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Through the fog and darkness, there are the watchers, bringing us news from the fringes of our world.
It was at the tail end of a phone interview with Tom Pacheco, me in New York City, he in Woodstock, NY, where he lives. Tom's repertoire, while a treasure trove left-of-center principles, extends far beyond political polemics.
When I first came to New York City, I was criss-crossing paths with Tom, as he was just beginning his first stretch up in Woodstock. Tony was a brilliant jazz guitarist who had gone to pre-WWII, Nazi-occupied France at age seventeen. The folk influences started when his father's friends would bring albums with them from New York City. The whole folk-rock thing started around 65-ish or soa€¦ bands like the Byrds following Dylan. Tom would have been a stalwart of the resurgent Fast Folk movement in the late 70's and early 80's if he'd stayed around. Right as Tom was leaving the Village for Woodstock (then later, Texas, Nashville and Ireland), a group of songwriters would gather at The Cornelia Street Cafe to critique each other and eventually record their music. Ex-Animals bassist Chas Chandler had coaxed Jimi to England and helped him form the Jimi Hendrix Experience. He formed a band with three other folksingers (Sharon included) and made an eponymous album, Euphoria.
A picaresque figure, Shadow would walk down 42nd Street with a white cane that had a long blade inside of it, ready for any kind of trouble. In 1987, not caring for the direction America was taking (it was the Reagan years, folks,) he headed off to live in Ireland. Tom and his wife Annie flew from Ireland to Newark (NJ) airport and were surprised to find a long white limo waiting for them, arranged by The Band.
While visiting Levon Helm, Tom discovered a box full of tapes of songs that other artists wanted The Band to record. There is a mountain of great Pacheco songs for American listeners to discover (or re-discover).
There are a lot of progressive shows being broadcast or streamed and they would benefit from sharing his work with listeners. The sampling that this author has collected from the decades of Tom's career show consistently high production values. Those of us who recognize how important he is will do what we can to ensure that Tom gets what he needs. It happened last fall in one of those hotel meeting rooms used for showcases at the Hudson Valley Resort in Kerhonkson, N.Y. While his talent appears genetically acquired, the genes were backed up by hard work and experience. Dave March was born in Huntington in 1976, and he and his sister Krista grew up in Centereach, where they and Jon all attended Centereach High School. There really werena€™t many places an acoustic duo could play during his high school years. As open mics began to pop up around the area in new coffee shops and wine bars on Long Island, he and Krista began performing together. Dave states that while he cannot read music, hea€™s developed a really good ear and his storehouse of musical ability has come from years of playing with other musicians.
For Krista, the first non-family influence came from the Broadway play (and subsequent movie) a€?Annie.a€? Krista wanted to be Annie. About the time Jon was returning from Chicago to nurse his wounds, Dave was hosting an open mic at a local Starbucks. They spent another year riding an emotional rollercoaster while they wrote and recorded songs for the banda€™s first album, A Long Way Back (2005). Somewhere during the evolution of M2D, Davea€™s busy life in music, playing bass for M2D and other groups, provoked insecurity in his girlfriend with whom hea€™d become serious.
After the first album was released, violinist Leanne Strom, Jona€™s married sister, came into the group. Brian Kroll entered the picture right after the release of Rise, while M2D was showcasing the album.
School protocol demanded that Brian had to start by learning band instruments, so he played bassoon and upright bass in fourth grade. Brian had his own band in high school, and then received classical training as a voice major at Hofstra University. By the time this author caught up to Miles to Dayton, it had released its third album, Pass It On (2011). Whereas A Long Way Back had a more pensive, ethereal feel overall, Rise kicks off immediately with a€?Eyes Lighta€? with its refrain my heart sings, revealing a huge uptick in both mood and energy.
About the time Jon was returning from Chicago to nurse his wounds, Dave wasA  hosting an open mic at a local Starbucks.
Brian had his own band in high school, and then receivedA  classical training as a voice major at Hofstra University. Tom had begun singing his very latest song about the world at large and some of the people caught in the mercilous jaws of history. Every viewpoint I've ever taken regarding the exploitation of the working class by the corporate elite is there in his songs. There are things about Teddy Roosevelt and the co-opting of Cuba, that led up to the Castro revolution that I was unaware of.
