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This is a site dedicated to the propagation of strange and exciting cinema (and television) from all over the world as well as America's own grand tradition of exploitation cinema classics. From the front (and back) seats of drive in's across the nation, to the sleaze pit theaters of New York's famed 42nd street, to the comforts of home watching fantastic cinema on the Late Show, remember those classic (and sometimes classless) films of old and even discover some new ones.
With no gore and very little blood, this psycho-horror-thriller depends on the build up of its characters for its galvanizing brutality and lingering death scenes.A not so innocent couple are kidnapped by three ex-military men, hellraising weekend warriors who plan to take them up to a mountain cabin for games of degradation and humiliation.
The couple are soon let go and viciously hunted down like animals by the bloodthirsty, former Vietnam vets.This is yet another movie that features ex soldiers who bring mental illness back with them from their time in Vietnam. What makes this particular entry of special interest is that it's a British-Spanish-Italian co-production.
Unlike other movies in this occasionally subtext heavy sub-genre, OPEN SEASON only uses the Vietnam device fleetingly focusing more on the three men and their propensity for unapologetic sadism. Not long after they've begun their trip, it becomes quickly apparent that something just isn't right about our three 'Great White Hunters'. They all lead successful lives at home with wives, but once they take off on their yearly woodland excursion, they become veritable savages of the worst kind."Now you listen to me, Marty. What's coming is foreshadowed when the three psychos head out one morning and blow away every creature of the forest in the vicinity.
That night, they enjoy an ensemble performance of 'Run, Rabbit, Run' with Art (Richard Lynch) on accordion.
Breaking the momentum momentarily, Greg looks up at Martin and says, "Did you finish the dishes?"Greg inquires about Marty's chores in the kitchenPeter Fonda is still playing 'Crazy Larry' here as Ken.


He's constantly smiling, cracking jokes, gnashing his teeth and, like his two compatriots, certifiably insane. His performance is virtually interchangeable from his equally unlikable role in Hough's more well known road movie. Law shows he was just as efficient as a cold blooded killer as he was playing a comic book style hero. Richard Lynch was a pro at playing despicable characters and this one here is no different, only he's sharing the screen with two others. Lynch's character is more easily agitated than his two demented friends and also crumbles under fire once the tables have turned.William Holden's role amounts to basically a cameo appearance appearing at the beginning and the ending. At the beginning, we learn his daughter had been raped by three men whose faces, or names aren't disclosed.
Some time passes and we see Holden's character again--this time escorting a little boy to Ken's home at a party the day before the three prepare to head out on their vacation. There's two shocks during the conclusion--one you'll guess and the other, concerning one of the protagonists, you likely won't.Alberto De Mendoza (billed as Albert Mendoza) will be instantly recognizable to Euro western fans having played significant roles in such pictures as A BULLET FOR SANDOVAL (1969) and THE FORGOTTEN PISTOLERO (1970).
He also starred in THE PEOPLE WHO OWN THE DARK (also with Paul Naschy;1976) and HORROR EXPRESS(1972) to name just a few.
Fans of Helga Line will get a quick ogling of her during the party scene near the beginning playing Greg's (Law) wife.Based on the novel by David D. While they're the victims, they aren't completely free of guilt, themselves and the film explores this aspect of their relationship nicely.


The atmosphere, the crazed behavior and nonchalant attitude of the men towards their actions is what makes OPEN SEASON a grim viewing experience. Essentially, the same story was done again in 1994 as SURVIVING THE GAME, but was more of an action picture.The violence, while not overly graphic, is unsettling in its depiction of death.
The camera often lingers in close up on characters during the lengthy last moments leading to their final expiration.
Fernando Arribas's camera captures some sprawling shots of the wilderness that adds to the isolation of the victims and their hunters as well as giving off an aura that someone is watching nearby, a notion that becomes a reality towards the end. Ruggero Cini's music has a frequent and unusual American sounding style about it that emulates and perpetuates a feeling that we're in DELIVERANCE (1972) country. Well known British singer, John Howard, contributes a song, 'Casting Shadows' to this production.A phenomenally grand cast was assembled for this criminally underrated movie from Peter Collinson, a director whose resume likewise gets little attention. It's the prolonged degeneracy and moral debasement that this film flirts with exploitation potentiality. Hopefully, Columbia (or whomever currently owns the rights) will see fit to remaster this movie announcing OPEN SEASON on its rediscovery.



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