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Indie rock band OK Go partnered with Russia's S7 Airlines for its viral new music video "Upside Down & Inside Out," which was shot in zero gravity.
The new viral music video for indie rock band OK Go's "Upside Down & Inside Out" was pulled from YouTube Friday for violating copyright, Variety reported.
Facebook gained exclusive rights to stream the video in an attempt to add more video content on its site to rival YouTube, according to Variety.
The Grammy Award-winning group has been making viral music videos since 2006, as HNGN previously reported, starting with the release of the music video for "Here It Goes Again," which included a dance routine performed on treadmills.
Lukas Nelson, the son of Willie Nelson, has released a new album, "Something Real," with his roots rock band Lukas Nelson & Promise of The Real. You don't have to be a booze hound to enjoy the travel adventures of Jack Maxwell, host of "Booze Traveler" on Travel Channel. Louise Harrison, the elder sister of George Harrison, had a front-row seat to musical history.
We Millennials are killing the art of conversation and the desire to make our voices heard a€“ really heard a€“ one text message at a time. OK Go's new music video for their song "Upside Down & Inside Out" was filmed in zero gravity.
OK Go is known for making crazy, viral-worthy music videos, and their latest for their new song "Upside Down & Inside Out" might be the coolest one yet. The two directors went on to explain how this had been a dream for them for a long time, and that the idea process took a lot of time and thought. Kulash added, "Because what we didn't want to do was a bunch of cool stuff and edit it together later. While Kulash has big dreams and would love to shoot a video in space one day, Sie doesn't think that's the best idea.
Arras is a WordPress theme designed for news or review sites with lots of customisable features. Posted by OK Go on Thursday, February 11, 2016The clip features band members and two aerialist acrobats dressed as flight attendants doing gravity-defying moves throughout the plane. Many of the stars of the early YouTube era have since faded into obscurity, but OK Go is still rolling along.
OK Go released “Upside Down & Inside Out” on its Facebook page, and viewers quickly rolled in.
The OK Go YouTube channel adds on some teasers, but the band hasn’t released a proper behind-the-scenes look yet. SUBSCRIBE Get Tubefilter's Top Stories, Breaking News, and Event updates delivered straight to your inbox. If you have a great news tip, are interested in advertising on Tubefilter, thinking about possible partnership opportunities, want to find out more about our upcoming events, would like to write a guest post, or just want to say "hello," be sure to drop us a line. OK Go are sort of like those neighbors kids down the street who are always getting into trouble, but not causing any crimes. The overall look of the video looks fairly simple, featuring the band tossing random items around before flying about the cabin with a pair of stewardesses, but there was a lot of prep work that went into this project.
The logistics of creating the video alone without adding any of the choreography was a feat in itself. Despite what some might think, Kulash says that the group never think of their video ideas before the music. OK Go used their YouTube channel, from February 3, to build anticipation of the Facebook video launch. This video was shot in a single take on an airplane that flies parabolic maneuvers to provide brief periods of weightlessness, sometimes referred to as or “zero gravity” or “zero g.” The longest period of weightlessness that it is possible to achieve in these circumstances is about 27 seconds, and after each period of weightlessness, it takes about five minutes for the plane to recover and prepare for then next round. Before and after each period of weightlessness, there is a roughly 20-second stretch when it feels like there’s increased gravity. In parabolic zero gravity flights, the plane acts like your hand, and everything inside the plane acts like the coin.