He played guitar alongside the legendary Gypsy jazz guitarist Django Reinhardt, then slipped out of the country. He got to listen to records by Woody Guthrie, Cisco Houston and Leadbelly -- also Bob Dylan's first album on Columbia.
Before that, however, Tom's apartment at 117 MacDougal Street was the first place the Fast Folk crowd would gather to play. Later, Tom made an album for Columbia with Sharon, Pacheco and Alexander produced by a pre-Orleans (now Congressman) John Hall.
Although Tom didn't make another album for the next five years, he continued to write and his work was recorded by others. I was only going to live here and tour Europe, fly over to Italy for two weeks, Scandinavia for three weeks, Holland, Switzerland, Germanya€¦ I didn't think anyone would remember me.


Levon was too upset about his trials with Robbie Robertson over song rights to want to record other people's work. During his time at Wests John went from a speedy, hard running and tackling winger into a very hard running, ferocious tackling Test playing second rower.But let us not get to far ahead of ourselves a€¦a€¦John was born at Kempsey (not Casino) on the 1-3-1947. The 2012 Northeast Regional Folk Alliance Conference was proving to be as enlightening and uplifting as expected. The family sang together and Jon began studying cello at The North Shore Suzuki School in Setauket when he was 4. However, Dave was four years ahead of Krista and three ahead of Jon, so the two boys knew who each other was, but were a€?like ships passing in the night,a€? according to Jon. Davea€™s grandfather owned a music store where he taught accordion to Davea€™s mother and all of her siblings.
Dad leaned toward Styx and Led Zeppelin, while Mom tilted in the direction of Neil Diamond and Barbra Streisand. He took a few lessons and jammed with a neighbor who played guitar and picked it up pretty quickly.
Crosby, Stills, Nash and Younga€™s album Four Way Street had made an impact and would set the structure for the musical style he would prefer from that point on. Most places were bars that were still promoting a lot of the dying glam rock scene of the late a€™80s and early a€™90s, but nevertheless, they managed to play a few opening slots. They started a group with her then-boyfriend, called Sleeping Genius which flourished from playing open mics and had a similar folk rock sound to M2D.
For her, the big influence was her grandmother, who, when younger, had sung in a large traveling choral group called The Sweet Adelines.
Throughout grade school shea€™d sing her part, but wouldna€™t make an effort to stand out from the group. Krista, coming out of a yearlong post-breakup funk, was working as a barista at the same Starbucks.
There are songs about Jon and Krista getting together and breaking up all through that album.
At the time I was interviewing the band, Leanne was busy having a baby and was unable to participate.
As a kid growing up in West Hempstead, he obsessively drummed on everything a€“ pots, boxes, whatever. He played drums all through college and gigged in a progressive rock band and a cover band. The progression from one album to the next is readily evident to even the most casual listener. In the middle of a big show at the Patchogue Theatre in 2008, Jon fed his cello through a loop and, over his instrumental, proposed to Krista in front of 700 to 800 people. He'd met a family in a Wal-Mart parking lot in nearby Kingston, who were living in their car.
On Bleecker Street, I walked into Kenny's Castaways, and there was Tom, burning up the stage with a syncopated guitar strum and a buzz-saw of a voice.
He started writing songs at age fifteen and would hitchhike 60 miles to Boston and 60 miles back and be in high school the next day.
Because he didn't want to wake Sharon up, he'd ride the old freight elevator to the basement. The list includes Jack Hardy, The Roches, Rod MacDonald, David Massengill, and Steve Forbert. There was Radio Luxembourg and there was Radio Caroline, a ship anchored two miles off the English coast. For the next album RCA insisted on something more commercial, including innocuous love songs. In the interim, from 1978 to '84, he lived in Austin, then from 1984 to '86 back in Woodstock and then spent a year in Nashville (no way was he fitting in with those folks). A couple of the albums were actually recorded in Nashville, but for the most part, Tom steered clear of America.
Tom moved back to Woodstock in 1997, primarily to be near his parents, but also to work with his friends in The Band. Rick Danko's last album, released posthumously (he died of a hear attack in 1999), included two of Tom's songs. Every moment of every day supplies material for a man who is consumed by the desire to chronicle life in all of its glories and defeats.
