Is reading tarot cards easy,definition for astrologer,free books by osho,indian numerology reading 2013 attendance - Review

19.01.2016
The origins of Tarot are somewhat obscure, the most common theories go to ancient Egypt and Thoth and the connection to the ancient mystery school teachings. Tarot as we know it today is a collection of images and symbols from a wide variety of cultures, from the ancient Greeks and Romans to the prehistoric Norse peoples, from the ancient religions of India and Egypt to the medieval courts of Italy and France.
The first clear reference that we have to Tarot cards is from a sermon that was collected with many others about 1500 in Italy found in the Steele Manuscript. As early as 1540, a book entitled The Oracles of Francesco Marcolino da Forli shows a simple method of divining from the coin suit of a regular playing card deck. Manuscripts from 1735 (The Square of Sevens) and 1750 (Pratesi Cartomancer) show rudimentary divinatory meanings for the cards of the tarot, as well as a system for laying out the cards.
In 1765, Giacomo Casanova wrote in his diary that his Russian mistress frequently used a deck of playing cards for divination.
In 1781 Antoine Court de Gebelin wrote a speculative history and a detailed system for using the tarot to fortell the future.
In the mid 1850s a third Frenchman, Alphonse Louis Constant (originally a deacon of the Catholic Church), began to publish occult works. Papus (Gerard Encausse, 1865-1916), a French doctor, philosopher, and Theosophist, was another believer in the Tarot's Egyptian sources. MacGregor (Samuel Liddell) Mathers lead the English Order of the Golden Dawn, which was founded in 1886. Coleman Smith - who was also a member of The Order of the Golden Dawn - Waite created a "rectified" deck featuring images and scenery on all the cards, Minor as well as Major Arcana. The tarot has been studied by many adepts and has been shown to be directly relating to the Qabalah. Aleister Crowley, too, founded his own occult school, the Ordo Templi Orientis, which had to do, among other things, sex magic.
Speculation aside, we don't know, and perhaps will never know, what the original Tarot cards looked like. The oldest group of surviving Tarot cards, called Tarocchi in Italian, appears to date from 1420 to 1450.
Tarocchi (Italian, plural form of Tarocco) also known as Tarock (German-Austrian name) and Tarot (French name), is a specific form of playing card deck, which in its history was used for different trick-taking games and also for cartomantic interests and divination (concrete forms appear at least since the article of Court de Gebelin in the year 1781), also as a field for artists to display specific iconographical forms often connected to an ideological system in the background (already a strong factor in the first decks known in 15th century). The playing material (a deck with usually 4x14 normal Italian suits and court cards, which include in contrast to other forms a cavallo or knight, with additional 21 trumps and a Fool; the suits may differ from other national patterns) is older than the name of the game, which, according current research state, became known in the year 1505 parallel in France (Taraux) and Ferrara (Italy, as Tarocchi) (Tarot press note) (Details). Although the oldest cards that we have are hand-painted ones, many scholars believe that printed or wood block cards predate the hand-painted ones.
Among those who use Tarot cards for divination purposes, the trumps are usually called Major Arcana, while the other cards are known as the Minor Arcana. The four court cards (or face cards) of the tarot deck traditionally consist of the King, the Queen, the Knight and the Page (or Knave). In the present-day Anglo-American world, the Tarot is usually seen either as a means of divination, the practice of ascertaining information from supernatural or other sources, or, in a more modern view, as a psychological tool for accessing the unconscious. The likely date for da Tortona's text is between 1418 and 1425, since in 1418 the confirmed painter Michelino da Besozzo returned to Milan, and Martiano da Tortona died in 1425.
What makes da Tortona's deck similar to Tarot cards is that these 16 cards are obviously regarded as trump cards in a card game, and that, about 25 years later, a nearly contemporary speaker, Jacopo Antonio Marcello, called them a "ludus triumphorum" - a term that is regarded as a relatively certain indicator of Tarot-similar objects when it appears in relation to playing cards. The next documents that seem to confirm the existence of objects similar to Tarot cards are two playing card decks from Milan (Brera-Brambrilla and Cary-Yale-Tarocchi) - extant, but fragmentary - and three documents, all from the court of Ferrara, Italy.
The three documents are from 1 January 1441 to July 1442, with the term "trionfi" first documented in February 1442. Till this time all relevant early documents point to an origin of the Trionfi cards (later Tarocchi cards) in the upper class of the society in Italy, and specifically to the courts of Milan and Ferrara.
