Sociology. He was teaching guitar in a small music store in San Jose during this time, playing as a solo act in coffee houses and backing up a young, promising blues singer on the acoustic scene by the name of Janis Joplin. Old friend Barry Mitterhoff (left), mandolinist extraordinaire (a member of Silk City when Acoustic Live featured them in our December 2000 issue) has joined Jorma (center) and Jack Casady in the present version of Hot Tuna.
When the band went on tour, at first, shows weren't as long as they would later become, and Jorma and Jack still had plenty of energy afterward. In 1972, the Airplane disbanded and Jorma performed and recorded both solo and with Hot Tuna. In 1988, while playing a gig with Hot Tuna in Key West, Jorma took notice of a woman from the stage.
In addition to guitar, there is also instruction on bass guitar, lap steel guitar, mandolin, percussion, vocals and songwriting. There is also a concert hall at the ranch where national touring artists look forward to playing. Life is full for Jorma these days between touring and teaching and being a husband and father (he has a 10-year old son and 18-month-old daughter). A subsequent work-study programA  through Antioch allowed him to live in New York City and strengthen his chops further. While being held under house arrest there, Paul received a visitor named Onesimus, whose name meant profitable or advantage.
The first six or seven years, I spent bouncing around academia, pitching fitfully toward a B.A.
He rocked his head back and forth, flinging long hair side to side while his foot plied a wah-wah pedal.
Sufficiently toked, we decided to take in some music at a local venue that presented two or three nationally touring acts per evening (Paul's Mall? He remembers learning Louvin Brothers songs and he was able to make that trip to the music store.
There he met Ian Buchanan, who turned him on to fingerstyle guitar, specifically the music of the Reverend Gary Davis.
Perhaps it stemmed from the time that Ian Buchanan helped him learn how to play finger style, or simply to pass along the torch of the old craft, down from the Reverend, to new generations of players.
Besides Jorma, the pantheon of great teachers includes, at various times, Jack Casady, Chris Smither, Little Toby Walker, Happy Traum, Bob Margolin, John McEuen, Barry Mitterhoff, Woody Mann, David Lindley, David Jacobs-Strain, Beppe Gambetta, Tommy Emmanuel, Guy Davis, Rory Block and a host of others.
The sound of the metal picks against the bronze strings blew everything else out of the water.
Around that time, I learned that the Reverend Gary Davis, an inspiration to many 50's and 60's folk-era fingerstyle guitarists, was playing one evening at a church coffeehouse in the area.


Not sure -- the 60's had finally kicked in.) Among the people appearing over two nights running were Pentangle, Livingston Taylor anda€¦ Hot Tuna. When Jorma was 17 years old, he and Jack (then 15 years of age) formed a band called the Triumphs. When Paul Kantner asked Jorma to be in a new band, he demurred at first, having reservations about going electric.
Soon, they were doing acoustic sets in the middle of Airplane concerts to enormous audience enthusiasm. On a whim, Vanessa Lillian, a civil engineer, had accepted an invitation to attend the concert.
There are lessons in guitar, from Jorma, Woody Mann, David Wolf (includes beginner level), bass from Jack Casady and Oteil Burbidge and mandolin from Barry Mitterhoff. Papa John Creach, violinist for theA  Airplane, also joined the band for a couple of years. For anyone who harbored a fondness for fingerstyle guitar, this was an inclusive jewel of life-changing proportions. Hot Tuna took a hiatus in 1977, leaving Jorma to do solo work, both solo acoustic and electric, with bass and drum backup. As if following a Hollywood script, they talked all night, and then got together the next day, then again the following night. That dream has come to fruition in Fur Peace Ranch, a guitar camp in Pomeroy, in the hilly farmland of southeast Ohio, about two hours drive from Columbus.
The site allows the student to contact the instructor and receive specific help to smooth out any rough spots with the lessons.
When Onesimus ran away, he probably took with him money and goods which belonged to his master Philemon. Vanessa's engineering background and her organizational skills enabled the dream to achieve reality. In the two samples which show Jorma, a song is broken down into sections and demonstrated throughly. Their acoustic blues set reinforced the cross-pollination between the folk and rock worlds.
Jorma developed a fondness for blues and bluegrass.His early influences included The Carter Family and Flatt and Scruggs. I didn't know then that Jorma had already paid homage at the shrine of the Reverend Gary Davis, genuflecting numerous times. When he was 15, he decided he wanted to learn guitar and play bluegrass and old-timey music. Paul, however, honored the social tie that bound a slave to his master and respected the duty Onesimus owed to Philemon, his master. Guided by the tenth commandment, which forbids coveting another man's worker, and by the law of love, Paul decided Onesimus should return to Philemon.
Paul was about to send Tychicus, a co-worker, to Colosse with a letter Paul had written to the church there. Tychicus' traveling to Colosse offered Paul the opportunity to send Onesimus with Tychicus to Philemon.
Onesimus went willingly as a penitent Christian to seek his master's forgiveness and to return to his service in Philemon's household. Rather, Paul commended Philemon for the loving compassion he showed to his fellow Christians and then interceded in Onesimus' behalf. Slaves, such as Onesimus, who were brought back to their masters were often treated most harshly and under Roman law could be killed. Paul noted that Philemon was having Onesimus come back to him as more than a slave but as a brother in Christ and fellow believer.


