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Before I begin the thankless, never-not-mortifying task of discussing late night texting etiquette, I must first declare this a shame-free space.
I will say, however, that I get a sick pleasure out of being on the receiving end of texts of the "u uppP?"-ilk. After the recovering from the initial flattery of him having want to "sex me up," I experienced mortification. There are apps you can buy that make you solve complex math problems to make sure you're sober enough to text, but I'm not so sure I like this.
Of course, it's always good to have friends around to stop you from late-night texting or tweeting or emailing or Facebook messaging. I just hope that if I work on myself in the daytime -- acknowledging what I want, who I want, and how I feel about myself at any given moment -- this sort of thing will happen less in the nighttime.
It's entirely unclear what that means, but his friends gave him the option of getting a Barbie tattooed on his butt or his fast food purchase on his arm.
The tattoo parlor also offered to ink the receipt they gave Ytterdahl for the first tattoo on his left arm for free, and he's agreed, according to the Irish Mirror.
Human billboard Billy Gibby is feeling a bit of buyer's remorse after selling out his face for some permanent advertisements. With the popularity of my previous blog post on Soviet propaganda posters, I've decided to follow up with an even larger collection of American propaganda posters from roughly the same period, covering the two world wars as well as the period of the Great Depression in-between.
The emergence of a new kind of aesthetic in Russian and Soviet art after the revolution of 1917 largely resulted from the state having experienced a revolution, the arts became revolutionary too and changed dramatically.
Una excelente restrospectica con la evolucion visual y tematica de los afiches norteamericanos en las primeras decadas del siglo XX que abarcan las dos guerras mundiales y la gran depresion del 30. Crestock is a visual content provider licensing quality royalty-free stock photos and vector illustrations. That is, we must all agree that no one late-night texts elegantly, or eloquently, or respectably, and that's fine. I really feel that humans should learn discretion on their own and that we should opt for self-reflection over app algorithms, even if this means that mortification after mortification must transpire before our behaviors can actually change. Stian Ytterdahl of Lorenskog, said that his friends wanted to punish him for being "too active with the ladies," according to Scallywag and Vagabond's translation of Romereskes Blad. Gibby, also known as Hostgator Dotcom (yes, he was paid to legally change his name) sold skin space for as much as $1,000 and as little as $75. In the United States, no such revolution occurred, which is quite evident in US World War I propaganda, which usually employs a visual language similar to earlier works. We, as humans, are allowed the time and space to be reckless with our words, even if doing so makes us want to die the next afternoon when we wake up, groggily pull our phone out from under whichever limb it was wedged and see the (textual) damage we've done. It's important to take precautions on your own, like deleting toxic numbers (belonging to old flames or, you know, professors) that you're likely to abuse.
Now, Gibby is trying to sell ad space on his body to raise the $4,000 needed to remove the ones on his face. By the time of the Great Depression of the 1930s things really started to change, and American posters took on a new direction.I include some posters here that weren't state sponsored, and thus might not be propaganda in a strict sense, but I consider them all noteworthy and interesting, so I hope you can forgive me for this.
Description in a non-judgemental fashion and allowing the viewer to make their own mind up would serve you better sir.
To talk about late-night texting etiquette is to talk about flimsy sober intentions, so weak they crumble after one whiskey sour and a guy who has the same name as your ex. And I'm pretty sure I've gotten to the bottom of it: I don't properly express myself during day-to-day life, when my feelings are sober and the sun is still out. When you habitually keep your emotions bottled up and secret -- I don't like the way he's been treating me, I want to sleep with him, I wish my mom would stop nagging me about grad school applications -- it's more than likely they'll come out when your inhibitions are loosened, and hey, your phone's right there in your bra so why not get it (plus all those feelings) off your chest?
Mind you, this was from a guy I'd met on Tinder when researching this handy dating app quiz. I once deleted a guy's number only to find myself, one drunken Friday's eve, overcome with the urge to text him.

