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30.04.2016
There seems to be a bit of a mystery surrounding the birth and youth of our ancestor, Albert Raymond Morton. The earliest events that any of his family knew of him was that, when a young man, he worked as a steamfitter on the Trans-Canadian Railroad. But, as to his birth, youth and parents, there are some real gaps in what is definitely knowna€”these were not topics of discussion in his home, and it simply did not occur to anyone to quiz him about his early life. Wea€™ll keep these vague impressions in mind as they may generate some leads in our search, but we must also guard against the assumption that they are all correct.
So, with the little that we know of him, we have started to collect, and sort out, the few documents we have been able to find regarding his origin. At the time of his birth (in the 1880a€™s) states were not yet keeping actual birth certificates.
Again, remember that this information was provided from Raya€™s understanding of what happened when he was an infant, and given to the state many years later. Ira Homer Morton (Alberta€™s father) is buried there, next to Iraa€™s sister, Irene Morton Crankshaw.
The next document that we will discuss is his application for a Social Security account number [2].
Just below this document, we will attach another, which Albert completed just a few months later, in which he applied to the Social Security board to make a correction in his date of birth. This leaves us wondering why he would intentionally give an older date to the state of Kansas (and to several others) and a later date to the Social Security office.
But, an even more important discrepancy arises in the names, ages and places of birth of his parents.
Based upon the research we have done so far, we cannot pinpoint the exact year of his birth with any certainty, and the following list will help to show the difficulty in determining that year. We have searched the records of the 1885 KS State census for Franklin Co., and have not yet been able to find him, or his family.
We did find a record of his father, Ira Homer Morton, in the 1885 KS State census in Franklin Co., KS but in that record Ira stated that he was still a single man, unmarried, and he was living with his married sister, her family, and their aunt and a cousin.
One thing that has been very consistent about Raya€™s documents is that he invariably lists his mothera€™s name as Ida Louise Easley. We searched for twenty-five years to find any record of this woman, other than those listed by Raymond, and were infuriatingly unsuccessfula€¦ until June 2012.
She was thirteen years old in the 1870 Federal census for Chetopa, Neosho Co., KS and still livng with her parents and siblings at that time.
In the 1880 Federal census for Lincoln, Neosho, Kansas, we find Aaron and Ida Bonham with a new set of twin boys, just a few months old, Clarence and Lawrence, born in early 1880.
At about the same time, Aaron Bonhama€™s parents had settled in Franklin Co., Kansas, about 80 miles to the north.
After this time, we can find no document to indicate that Aaron Bonham was still alive, but neither can we prove that he had died. Aaron and Ida could have divorced, she then quickly married Ira Morton in the fall of 1885 (after the census) and they could have had a son, Raymond, the following year--Sept 1886. Aaron could have been away for an extended period and Ida could have met Ira Morton and had a child out of wedlock before Aarona€™s return.
Now, keeping that dilemma in mind, leta€™s proceed with the other documents that we have been able to find for Ida L. Note that at the time of this marriage, she was still going by the name of a€?Bonhama€? -- not Morton. The 1890 Federal census would have been very helpful to us here, but unfortunately, it was destroyed.
We would never have thought to search for this record under the names of a€?Holmesa€? without first finding the record of her marriage.
In the very same year, and census for the same county, we find that by the time the census taker had moved on to the home of Martha Bonhama€™s (the widowed mother of Aaron Bonham--and mother-in-law of Ida L. Now, this census was just a very short time after the previous exhibit (above) but here, Ray is listed as being 10 years old, and with the surname of a€?Bonham.a€? It is the same young boy. Even though Raya€™s mother had moved west, to Arizona, Ray continued to live with Martha Bonham. The questions must arise, that if Ray was born a€?out of wed-locka€? while Marthaa€™s daughter-in-law was still married to her son, Aaron, one might think that of all of the children, Martha might be the least likely to take this young boy into her home to raise. Whether Ray was actually going by the Bonham name, as indicated above, or whether the census taker once again made an assumption of that, is not known.
In the 1905 KS State census we again find this family still living in Stafford Co., KS with Frank Bonham now showing as the head of the household, and Martha was still alive at age 78, but Ray is no longer living with them. It is interesting that Ida stated that her parent were born in KY, because in prior census records she had always correctly stated they were born in Tennessee.
In the 1920 Federal census for Bakersfield, Kern Co., CA we find the family has moved inland.
Note that Margaret Bonham Kelly had named her oldest son, William Raymond Kelly, with his middle name being a remembrance of her younger brother, Albert Raymond Morton. We have heard that Ida Louise Easley Bonham (Morton) Holmes Hamilton passed away in Bakersfield, CA in the 1930s but we do not have a specific date for her death at this time. In only one record, his a€?Delayed Certificate of Birtha€? did Ray give an estimated age for his father. We have searched all the available records to try to find anyone by this exact name who may have lived in Kansas, Missouri, Ohio, or any other surrounding state during this period of time and have found no one with that exact name.
We previously mentioned the 1885 Kansas State census [9] in which a€?Ira Mortona€? was living in Williamsburg, Franklin Co., Kansas with his sister, Irene E. From this record, we have been able to go back to both Wisconsin, and New York, and find many records for this particular man.
The purpose of this article is to document Raya€™s life, so we will not list all of the documentation for his parents, but merely summarize the key points that are pertinent. This connection, through Ohio, may account for why Ray understood that his father may have come from, and even been born in Cleveland, Ohio, and listed that city as the birth place of his father on one of the documents cited earlier. One other brief comment about this family: When Aunt Shirley Morton Donaldson, Raya€™s youngest daughter, went to Kansas on her research trip, and found the reference to George and Irene Crankshaw living in Williamsburg, she said that that name seemed to have a familiar ring to her from hearing comments made by her father years earlier. We really know very little about Raya€™s youth, but with his consistent statements that he was born in Ottawa, Franklin County, Kansas, that is the first place we began looking. We actually have no other record for him anywhere between the 1900 census record mentioned earlier (for Stafford Co., KS) and the next one in 1915.
We did find one interesting record from 1912 that showed a Raymond Morton tried to cross over the boarder into Canada but was turned back by the authorities. Although the Canadian recruiter judged him fit for duty at the time of his enlistment, Ray was in fact discharged from the army on 18 June 1916 in Toronto, Ontario with the comment that he was a€?medically unfit.a€? He had been entered on the a€?Casualty Forma€? on 22 May 1916 before the actual discharge came through about four weeks later.
From this point we know that Ray made his way back to Big Valley, Alberta and went to work in the mines. This couple moved from place to place seeking work primarily on government jobs, particularly thoughtout the great depression. From this point on, the family has a clear knowledge and recollection of Raya€™s life, and so we will not go into that in this article. It appears that from about 1895, when Ray was approximately 8-10 years old, that he left his mother and siblings to live elsewhere. We hope this presentation is helpful to any of Alberta€™s posterity in future efforts of trying to find and document his life and his ancestry. Note that at the time of this marriage, she was still going by the name of a€?Bonhama€? -- not Morton.A  This adds credence to the supposition that she may not have actually married Ira H. In this segment, we will try to provide the information we have found for each of these children.
A search of the 1901 and 1911 Irish Census records did not produce any members of this Tinman family.
Also, in the 1860 record of the Battlehill Methodist Church there was a Conway Tinman (Battlehill: A Local History, A Church History, by Valerie Ruddell and William Newell, Ruddell Press, Portadown, 2000 -- p. The only known child of Sarah Lindsay Tinman was her daughter, Sarah Tinman who married William Hinton and was the a€?niecea€? that Alexander met while on his mission, as referred to above.
It is clear that they had another daughter, born about 1908, after Alexander returned home from his mission, and she was therefore not mentioned in his journal. This is all that we have been able to find for Sarah Lindsaya€™s and her daughtera€™s families.
This Bible is now in the possession of Wilson Glass, Grandnephew of Fannie Livingston Lindsay. With William being married in Jersey in 1859, he seems to have remained in the military for the next several years, and was probably still serving as a soldier at the time that his parents died--mother in 1865, and father in 1866. Eventually William, Alice and Alex returned home where they took up farming on their old home site. In his role as a local farmer, and a leader in the Methodist Church at Battlehill, life continued until 20 Oct.
In the 1901 Irish census, we find William and a€?Fannya€? Lindsay, both listed as aged 62 and Methodists living in Ballintaggart (Richhill, Armagh). In the 1911 Irish census we find the same William and Fanny (ages 73 & 72) still listed as Methodists and still in Ballintaggart (Aghory, Armagh). Between these two dates, William was visited at their old home by his brother Alexander who made many references in his journal to their discussions, including a variety of religious conversations. While the brothers loved each other, it seems apparent that Alexander took his LDS mission very seriously and wanted to convince William of the truthfulness of the restored gospel. William seems to have had two happy marriages, but was not blessed with children in either one. She would have been about 25 years old when her father died in 1866, and so was old enough to be out on her own. There is a lot of missing information about her and her family, but the two census records give us a great deal of help in filling in some of the gaps.
Shortly after their marriage they were posted to India, which was a part of the British Empire at that time and had a fairly large contingent of British soldiers stationed there. The family retuned from India about 1879, not long after Alexandera€™s departure for for New Zealand, and settled in County Armagh. In the 1901 Irish census we find this family living at house 8 in Union Street in Portadown, Armagh where they were all listed as Methodists. His journal contains a number of brief entries showing a warm conviviality and a joy to be reunited with his loved ones in his old home country. Shortly after this experience Alexander was transfered to England and was only able to communicate with his family by mail thereafter. In the 1911 Irish census we find this family living in house 14 Union Street, Portadown, Armagh. In addition to the above information, there is a note that Mary Ann had been married for only 9 years; had born 5 children, 3 of whom were still living.