The following frequent documentary evidence of the decks in the period from 1450 to 1463 is documented on the Web at the same place. In the given context, it's obvious that the special motifs on the trumps, which were added to normal playing cards with a usual 4x14-structure, were ideologically determined.
For example, the above-mentioned earliest-known deck, extant only in its description in Martiano's short book, was produced to show a Greek gods system (an ideological idea at a time when Greek content was taken in Italy with some enthusiasm).
This first known deck seems to have had the usual 10 number cards, but kings only and only 16 trumps - the later standard (4x14 + 22) wasn't settled and still in 1457 a document is known, which speaks of Trionfi decks with 70 cards only .
Individual researchers' opinions formulate cause these facts in the current moment, that the Trionfi decks of the early time had mostly 5x14 cards only and that the row of trumps and fool were simply considered as a 5th suit with predefined trump-function.
The oldest surviving Tarot cards are three early to mid-15th century sets, all made for members of the Visconti family, rulers of Milan. As the earliest Tarot cards were hand-painted, the number of the produced decks is considered to have been rather small.
A general farspread, now traditional, hypothesis stated that the final form of the Tarot with a (4x14)+22 structure was settled ca. Since 1781, when Antoine Court de Gebelin published his "Le Monde Primatif", in which he claimed Tarot cards held the "secrets of the Egyptians", without producing any evidence to sustain his claims, Tarot cards have been written about by many esoterians who have advanced speculative views on the history of Tarot cards.
Many Hermetic traditions, such as the Hermetic Order of the Golden Dawn, which have made claims that the Tarot system was derived from ancient mystery religions as a visually encoded framework of the archetypal concepts seminal to the journey of enlightenment, have blossomed after the freemasonic writer (Court de Gebelin)- with link to the online text in French) published his text about the Tarot, in which he incorporated some writing of the Comte de Mellet, in the year 1781.
Naturally the playing card research conditions of the year 1781 were not remotely comparable to the much better research situation of today, Gebelin's errors and partly wild speculations, which proved nonetheless of some importance for the development of Western Esotericism, were natural in his time because of missing information. The Hermetics were quick to point out that in a qabalistic analysis, Tarot is equivalent to Rota (Wheel) or Tora (Law) indicating they were a representation of the 'Wheel of the Law'. In less obtuse terms, the Tarot would then be a series of metaphysical 'facts' after the manner of the Zen Ox Paintings. A number of scholars of the western Hermetic or Magical traditions have made such claims of the Tarot having ancient roots and lessons. Since the Egyptianizing ruminations in Le Monde primitif by Antoine Court de Gebelin (1781) which soon inspired the occultism of "Etteilla" (Jean-Babtiste Alliette), it has been believed by many that the Tarot is far older than this. In fact, although much of Tarot imagery looks mysterious or exotic to modern users, nearly all of it reflects conventional symbolism popular in the late Middle Ages and early Renaissance.
Several other early Tarot-like sequences of portable art survive to place the Visconti deck in context. De Gebelin first asserted that symbolism of the Tarot de Marseille asserted represented the mysteries of Isis and Thoth. Gebelin further claimed that the name "tarot" came from the Egyptian words tar, meaning "royal", and ro, meaning "road", and that the Tarot therefore represented a "royal road" to wisdom.
Although tarot cards were used for fortune-telling in Bologna, Italy in the 1700s, they were first widely publicized as a divination method by Alliette, also called "Etteilla", a French occultist who reversed the letters of his name and worked as a seer and card diviner shortly before the French Revolution. Etteilla designed the first esoteric Tarot deck, adding astrological attributions and "Egyptian" motifs to various cards, altering many of them from the Marseille designs, and adding divinatory meanings in text on the cards. Interest in Tarot by other occultists came later, during the Hermetic Revival of the 1840s in which (among others) Victor Hugo was involved. While Levi accepted Court de Gebelin's claims about an Egyptian origin of the deck symbols, he rejected Etteilla's innovations and his altered deck, and devised instead a system which related the Tarot, especially the Tarot de Marseille, to the Kabbalah and the four elements of alchemy. Tarot became increasingly popular beginning in 1910, with the publication of the Rider-Waite-Smith Tarot, which took the step of including symbolic images related to divinatory meanings on the numeric cards. The Empress card is another aspect of the subconscious, but unlike The High Priestess being memory.
One who has mastered all elements of the past key numbers and stands on top of the mountain of attainment.