Of course, the plane itself is rushing through the atmosphere, and all that air outside the plane causes lots of drag as the plane races through it. Then, like your hand catching the coin before it drops to the ground, the plane catches us. The effects of zero gravity, and the double gravity you feel just before and after the weightless periods, can make people very nauseated.
We were just east of Moscow, close to the the Yuri Gagarin Cosmonaut Training Center for ROSCOMOS, the Russian Space Agency, which is located in a place called Star City.
It took months plan and set up, but we were actually on site near the Cosmonaut Training Center in Russia for 3 weeks. Tatyana Martynova and Anastasia Burdina, our S7 air hostesses, are trained aerialist acrobats.
Further production was provided through Profilm by line producer Vladimir Sigalov, production assistant Maxim Svezhenets, production manager Vladislav Derebasko?, assistant production manager Yuliya Chekhurdina?, first assistant camera team Dmitriy Manannikov, Sergey Kirichenko, and Ivan Sushkov, video techs Alexandr Vermul and Viktor Bakay?, crane operators Oleg Borisov and Sergey Moguchiy?, gaffer Slava Timonin?, electrician Ageev Anton, key grip Turov Ilya, sound engineers Roman Mashkin and Maxim Starchenko?, art director Andrey Vargockiy?, props team Elena Duka, Anton Nemoytin, Viktoria Temnekova, Sergey Polishuk, and Maria Atamanenko?, stage team Vyacheslav Vaganov, Andrey Didenko, Maxim Sazonenko, and Maxim Kuzmin.
Behind the Scenes shooting, editing, and production was provided by Geoff Shelton at Hank Films. Post Production was done at Therapy Studios by Joe DiSanto, Margaret Ward, Meg Ramsay, Bob Curreri, Wren Waters, Rachel Moorer, and Geoff Stephenson??. Visual effects were produced at Visual Creatures by Anne Cuizon Pendola, Ryan McNeely, Tony Banik, Dustin Bowser, and Sam Winkler.
What is The Inspiration Room?A global effort designed to influence, affect and involve creative communities in the development of a world standard for inspiration, particularly in the fields of advertising, design and film. The Russian airline S7 Airlines, which funded the band's innovative music video, uploaded the clip to its YouTube page but it did not have the authorization to do so since Facebook held exclusive streaming rights. It all started with their iconic treadmill dance routine for "Here It Goes Again," but this new video stands out from the rest because it was filmed in zero gravity, and the results are absolutely mind-blowing. It was directed by OK Go's front man, Damian Kulash, along with his sister Trish Sie, who has collaborated with them several times and even helped make their award-winning treadmill video.
Without that guide, I have no idea how the people in this video managed to spend so much time in a zero-g environment without vomiting everywhere. OK Go members had to agree to three weeks of training at ROSCOSMOS, which is basically the Russian version of NASA. OK Go partnered with Russian airline S7 Airlines, connecting with the airline’s mission of empowering people to chase their dreams.
Because OK Go wanted the video to be a single, uninterrupted routine, filming was shot continuously over the course of eight consecutive weightless periods, which took about 45 minutes, total.
That’s because the song moves in musical sections that are a little less than 21 seconds long, and it was important to us that the punctuations of gravity in our routine work musically with the song.
These are most easily understood as the periods when the plane is throwing everyone up out of their seats into weightlessness, and then catching them again when it ends.
While the coin is sailing through the air, the only force pushing against it (the only force it can “feel”) is the friction from the air that it’s rushing through. We just follow the arc that we were thrown in (and the shape of this arc is a parabola — hence the name). This means that for the plane to keep up with us inside it, its engines need to thrust against all of the outside drag, just like your hand would have to push through the air to keep up with the coin. It pulls out of its dive, and inside the plane our weightless free-fall ends, and we all get pinned back in our chairs, or wherever we happen to land. During that time we did 21 flights, with 15 zero gravity parabolas per flight, for a total of about two hours and fifteen minutes in weightlessness. It was quite a challenge to figure out what type of performers would be best to work with in these very unusual circumstances.
Facebook has a tendency to inflate its statistics, so take that number with a grain of salt.
I’m also not sure how OK Go could ever top this one (where do you go once you’ve pulled off the free-falling jet?), but given their track record, I’m sure they’ll find another way to shatter my expectations.


From industry news, to web series reviews, to related events, and one heck of an Awards Show. Released today, the music video begins with the statement, “What you are about to see is real.
Actions and music were paused during the non-weightless periods, and then cut out these sections and smoothed over each transition with a morph. After it leaves your hand, even though it is still being pulled toward the earth by gravity, there is nothing but that air actually pushing directly on the coin until it lands in your hand again.
So, after it’s thrown everyone up and we’re all sailing weightlessly back towards earth, the plane is actually accelerating through all that outside air, and as we fall, it’s got its engines engaged, racing towards the ground. Like the coin smacking into your palm, we then feel extra gravity as the plane pushes back against us. Luckily, this was a group of very committed adventurers, so we all soldiered through and eventually got accustomed to the crazy sensations. For the first week we did test flights to figure out which ideas would work and which wouldn’t. We considered several types of acrobats, dancers, gymnasts, and swimmers, because each of those fields has some overlap with the set of skills we thought we’d need.
Released on Facebook Video on February 11, the OK Go Upside Down & Inside Out music video has already had 30 million views. You can spot the moments in the video when we skip ahead in time because they are points when gravity briefly returns. The first round of weightlessness hits at about 0:26, and you can see us all lift a little in our chairs when double gravity gives way to zero gravity.
So then imagine if you could throw the coin up in the air, but follow it with your hand, keeping your hand very carefully cupped around it, following the path of its flight without touching it.
All the while, everything in the the plane, including the bubble of air around us, is flying in that same arc, so from inside the plane, we don’t feel any forces at all. We’ve gained a lot of speed while we were diving towards the earth, and now the plane has to reverse all of that, so there’s a period of double gravity while we are leveling back out again. If your hand could shield it from the air it’s rushing through, there would be no forces on the coin at all.
First, the routines they are trained to do usually involve a lot of very fast spinning in circles, meaning that they’ve developed incredible vestibular systems (the bodily system for balance). When the last weightless period ends, at 3:20, the paint we’ve splattered all over the plane comes raining down with double force as we are all pressed into our seats. Everything and everyone in it keeps sailing upwards, but instead of the plane continuing to push, it now just sails along with everyone inside it, blocking out all the wind and external forces. Most people get dizzy and sick from twirling around a couple times, but these ladies can spin around like the head of a power drill and not feel a thing. Second, they really know how to control their bodies using only their own strength and balance. Gymnasts push off the floor and swimmers push against the water, but aerialists have very little to push off of, so they develop incredible skills just using inertia and balance.
By the second week, we’d chosen our favorite ideas; we had our bag of tricks, and we assembled them into a routine and rehearsed it.
Third, Tatyana and Anastasia were already friends and were great at working together and coming up with their own ideas.
Since so much of our process is about experimenting with things and stumbling into new ideas along the way, we were excited to find a pair of performers who could jump right in, experiment together, and help us come up with the ideas.
The coolest tricks they do are all moves that they came up with themselves, or with the help of our incredible Cosmonaut Trainers.



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