We do not know of Elizabeth or William ever marrying, and we do not know what became of little Sarah, but it is possible that she had a family of her own with descendants somewhere today. Our family records indicated that Mary Ann died about 1910, but it is apparent from the 1911 census that she was still alive at that time.
She was still a young woman at that time and one wonders what happened to end her life while just entering her prime. The three death dates always match, and in each one he says she was 31 years old when she died. In the 1860 roll for the members of the Battlehill Methodist Church, Dorothy Lindsaya€™s name appears as a member of the group that was led by her father, John Lindsay. Dorothy grew up in the Lindsay home in Ballintaggart on the Loughgall Road with her other siblings. Dorothya€™s marriage may have taken place while Alexander was away as a soldier in the British Army, but he married and returned to this area in time to know Dorothya€™s two little boys when they were very young. Early on, the Holmes family moved to the townland of Clonroot, which is immediately adjacent to, on the west side of, Battlehill, which is adjacent to, and on the west side of, Ballintaggart, so they were very close to the rest of the family. Upon his return to Ireland as a missionary for the Church of Jesus Christ of Latter-day Saints in 1904-5, Alexander Lindsay visited with his brother William, and his sister, Mary Ann, to get caught up on all the changes that had occurred while he was away in New Zealand, and in Oregon, over the past 26 years. While he was surely saddened to miss most of his siblings, he did get a chance to rekindle some relationships with the next generation, including his nephew, William Holmes. Shortly after this last visit with William Holmes, Alexander was transferred to England for the remainder of his mission. In the 1911 Irish census we find William still living alone in the 19th house enumerated in Clonroot, Kilmore Parish, Co. Although William Holmes was still single in the 1911 census, he did eventually marry on 3 March 1920, in Ahorey, Co., Armagh, Ireland to Margaret Edgar, the daughter of Thomas Edgar. As has been mentioned several times already, Alex was the youngest of eight children born to John Lindsay and Mary Donaghy.
After returning to Ireland, and probably with the discharge of William from the Army, Alexander then enlisted for his own tour.
So, in the fall of 1878, with their baby just a few weeks old, Alex and Mary set sail on an old sailing vessel, which went south around the Cape of Good Hope in Africa, and then eastward to New Zealand. They Lindsays homesteaded land in their new country and from time to time traded up for larger tracts until they eventually bought 640 acres of land near Towai, Bay of Islands, on the North Island.
In 1897 missionaries from the Church of Jesus Christ of Latter-day Saints came to this area and eventually the Lindsays were taught the gospel and were baptized into this church. After returning home to LaGrande, Alex and Mary had a wonderful life together watching their children grow up, marry and raise children of their own. From the eight children (four daughters and four sons) of John Lindsay and Mary Donaghy, they had about nineteen known grandchildren. In this segment, we will try to provide the information we have found for each of these children.A  Much of this information comes from Alexander Lindsaya€™s Journal which he kept when he returned to the place of his birth on a two years mission (1904-1906) for the LDS Church and will be referred to as a€?ALJa€? {The Alexander Lindsay Journals 1903-1906, transcribed by Larry E. Sarah Lindsay--born 1837, was the oldest child of this family.A  She married Edward Tinman (date unknown but probably between 1860-64) {ALJ p.
In the 1901 Irish census, we find William and a€?Fannya€? Lindsay, both listed as aged 62 and Methodists living in Ballintaggart (Richhill, Armagh).A A  In this census she said she too was born in Co. William seems to have had two happy marriages, but was not blessed with children in either one.A  He passed away on 30 Dec. Mary Ann Lindsay--was born in 1841 (no actual date specified).A  At age 19 her name was listed as one of the members of the Battlehill Methodist Church, of which her father, John Lindsay, was then the Group Leader [Battlehill Church History p.
In the 1901 Irish census we find this family living at house 8 in Union Street in Portadown, Armagh where they were all listed as Methodists.A  Mary Ann was listed as being a widowed house keeper, aged 60 and the three children between ages 18-22 with the two girls as a€?Drawer in Factorya€? and the son was a weaver.
Some of these monographs may be thought of as an anthology of maps, which, like all anthologies, reflects the taste and predilection of the collector. Cartography, like architecture, has attributes of both a scientific and an artistic pursuit, a dichotomy that is certainly not satisfactorily reconciled in all presentations. The significance of maps - and much of their meaning in the past - derives from the fact that people make them to tell other people about the places or space they have experienced. It is assumed that cartography, like art, pre-dates writing; like pictures, map symbols are apt to be more universally understood than verbal or written ones.
As previously mentioned, many early maps, especially those prior to the advent of mass production printing techniques, are known only through descriptions or references in the literature (having either perished or disappeared).
Many libraries and collections were not in the habit of preserving maps that they considered a€?obsoletea€? and simply discarded them.
A series of maps of one region, arranged in chronological order, can show vividly how it was discovered, explored by travelers and described in detail; this may be seen in facsimile atlases like those of America (K. As mediators between an inner mental world and an outer physical world, maps are fundamental tools helping the human mind make sense of its universe at various scales. The history of cartography represents more than a technical and practical history of the artifacts. The only evidence we have for the mapmaking inclinations and talents of the inhabitants of Europe and adjacent parts of the Middle East and North Africa during the prehistoric period is the markings and designs on relatively indestructible materials.
Although some questions will always remain unanswered, there can be no doubt that prehistoric rock and mobiliary art as a whole constitutes a major testimony of early mana€™s expression of himself and his world view. Despite the richness of civilization in ancient Babylonia and the recovery of whole archives and libraries, a mere handful of Babylonian maps have so far been found.
Egypt, which exercised so strong an influence on the ancient civilizations of southeast Europe and the Near East, has left us no more numerous cartographic documents than her neighbor Babylonia.
In so far as cartography was concerned, perhaps the greatest extant Egyptian achievement is represented by the Turin Papyrus, collected by Bernardino Drovetti before 1824 (see monograph #102) . In so far as cartography was concerned, perhaps the greatest extent that Egyptian achievement is represented is by the Turin Papyrus, collected by Bernardino Drovetti before 1824 (#102). It has often been remarked that the Greek contribution to cartography lay in the speculative and theoretical realms rather than in the practical realm, and nowhere is this truer than in the Archaic and Classical Period.
To the Arab countries belongs chief credit for keeping alive an interest in astronomical studies during the so-called Christian middle ages, and we find them interested in globe construction, that is, in celestial globe construction; so far as we have knowledge, it seems doubtful that they undertook the construction of terrestrial globes. Among the Christian peoples of Europe in this same period there was not wanting an interest in both geography and astronomy. Above the convex surface of the earth (ki-a) spread the sky (ana), itself divided into two regions - the highest heaven or firmament, which, with the fixed stars immovably attached to it, revolved, as round an axis or pivot, around an immensely high mountain, which joined it to the earth as a pillar, and was situated somewhere in the far North-East, some say North, and the lower heaven, where the planets - a sort of resplendent animals, seven in number, of beneficent nature - wandered forever on their appointed path. Now, it is remarkable that the Greeks, adopting the earlier Chaldean ideas concerning the sphericity of the earth, believed also in the circumfluent ocean; but they appear to have removed its position from latitudes encircling the Arctic regions to a latitude in close proximity to the equator. Notwithstanding this encroachment of the external ocean - encroachment which may have obliterated indications of a certain northern portion of Australia, and which certainly filled those regions with the great earth - surrounding river Okeanos - the traditions relating to the existence of an island, of immense extent, beyond the known world, were kept up, for they pervade the writings of many of the authors of antiquity.
In a fragment of the works of Theopompus, preserved by Aelian, is the account of a conversation between Silenus and Midas, King of Phrygia, in which the former says that Europe, Asia, and Africa were lands surrounded by the sea; but that beyond this known world was another island, of immense extent, of which he gives a description. Theopompus declareth that Midas, the Phrygian, and Selenus were knit in familiaritie and acquaintance. The side of the boat curves inwards, so that when reversed the figure of it would be like an orange with a slice taken off the top, and then set on its flat side. Comparing these early notions, as to the shape and extent of the habitable world, with the later ideas which limited the habitable portion of the globe to the equatorial regions, we may surmise how it came to pass that islands--to say nothing of continents which could not be represented for want of space - belonging to the southern hemisphere were set down as belonging to the northern hemisphere. We have no positive proof of this having been done at a very early period, as the earlier globes and maps have all disappeared; but we may safely conjecture as much, judging from copies that have been handed down.
Early maps of the world, as distinguished from globes, take us back to a somewhat more remote period; they all bear most of the disproportions of the Ptolemaic geography, for none belonging to the pre-Ptolemaic period are known to exist.
We have seen that, according to the earliest geographical notions, the habitable world was represented as having the shape of an inverted round boat, with a broad river or ocean flowing all round its rim, beyond which opened out the Abyss or bottomless pit, which was beneath the habitable crust. The description is sufficiently clear, and there is no mistaking its general sense, the only point that needs elucidation being that which refers to the position of the earth or globe as viewed by the spectator.
Our modern notions and our way of looking at a terrestrial globe or map with the north at the top, would lead us to conclude that the abyss or bottomless pit of the inverted Chaldean boat, the Hades and Tartaros of the Greek conception, should be situated to the south, somewhere in the Antarctic regions. The internal evidence of the Poems points to a northern as well as a southern location for the entrance to the infernal regions.
Another probable source of information: The Phoinikes of Homer are the same Phoenicians who as pilots of King Solomona€™s fleets brought gold and silver, ivory, apes and peacocks from Asia beyond the Ganges and the East Indian islands.