The angel in the picture above is perfectly balancing and combining the two qualities of male and female, or positive and negative. The woman in this card represents the subconscious mind gathering knowledge from the universal subconscious and pouring it over humanity. This card represents the understanding of spiritual things, when we have achieved this, our conscious is ready to bond with the universal consciousness. Each of the numbered suit cards follow vibrations similar to its number in relation to numerology. Below are each of the 4 suits - how they correspond to our 'playing cards' - their element - what they symbolize. The realm of spirit - represents ideas, they are the primary seed or original idea and the primary element of growth.
Realm of the physical or material, element of earth) represents the actual outcome of the matter. Interestingly, some people view the older decks such as the Visconti-Sforza and Marseille as crude and limited when compared to some modern ones. Some decks exist primarily as artwork; and such "art decks" sometimes contain only the 22 cards of the Major Arcana. The images were drawn by artist Pamela Colman Smith, to the instructions of Christian mystic and occultist Arthur Waite, and originally published by the Rider Company in 1910. Some individuals object to the Rider-Waite deck due to its relatively small selection of colors and "flat" appearance.
Some people find that modern Tarot decks are more interesting, expressive, and psychologically resonant than their ancestors. We can know more about the symbolic intentions of the designer here, since he conveniently wrote many books on the subject on occultism and symbolism and a handbook specifically for this deck titled The Pictorial Key to the Tarot (1910). Although Jung and Freud are still seen as important innovators, the majority of psychologists today are quite critical of many aspects of their theories. Because of the association of Tarot cards with fortune telling, some religious groups oppose the use of Tarot cards. Skeptics of the paranormal also express objections to "Tarot card readings" along with objections to psychics, astrology, and other claims of the supernatural, or claim tarot readers commit fraud by cold reading. Many enthusiasts of Tarot card games have objected to the widespread promotion of tarot cards primarily for divination or fortune-telling. In the English-speaking world, the word 'tarot' is most commonly associated with the occult and divination.
Giao ha?ng (ship) t?n noi ? 63 t?nh thanh toan qu?c Vi?t Nam: Ha N?i, Sai Gon, Da N?ng, An Giang, Ba R?a - Vung Tau, B?c Lieu, B?c Giang, B?c K?n, B?c Ninh, B?n Tre, Binh Duong, Binh D?nh, Binh Phu?c, Binh Thu?n, Cao B?ng, Ca Mau, C?n Tho, D?k L?k, D?k Nong, Di?n Bien, D?ng Nai, D?ng Thap, Gia Lai, Ha Giang, Ha Nam, Ha Tinh, H?i Duong, H?i Phong, H?u Giang, Hoa Binh, Hung Yen, Khanh Hoa, Kien Giang, Kon Tum, Lai Chau, Lao Cai, L?ng Son, Lam D?ng, Long An, Nam D?nh, Ngh? An, Ninh Binh, Ninh Thu?n, Phu Th?, Phu Yen, Qu?ng Binh, Qu?ng Nam, Qu?ng Ngai, Qu?ng Ninh, Qu?ng Tr?, Soc Trang, Son La, Tay Ninh, Thanh Hoa, Thai Binh, Thai Nguyen, Hu?, Ti?n Giang, Tra Vinh, Tuyen Quang, Vinh Long, Vinh Phuc, Yen Bai. Impressions: I fell in love with this deck the moment I saw it on Instagram (who would have thought that it would be such a great place to find new decks?!) and I knew I had to have it. There is so much information on the Clover Tarot website as well so you can have a look at the deck and a lot of the information about the cards for free. During a Tarot reading, Tarot cards have the unique ability to pick up on the energy of the person being read. Psychic Tarot readings can be quite different from working with a Tarot reader that reads directly from the cards.
Getting a good Tarot reading does not depend on whether the Tarot reader is psychic or not.
I believe that all ancient civilizations developed their own systems of divination based on the same symbolism and archetypes. The sermon is thought to date from about 1450 to 1470 and is a diatribe against games of chance. From Gebelin's time forward, various explanations have been given for the origins of tarot, most of them of doubtful veracity. His books contained Tarot references and symbolism and it was he who first established the link between the Tarot and cabala (or Qabalah).
He attempted to link the 22 cards of the Major Arcana to the letters of the Hebrew alphabet. He studied Jewish, Egyptian, Christian, and alchemical mysticism and wrote about the Tarot.
The Order of the Golden Dawn in 1890 made a deck for its members, utilizing the knowledge of the Qabalah in its symbolism. An earlier form of the game had the name Trionfi or triumphs, this name developed later as general term for trick-taking (trumpfen in German, to trump in English) and disappeared in its original function as deck name.
