Meaning of number one in numerology,eyebrow pencils by mac,libra astrology year 2016 - PDF Books

19.11.2015
One is the number of the human being, the only creature on earth to stand up straight on two legs. In Vietnam the first person to enter the home the first day of the New Year is of vital importance. The first person to enter a house must be with superior intentions and morality if the home is to receive good blessings in the year to come.
Just to be on the safe side it is quite common for the owner of the house to leave the house a few minutes before midnight and return shortly after the clock strikes twelve.
Every precaution is taken that no one enters the home first who does not have a solid desire of the wellbeing of the household.
Valentina Tereshkova (born 1937) from the Soviet Union was the first woman in space in 1963.
Matthew Webb from England was the first person in the world to swim the English Channel in 1875.
Roald Amundsen (1872 – 1928) a Norwegian explorer was the first person to reach both the North and South Poles. Queen Victoria of the United Kingdom (May 24, 1819 – January 22, 1901) became the first monarch to take up residence at Buckingham Palace.
Theodore Roosevelt (1858 – 1919) was the first American to win the Nobel Peace Prize in 1906. Theodore Roosevelt was the first president to appoint a representative of the Jewish minority to a cabinet position, Secretary of Commerce and Labor, Oscar S.
Sirimavo Bandaranaike (April 17, 1916 – October 10, 2000) was the world’s first female head of government.
Ellen Johnson-Sirleaf became the first female elected head of state in Africa on January 16, 2006. Sir Winston Churchill, (1874 –1965) was the first Prime Minister of Great Britain (and to date the only one) to receive the Nobel Prize in Literature. Sir Winston Churchill was the first person ever to be proclaimed an Honorary Citizen of the United States.  President John F. The Penny Black was the world’s first adhesive postage stamp used in a public postal system. The UK is the only country in the world that is not required to put its country name on its stamps.  The UK uses only the profile of the current monarch’s head on its stamps. Inside the Clock Tower, popularly referred to as the Big Ben, is a prison room known as ”the number one room”. The First Mammal ever to be cloned was female sheep named Dolly born July 5, 1996 – died February 14, 2003.
Ottoman Calligraphy Lessons in Istanbul.Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. The traditional instrument of the Turkish - Ottoman calligrapher is the kalem, a pen made of dried reed or bamboo; the ink is often in color, and chosen such that its intensity can vary greatly, so that the greater strokes of the compositions can be very dynamic in their effect. At different periods, depending on the centre of calligraphy at the time, the Arabic script was known variously as anbari, hiri and mekki in pre-Islamic times, and after the Hegira these were qualified by the term medeni. Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. Ottoman Turkish calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page.
The first of those to gain popularity was known as the Kufic script, which was angular, made of square and short horizontal strokes, long verticals, and bold, compact circles.The Diwani script is a cursive style of Arabic calligraphy developed during the reign of the early Ottomans (16th and early 17th centuries). In the teachings of calligraphy figurative imagery is used to help visualize the shape of letters to trace. In 1697 he went on an 18 month long journey through Western Europe with a large Russian delegation.


She was Prime Minister of Ceylon and Sri Lanka three times, 1960-65, 1970-77 and 1994-2000. Any person who misbehaved during debates in the Houses of Parliament could soon find themselves imprisoned in the “number one room”. It is very good to know the importance of number 1, not only in one culture, but in so many. The Koran, which was the first Islamic text compiled in book form, was first written in mekki-medeni hand in black ink on parchment, without diacritics or vowel signs. In Persia and further east, meanwhile, kufi was transformed into a script known as mesrik kufisi, which was used until superseded by the aklam-i sitte scripts.
It was invented by Housam Roumi and reached its height of popularity under Suleyman I the Magnificent. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work. He was a Freemason and on April 29, 1788, he was appointed Worshipful Master of Alexandria Lodge 22. Also, you have explained the first sun sign, the idea of first person, and the longest word in English with only one vowel, one painting, and many more things. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.Ottoman Turkish calligraphy is associated with geometric Islamic art on the walls and ceilings of mosques as well as on the page.
The large scale form of kufi known as iri kufi, which was mainly used on monuments, was reserved for decorative purposes in combination with some elements of embellishment. As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.
In time this style of writing divided into two forms; the sharply angled form being reserved for Korans and important correspondence. The form of mensub hatti known as verraki mentioned above, which was generally reserved for copying books and therefore known as neshi (a derivation of the verb istinsah, "to copy"), was the prototype for the muhakkak, reyhani and nesih scripts which emerged in the early eleventh century.
As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.In the teachings of calligraphy figurative imagery is used to help visualize the shape of letters to trace.
Since this was most often used in the city of Kufa, it became known as kufi.The other form, which did not have sharp angles and could be written at far greater speeds, was employed in day-to-day uses, and due to its rounded, flexible character was suited to artistic application.
As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the clos juxtaposition of the letters within the word.
Turkish paintings, calligraphy, photography, music.When we speak of Turkish calligraphy, we refer to writing of aesthetic value in characters based on the Arabic script, which the Turks had adopted as their writing medium after their conversion to Islam. The Arabic characters gradually assumed an aesthetic function after the advent of Islam, and this process gathered momentum from the mid-eighth century onwards, so that calligraphy was already a significant art discipline by the time the Turks joined the Islamic world.
It was this form which began to give rise to new scripts after the development of pens with nibs of different widths in the eighth century.
Therefore it is necessary to begin with a brief review of the structure of Arabic characters and their development during the early centuries of Islam.
Among the earliest of these were the celil reserved for large scale lettering, and tomar or tumar which was the standard large size pen used in official correspondence. The most succinct definition of calligraphy formulated by Islamic writers is, "Calligraphy is a spiritual geometry produced with material tools." The aesthetic values implied by this definition held true for centuries. Pens with a nib width two thirds of that of the tomar pen were known as suluseyn, and those with nibs one third in width were known as sulus. Under this writing system most of the letters underwent a change of form according to whether they were positioned at the beginning, middle or end of a word. When transformed into an art the characters took on highly elaborate shapes, and the rich visual impact attained when they were joined together, and above all the fact that the same word or phrase could be written in various ways opened the door to the infinite variety and innovation which is a prerequisite of art. Other new writing styles which emerged (although all later fell into disuse) were riyasi, kalemu'n-nisf, hafifu'n-nisf and hafifu's-sulus.