European mariners and geographers of the Homeric period considered the bearing of land and sea only in connection with the rising and setting of the sun and with the four winds Boreas, Euros, Notos, and Sephuros. These mariners and geographers adopted the plan - an arbitrary one - of considering the earth as having the north above and the south below, and, after globes or maps had been constructed with the north at the top, and this method had been handed down to us, we took for granted that it had obtained universally and in all times. Such has not been the case, for the earliest navigators, the Phoenicians, the Arabs, the Chinese, and perhaps all Asiatic nations, considered the south to be above and the north below. It is strange that some historians, in pointing out so cleverly that the Chaldean conception was more in accordance with the true doctrine concerning the form of the globe than had been suspected, fails, at the same time, to notice that Homer in his brain-map reversed the Chaldean terrestrial globe and placed the north at the top.
During the middle ages, we shall see a reversion take place, and the terrestrial paradise and heavenly paradise placed according to the earlier Chaldean notions; and on maps of this epoch, encircling the known world from the North Pole to the equator, flows the antic Ocean, which in days of yore encircled the infernal regions. At a later period, during which planispheric maps, showing one hemisphere of the world, may have been constructed, the circumfluent ocean must have encircled the world as represented by the geographical exponents of the time being; albeit in a totally different way than expressed in the Shumiro-Accadian records. It follows from all this that, as mariners did actually traverse those regions and penetrate south of the equator, the islands they visited most, such as Java, its eastern prolongation of islands, Sumbawa, etc., were believed to be in the northern hemisphere, and were consequently placed there by geographers, as the earliest maps of the various editions of Ptolemya€™s Geography bear witness. These mistakes were the result doubtless of an erroneous interpretation of information received; and the most likely period during which cognizance of these islands was obtained was when Alexandria was the center of the Eastern and Western commerce of the world.
But to return to the earlier Pre-Ptolemaic period and to form an idea of the chances of information which the traffic carried on in the Indian Ocean may have offered to the Greeks and Romans, here is what Antonio Galvano, Governor of Ternate says in 1555, quoting Strabo and Pliny (Strabo, lib. Now as the above articles of commerce, mentioned by Strabo and Pliny, after leaving their original ports in Asia and Austral-Asia, were conveyed from one island to another, any information, when sought for, concerning the location of the islands from which the spices came, must necessarily have been of a very unreliable character, for the different islands at which any stay was made were invariably confounded with those from which the spices originally came. From these facts, and many others, such as the positions given to the Mountain of the East or North-East of the Shumiro-Accads, the Mountain of the South, or Southwest, of Homer, and the Infernal Regions, we may conclude that the North Pole of the Ancients was situated somewhere in the neighborhood of the Sea of Okhotsk.
It is in the Classical Period of Greek cartography that we can start to trace a continuous tradition of theoretical concepts about the size and shape of the earth.
Likewise, it should be emphasized that the vast majority of our knowledge about Greek cartography in this early period is known primarily only from second- or third-hand accounts. There is no complete break between the development of cartography in Classical and in Hellenistic Greece.
In spite of these speculations, however, Greek cartography might have remained largely the province of philosophy had it not been for a vigorous and parallel growth of empirical knowledge. That such a change should occur is due both to political and military factors and to cultural developments within Greek society as a whole.
The librarians not only brought together existing texts, they corrected them for publication, listed them in descriptive catalogs, and tried to keep them up to date.
The other great factor underlying the increasing realism of maps of the inhabited world in the Hellenistic Period was the expansion of the Greek world through conquest and discovery, with a consequent acquisition of new geographical knowledge.
Among the contemporaries of Alexander was Pytheas, a navigator and astronomer from Massalia [Marseilles], who as a private citizen embarked upon an exploration of the oceanic coasts of Western Europe.
As exemplified by the journeys of Alexander and Pytheas, the combination of theoretical knowledge with direct observation and the fruits of extensive travel gradually provided new data for the compilation of world maps.
The importance of the Hellenistic Period in the history of ancient world cartography, however, has been clearly established. In the history of geographical (or terrestrial) mapping, the great practical step forward during this period was to locate the inhabited world exactly on the terrestrial globe. Thus it was at various scales of mapping, from the purely local to the representation of the cosmos, that the Greeks of the Hellenistic Period enhanced and then disseminated a knowledge of maps. The Roman Republic offers a good case for continuing to treat the Greek contribution to mapping as a separate strand in the history of classical cartography.
The remarkable influence of Ptolemy on the development of European, Arabic, and ultimately world cartography can hardly be denied.
Notwithstanding his immense importance in the study of the history of cartography, Ptolemy remains in many respects a complicated figure to assess. Still the culmination of Greek cartographic thought is seen in the work of Claudius Ptolemy, who worked within the framework of the early Roman Empire. When we turn to Roman cartography, it has been shown that by the end of the Augustan era many of its essential characteristics were already in existence.
In the course of the early empire large-scale maps were harnessed to a number of clearly defined aspects of everyday life. Maps in the period of the decline of the empire and its sequel in the Byzantine civilization were of course greatly influenced by Christianity. Continuity between the classical period and succeeding ages was interrupted, and there was disruption of the old way of life with its technological achievements, which also involved mapmaking. The Byzantine Empire, though providing essential links in the chain, remains something of an enigma for the history of the long-term transmission of cartographic knowledge from the ancient to the modern world. It may be necessary to emphasize that the ancient Greek maps shown in this volume are a€?reconstructionsa€? by modern scholars based upon the textual descriptions of the general outline of the geographical systems formed by each of the successive Greek writers so far as it is possible to extract these from their writings alone.
China is Asiaa€™s oldest civilization, and the center from which cultural disciplines spread to the rest of the continent. An ancient wooden map discovered by Chinese archaeologists in northwest China's Gansu Province has been confirmed as the country's oldest one at an age of more than 2,200.
The map of Guixian was unearthed from tombs of the Qin Kingdom at Fangmatan in Tianshui City of Gansu Province in 1986 and was listed as a national treasure in 1994.
Unlike modern maps, place names on these maps were written within big or small square frames, while the names of rivers, roads, major mountains, water systems and forested areas were marked directly with Chinese characters.
Whoever sets out to write on the history of geography in China faces a quandary, however, for while it is indispensable to give the reader some appreciation of the immense mass of literature which Chinese scholars have produced on the subject, it is necessary to avoid the tedium of listing names of authors and books, some of which indeed have long been lost. As for the ideas about the shape of the earth current in ancient Chinese thought, the prevailing belief was that the heavens were round and the earth square. The following attempts to compare rather carefully the parallel march of scientific geography in the West and in China. DESCRIPTION: While some earlier scholars would have labeled these maps as a€?the epitome of medieval European cartographya€?, due to the very ecclesiastical form and content, they were, indeed, an exception in this perioda€™s mapmaking.
In his recent book, Body-Worlds, Opinicus de Canistris and the Medieval Cartographic Imagination, Karl Whittington writes that on the 31st of March, 1334, this Italian priest named Opinicus de Canistris fell sick.
As mentioned above, Opicinusa€™ drawings survive in two manuscripts, both kept in the Vatican Library in Rome. There is no way of knowing how many other drawings Opicinus completed, and certainly no reason to believe that all or even a majority of his works have survived.
Victoria Morsea€™s 1996 doctoral dissertation for the first time performed a large-scale study in order to demonstrate the logic of Opicinusa€™ works. It was not unusual during the later Middle Ages to bring together the body and the earth in pictorial representations. The relationship on the page between texts, diagrams, and pictures throughout Opicinusa€™ work is an especially important issue. According to Whittington the captions on most of the drawings seem to interact with them in the following way: Opicinus created the visual material first, usually to address a particular theological question or theme.
The elaborate, complex, and beautiful drawings that Opicinus created in the years following his illness and vision are the subject of this monograph. What we see, then, is an embodied map a€” a picture of the eartha€™s surface that is also a depiction of human bodies. Opicinusa€™ beliefs and hypotheses about the earthly, the heavenly, and the human are encoded in the very structures of his drawings. Over half of Opicinusa€™ 80 drawings in the Vaticanus and Palatinus manuscripts include at least part of a portolan chart. Opicinusa€™ body-maps are far more complicated than any of the examples above, and the question of what they mean is more difficult to answer. In a number of drawings, Opicinus used the most basic form of the body-worlds - presumably the one that he describes having received in his 1334 vision. As in all of Opicinusa€™ drawings of the body-worlds, each figure takes on a specific identity, though in this example these identities are complex. It seems most likely that the figure depicts a sort of hybrid a€” a personification of Christianity, with Christ at its head and its heart, surrounded by elements of the cosmic order. Its chest is bare (we can see the cloak falling away from the shoulder on the northern coast of France), but the lower roundel covers the place where a breast is often revealed in Opicinusa€™ female European figures.
In three folios near the end of the Vaticanus manuscript, Opicinusa€™ cartographic drawings add one more layer of meaning on top of the basic arrangement outlined above: he superimposes a gridded local map of Pavia, his hometown, on top of a single portolan chart. According to Whittington the precise placement and scale of the two maps is certainly not accidental; the maps have been placed in a precise relation to one another in order to create and explain correspondences between them. In contrast to this relatively simple correspondence, another caption shows how complicated his spatial interpretations could become. As a final word on this drawing, I want to return to one more visual feature: the form of the local city grid. In the two previous examples, Opicinus constructed a drawing using only one portolan chart; on fol.
This doubling and mirroring of the portolan chart served a specific purpose: as Victoria Morse has argued, it allowed Opicinus to contrast the world as it was seen and known with the possibility of an alternate world converted to a state of grace. Each of the four land-figures bears an emblem on its chest a€” these signify the intention or motivation of each character. On the bottom half of the page, however, similar captions placed on the white chart actually point to cities on that chart, rather than on the one below.