However, as most early printed cards were much-used and of poor quality, the earliest printed cards date from later than the hand-painted ones by twenty to fifty years so that there is no physical evidence to show which type of cards were the first to be created. The first, called the Trump cards, consists of 21 cards without suits, plus a 22nd card, The Fool, which is sometimes given the value of zero (0). In bridge or poker decks, the court cards typically consist of the King, the Queen and the Jack. However, early references such as a sermon refer only to the use of the cards for game-playing and gambling; and in some European countries such as France, Italy, Switzerland, Austria and Germany, as Michael Dummett points out in Twelve Tarot Games (1980), Tarot games are still widely played. Playing cards appeared quite suddenly in Christian Europe during the period 1375-1380, following several decades of use in Islamic Spain: see playing card history for discussion of its origins.
It cannot be proven, of course, that Tarot cards did not exist earlier, but it seems improbable, because the date of the Martiano da Tortona text is at least 15 years earlier than other clear confirming documents.
The playing cards are naturally not precisely datable, but it is estimated that they were made circa 1440. Very likely its production accompanied a triumphal festivity of the commissioner Filippo Maria Visconti, which means the deck had the concrete function of expressing and consolidating the political power in Milan (as common for the time also in other productions of art). Till the Boiardo Tarocchi poem (produced at an unknown date between 1461 and 1494) and the Sola Busca Tarocchi (1491) any confirming evidence for the final standard form with all 78 cards is missing.


The oldest of these existing Tarot decks was perhaps painted to celebrate a mid-15th century wedding joining the ruling Visconti and Sforza families of Milan, probably painted by Bonifacio Bembo and other miniaturists of the Ferrara school. The Roman Catholic Church and most civil governments did not routinely condemn tarot cards during tarot's early history. From this mystical vantage-point, the origin and history of the Tarot is unclear and often idealized.
A good and informative timeline of the development short before and after Gebelin is given by the book author Mary Greer. From the first to the last of the Major Arcana ("Big Secrets") they are arranged as a series of lessons, or a parable of the passage of the soul. Based on purported similarities of imagery and reinforced by the added numbering, some claim that Tarot originated in ancient Egypt, Hebrew mystic tradition of the Kabbalah, or a wide variety of other exotic places and times. Nearly all of it may easily be interpreted as a reflection of the dominant Christian values of the times. Later confusion about the symbolism stems, in part, from the occult decks, which began a process of steadily paganizing and universalizing the symbolism to the point where the underlying Christian allegory has been somewhat obscured (as, for example, when the Rider-Waite deck of the early Twentieth Century changed "The Pope" to "The Hierophant" and "The Popess" to "The High Priestess"). This was actually a late rather than early development, as we can tell from period sources on card divination and magic. Gebelin asserted these and similar views dogmatically; he presented no clear factual evidence to substantiate his claims.
Later Egyptologists found nothing in the Egyptian language that supports de Gebelin's fanciful etymologies, but these findings came too late; by the time authentic Egyptian texts were available, the identification of the Tarot cards with the Egyptian "Book of Thoth" was already firmly established in occult practice. Etteilla decks, although now eclipsed by Smith and Waite's fully-illustrated deck and Aleister Crowley's "Thoth" deck, remain available. The idea of the cards as a mystical key was further developed by Eliphas Levi and passed to the English-speaking world by The Hermetic Order of the Golden Dawn.
On the other hand, to this day some of Etteilla's divinatory meanings for Tarot are still used by some Tarot practitioners. The mountains in the distance, even though bleak and cold rising high in the sky bring forth water when the sun melts the peaks, bringing life and nourishment to the ones below.
With focus on an idea or goal, the conscious mind sets into action these ideas and brings them forth to the material world.
The Empress or number 3 responds to this memory which evolves in creativity and imagination. The Emperor is an older, wiser version of the Magician, his knowledge at handling affairs in a systematic way has given him the seat on the thrown. Intuition is a collection of all of the facts from the conscious mind, sent to the subconscious which in turn looks at the information and acts upon it sending it back to the conscious.
The chariot driver controls the chariot with no reins or other harnesses, he expresses his will to control the functions and direction of the positive and negative forces representing the white and black sphinxes. The lion is a symbol of the fire within or the kundalini force that sits coiled within us at the base of the spine. The snowy peaks is symbolic of his isolation because his wisdom sets him apart from the rest.
Just as in the laws of karma there is a cause and effect to each and every action that we do.