World War I was to a great extent the end result of the growth of European power throughout the world. So I went on Twitter and tweeted at him, unknowingly inventing the Booty Tweet, asking him what he was up to. The costs and destruction of the war also meant the beginning of the end for European dominance in world affairs, and the United States emerged as the new key player on the world stage. The next morning, I only noticed I'd done this when I went on Twitter to tweet a New York Times article on the AIDS epidemic in Africa.
Americans in general didn't want to participate in a war that was seen as a European affair. Which means that at the end of the day, when it comes to mortification in the form of regrettable, drunken electronic communication, the only real rule you must stick to is one of self-love and acceptance and humor. When President Woodrow Wilson finally drew the country into the war, much of the propaganda consequently produced was aimed at increasing American sympathies for allied European countries.Poster #1 here shows without doubt the most famous American piece of propaganda, and indeed one of the country's most famous fictive characters.
The Uncle Sam character was already decades old by the time the US entered into World War I. The inspiration was taken from poster #2, a British poster printed in 1914, showing Secretary of State for War Lord Horatio Kitchener.
Kitchener died two years later when the cruiser he was traveling with struck a sea mine and sank off the Orkney islands.3. I know that in the future, however, there will be times when I want to respond and will respond. Along with Uncle Sam, the United States have traditionally been embodied by two female characters, the Lady Liberty (aka. The other character, which to a large extend has fallen out of use in the last century, is the woman seen here, Columbia. Derived from the name of Christopher Columbus, the name Columbia was for a long time supported as an alternate name for the United States, both prior to its independence, and afterwards. The sinking by German U-boats of several US civilian vessels is seen as one of the factors that finally made the United States enter the war.
This grim poster juxtaposes a sinking ship with a German U-boat and the personification of German aggression in the war, the German Kaiser (Emperor) Wilhelm II. This poster shows a quality that is to be found in most American war propaganda poster from both the first and second world wars, the fact that it encourages some sort of action to be taken by average American citizens to help in the war effort. In this case, it is conservation of wheat, to be consumed instead by soldiers on the front.5. The positive contributions each American could make extended to just about every area of consumption. This, one of the cuter posters in this post, is apparently aimed at children, but is extended by its humour to apply to anyone who consumes sugar.6.
The US navy did eventually start accepting women for enlisted service during the war, though they were primarily allocated administrative or other non-combatant positions.7.
Very similar to poster #4, this one shows an unmistakably German soldier leading a captured girl away, with Belgium burning in the background. When selecting these posters, there were some I chose to leave out because they are just too grim, and I'd say this is a borderline case, with all its gruesome implications and harsh aesthetics.New Deal After years of extreme stock speculations on the back of massive industrial and agricultural overproduction, the United States plunged into the Great Depression, starting on "Black Tuesday", October 29th, 1929.
Roosevelt launched his "New Deal" program, aimed at helping the country reform and recover from the depression. While the importance of the New Deal in the recovery that occurred is still being debated, there is no doubt that it did aid in the creation of a lot of fresh visual arts.
Thousands of artists and photographers (such as the famous Dorothea Lange) were employed by the various agencies set up as part of the New Deal, resulting amongst other things in some outstanding posters.
One peculiar quality in many of these posters is their similarity to contemporary Soviet posters. While the two states perceived themselves as being worlds apart in their ideological outlook, many of their main goals were basically the same, increased production, efficiency and welfare for their citizens.

The stylized look of the man in poster #8 and its theme is quite obviously similar to Soviet posters of the age.
Big, sharp edged men battering away on a piece of metal are a well known element found in Soviet posters.
Likewise, the safety advice found in poster #9 is of a kind that could also be found in a great number of contemporary Soviet posters. While the highly stylized look of the worker in poster #10 is striking, what I found particularly interesting in this poster is the lettering used. It bears an uncanny resemblance to the lettering used in German propaganda posters printed in the years leading up to, and during World War II, in other words, around the time of the printing of this poster (1936). Seeing as poster #11 doesn't seem to contain any obvious message whatsoever, it doesn't seem to be deserving of a propaganda label. Some of the finest posters I've looked at during the creation of this post, these are true beauties. Despite being printed in a troubled time known (at least to posterity) as the Great Depression, these posters feature a bright, happy mood, showing the various natural wonders of the United States.
They all exhibit a rather refined use of colour and type, while the first three all feature tiny human figures among grand natural views. The first thought that sprung to mind when I saw this poster was "a tree-hugging hippie panda!".
By their look and apparently calm demeanor, panda bears are perceived as some of the most innocent and peaceful mammals alive.
Despite being almost to cute to bear ("ha ha"), it really is an excellent poster, characterised by gentle curves and a restrained colour scheme.17.
This poster, printed between 1936 and 1937, resembles the posters seen during World War II rather than others found during the New Deal era. While It may seem an obvious idea, I like how the designer has made the typesize gradually decrease in the style of a Snellen chart.18.
Change the text and put a toothbrush in the man's hand instead, and you'd have yourself an excellent dental advert.World War II As with World War I, the US population was far from unanimous in their will to get involved in what was seen as a mainly European problem.
And just like during World War I, the USA confined their war effort to actively supplying the allies with hardware and various consumables for the first years of the war.
With the Japanese attack on Pearl Harbor on the 7th of December, 1941, the United States entered fully into the war both in the European and Pacific theaters.
With a war on two fronts against two strong adversaries, the country had to mobilize all its production capacity for the war effort, and a great number of posters were produced to enlighten the population on all the little things they could do to help out.19.
The grim look, the destruction and the focus on vengeance gives this a striking resemblance with the Soviet Poster "No escape from the people’s revenge!", featured in my previous blog post about Soviet propaganda. Apart from this particular poster, the anger seen in this poster seems to be lacking in most other US wartime posters, focusing instead on the positive contributions people can make for the war effort.20.
This poster quotes  Abraham Lincoln's "Divided house" speech of 1858 (albeit slightly modified), warning against the dangers of the country being divided over the issue of slavery and predicting that the United States would either fully embrace slavery or fully abolish it. The poster takes this message a step beyond, referring not only to the United States, but the world as a whole, predicting that in the long run, there can only be one or the other, the two cannot co-exist.
It's obvious which side the poster wants Americans to take if they wish their own liberties to be enjoyed by the rest of the world, and indeed by themselves in the long run.21.
One of the most famous American posters from the war, it shows the iconic "Rosie the Riveter" as an encouragement to the millions of American women who were needed to fill the traditionally male jobs now becoming vacant with the men at war.
The two world wars, especially the second, were important in showing the feasibility of women holding traditionally male jobs.
While after both wars, the women employed during the war were "sent back to the kitchen", in the long term, their crucial contribution to wartime production helped open up a vast amount of new career opportunities.

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