Even after all of the figures in the drawing have been identified, its meaning remains elusive. There is one caption on the page that offers a tantalizing comment on its form and content. This quoted caption outlines the general principle that Opicinus follows in these drawings that employ mirroring or correspondence a€” that the multiplied forms are generators of multiple truths and realities. Many Vaticanus drawings contain more explicit imagery of birth and reproduction; metaphors of birth and rebirth seem to have been one of Opicinusa€™ primary ways of expressing the spiritual transformation that he underwent following his illness of 1334. The interest in the local ramifications of the pregnancy of the European figure is explored even more closely in two drawings in which Europe is actually pregnant with a tiny map a€” fols. DESCRIPTION: A good example of Protestant theologian Heinrich Buntinga€™s Europa, Europe as a Queen. 1906: Availability of panchromatic black and white film and therefore high quality color separation color photography. PAINTING OF THE WEEK - Ruins of the Holyrood Chapel by Moonlight, oil on canvas, 1824, Louis Daguerre. G+ #Read of the Day: The Daguerreotype - The daguerreotype, an early form of photograph, was invented by Louis Daguerre in the early 19th c. The first photograph (1826) - Joseph Niepce, a French inventor and pioneer in photography, is generally credited with producing the first photograph. Easy Peasy Fact:Following Niepcea€™s experiments, in 1829 Louis Daguerre stepped up to make some improvements on a novel idea. In the second document, he changed his year of birth to 1883--which now coincides with his recreated birth certificate. Morton Crankshaw and her family, as well as their widowed Aunt Sarah Cather, and her son, Henry Cather (a cousin of Iraa€™s).
1915, Raymond was standing in the Army recruitera€™s office in Toronto, Ontario, Canada, where he enlisted in the Canadian Over-seas Expeditionary Force.
Easley Bonham--the twins who died at just a few months old, and the four living children, three of which (# 1, 2 & 4) all claim that Aaron Bonham was their father, but #3 (Raymond) always claimed that his father was Ira Morton. Aaron and Ida could have divorced, she then quickly married Ira Morton in the fall of 1885 (after the census) and they could have had a son, Raymond, the following year--Sept 1886.A  We know Ira died in 1888, and Ida could have been reconciled to Aaron and remarried him with Bernice born to them in 1888-89. 10, 1905 --This morn after dressing I went to meet my Niece [this would be Sarah Tinman Hinton, who was then living in Belfast, and was the daughter of Sarah Lindsay Tinman] at the 9 Oa€™c train and her two children, bringing them home to breakfast, and then went on to M. 9, 1905 -- Accompanied by Elder Scott I paid my promised visit to my new found Niece [Sarah Tinman Hinton]. 14 May 1905 -- This morning my companion and I went out as far as Clonroot to pay our promised visit to Willie Holmes. 11 June 1905 -- Another Saboth [sic] day, going out as far as Clonroot, and I may say we all spent a very enjoyable time. Keelya€? and had this girl--born about 1906.A  Remember too that Alexander referred to his niece as Mrs. It may also be likened to a book of reproductions of works of art, in the sense that the illustrations, even with the accompanying commentary, cannot really do justice to the originals. A knowledge of maps and their contents is not automatic - it has to be learned; and it is important for educated people to know about maps even though they may not be called upon to make them. Some maps are successful in their display of material but are scientifically barren, while in others an important message may be obscured because of the poverty of presentation. Maps constitute a specialized graphic language, an instrument of communication that has influenced behavioral characteristics and the social life of humanity throughout history. Maps produced by contemporary primitive peoples have been likened to so-called prehistoric maps.
In earlier times these maps were considered to be ephemeral material, like newspapers and pamphlets, and large wall-maps received particularly careless treatment because they were difficult to store. When, in 1918, a mosaic floor was discovered in the ancient TransJordanian church of Madaba showing a map of Palestine, Syria and part of Egypt, a whole series of reproductions and treatises was published on the geography of Palestine at that time.
Kretschner, 1892), Japan (P.Teleki, 1909), Madagascar (Gravier, 1896), Albania (Nopcsa, 1916), Spitzbergen (Wieder, 1919), the northwest of America (Wagner, 1937), and others. Indeed, much of its universal appeal is that the simpler types of map can be read and interpreted with only a little training. Crone remarked that a€?a map can be considered from several aspects, as a scientific report, a historical document, a research tool, and an object of art. It may also be viewed as an aspect of the history of human thought, so that while the study of the techniques that influence the medium of that thought is important, it also considers the social significance of cartographic innovation and the way maps have impinged on the many other facets of human history they touch.
It is reasonable to expect some evidence in this art of the societya€™s spatial consciousness. There is, for example, clear evidence in the prehistoric art of Europe that maps - permanent graphic images epitomizing the spatial distribution of objects and events - were being made as early as the Upper Paleolithic. In Mesopotamia the invention by the Sumerians of cuneiform writing in the fourth millennium B.C.
In the former field, among other things, they attained a remarkably close approximation for a?s2, namely 1.414213.
The courses of the Tigris and Euphrates rivers offered major routes to and from the north, and the northwest, and the Persian Gulf allowed contact by sea along the coasts of Arabia and east to India. Within this span of some three thousand years, the main achievements in Greek cartography took place from about the sixth century B.C. Stevenson, it is not easy to fix, with anything like a satisfactory measure of certainty, the beginning of globe construction; very naturally it was not until a spherical theory concerning the heavens and the earth had been accepted, and for this we are led back quite to Aristotle and beyond, back indeed to the Pythagoreans if not yet farther.
We are now learning that those centuries were not entirely barren of a certain interest in sciences other than theological. It has now been ascertained and demonstrated beyond doubt that the earliest ideas concerning the laws of the universe and the shape of the earth were, in many respects, more correct and clearer than those of a subsequent period.
Ragozin, says the Shumiro-Accads had formed a very elaborate and clever idea of what they supposed the world to be like; they imagined it to have the shape of an inverted round boat or bowl, the thickness of which would represent the mixture of land and water (ki-a) which we call the crust of the earth, while the hollow beneath this inhabitable crust was fancied as a bottomless pit or abyss (ge), in which dwelt many powers. The account of this conversation, which is too lengthy here to give in full, was written three centuries and a half before the Christian era. Of the familiaritie of Midas, the Phrigian, and Selenus, and of certaine circumstances which he incredibly reported. This Selenus was the sonne of a nymphe inferiour to the gods in condition and degree, but superiour to men concerning mortalytie and death. The Chaldean conception, thus rudely described, shows a yet nearer approximation to the true doctrine concerning the form of the globe, when we bear in mind that this actually is in shape a flattened sphere, with the vertical diameter the shorter one.
A curious example of the difficulties that early cartographers of the circumfluent ocean period had to contend with, and of the sans faA§on method of dealing with them, occurs in the celebrated Fra Mauro mappamundi (Book III, #249), which is one of the last in which the external ocean is still retained.
The influence of the Ptolemaic astronomical and geographical system was very great, and lasted for over thirteen hundred years. There are reasons to believe however, apart from the evidence we gather in the Poems, that these abyssal regions were supposed or believed to be situated around the North Pole. Homer, The Outward Geography Eastwards: a€?The outer geography eastwards, or wonderland, has for its exterior boundary the great river Okeanos, a noble conception, in everlasting flux and reflux, roundabout the territory given to living man.
The Phoenician reports referred to came most likely therefore, not so much from the north, as from these regions which, tradition tells us (Fra Mauroa€™s mappamundi #249), were situated propinqua ale tenebre. These winds covered the arcs intervening between our four cardinal points of the compass, which points were not located exactly as with us; but the north leaning to the east, the east to the south, the south to the west and the west to the north (see Beatusa€™ Turin map, Book II, #207).
The reason for this is plausible, for whereas the northern seaman regulated his navigation by the North Star, the Asiatic sailor turned to southern constellations for his guidance. This is all the more strange when we take into consideration that, in the light of his context, the fact is apparent and of great importance as coinciding with other European views concerning the location of the north on terrestrial globes and maps. The Chaldeans placed their heaven in the east or northeast; Homer placed his heaven in the south or southwest.
In this ocean we find also EA the Exalted Fish, but, deprived of his ancient grandeur and divinity, he is no doubt considered nothing more than a merman at the period when acquaintance is renewed with him on the SchA¶ner-Frankfort gores of Asiatic origin bearing the date 1515 (Book IV, #328). The divergence was probably owing in a great measure to the inability of representing graphically the perspective appearance of the globe on a plane; but may be also traceable to an erroneous interpretation of the original idea, caused by the reversion of the cardinal points of the compass. According to this division other continents south of the equator were supposed to exist and habited, some said, but not to be approached by those inhabiting the northern hemisphere on account of the presumed impossibility of traversing the equatorial regions, the heat of which was believed to be too intense. We shall see, when dealing with Ptolemy's map of the world, some of the results of this confusion. Thomas, after the dispersion of the Apostles, preached the Gospel to the Parthians and Persians; then went to India, where he gave up his life for Jesus Christ. That he corroborates Homera€™s views as to the sphericity of the earth by describing Cratesa€™ terrestrial globe (Geographica; Book ii. That he accentuates Homera€™s views concerning the black races that lived some in the west (the African race) others in the east (the Australian race). That he shows the four cardinal points of the compass to have been situated somewhat differently than with us, for he says (Book 1, c. That he appears to be perpetuating an ancient tradition when he supposes the existence of a vast continent or antichthonos in the southern hemisphere to counterbalance the weight of the northern continents.
The relativeness of these positions appears to have been maintained on some mediaeval maps. To appreciate how this period laid the foundations for the developments of the ensuing Hellenistic Period, it is necessary to draw on a wide range of Greek writings containing references to maps.