The death skeleton comes to all as shown in the picture, child father, mother, king and priest. Lightning, feared by the primitive is the opposite to an enlightened one, using its power for his own uses. The right leg that supports her weight is bent in a 90degree angle suggesting that all will be learned if you search in the right places, with her foot resting in the pool of knowledge.
The shell fish is symbolic of life emerging from the water of creation and starting on the path of return to the creator.
Trees and plants convert the suns energy into oxygen for us to breath, and warm the oceans to bring rain to feed the land. We are one with the creator and understand the relationship between god and all of humanity. The four figures in the corners of the card represent the 4 fixed zodiac signs that represent that the laws of the universe remain unchanged and orderly.
Understanding that these numbers convey the special meaning to these cards, so does the suit of the card portray different aspects of life. Some current editions of cards based on the Marseille design go back to a deck of a particular Marseille design that was printed by Nicolas Conver in 1760. This may reflect their belief that Tarot symbolism has evolved, especially since the early 20th century, so that it has become increasingly universal.
Esoteric decks are often used in conjunction with the study of the Hermetic Qabala; in these decks the Major Arcana are illustrated in accordance with Qabalistic principles while the numbered suit cards (2 through 10) sometimes bear only stylized renderings of the suit symbol.
While the deck is sometimes known as a simple, user-friendly one, its imagery, especially in the Trumps, is complex and replete with occult symbolism. However, several decks, such as the Universal Waite, copy the Smith's line drawings, but add more subtle coloring and three dimensional modeling.
Numerous other decks that are loosely based on Rider-Waite (as noted below) have been published from the mid-20th century through today. Interpretations have evolved together with the cards over the centuries: later decks have "clarified" the pictures in accordance with meanings assigned to the cards by their creators.
As with its Marseille-deck ancestor, the Strength trump shows a woman holding the jaws of a lion, but this picture is far more elaborate.
In many systems of interpretation based on that of the Golden Dawn, the four suits are associated with the four elements: Swords with air, Wands with fire, Cups with water and Pentacles with earth. He may have regarded the Tarot cards as representing archetypes: fundamental types of person or situation embedded in the subconscious of all human beings.
Some psychologists use Tarot cards to identify how a client views himself or herself, by asking the patient to select a card that he or she identifies with.
Moreover, there are no known university programs that teach this practice and there is no empirical evidence of therapeutic benefit.
In some societies and religious belief systems, divination is forbidden based on religious or traditional teachings. What is perhaps less well-known is that tarot cards were only used for such purposes relatively recently. If it’s your first time getting a tarot reading, there are a few things you need to keep in mind. When a subject handles the cards they are, in essence, transferring their own vibrations into the reading. Some Tarot readers will have you shuffle the deck while others prefer to handle the deck themselves. Psychic Tarot readers tend to use the cards as a method for triggering psychic information.
Good Tarot readings are really based on the value of the information that is disclosed during the Tarot reading.
It gives a detailed description of the Tarot trumps, not only numbering them but naming them as well. There is no evidence for any tarot cards prior to the hand-painted ones that were used by Italian nobles, but some esoteric schools believe its origins could be in Ancient Egypt, Ancient India or even the lost continent of Atlantis.
He drew parallels between Tarot suits and the four letters of the Tetragrammaton, YHVH ('Yahweh'). Waite (1857-1942), the English Christian occult philosopher, broke from the Order of the Golden Dawn and founded his own school of mystical thought.
The tarot has been studied by many adepts and has been shown to be directly relating to the Qabalah. He considered identifying with each card more important than trying to guess about origins.
In modern tarot decks, the Batons suit is commonly called Wands, Rods or Staves, while the Coins suit is often called Pentacles or Disks. Early European sources describe a deck with typically 52 cards, like a modern deck with no jokers. Da Tortona describes a deck similar to Tarot cards in specific points, but in other ways quite different.
After 1442, a longer pause (seven years) occurred without any confirming material, which doesn't give any reason to assume a greater distribution of the game in these years. The 4 suits showed birds, which appeared regularly in common Visconti-heraldic, and the used specific order of the gods gives reason to assume, that the deck partly should focus, that the Visconti identified themselves as descendants from Jupiter and Venus (which were - as in this time usual - seen not as gods, but as heroes, which were deified once). Of the original cards, 35 are in the Pierpont Morgan Library, 26 cards are at the Accademia Carrara, 13 are at the Casa Colleoni, 4 cards (the Devil, the Tower, the Three of Swords, and the Knight of Coins) being lost or possibly never made. In fact, in some jurisdictions, tarot cards were specifically exempted from laws otherwise prohibiting regular playing cards. Decks from this era survive from various cities in France at various times (the best known in this context being the city of Marseille, in southern France) perhaps from the early 16th century, though actual surviving examples are no earlier than the 17th century. This opinion is based on the suggestion, that the surviving 68 Bembo cards had in the "6 added trumps" only replacements for earlier "lost cards". From the "Fool" 0, the tabula rasa, naive and artless child-mind, a quest is laid out which is meant for the spiritual edification of the student.
