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As we’ve said around these parts many times before, we are truly living in television’s golden age. By Myndi Weinraub On December 31, 2015 · Add Comment As we’ve said around these parts many times before, we are truly living in television’s golden age.
There are also four shows I can’t legitimately put on my list, because I haven’t yet watched them, but they’re in the queue and will be seen by yours truly very soon: Mr. If this was a list I’d made in the middle of 2015, FOX sensation Empire would have been near the top of it, but season two has fallen so far in terms of both quality and plausibility (even in soap opera terms) from season one, that the last three episodes that aired are still sitting on my DVR, awaiting my attention.
I’d like to dedicate the rest of my list to a compilation of the shows that consistently gave me joy in 2015, even though one is about prison and another focuses on a zombie apocalypse. The Unbreakable Kimmy Schmidt (Netflix) — I’m so glad this weird and wonderful gem ended up on Netflix instead of NBC so it could thrive. BoJack Horseman (Netflix) — How can anyone really explain the strange and hysterical BoJack Horseman? Crazy Ex-Girlfriend (The CW) — When I saw the previews for this show, I was intrigued, but I never could have imagined what an absolute delight star Rachel Bloom would be in the role of Rebecca Bunch.
The Walking Dead (AMC) — Looking at TWD annually is always a little strange, since the winter episodes and fall episodes are part of two different seasons. The Goldbergs (ABC) — This show can be a bit formulaic, but it hits the right buttons for me.


Orange is the New Black (Netflix) — Once again, it’s hard to believe that a show about a women’s prison has become one of my favorite ways to spend some time each summer, but it’s the truth.
Master of None (Netflix) — This one appeared this fall and vaulted to the top of my list for its creativity, instant likeability and the way it took only a few episodes to make me fall in actual love with Aziz Ansari.
As much junk as there is produced by broadcast, cable and streaming outlets, there is just as much in the way of high quality, worthwhile programming. Between the nostalgia, the wit and the family friendly humor that manages not to pander, I look forward to this one each week. We have been dating for 6 years and 3 months and the past two months have been constant fighting, screaming at each other and attacking each other for our flaws. She has a chance meeting on a New York street with onetime camp boyfriend Josh Chan, and feels inspired.
While the season had a definite story arc, there were several episodes that stood completely on their own. We are supposed to be in love with each other but instead I find myself separating farther and farther away from him. The show then unspools a mix of broad and witty comedy and musical numbers each week, as Rebecca settles in to a new job at a small law firm, fields questions about why on earth she moved there and tries to get close to Josh, despite his spitfire girlfriend.
The heart that seeps through each comedy outing takes me back to the best family sitcoms of my youth, the style of which faded when kids got their own dedicated networks and writers were free from having to do much to entertain the parents.


Peanutbutter (the incomparable Paul F, Tompkins) is a dog whose also a famous actor and married to Diane.
I want to be happy again but I don't see that happening anytime soon when he never comes home to me anymore.
The Unbreakable Kimmy Schmidt (Netflix) -- I’m so glad this weird and wonderful gem ended up on Netflix instead of NBC so it could thrive.
BoJack Horseman (Netflix) -- How can anyone really explain the strange and hysterical BoJack Horseman? There’s also three kids in a trenchcoat passing themselves off as an adult--a perfectly subtle Muppets callback--who are dating Princess Carolyn. The Goldbergs (ABC) -- This show can be a bit formulaic, but it hits the right buttons for me.



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