We have no original texts of Anaximander, Pythagoras, or Eratosthenes - all pillars of the development of Greek cartographic thought. In contrast to many periods in the ancient and medieval world and despite the fragmentary artifacts, we are able to reconstruct throughout the Greek period, and indeed into the Roman, a continuum in cartographic thought and practice.
Indeed, one of the salient trends in the history of the Hellenistic Period of cartography was the growing tendency to relate theories and mathematical models to newly acquired facts about the world - especially those gathered in the course of Greek exploration or embodied in direct observations such as those recorded by Eratosthenes in his scientific measurement of the circumference of the earth. With respect to the latter, we can see how Greek cartography started to be influenced by a new infrastructure for learning that had a profound effect on the growth of formalized knowledge in general.
Thus Alexandria became a clearing-house for cartographic and geographical knowledge; it was a center where this could be codified and evaluated and where, we may assume, new maps as well as texts could be produced in parallel with the growth of empirical knowledge.
In his treatise On the Ocean, Pytheas relates his journey and provides geographical and astronomical information about the countries that he observed. While we can assume a priori that such a linkage was crucial to the development of Hellenistic cartography, again there is no hard evidence, as in so many other aspects of its history, that allows us to reconstruct the technical processes and physical qualities of the maps themselves. Its outstanding characteristic was the fruitful marriage of theoretical and empirical knowledge. Eratosthenes was apparently the first to accomplish this, and his map was the earliest scientific attempt to give the different parts of the world represented on a plane surface approximately their true proportions. By so improving the mimesis or imitation of the world, founded on sound theoretical premises, they made other intellectual advances possible and helped to extend the Greek vision far beyond the Aegean. While there was a considerable blending and interdependence of Greek and Roman concepts and skills, the fundamental distinction between the often theoretical nature of the Greek contribution and the increasingly practical uses for maps devised by the Romans forms a familiar but satisfactory division for their respective cartographic influences. The profound difference between the Roman and the Greek mind is illustrated with peculiar clarity in their maps.
Through both the Mathematical Syntaxis (a treatise on mathematics and astronomy in thirteen books, also called the Almagest and the Geography (in eight books), it can be said that Ptolemy tended to dominate both astronomy and geography, and hence their cartographic manifestations, for over fourteen centuries. A modern analysis of Ptolemaic scholarship offers nothing to revise the long-held consensus that he is a key figure in the long term development of scientific mapping.
In its most obvious aspect, the exaggerated size of Jerusalem on the Madaba mosaic map (# 121) was no doubt an attempt to make the Holy City not only dominant but also more accurately depicted in this difficult medium.
In both Western Europe and Byzantium relatively little that was new in cartography developed during the Dark Ages and early Middle Ages, although monks were assiduously copying out and preserving the written work of many past centuries available to them. Researcher He said that the map, drawn in black on four pine wood plates of almost the same size, had clear and complete graphics depicting the administrative division, a general picture of local geography and the economic situation in Guixian County in the Warring States era.
Only a few examples can be given, but it should be understood, even when it is not expressly said, that they must often stand simply as representative of a whole class of works. It may be said at the outset that both in East and West there seem to have been two separate traditions, one which we may call a€?scientific, or quantitative, cartographya€™, and one which we may call a€?religious, or symbolic, cosmographya€™.
But it points clearly to a time when Goda€™s mercy will be withheld from those who have persistently rejected the authority of Heaven. Notice that the final issue involves a false allegiance to the beast power, so often referred to in Bible prophecy.
Those who do not have the mark of the beast are described as obedient to those commandments, and the rest suffer the wrath of God. At last, the majority of eartha€™s inhabitants will accept the authority of an antichrist counterfeit power, in disobedience to Goda€™s great ten commandment laws.
The interest of multitudes has been destroyed by the influence of pastors who would not take seriously the solemn words of Johna€™s prophecy. Soon one third of the heavenly host had joined the disaffection of Lucifer, and the great controversy was under waya€”a controversy that was to rage for over 6,000 years, and which would finally demand the decision of every living creature in heaven and on earth.
Here it will continue until it reaches a desperate climax in the division of eartha€™s multitudes for or against the commandments of God. With devilish cunning, he has experimented with successive forms of warfare against God and His plan for this world.
Please note that the beast of Revelation 13 symbolizes a gigantic antichrist power that attempts to displace God entirely.
Later in this same chapter, we read that this beast power will exercise so much influence over the earth, that it causes men to receive a mark in their foreheads or hands (Revelation 13:16). We will not dwell on them at this point in detail, but let us remind ourselves again that this issue will involve eternal life or death for all. He has not the faintest idea about the beast or his mark, even though his destiny hinges upon the issue.
The answer is found in verse 17, a€?These great beasts, which are four, are four kings, which shall arise out of the earth.a€? There it is.
These kingdoms are referred to often in Bible prophecy and are called by name in some related prophecies of Daniel.
Although Daniel had seen living wild beasts like those portrayed in the first three prophetic symbols, he had never seen anything resembling the fourth terrible beast.
The extension of its cruel domination of the earth has been well documented in the pages of ancient history. Fierce tribes came sweeping down from the north country, and overwhelmed the territory of Western Europe, dividing it finally into ten parts. They were the Anglo-Saxons, Alemanni, Heruli, Vandals, Ostrogoths, Visigoths, Suevi, Lombards, Burgundians and Franks.
This indicates that a human being would be at the head of the power represented by the little horn. Jesus had forgiven a man his sins, and the scribes said, a€?Why doth this man thus speak blasphemies? First of all, the papacy did arise in western Europe, at the very heart of the territory of the pagan Roman Empirea€”in Rome itself. The Vandals, Ostrogoths and Heruli were Arian powers that strongly opposed the rise of the Catholic Church. Everyone who has any knowledge of the Middle Ages is acquainted with the fact that millions of people were tortured and killed by the Catholic inquisitions.
As far as the world was concerned, and by all outward appearance, the Catholic Church was dead. We are now ready to identify that strange, composite animal described in the book of Revelation.
But that wound was to be healed, and finally the whole world would give its allegiance to the papacy again. At that time, the Pope was actually made king once more, and the Vatican City was set up as a political sovereign power. The incredible influence of the papacy in world affairs is attested to by the headlines in todaya€™s newspaper. Where did she receive the authority to rule over the world for 1,260 years and to persecute so many millions of people for their faith? Abraham had grown up right there in Mesopotamia, near the place where the great tower of Babel was attempted, and where the empire of Babylon developed. Because Satan worked so closely through that nation to destroy Jesus, pagan Rome is represented by the same symbol in prophecy as the devil. The Bishop of Rome, in the seat of the Caesars, was now the greatest man in the west, and was soon forced to become the political as well as the spiritual head.a€? The Rise of the Medieval Church, p. Because a mark of the dragon power is to counterfeit and substitute, we will be able to see in this religio-political system t he operation of Satan at his infernal best. At that time, the day was adopted by the papacy and called the birth of the SON, instead of the birthday of the SUN. As you can readily see, the adoption of December 25 was based purely upon the heathen observance of the festival of sun worship.
Even the symbols, the bunny rabbits and eggs, are retained as reminders of its pagan origin. If tradition and heathen custom have crept so easily into the church, what about other doctrines?
May our eyes be opened to recognize these counterfeits and to remain loyal to the exact truth in its original form. We grant that it is possible for such a thing to be a mere happenstance if we had only this one mark of identity to lean upon. We have already learned that this power was to counterfeit many of the great truths of God. In Revelation 7:2, 3, we learn that the seal of God is placed in the forehead, just as the mark of the beast is set in the forehead. It must contain the name of the authority, the office or title of the authority, and the territory over which he has power. The Ten Commandments, containing the seal of God, are set up in competition with the mark of the beast.
Their sacred day was the first day of the week, which they named Sun-Day in honor of the sun god.
William Frederick states the same historical truth: a€?The Gentiles were an idolatrous people who worshipped the sun, and Sunday was their most sacred day.
The Church, using the power of binding and loosing which Christ gave to the Pope, changed the Lorda€™s day to Sunday.a€? Page 243. Stephen Keenana€™s A Doctrinal Catechism has this to say: a€?Questiona€”Have you any other way of proving that the Church has power to institute festivals of precept?


179, makes this startling admission: a€?If the Bible is the only guide for the Christian, then the Seventh-day Adventist is right in observing the Saturday with the Jew. And it not only compelled all to keep Sunday, but also urged all persons to labor on the seventh day under pain of anathema. The sign, or seal, of Goda€™s authority (Sabbath) is displaced by the papal institution of a substitute mark (Sunday) that she claims as her authority. Yes, of course, it is inconsistent; but this change was made about fifteen centuries before Protestantism was born, and by that time, the custom was universally observed.
Then, the true Sabbath and the counterfeit (Sunday) will be so revealed that no one can escape a decisiona€”a decision to keep the true Sabbath with mind and hand, or to submit to the counterfeit Sabbath of the papacy.
Certainly there is no spot on earth where freedom is so fully enjoyed as in our own United States.
The Pilgrim Fathers, to escape the religious persecutions of the papacy, fled to the New World of America where they could follow their conscience in worship. Since the first beast (papacy) received its wound in 1798 when General Berthier took the Pope captive, we should look for the second beast to be coming up at that time. It came up peacefully, like a lamb, and the absence of crowns reveals that there were no kings at the head. It came up peacefully, democratically, and established itself upon the two great principles of Protestantism and republicanism. It may seem incredible to us as we read these things today that the United States would ever be persuaded to enact religious laws, and try to force people to worship a certain way, but prophecy has never failed. This opens the way for all the present confused, contradictory local state laws to be replaced by a national law that will standardize the enforcement of Sunday all over America. Those who refuse to accept the false day of worship will face fines, boycott, prison and finally, the threat of death.
