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Theirs was a world of obsession, genius, and above all…In the turbulent years of the French Revolution and the Napoleonic Wars, three poets—Byron, Shelley, and Keats—come to prominence, famous and infamous, for their vivid personalities, and their glamorous, shocking, and sometimes tragic lives.
We uses Search API to find the overview of books over the internet, but we don't host any files. All document files are the property of their respective owners, please respect the publisher and the author for their copyrighted creations. In fact, my dad was looking to buy me books for Christmas and he told me he'd seen this in the store, but the cover made him think that this wasn't the book I wanted. Very well-written, I loved the structure and the ways in whicThis book is done a great disservice by its cover, which makes it look like a standard bodice-ripper. Very well-written, I loved the structure and the ways in which the narrative voices shifted, from close limited POVs to sections written in the style of the time in which the book is set to parts where certain characters talked directly to the reader. An excellent look at the strictures placed on the lives of these women, how they defied them, and the effects on that defiance on the rest of their lives.
My favorite portions, I think, were the parts about Fanny Brawne, partly because I've always found the life of Keats so sad, but also because in many ways Fanny is portrayed as the most normal or ordinary woman -- no great talent or acts of insanity or desperation inspired by love that would cause a commotion -- but for all that, perhaps because of that and her own understanding of herself and her life, I found her story the most affecting. There are so many gems that I should like to quote, but would-be readers wouldn't thank me if I were to do so.
This is not a novel to be read in one sitting, but one to be savoured over several days.Prejudice, Hypocrisy, Pomposity and Appearances are recurring themes in this novel, and even a suicide in the family cannot be acknowledged nor can the body be identified lest the scandal of suicide attach to that family. Throughout the novel there is much hushing for the sake of appearances: "‘What exactly,’ she asked her mother that night, ‘was this unspeakable thing Lord Byron did?’ ‘Hush, hush!’ Mrs Brawne said in alarm, nearly dropping the print she was holding up against the parlour wall. It hews very closely to the known facts, revealing opinions and personalities so unobtrusively and naturally that the prodigious amount of research Morgan must have done is invisible. Impressively, I came away from this novel feeling strongly for each of the historical personages, even ByrHistorical fiction told from the points of view of women who loved three of the most famous Romatnic poets: Byron, Shelley, and Keats. Impressively, I came away from this novel feeling strongly for each of the historical personages, even Byron who I usually dislike.

I really wish this had been several equally long books, instead of just one: I would have loved an entire novel of Fanny Brawne and Keats teasing and sighing over each other, for instance. Kelly Apr 15, 2014I've read a lot of historical fiction, and along the way I've encountered a variety of purposes behind undertaking such projects. For some, the "historical" part seems to be mere source material used to explore certain themes that may be best explored in an "alien" time and place.
For others, it seems to be an amateur historian project where they offer their own humble, untrained opinions about various historical figures based on their research for the book. For still others, it seems to be pureI've read a lot of historical fiction, and along the way I've encountered a variety of purposes behind undertaking such projects.
Shakespeare is a great example of the first one, Susanna Clarke is a fabulous example of the second, Stoppard's Arcadia is a good example of all three happening at once. I think that the second one is harder to do in a not-annoying way, and the third one is generally doomed from the start without the person being absurdedly overqualified to begin with.This one seemed like it belongs in the second category, with a little bit of the third thrown in. When taking on this particular topic, you're going to have to have to make some decisions about what you think happened- there are a lot of rumors and second-guesses and arguments and things that have pretty much been debunked but are great stories anyway. So this will end up being a historical argument of some sort- whether or not you make a case as such. I generally find this incredibly irritating, unless the author has something new or different to say that's backed up with solid interpretative analysis. But generally they were few and far between.For the most part, Morgan did a solid job using the generally accepted evidence and widely told stories about these guys to create well-rounded and believable characters who I could believe got up on Monday and did the dishes, rather than swanning around being Great Men and Tragic Ladies all the time. Byron as an awkward teenager was great, for instance, and he did a fantastic job showing what a swine Godwin was, especially after he lost Mary Wollstonecraft.I also gave Morgan a lot of credit for the time he took to really sit down and think about the whys and hows of how these fantastic historical events came to be.
He is particularly interested in what it would look like as each individual character thought through their decisions.
I was especially impressed with his kindness towards characters who don't generally receive a lot of kindness from popular history: especially the women around Byron, and MOST especially Caroline Lamb.

Instead of the full-on bitch-crazy obsessive freak otherworldly harpy she's generally shamed on for being, Morgan makes the best possible attempt to understand her as far as it is possible to do. When it is no longer possible, he shows us what it was like inside of her head (as insane as that is) or gives us reports on her activities second and third hand. He also never forgets to contrast the consequences for her and for Byron of their affair, and how dearly she paid for everything. The first hundred pages or so was pure exposition, a lot of which involved that annoying thing where twelve-year-old girls analyze politics accurately and sound prescient for no reason. But once we got out of the girlhood section (which he seemed to know was necessary for character motivation but didn't have a lot to say about), he did some unusual things with the prose- he liked to change from third person to first person throughout, especially when dealing with Caroline Lamb (she got the majority of the first-person POV interludes).
He liked to imply a lot through undescribed and shades-of-meaning dialogue, especially when it came to the possibly sexual side of things, which I thought appropriate for the period. For the most part the prose itself was rather straightforward, plain narration, but there were some individually lovely lines that peeked out throughout to raise it above the norm, and the overall effect was still strong.I found my attention wandering after the sailing accident, however. This was the 'wrap-it-up' section and it started to read like a point-by-point dramatization of the history we know of some of these people: now with more dialogue and commentary. There was no real send-off, just petering out when he felt his responsibility was ended.The middle 250 or so pages, however, were perfectly pleasing reading experience that offered a lot of unusual kindness towards the historical figures involved, done with solid prose, using excellent (if well-worn) material.
I wasn't blown away by it (which may have something to do with the fact that I have read this story so many times before), but I think that he did a good job with it and I would have no hesitation recommending it to anyone interested in the period.If you are looking for more of a history, or if reading this has fueled your appetite to know more, then I strongly recommend .
It's a well-done look at precisely the same thing, leading you through almost exactly the same episodes in the same order, without the "fiction" part.

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