The idea of cutting the nib of the reed pen at an angle instead of horizontally was his, and an innovation which contributed enormous elegance to writing. Just as the characters could be written singly in several different ways, so there was an astonishing diversity of different scripts or "hands".
As their names indicate, some of the new scripts were based on tomar and written with pens which were specific fractions (half, one third, or two thirds) of the tomar pen.
Once "the six hands" had taken their place in the art of calligraphy together with all their rules, many scripts apart from those mentioned above were abandoned, and no trace of them but their names remains today (for example, sicillat, dibac, zenbur, mufattah, harem, lului, muallak and mursel).Following the death of Yakut his conception of "the six hands" was carried by scribes who had trained under him from Baghdad to Anatolia, Egypt, Syria, Persia and Transoxania. The Arabic characters were adopted — primarily motivated by religious fervour by virtually all the peoples who converted to Islam, so that just a few centuries after the Hegira they had become the shared property of the entire Muslim world.
In the process of scaling down, the scripts took on new characteristics of their own, while the word kalem, which referred to the writing instrument, also came to be used for the writing itself (for example, kalemu'n-nisf literally means "half pen"). New generations of calligraphers who trained in these lands dedicated themselves to the path taken by Yakut as far as their aptitude permitted. The term "Arabic calligraphy", which is appropriate with respect to the early period, broadened in scope over time to become what more accurately might be described as "Islamic calligraphy". For scripts such as kisas and muamerat, which were invented for specific uses and did not involve the proportional scaling down of the pen, the term hat was used.Under the Abbasids, learning and the arts flourished, leading to a swelling demand for books in Baghdad and other major cities. This writing system, known as nabati because it was used by the Nabat tribe in pre-Islamic times, derives from the Phoenician. To meet this demand the number of copyists known as verrak also rose, and the script which they employed in the copying of manuscripts was known as verraki, muhakkak or iraki.
In the hands of the Ottoman Turks, these six scripts were poised to begin the ascent to their zenith.CALLIGRAPHY,calligraphy in istanbul,calligraphy in turkey,istanbul in calligraphy,Turkish - Ottoman Calligraphy Lessons in Istanbul. In its early form, the script gave no clue of its future potential as such a powerfully aesthetic medium, the characters consisting of very simple shapes.
From the end of the eighth century, as a result of the search for aesthetic values by calligraphers, writing forms according to specific proportions and symmetries became known as asli hat and mevzun hat. With the emergence of Islam, however, and particularly after the Hegira, the Arabic script became the literary vehicle of the last Semitic religion. One of the calligraphers who contributed to the development of writing, and the most outstanding among those of this period was Ibn Mukle (? The numbers of those literate in the Arabic script multiplied rapidly, and in time it was perfected into a vehicle equipped to record the Koran, and hence the language as a whole, with precision.
Vowel signs known as hareke were invented to express the short phonemes which accompanied the consonants. Lettering complying with these rules was called mensuh hatti, a term meaning "proportional writing".While these developments were taking place, kufi script was enjoying its heyday, above all for copying korans.
The method of determining the sound of letters which resembled one another in form, by means of disparate positioning and diacritical marks was developed. As time passed, the use of diacritics to distinguish the undotted from the dotted forms of the same letters was introduced. Both the diacritics, the vowel signs and the unmarked letter symbols took on decorative forms which played a major role in the development of writing as an art.
Meanwhile, the frequently used definite article, consisting of the letters alif and lam, became a balancing element in the aesthetics of calligraphy.



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