A group blending guitar, violin, bass, drums and anywhere from three to five voices was lighting the fuse to a powder keg that could have blown a hole in the ceiling. The vocal harmonies and instrumentation were as tight as a leotard on a ballerina and the overall musical command of the group had all the earmarks of a wealth of experience. Kristaa€™s powerful, soaring alto grips each vowel like a pipe wrench and her voice echoes in the listenera€™s mind long after the song is over.
However, for me, the growth of the banda€™s character centers around its ability to work through an initial emotional maelstrom and build on it.
He studied the trumpet in public school and was in the school band, the church choir and youth orchestras. The floodgates opened for Dave and Krista one New Yeara€™s Eve when their mother played her entire Beatles collection. The title aptly suggests that time had to elapse before they could understand the process they were going through. His sistersa€™ record collection planted the seed and today he cana€™t remember a time when he didna€™t want to be a musician. On the recorded track, we hear Krista singing, In your heart, you will find a piece of me, a symphonya€¦ Krista later walked down the aisle to the accompaniment of Jona€™s cello solo from that song. A 2003 profile in Dirty Linen states that Tom's yearly song output is around 40-50 (or 2,500 total, back in 2003!). My musical tastes evolved through jazz fusion and then around again to folk, and by then, Tom was distant memory. One of them was The Flying Machine (James Taylor, their songwriter), The other was The Lost Sea Dreamers (AKA Circus Maximus, Jerry Jeff Walker, their songwriter). He had to squeeze through tight crawl spaces to a center room where he would write until 6am.
Miles to Dayton was introducing itself to the uninitiated in one of four a€?quada€? showcase groupings during the mid to late evening hours.


Given the euphorically upbeat experience it provides its audience, it is worth noting that in the history of Miles to Dayton, there were not one, not two, but three relationship meltdowns before and during the groupa€™s evolution. For instance, a€?Green Light Goa€? was a positive song about both Jon and Krista, attempting to will them to a€?take that step.a€? Krista co-wrote a€?Therapya€? with Jon, essentially telling him to get over his ambivalence in letting go of his ex-girlfriend and accepting her as his true soul mate. The title track sums up the albuma€™s purpose nicely: All the loving in the world wona€™t mean a thing unless you learn how to sing and share it a€¦ and pass it on.
Although Jon and Krista were becoming a couple, their progress didna€™t exactly dovetail.A  Krista was a year further into her healing while Jon had some catching up to do.
He was in the invasion of North Africa, Sicily and Naples, and was then transferred back to England.
He saw Phil Ochs a number of times in Boston and was in the audience at Newport when Dylan went electric and remembers the workshops with Pete Seeger and Buffy Saint-Marie.
Huge cockroaches by the thousands inhabited the basement, making his passage there more than uncomfortable. Kristaa€™s brother, Dave March, the bassist, has written the occasional key song and is an original anchor for the group.
Although Jon is well-rounded, music was always number one in the household while he was growing up. The fact that it was developed and presented on the album says a lot about their seriousness of intent, both musically and personally. Two years later, Brian made a special trip to see the band and, lo and behold, they were playing without a drummer.
Also, while working as a band member through the Long Island-based Omnipop Agency, he played in highly accomplished cover bands for clubs on Long Island, in upstate ski lodges and on the Jersey Shore. In June 1944, as part of the invasion of France, he and the troops marched straight to Paris where he saw Django again and they jammed together. Near the tail end of his 10 years in Ireland, Tom had reflected that although he'd made recordings on European labels and even recorded in Nashville, he hadn't seen Woodstock in 11 years. Hea€™s been classically trained but still remembers the feeling of discovering different styles of music like jazz, rock, folk and funk. After the war, Tony returned to the United States to raise a family and open a music store, where he also taught guitar. He wanted to make an album using all Woodstock players, maybe get 1 or 2 members of The Band on one song.
Jona€™s sister, Leanne Strom, a classically trained violinist, having switched to the rootsier style of the band, provides one main reason why M2D (abbreviation from Dave) compositions achieve majestic flight.