Another school of thought believes that the Roma people, travelling through many cultures, picked up this pictorial wisdom, and being inventive by nature, created a form of divination (and perhaps of card games) from it.
Thus, the earliest Tarots may have been depictions of the carnival parades that ushered in the Christian season of Lent or the related motif of hierarchical powers found in Petrarch's poem I Trionfi.
It is notable that between 1450 and 1500 the Tarot was actually recommended for the instruction of the young by Church moralists. The Tarot was not widely adopted by mystics, occultists and secret societies until the 18th and 19th century. Later Marie-Anne Le Normand popularized divination and prophecy during the reign of Napoleon Bonaparte.
In the 20th century, a huge number of different decks were created, some traditional, some vastly different.
The 0 key, represents the god force, the force before entering into manifestation, but in the same right, this card completes the cycle as number 22.
His bag represents the memories of the past, with the eagle on it representing an awaked view towards aspirations.
The magicians hands are stretched forth, one to the sky holding a wand, and the other pointing to the ground below. The pillars to her sides represent the opposites, light and dark, and she sits in the middle of them, impartial to one or the other. The woman is symbolic of the subconscious, which controls vital functions without the need of conscious thought. In this position, he holds his lantern to light the way for the rest to follow his path to enlightenment, for knowledge is meaningless unless we turn and show others what we have learned. The sword is held high in the right hand to symbolize the action of correcting wrongs and holding the balance of justice, also symbolizes the cutting out of negative thoughts. The man appears to be hanging but in fact he is in perfect control and balanced and centered within himself.
Death has no care for station in this material plane and all suffer the same fate in the end.
So with this, we can look at the card and understand that the man and woman, conscious and subconscious are knocked from the top of the tower by the light of true knowledge or understanding. The left hand pours the waters over the land and it disburses into 5 separate streams representing the 5 natural senses of man.
The path is narrow and long representing the trials and the length of time that evolution takes. The wreath surrounding the woman is symbolic of a zero which is the symbol of god and from which all things emerge.
Each of these suits consist of cards numbered from Ace (number 1) to 10, followed by four court cards. So when this is understood, we apply the number of the card to this understanding in a reading. When we see the Cups in a reading, they point to desires and feelings, that inner experience that only we are aware of and may not show as outward manifestation. Often times the swords indicate struggles as it is difficult to bring an idea into reality. When we see the suit of pentacles in a reading, they point to realization, and manifestation. Other regional styles include the "Swiss" Tarot; this one substitutes Juno and Jupiter for the Papess and the Pope.
A Marseille-type deck is usually distinguished by having repetitive motifs on the pip cards as opposed to full scenes found on "Rider-Waite" style decks. However, under the influence of the Rider-Waite-Smith deck, decks used in the English-speaking world for divination often bear illustrated scenes on the numeric cards to facilitate divination.


The subjects of the trumps are based on those of the earliest decks, but have been significantly modified to reflect Waite and Smith's view of Tarot.
The limited number of colors and "flat" appearance in the original Rider-Waite-Smith decks were virtually unavoidable due to the limits of printing technology in the early 20th century. Contrary to what many popular authors claim, its origins are not lost in the mists of time. The woman's hat of the Marseille card has frequently been interpreted as a lemniscate: the sideways-figure-eight representing infinity, or, according to Waite, the Spirit of Life. Altogether the major arcana are frequently said to represent the Fool's journey: a symbolic journey through life in which the Fool overcomes obstacles and gains wisdom.
Some try to get the client to clarify his ideas by imagining his situation or relationship in terms of Tarot images: Is someone rushing in heedlessly like the Knight of Swords perhaps, or blindly keeping the world at bay as in the Rider-Waite-Smith Two of Swords? As with many similar debates regarding lifestyles or religious practices, plenty of people can be found on both sides of the debate, supporting or condemning the reading of Tarot cards.
Prior to the 18th century AD, there is no record of tarot cards being used either for the occult or divination. The deck and the books are excellent quality the pages of the book are lovely to turn over and having full colour pictures of each of the cards is so great. Whether the Tarot reader is psychic or not, the cards still represent the person being read.