Opicinus was a minor functionary and scribe at the papal court, which had moved to Avignon some thirty years earlier, and luckily for us he kept a kind of day-book that still survives. Numerous scholars such as Camille, Kris and Salomon point to Opicinusa€™ a€?frequenta€? self-representation in the drawings. Medieval mappaemundi often organized the land-forms of the earth around the shape of a crucifix (sometimes even a cruciform body), medieval astrological drawings commonly showed human figures at the center of cosmic and planetary networks, and the concepts of macrocosm and microcosm had been fully developed for a millennium.
It is possible, and productive, to partially separate Opicinusa€™ texts from his diagrams and pictures, especially those that represent his body-worlds vision. Opicinusa€™ works present a conundrum when it comes to audience and reception, since there is no textual or visual evidence that anyone ever actually saw the drawings.
Their unusual forms complicate our most basic assumptions about what and how medieval artists could represent. These structures form the core of the drawingsa€™ disorientation and strangeness a€” maps are piled on top of other maps, sometimes transparent and sometimes opaque, in a seemingly endless play of permeability and superimposition.
Some drawings contain one chart, others up to four; sometimes the continents and seas are embodied, while other times they are left plain. His drawings are so diverse and disorienting that generalizations about their design or meaning are difficult and often misleading.
These drawings depict a single Africa and a single Europe, separated by the Mediterranean Sea. The figure of Africa appears to be a woman; she is labeled Babilon maledicta [cursed Babylon] by the small caption above her forehead. Captions suggest various identities: Christ, Opicinus, and a female personification of prudence are all indicated. The face is smooth and beardless (many male figures in Opicinusa€™ work wear beards), and has long, flowing hair. According to Whittington it is mainly a confrontation between two figures: a figure of Babylon (probably representing Islam) and a figure of Christianity. This interplay between the local and the global is not unusual within Opicinusa€™ texts and captions on other drawings, which often comment on the everyday world of his youth and family (we must remember that he made these drawings in Avignon, not Pavia), but the specific visual alignment of parts of Pavia with parts of the Mediterranean region is unique in these three drawings. In the bottom right corner of the page is a caption that reads, a€?Just as the islands of purgatory pay a tax to the Roman Church, so too the Chapel of St. Opicinus seems to say that when any two maps are placed in relation to each other, if they are true empirical representations of Goda€™s created earth, one will find correspondences between them. One interprets the significance of the placement of Opicinusa€™ home parish district, around the Chapel of Saint Mary, delineated with a red outline near Tunisia and Sicily on the lower map. 84v each part of Opicinusa€™ hometown is given multiple interpretations, usually based on its placement on the portolan chart, but other times simply based on etymological connections, family stories, dreams, or coincidence.
Certainly the drawing contains multiple levels of reality: it is an allegorical depiction of three body-world characters in contact and dialogue, a depiction of the structural connections between local and regional realities, and a series of interpretive musings about the significance of these connections for Opicinusa€™ own life and family. As the reader may already have noticed, this grid strongly evokes the rhumb-line grids that were placed over contemporary portolan charts. 61r he uses the skeletons of two portolan charts of the Mediterranean region, which have been rotated and overlapped to form one image.
61r, parts of each of the charts remain intact, while others are distorted or hidden by the overlapping forms. In this particular example, the map shows the natural world at the bottom and the spiritual world at the top: labels on the drawing indicate that Affrica naturalis ypocrita and Europa naturalis occupy the continents of the smaller chart while Affrica spiritualis and Europa spiritualis talk to each other in the larger chart above. Europa naturalis bears a tarasque (a river demon from the Rhone) and Europa spiritualis contains an image of Christ showing his wounds, his side-wound situated suggestively close to Avignon, where Opicinus was living when he made the drawing. The message itself is simple enough: one must abandon the external senses that lead to sin in order to follow the internal senses to redemption. 58r of the Vaticanus Opicinus combines four small embodied portolan charts to create juxtapositions between the four seasons, the four cardinal directions, and the four states of the soul.
82r, we see many of the principles and techniques of the other drawings pushed to the limits of recognition and interpretability.
On its surface lie two complete portolan outlines that retain the white color of the paper. On the upper half of the page, the brown labels all point out the location of cities on the colored chart, even though all lie on the space of the white chart; they indicate the continued presence of the map below, even when it is obscured by the upper chart. At the precise center of the drawing, a cruciform shape is formed by the two mirrored shapes of Asia Minor and the Holy Land; Asia Minor forms the two arms, and the land below forms the body of a cruciform vestment. While other drawings seem designed to convey a single allegory or a primary confrontation between figures (which are often reinforced by the particular cartographic forms that Opicinus chose for the drawing), this drawing resists this type of analysis. According to the letter, this is a heretical position, since one species cannot be transformed into another.
84v, there are several depictions (or suggestions) of male genitalia in the Vaticanus manuscript, each of which is unique.
1350), a Pavian who worked at the papal court in Avignon, drew a series of imaginative maps, while acknowledging in a text written between 1334 and 1338 his use of nautical charts.
Talbot was active from the mid-1830s, and sits alongside Louis Daguerre as one of the fathers of the medium. Niepcea€™s photograph shows a view from the Window at Le Gras, and it only took eight hours of exposure time!The history of photography has roots in remote antiquity with the discovery of the principle of the camera obscura and the observation that some substances are visibly altered by exposure to light. Again employing the use of solvents and metal plates as a canvas, Daguerre utilized a combination of silver and iodine to make a surface more sensitive to light, thereby taking less time to develop. 1920.A  His widow, Fannie, continued to reside in the old Lindsay home until her passing on 7 Aug.
207].A A  She may have known him in her earlier years and may have married when he was on leave from the Army, as we believe he was a soldier.
Nugent, and her two daughters, Lizzie and Sarah.A  Sarah was already married by this date, and she was the a€?Mrs.
10, 1905 -- This morning found all the Elders ready for Con[ference].A  Roy went and met Sis.
They have often served as memory banks for spatial data and as mnemonics in societies without the printed word and can speak across the barriers of ordinary language, constituting a common language used by men of different races and tongues to express the relationship of their society to a geographic environment.
Certain carvings on bone and petroglyphs have been identified as prehistoric route maps, although according to a strict definition, they might not qualify as a€?mapsa€?. In the present work, reconstruction of maps no longer extant are used in place of originals or assumed originals. Since the maps were missing, he drew them himself from indications in the ancient text, and when the work was finished, he commemorated this too in verse. The map answered many hitherto insoluble or disputed questions, for example the question as to where the Virgin Mary met the mother of John Baptist.
A series of maps of a coastal region (for example, that of Holland or Friesland) or of river estuaries (the Po, Mississippi, Volga, or lower Yellow River) gives information on the rate of changes in outline and their causes.
Maps represent an excellent mirror of culture and civilizationa€?, but they are also more than a mere reflection: maps in their own right enter the historical process by means of reciprocally structured relationships. But when it comes to drawing up the balance sheet of evidence for prehistoric maps, we must admit that the evidence is tenuous and certainly inconclusive. The same evidence shows, too, that the quintessentially cartographic concept of representation in plan was already in use in that period. Our divisions into 60 and 360 for minutes, seconds and degrees are a direct inheritance from the Babylonians, who thought in these terms. The Pharaohs organized military campaigns, trade missions, and even purely geographical expeditions to explore various countries. From earliest times much of the area covered by the annual Nile floods had, upon their retreat, to be re-surveyed in order to establish the exact boundaries of properties. We find allusions to celestial globes in the days of Eudoxus and Archimedes, to terrestrial globes in the days of Crates and Hipparchus.
In Justiniana€™s day, or near it, one Leontius Mechanicus busied himself in Constantinople with globe construction, and we have left to us his brief descriptive reference to his work.
But above all these, higher in rank and greater in power, is the Spirit (Zi) of heaven (ana), ZI-ANA, or, as often, simply ANA--Heaven. On this map of the world the islands of the Malay Archipelago follow the shores of Asia from Malacca to Japan. Even the Arabs, who, after the fall of the Roman Empire, developed the geographical knowledge of the world during the first period of the middle ages, adopted many of its errors. Volcanoes were supposed to be the entrances to the infernal regions, and towards the southeast the whole region beyond the river Okeanos of Homer, from Java to Sumbawa and the Sea of Banda, was sufficiently studded with mighty peaks to warrant the idea they may have originated. Many cartographers of the renascence, whose charts indeed we cannot read unless we reverse them, must have followed Asiatic cartographical methods, and this perhaps through copying local charts obtained in the countries visited by them. Taprobana was the Greek corruption of the Tamravarna of Arabian, or even perhaps Phoenician, nomenclature; our modern Sumatra.
Geographical science was on the eve of reaching its apogee with the Greeks, were it was doomed to retrograde with the decline of the Roman Empire. John III, King of Portugal, ordered his remains to be sought for in a little ruined chapel that was over his tomb, outside Meliapur or Maliapor. In some cases the authors of these texts are not normally thought of in the context of geographic or cartographic science, but nevertheless they reflect a widespread and often critical interest in such questions. In particular, there are relatively few surviving artifacts in the form of graphic representations that may be considered maps. Despite a continuing lack of surviving maps and original texts throughout the period - which continues to limit our understanding of the changing form and content of cartography - it can be shown that, by the perioda€™s end, a markedly different cartographic image of the inhabited world had emerged. Of particular importance for the history of the map was the growth of Alexandria as a major center of learning, far surpassing in this respect the Macedonian court at Pella. Later geographers used the accounts of Alexandera€™s journeys extensively to make maps of Asia and to fill in the outline of the inhabited world.