When the relationship with her boyfriend collapsed, the group broke up and she went into a tailspin and didna€™t do music for about a year. The banda€™s name refers to living life to its fullest a€“ going the miles a€“ until being reunited with loved ones whoa€™ve passed on. Brian reintroduced himself, and then sent a follow-up email to Jon, pitching himself for the drummera€™s slot.
When Django later came to the United States to tour with Duke Ellington, Tony touched base with him again. John was also playing rep football Group v Group.A 1965 A  Johna€™s life was about to change forever. In college, at the University of Miami, he studied the cello and trumpet, sang in the jazz vocal ensemble and had his own band called Soma.
Jon and Krista knew each other well in high school (he might not have been aware of it, but she had a crush on him). He picked up Tom's guitar and asked if he could play a song, asking Tom what he'd like to hear. Drummer Brian Kroll, who joined the group a few years ago, has a powerful, classically trained voice. Not realizing what was transpiring, the normally freewheeling Dave apprehensively asked Jon a€?Who is this guy?a€? In a role reversal, the normally cautious Jon answered, a€?Hea€™s our new drummer. Eric organized for Billy Owens and Noel Kelly to visit and chat to John about playing for Wests in Sydney. This means whenever the sound equipment of a venue permits, theya€™re capable of five-part harmony. He was told that he should play Rugby Union to beat the transfer fee that Smithtown might put on him.The story was if you played RU for 1 year you could move over to League and not incur a transfer fee.
One of Johna€™s flatmates was trying out for Easts Rugby League and told John to come along and try out for Easts.John met with Roy Flynn, the Easts treasurer at the time and the conversation went like thisa€¦a€?No chance, bring him back when he grows up!!!a€? John had just turned 18. This chat stayed with John and he always played that little bit harder when Wests played Easts.John, without a car, arrived at Ashfield park via public transport and trained with Wests. I cana€™t find out the score but John tells me the Water Board boys won.A A The main event. One team, drawn out of a hat, would have the luxury of playing the winner of the first playoff match. One night Ned arrived to find me asleep on a park bench with a newspaper over my head and I was christened Sleepy which over time was turned into Snoozer.a€?A Below is a story about Johns life now at South West Rocks.
A A Ita€™s a bumpy, dusty drive beside the Macleay River just south of South West Rocks (home to Smoky Cape Lighthouse and a prison with a killer view, Trial Bay Gaol) to get to the big blue shed at Rainbow Reach, with potholes so deep you could fish in them a€“ but the drive is worth it. John Elfords oysters explode in your mouth, salty and creamy, with a lingering mineral aftertaste.Hea€™s been oyster farming here for a dozen years, is passionate about his product and the river he works and lives by, and reckons he wouldna€™t want to do anything else.
As aA  Wests fan in the 1960a€™s and 70a€™s John a€?Snoozera€? Elford was a player I would love to watch play.
About Us Contact Us A Tribute to Ben Fisher and Jack Thompson Bill Keato the Lad from Liverpool Old Newspaper stories and photos from the 1960's VALE Laurie Bruyeres VALE Nev Charlton. VALE Bill Keato VALE Vince Karalius VALE Bob McGuiness VALE Denis Meaney VALE Johnny Mowbray Vale Kel O'Shea Vale Mark "Snow" Patch VALE Bob Sargent Vale Ken "Nebo" Stonestreet.
VALE Doug Walkaden 1966 Season 1967 Season 1968 Season 1969 Season Noel's Dream Team What a game Wests Photos from the Old Days Case of the Missing Goal Posts A Visit to Old Pratten Park Peter Dimond Book Launch Interview with ------ Noel Kelly Interview with ------ Tony Ford Interview with------- Mick Alchin Interview with Jim Cody Interview with ------ Colin Lewis Interview with ------ John Mowbray Interview with ------ Noel Thornton Interview with ------- Bill Owens Interview with John "Chow" Hayes Arncliffe Scots 1969 Un-Defeated Premiers Arncliffe Scots 85 years reunion 2003 Pratten Park Reunion 2007 Pratten Park Reunion 2008 Pratten Park Reunion 2009 Pratten Park Reunion 2010 Pratten Park Reunion 2011 Pratten Park Reunion 2012 Pratten Park Reunion 2013 Pratten Park Reunion.



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