This is a personal preference and has very little to do with the efficacy of the Tarot reading. Images of individual tarot cards are from the Aquatic Tarot Deck created by Andreas Schröter and are used with his permission.
Gebelin, a French linguist, cleric, occultist, Mason, member of the Lodge of the Philalethes, and author of the nine-volume work Le Monde Primitif - was convinced of the mystical significance of the Tarot and fond of Egyptian lore. The 78-card Tarot resulted from adding 21 Trumps and the Fool to an early 56-card variant (14 cards per suit). What he describes is more a predevelopment to Tarot than what we might think of as "real" Tarot cards. The game seems to gain in importance in the year 1450 - a Jubilee year in Italy, which saw many festivities and traffic of pilgrims. This "Visconti-Sforza" deck, which has been widely reproduced in varying quality, combines the suits of Swords, Staves, Coins and Cups, and face cards King, Queen, Knight and Page with trumps that reflect conventional iconography of the time to a significant degree. However, some sermons inveighing against the evil inherent in cards can be traced to the 14th century.
An alternative view states that early Tarot decks would usually have 70 cards, and that the deck by Bonifacio Bembo only has two cards missing. The idea is that they understood and kept the knowledge of the mystery-lessons of the picture-cards in private, while in public they used the cards for profit through divination and card games.
These trionfi or triumphs were elaborate productions which layered then-fashionable Graeco-Roman symbolism over a Christian allegory of sin, grace, and redemption. Not until fifty years after the Visconti deck did it become associated with gambling, and not until the 18th century and Gebelin and Etteilla with occultism. The tradition began in 1781, when Antoine Court de Gebelin, a Swiss clergyman and Freemason, published Le Monde Primitif, a speculative study which included religious symbolism and its survivals in the modern world. This was due, in part, to the influence she wielded over Josephine de Beauharnais, Napoleon's first wife. Life continues on and on in a cycle and the number 22 is an ancient symbol for a circle representing god and infinity, because a circle has no starting point or end. The white rose in his hand represents the pure desire and untainted goals, while the dog at his feet is symbolic of the lower incarnations that are elevated by evolution. The man is standing looking to the woman, while she in turn is looking up at the angel above. The cart is enclosed and represents speech, for in speech we enclose ideas an set them into motion. The humanoid figure with the jackal head represents the evolution of man with its ears just over the center of the wheel.
He sees all of the others with there problems and the err in there ways and yet they look at him as though he is upside down, when in fact, he has perfect vision. The white horse that is well tamed, symbolic of pure desires and the submissiveness to the cycles of life. The red wings are symbolic of the fiery desires of the spirit to learn on a higher level of consciousness and the mountains in the background represent wisdom.
The path has its ups and downs and is not completed right away, but a slow process of learning and focus. But here they are shown open and light of the angel above trumpeting the truth of the universal consciousness. There are 4 suits to the cards and these represent the 4 esoteric formulas for manifestation on the material plane. When we see the suit of swords in a reading, they point to action and struggle before the final outcome. Historically, one of the most important design is now usually known as the Tarot of Marseille (French: Tarot de Marseille). In Florence an expanded deck called Minchiate was used; this deck of 96 cards includes astrological symbols and the four elements, as well as traditional Tarot cards. The more simply illustrated "Marseille" style decks are nevertheless used esoterically, for divination, and previously for game play. In fact, much of the fog around the symbolism can be dispelled if one studies sources other than occultists with a vested interest in the occult interpretation of Tarot. Images and interpretations have been continually reshaped, in part, to help the Tarot live up to its mythic role as a powerful occult instrument and to respond to modern needs.
This idea was apparently first suggested by tarot author Eden Gray in the mid-20th century. The Tarot is often considered to correspond to various systems such as astrology, Pythagorean numerology, the Kabalah, the I Ching and others. The Tarot can be seen as a kind of algebra of the subconscious, allowing it to be analysed at the conscious level.
More likely, individuals who practice these "techniques" can be seen as being on the fringes of the field. The book has a wealth of information on each card including the more traditional meanings to the cards, qualities of the card, people the card may represent, eventide meanings from the author and reversed meanings. In either case, these types of Tarot readings can be just as powerful as working with a psychic Tarot reader.
He believed the cards' birth place was ancient Egypt, where they served as tools of initiation into the priesthood.