Not even the improved maps that resulted from these processes have survived, and the literary references to their existence (enabling a partial reconstruction of their content) can even in their entirety refer only to a tiny fraction of the number of maps once made and once in circulation. It has been demonstrated beyond doubt that the geometric study of the sphere, as expressed in theorems and physical models, had important practical applications and that its principles underlay the development both of mathematical geography and of scientific cartography as applied to celestial and terrestrial phenomena. On his map, moreover, one could have distinguished the geometric shapes of the countries, and one could have used the map as a tool to estimate the distances between places.
To Rome, Hellenistic Greece left a seminal cartographic heritage - one that, in the first instance at least, was barely challenged in the intellectual centers of Roman society. Certainly the political expansion of Rome, whose domination was rapidly extending over the Mediterranean, did not lead to an eclipse of Greek influence. Such knowledge, relating to both terrestrial and celestial mapping, had been transmitted through a succession of well-defined master-pupil relationships, and the preservation of texts and three-dimensional models had been aided by the growth of libraries. The Romans were indifferent to mathematical geography, with its system of latitudes and longitudes, its astronomical measurements, and its problem of projections.
Yet Ptolemy, as much through the accidental survival and transmission of his texts when so many others perished as through his comprehensive approach to mapping, does nevertheless stride like a colossus over the cartographic knowledge of the later Greco-Roman world and the Renaissance. Pilgrims from distant lands obviously needed itineraries like that starting at Bordeaux, giving fairly simple instructions. When we come to consider the mapping of small areas in medieval western Europe, it will be shown that the Saint Gall monastery map is very reminiscent of the best Roman large-scale plans. Some maps, along with other illustrations, were transmitted by this process, but too few have survived to indicate the overall level of cartographic awareness in Byzantine society.
Eighty-two places are marked with their respective names, locations of rivers, mountains and forested areas on the map. Experts said that graphics, symbols, scales, locations, longitude and latitude are key elements of a map. Thus in the Ta Tai Li Chi, Tseng Shen, replying to the questions of Shanchu Li, admits that it was very hard to see how, on the orthodox view, the four comers of the earth could be properly covered. It will be an unparalleled performance on the part of God in His relationship to the human family.
At last, the world shall stand divided into two great camps: those who worship the true God, and those who worship the beast of Revelation 13. Often it is dismissed as a confused, insignificant letter, applying only to a local problem in the early church. The story of that beautiful angel who coveted the position of God Himself is revealed through a number of Old Testament prophetic writings.
Just as the rebellion began by disloyalty to the authority of God, so it will end by a defiance of His authority as vested in the law of His government.
Through various insidious approaches, he has continued his efforts to overthrow the authority of God. Finally, those who have the mark will suffer the terrible wrath of God as described in Revelation 14:9, 10. How earnestly should we seek to understand who the beast represents and how we might avoid that mark! In order to understand the beast we must go back to the Old Testament book of Daniel and compare Scripture with Scripture. Here we have represented that grand empire of Babylon, so well symbolized by the king of beasts.
The three ribs probably symbolize the three provinces of that kingdoma€”Babylon, Lydia, and Egypt.
But this powerful nation was also to be divided, as verse twenty-four indicates, a€?And the ten horns out of this kingdom are ten kings that shall arise.a€? Please notice that this is Goda€™s interpretation of the ten horns on this animal. Seven of those tribes are still in existence to this very day, having grown into modem nations.
We dare not guess or speculate concerning the historical identity of this a€?little horna€? of prophecy.
The eighth mark is also given in verse twenty-five, a€?and think to change times and laws.a€? Apparently, in its bitter opposition to the God of Heaven, in speaking great words against Him, this power also seeks to change the great law of God.
In other words, God closes every other option, and forces us to the only possible conclusion: the Catholic Church alone fulfills all the points of identity established in Daniel 7. It was a religio-political system quite unlike anything that had been seen in the world before that time. We need only to be reminded that the Catholic Church has ever attributed to itself the power to forgive sins. From a book written by a Catholic cardinal, which also bears the sanction of the Church, we read, a€?The Catholic Church a€¦ has a horror of blood.
Please note this: the Catholic Church has removed the second commandment from her doctrinal books and catechism, because it condemns the worship of images. After exactly 1,260 years, in fulfillment of the prophecy, she lost her control of the world.
Let us read the description of that beast once more, which has the body of a leopard, the feet of a bear, and the mouth of a lion. From that day to this, the strength of the papacy has been advancing with tremendous strides. Almost every utterance of the pope is published to the ends of the earth, and millions and millions of people look to the papal power as the greatest influence in politics today. When he was cast out of heaven, there were only two people on the earth, and they represented the entire world.
In Jeremiah 6:2 we read, a€?I have likened the daughter of Zion to a comely and delicate woman.a€? Who is Zion? Cain was on the dragona€™s side and wanted to substitute his own way instead of the way God had commanded him. The dragona€™s followers concentrated in Babel and tried to defy God by building a great tower that was to reach up to heaven. Remember, the prophecy spoke of enmity between the seed of the woman and the seed of the dragon. Thousands and thousands of Christians were martyred under the terrible persecutions of the cruel Roman emperors. So what he could not do through force, the dragon would now attempt by strategy and deception.
It is very significant that the beast is actually made up of parts of the lion, the leopard, the bear and the nondescript animal of Daniel 7.
Just as was the case with Cain, substitutes were fashioned to meet the commandments of God. Please take note how easily a pagan institution can slip into Christian churches and can even be passed along in Protestantism. That day was dedicated to Ishtar, the goddess of reproduction, because of the new life and growth in nature.
Those pagans chose the rabbit as a symbol of Ishtara€™s day because it was the most prolific reproducer.
These examples have been presented merely to show how easily the devil was able to impose pagan ideas upon that church.
The ancient method of deriving the number of a name is to take the numerical value of all letters and add them up to get the sum. But in the weekly Catholic newspaper, Our Sunday Visitor, of April 1915, we have the interesting statement that the letters of the official title are inscribed in the popea€™s miter. By getting the numerical value of the Roman numerals of the title Vicarius Filii Dei, we actually come to a definite number 666. But the fact is that this is the tenth of a long list of characteristic marks that the Bible uses to identify the beast power. It was a combination of pagan ideas with Christian doctrine which formed a conglomeration of confusion, well designated as a€?Babylona€? in the Scripture. The seal of Americaa€™s president contains the following words: Bill Clinton, President, United States of America. Romans 4:11 reveals that a€?seala€? and a€?signa€? are the very same thing, being used interchangeably in the Scripture. Now, in order to reach the people in this new field, it seems but natural, as well as necessary, to make Sunday the rest day of the Church. The next several quotations are taken from well-known Catholic authorities that express clearly the claims of the papacy on the attempted change. Protestants a€¦ profess great reverence for the Bible, and yet by their solemn act of keeping Sunday, they acknowledge the power of the Catholic Church.
They have continued the custom, even though it rests upon the authority of the Catholic Church and not upon an explicit text in the Bible. At that time, when the issues stand clearly revealed, individuals will accept the seal of God or the mark of the beast.
In the next chapter you will learn the identity of the nation which will influence the world to accept the counterfeit Sabbath, and which will seek to enforce that mark of loyalty to the papacy. Please note that Wesley was looking for a nation to be rising within a very short time that would meet the description of the prophecy. And he exerciseth all the power of the first beast before him, and causeth the earth and them which dwell therein to worship the first beast, whose deadly wound was healed.a€? In other words, the time would come when the United States would change its peaceful, democratic tone. With the incredible strides being taken toward federal control of individual freedoms, this step to regulate the day of worship will not seem so drastic when it actually does take place. When the Sabbath question is thus made a national issue, people will be forced to accept one side or the other. You cannot shrug off the implications of this revelation concerning obedience to the Sabbath commandment. In a passage that describes what sounds like a stroke, Opicinus details how his body slowly became paralyzed; he temporarily lost his ability to speak, and much of his memory.
Opicinus almost always dated the Vaticanus drawings, which were composed between June and November of 1337. The passage describes a visionary experience: through oculus meis interioribus, Opicinus is granted a new view of the earth, one in which the land and the sea take on human attributes. Most examples, however, lie in the realm of the theoretical, the academic, or the theological. A significant problem with many previous studies of Opicinusa€™ drawings is that they take a few lines of text, from folios of the Palatinus, or from distant pages of text in the Vaticanus, and use them to a€?explaina€? the content of Opicinusa€™ strangest imagery. The captions (and some of the texts), then, are often the evidence of Opicinusa€™ self-analysis a€” he uses himself as a case study, personalizing the drawings through the text. Simply put, we do not know if they were ever viewed as more than a curiosity by those who encountered them. Visual parallels to these drawings certainly exist: body-maps have been produced in numerous periods, including such famous examples as the Ebstorf Map (#224, Book II, a medieval world map that placed Christa€™s body in the corners of the earth), the Leo Belgicus (a map of the Netherlands and Belgium formed into the shape of a lion, the earliest example of which dates from 1583), or the Europa Regina, a depiction of Europe as a royal female (see below).
In these drawings, Opicinus was not trying to express a single concept or doctrine, but rather to visualize the possibilities raised by an entire new way of looking at the world, based on what he had seen during his visionary experience of 1334.
The varied formats of these diagrams cannot be taken for granted a€” their arrangements form a crucial and underexplored aspect of their meaning.
But looking at them as a group, perhaps the first thing one notices is that the map itself is incredibly accurate. The drawings in this first a€?categorya€? are not all alike, and there is no evidence that Opicinus thought of them as a group, but finding language to describe and categorize their forms is a critical first step in their interpretation. This folio includes a cartographic picture in the upper two-thirds of the page, and text at the bottom.