Since it was quite possible that Onesimus had wronged Philemon and was indebted to Philemon for what he had stolen, Paul even offered to have Philemon charge the debt to him so that Paul might repay him.
In offering to repay Philemon for Onesimus' indebtedness, Paul reminded Philemon that he owed him his very life, for it appears that in some way as a result of Paul's gospel ministry Philemon had become a believer in Christ the Savior.
In the course of his letter Paul hinted that he would very much like to have Onesimus back with him in Rome. An automobile may be filled with enough fuel to drive a long distance, but it wona€™tA go anywhere until someone puts the key into the ignition and then turns the key. Even though Goda€™s Word says I have a sound mind, I continually feelA like I dona€™t have control of my thought life.
And in spite of the fact the Bible says God has blessedA me with gifts and talents, I feel like a dope who has nothing to offer to this world.
But for that potential in you to be released, you have to hold the right key in yourA hand.A Furthermore, it isna€™t enough for you to just possess the key. You have to put that key into theA a€?ignitiona€? and turn it so the latent potential that resides inside you will be ignited. This is a person so sure of his information that when he speaks, he does so with confidence and boldness. You should study, read, listen to teaching material a€” inA other words, you should use every available resource to discover what Goda€™s Word says youa€™ve beenA given in Jesus Christ. The moment you open your mouth and start confessing the good things that are in you by Jesus Christ, a supernatural connection is made between your faith and allA that Jesus has deposited inside you.
At that moment, the gifts and treasures God has placed insideA you become supernaturally activated.
Instead of speaking what God says about them, they ridicule themselves, put themselves down, and speak badly of themselves. By acknowledging the basic truths of what you have been given in Jesus, you will release so much divine energy that it will radically transform your life.
When I hear my own words, even I can tell ita€™s wrong for me to speak so lowly about myself. Forgive me for speaking so wrongly and for allowing myself to remain imprisoned in self-defeat. I am truly repentant for theseactions, and I ask You to forgive me and to give me the power to change my behavior. I agree with all that Goda€™s Word declares me to be, and I speak these truths about myself.
Every dayA Iam getting more positive and more faith-filled, and my mouth is speaking what God says about me. Do you speak well of yourself, or do you find that you constantly criticize yourself and continually point out all your flaws? If you were to ask your friends what they hear you saying about yourself, would they say you speak positively or negatively?A 2. What changes do you need to make in your life in order to change your confessions about yourself?
Guided by the tenth commandment, which forbids coveting another man's worker, and by the law of love, Paul decided Onesimus should return to Philemon.
Tychicus' traveling to Colosse offered Paul the opportunity to send Onesimus with Tychicus to Philemon. Rather, Paul commended Philemon for the loving compassion he showed to his fellow Christians and then interceded in Onesimus' behalf.



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