A greater distribution of playing cards in Europe can with some certainty be given for the year 1377 and the following years. Of worth for the situation of the development is the Tarot History Fact Sheet, which was composed on the base of the common ground of various researchers.
Notably, the earliest versions of the World card show a conventional image known from period religious art to represent St.
Games Systems, the Rider-Waite-Smith deck has been extremely popular in the English-speaking world beginning in the 1970s. The Fool represents the Super conscious in which he has yet one more step ahead of him, symbolic of the fact that we never come to our limit in potential. The stream in the background falling into the pool is symbolic of the joining of the conscious and the subconscious. Likewise it has 3 levels representing the 3 levels of mind, conscious, subconscious and super conscious.
Vocabulary can also serve as a protective unit by the power of words that strike home to the souls of others. The triangle is the higher knowledge that is acquired through introspection as the will to learn and understand can cause within us great doubt, but by following truth, we can select a path that leads us to the wisdom we so desire. The pillar that they are chained to is half of a square, representing the half truths that they bind themselves to.
The 32 tongues of fire falling from the moon are symbolic of the 32 paths to the tree of life. The four flowers are symbolic of the manifestation of earth and that love for all things must be achieved without bias. This standard pattern was the one studied by Court de GZbelin, and cards based on this style illustrate his Le Monde primitif. We will do some dispelling further on; in the meantime, the most important thing to note is that modern, occult readings of the cards often have little to do with their meaning in their original context. Other symbols are included: a chain of roses symbolizing desire or passion, against a white robe symbolizing purity. Like most "New Age" therapies, however, Tarot cards are not widely used by mainstream psychologists. Thus, when speaking of the origins of tarot, one may consider the topic from two angles - tarot cards as playing cards, and tarot cards as a means of divination. That is a lot of great information all the more richer as it was written by the creator of the deck. In this respect, Tarot readings of this nature are based upon the Tarot reader’s knowledge of the cards.
For Gebelin, the Tarot's Major Arcana was the Book of Thoth, a synthesis of all knowledge once held in hieroglyphic form in burned Egyptian temples and libraries.
Tarot cards only developed some 40 years later, and they are mentioned, possibly for the first time, in the surviving text of Martiano da Tortona (it can be found in translation on the Web). Augustine's "Heavenly City", and it is not coincidence that it often closely follows the Judgement card. The wand, cup, sword, and pentacle, which are representative of all the suits to the tarot cards.
This card represent the fashion in which things are done, a system to bringing things forth and manifest. The grey background is symbolic of wisdom, for grey is a mixture of black and white and is the balance of the 2 forces. The sphinx at the top of the wheel represents the ideal that we all try to strive for, the completed cycle balancing both male and female characteristics in perfect control. The torch that the devil is holding is pointing down, and the flame is eating at the torch in a wasteful way, not giving off any light. The dogs are symbolic of mans nature, one is trained, and the other is wild, the positive and negative forces that we must control to complete our time here. The first to do so was the 15th-century Sola-Busca deck; however, in this case, the illustrations apparently were not made to facilitate divination. A few card changes, The Hierophant is titled Religion, There are two Lovers Cards (so great) and The Devil is titled Pan. The mage has an undergarment of pure white, showing his pure wisdom and is held shut by the serpent around his waist. Starting with one, two, three, then finally four, which is the building number, putting all things together. The keys at the feet are representing the key to super conscious, for in the union of the conscious and subconscious, enlightenment is achieved.
Even here there is room for interpretation: the card is sometimes considered as showing intellect triumphing over desire, sometimes as the equal union of intellect and passion, sometimes just as a symbol of mental strength or endurance. At the time he was writing this, the skill of reading hieroglyphics had been lost for almost 1200 years and there existed the widely held belief that they were magical symbols concealing the lost knowledge of antiquity. The outer garment is red, symbolic of desire and passion, which has no belt holding it shut so it can be removed if necessary. The tree behind the man represents the zodiac signs being twelve in number and the tree behind the woman represents the tree of wisdom, with the serpent representing the kundalini force risen to the highest point. Gebelin saw the Tarot as a contemporarily available pictorial embodiment of this occult wisdom, a tangible link with the past. It is only here that we can draw off the wisdom attainable to us, for if it remains coiled and low, our senses are bound to just the material. The red roses are symbolic of desires, and the white lilies represent pure thought, untainted by desire. The Priestess is holding a scroll of universal and personal knowledge, but only part of it is showing, because god has more yet to reveal. The High Priestess is the link, the conscious mind formulates ideas and the subconscious sets them into action in a fashion of order, represented by the block on which she sits.




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