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Close Encounters of the Third Kind is a 1977 science fiction film directed by Steven Spielberg and starring Richard Dreyfuss. I would also say it is even poetic at times which is quite an accomplishment and in my opinion this is the finest directing from Spielberg, at least one of the best. It has so-so characterization and it is very slow and way too long for such a simplistic story, but Close Encounters of the Third Kind largely does succeed mostly thanks to its stunning visual effects for the time, aliens’ peaceful nature which was very original (if the design is anything but), very good directing, fine music and one of the most memorable, powerful and iconic endings for the genre.
Posted in MOVIE REVIEWS, SF and tagged Close Encounters of the Third Kind, film review, movie review, review, reviews, Steven Spielberg. Marisol { I agree, Room was a pretty perfect movie and Jacob was the better performer, not to take away anything from Brie. Angel Castello { It's clear that you are one of the 3% of critics that didn't like the movie. China’s Wei Kingdom is threatened by northern tribesmen called the Rouran and enacts a national conscription. After a number of mishaps and almost revealing her identity, Mulan fights with great valour and gradually rises to the rank of a general.
Zhao Wei is an excellent actress, a beautiful woman and her performance in Hua Mulan is one of her best. If you feel this image is in violation of our Terms of Service, please use the following form to have it manually reviewed by a staff member. It is in my opinion one of the best genre films of the decade and one of my favorite films from the director I am generally not a big fan of.
He then along with a couple of others follows his vision to the place where the government chose to greet the aliens. It is visually stunning and perfectly executed with a lot of tension and awe-inspiring moments.

Yes, it is a bit dated nowadays because of its garish approach to colors, but it is much advanced in the ship’s structure and overall appearance.
It is very flawed, but it is still an entertaining and even moving film that is one of my favorite movies from the director I am usually not a big fan of. Mulan’s father who is in ill health plans to join the army as it heads north but Mulan takes his sword, armour and horse in the middle of the night and enlists in his place.
She has very strong emotional attachments to Wentai and her men that Wentai fears prevents Mulan from reaching her full potential as a general.
Unfortunately the idea of her successfully impersonating a male soldier is just too ludicrous and makes the movie too unrealistic. But I disliked his decision in the end to go with the aliens as it was way too selfish to leave his family behind like that. On joining the army, Mulan pretends to be a man, proves her fighting ability and makes a number of friends, one of whom is Wentai, a Wei prince. After being ambushed by the Rouran and injured, Wentai pretend to be dead so Mulan can reach her full potential. The battle scenes in Hua Mulan are colourful and gripping, the acting well done and the historical perspective is interesting so if you can ignore the fact that no one in their right mind could believe that Zhao Wei could pass for a man, Hua Mulan is an enjoyable movie to watch. It never justifies its awfully long running time, clocking in at almost two and a half hours. I adore its presentation of aliens as peaceful, friendly beings rather than vilifying them. And it is a better film than that famous movie, although I am in the minority in that opinion. However, not the same can be said with the design as they look way too typical for the time and their ships are very cliched too.

After a period of grief, Mulan recovers and goes on to become one of the Wei’s best generals. The end result is then naturally an overly slow pace with a lot of dragged, pointless or just plain boring scenes. That is the best choice from the filmmakers and the biggest reason why this movie works as it is very realistic. It is definitely groundbreaking visually, but it is also very well directed and greatly shot with a polished feel to it.
I dislike how tedious it can get in the first half with too much incorporated family drama. The editing is of course too drawn-out, but the emotional investment is evident in its final moments, although lacking before. However, the later emphasis on the protagonist’s struggle with his vision is great as it lends to some character development as well as some personal drama. The acting is solid, but nothing too extraordinary, although Richard Dreyfuss did a very good job in his role.
It also finally introduces you to the sci-fi elements in a film that surprisingly doesn’t have much of it for the genre that it claims to be. But it is so iconic, powerful and moving beyond words that makes it one of the best endings ever for the genre. I like its tone as well because it is very dramatic and at times quite moving and even powerful.

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