She is a rare example of a figure with a distinct racial identity: Opicinus darkened her skin with a grey-brown wash, in a clear reference to an African or Middle-Eastern skin tone. One could even identify Europe in this drawing as a kind of conglomerate figure of Christianity. The strongest indicator that the figure is female is the small child lying over Lombardy a€” the area always associated with the womb of the European figure. The simplicity of this contrast stands out despite the extensive texts and interpretations written around it. Binary themes in similar drawings include a contrast between the mouth of hell and the temple of the Lord (fol. Opicinus played with this arrangement differently in each of the three drawings, changing the scales and position of the two maps, presumably seeking different correspondences. On the page we see the body-worlds with which we are now familiar: here, a female Europe confronts a female Africa, and the Mediterranean devil lies between them, his head to the east. 84r, in which the scale of the portolan chart is completely different (much smaller in comparison to the grid of Pavia); here, Opicinus identifies different correspondences and comes to different conclusions as a result of the change in scale. Yet the drawing is all about experimentation, layering, and play; to claim that creating or interpreting a drawing like this is a burden or struggle may be a modern misperception.
But Opicinus piles on meanings, multiplies forms, and plays with realities seemingly as a form of experimentation. The grid may offer a clue to Opicinusa€™ working process, or the way he was inspired to create these drawings.
Each of the two charts is rendered in a different scale, with a larger one oriented toward the top of the page and a smaller one pointed toward the bottom. On each map, the western Mediterranean retains its integrity a€” France, Spain, and the northwestern coast of Africa are clearly visible both at the top and the bottom of the page.
In the Italian peninsula of the upper map, for example, which is overlapped by the eastern Mediterranean of the lower map, we see the word Roma written over the sea (on the sea-mana€™s forehead), signaling where the city would have been on the map below. Both figures of the a€?natural worlda€? are male (a bearded, older figure in Europe and a tonsured monk in Africa), while both of the a€?spirituala€? figures are female (Africa is a robed nun and Europe is a younger woman with long, flowing hair). The question, just as in the previous examples, is how its meaning is changed, activated, complicated, or simplified by its construction within the doubled and overlapped forms of the portolan charts. Within the drawing, small lines suggest points of correspondence between elements in each of the four quadrants. The three previous drawings were characteristic of a particular type; in contrast, this drawing is unique in Opicinusa€™ oeuvre.
At the top of the page are two labels for Europe and Africa: Europe is the aduena rector novus, the strange new priest, and Africa is the parrochia aliena, the parish of another.
This is labeled in a caption on the right side of the page, which reads a€?behold the vestment of the Church soaked in blood.a€? Opicinus accentuated the form of the vestment by adding a small cutout for the neck. The longer captions on this folio do not always contain a single focus, and many make no comment at all on the drawing. But spiritually there is truth in this mirror [i.e., in this drawing], since no heresy, fiction or allegory can be found that in this mirror does not give birth, at least in part, to a certain truth? Here, Opicinus seems to say that men do not transition literally into angels of light or darkness a€” the figures of the priest and parish at the top of the page do not actually become the figures at the bottom of the page.
Even as Opicinusa€™ drawings make use of the natural world and empirical science, the arrangement of their forms expresses the detachment from reality that characterizes a dream. At first, we would not identify these as genitalia a€” they are simply two small, robed bodies that stand within the genital region of the European body.
Four of these drawings depict the body-worlds, and the reproduction always takes place within the body of the European figure.
In each of these drawings, Opicinus drew a small copy of the body-worlds over the area of Lombardy, even extending it slightly into the sea near Genoa. Porta (1541-1615), a wise Neapolitan, was able to get the image of well-lighted objects through a small hole in one of the faces of a dark chamber; with a convergent lens over the enlarged hole, he noticed that the images got even clearer and sharper.
Though he is most famous for his contributions to photography, he was also an accomplished painter and a developer of the diorama theatre. As far as is known, nobody thought of bringing these two phenomena together to capture camera images in permanent form until around 1800, when Thomas Wedgwood made the first reliably documented although unsuccessful attempt. Hamilton.A  It could be that for personal safety reasons, that she listed the name of her deceased husband as if he were still living, but there is another listing with the date of 30 Nov. Nugentsa€™s [Mary Ann Lindsay Nugent--another sister of Alexandar Lindsay who was then living in Portadown], talked some time and then proceeded out as far as Wma€™s [Alexa€™s older brother, William Lindsay] calling in on the way to see Mr. Little Eddie Hinton [age about 10] just alls in on me just now.A  Hea€™s on a visit to his Aunt Mrs. This implies that throughout history maps have been more than just the sum of technical processes or the craftsmanship in their production and more than just a static image of their content frozen in time. The reconstructions of such maps appear in the correct chronology of the originals, irrespective of the date of the reconstruction. After the fall of Byzantium in 1453, its conqueror, the Turkish Sultan Mohammed II, found in the library that he inherited from the Byzantine rulers a manuscript of Ptolemya€™s Geographia, which lacked the world-map, and he commissioned Georgios Aminutzes, a philosopher in his entourage, to draw up a world map based on Ptolemya€™s text. Comparison of travelersa€™ maps from various periods show the development and change of routes or road-building and allows us to draw conclusions of every kind about the development or decay of farms, villages and towns. They were artistic treasure-houses, being often decorated with fine miniatures portraying life and customs in distant lands, various types of ships, coats-of-arms, portraits of rulers, and so on. The development of the map, whether it occurred in one place or at a number of independent hearths, was clearly a conceptual advance - an important increment to the technology of the intellect - that in some respects may be compared to the emergence of literacy or numeracy. The historian of cartography, looking for maps in the art of prehistoric Europe and its adjacent regions, is in exactly the same position as any other scholar seeking to interpret the content, functions, and meanings of that art.
Moreover, there is sufficient evidence for the use of cartographic signs from at least the post-Paleolithic period. They are impressed on small clay tablets like those generally used by the Babylonians for cuneiform inscriptions of documents, a medium which must have limited the cartographera€™s scope.
The survey was carried out, mostly in squares, by professional surveyors with knotted ropes. We find that the Greek geographer Strabo gives us quite a definite word concerning their value and their construction, and that Ptolemy is so definite in his references to them as to lead to a belief that globes were by no means uncommon instruments in his day, and that they were regarded of much value in the study of geography and astronomy, particularly of the latter science.
With stress laid, during the many centuries succeeding, upon matters pertaining to the religious life, there naturally was less concern than there had been in the humanistic days of classical antiquity as to whether the earth is spherical in form, or flat like a circular disc, nor was it thought to matter much as to the form of the heavens. Hyde Clarke has more than once pointed out in The Legend of the Atlantis of Plato, Royal Historical Society 1886, etc., that Australia must have been known in the most remote antiquity of the early history of civilization, at a time when the intercourse with America was still maintained.
Between the lower heaven and the surface of the earth is the atmospheric region, the realm of IM or MERMER, the Wind, where he drives the clouds, rouses the storms, and whence he pours down the rain, which is stored in the great reservoir of Ana, in the heavenly ocean. Then in a northeasterly direction Homera€™s great river Okeanos would flow along the shores of the Sandwich group, where the volcanic peak of Mt. Aristotlea€™s writings, for example, provide a summary of the theoretical knowledge that underlay the construction of world maps by the end of the Greek Classical Period.
Our cartographic knowledge must, therefore, be gleaned largely from literary descriptions, often couched in poetic language and difficult to interpret.
The ambition of Eratosthenes to draw a general map of the oikumene based on new discoveries was also partly inspired by Alexandera€™s exploration. In this case too, the generalizations drawn herein by various authorities (ancient and modern scholars, historians, geographers, and cartographers) are founded upon the chance survival of references made to maps by individual authors. Yet this evidence should not be interpreted to suggest that the Greek contribution to cartography in the early Roman world was merely a passive recital of the substance of earlier advances. If land survey did play such an important part, then these plans, being based on centuriation requirements and therefore square or rectangular, may have influenced the shape of smaller-scale maps. This is perhaps more remarkable in that his work was primarily instructional and theoretical, and it remains debatable if he bequeathed a set of images that could be automatically copied by an uninterrupted succession of manuscript illuminators. While almost certainly fewer maps were made than in the Greco-Roman Period, nevertheless the key concepts of mapping that had been developed in the classical world were preserved in the Byzantine Empire.
What is more surprising is that the map marks the location of Wei Shui, now known as the Weihe River, and many canyons in the area. The map of Guixian County has all these elements except longitude and latitude, according to historians.
For almost 6,000 years, His punishing judgments upon the most wicked men have been tempered with mercy. The Bible makes it very clear that life or death revolves around the final decision concerning the beast of Revelation 13. For some reason the book called Revelation is counted a sealed book, instead of the obviously revealed truth that its name implies. Isaiah says in reference to this glorious being: a€?How art thou fallen from heaven, O Lucifer, son of the morning! The purpose of this booklet is to expose the massive assaults that have been made, and are being made, by Satan against the foundations of truth. And the beast which I saw was like unto a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion: and the dragon gave him his power, and his seat, and great authority. In the second chapter of Daniel the same four world kingdoms are symbolized by four metals in the great statue of Nebuchadnezzara€™s dream. We must not make the mistake of falsely identifying the little horn power, because it will prove to be the great antichrist power of history.
This means that the little horn would be a different kind of power from those purely political kingdoms that preceded it. Instead of saying, a€?a time, times, and half a time,a€? it says, a€?a thousand two hundred and threescore days.a€? Thus we see that the two periods of time are exactly the same. Nevertheless when confronted by heresy a€¦ she has recourse to force, to corporal punishment, to torture.
Remember, that we have noted how the papacy began its reign, by order of Justinian, in 538 A.D. Yes, the wound has certainly been healed, and the world continues to follow after the beast. By deceiving Adam and Eve in the Garden of Eden, Satan led all the world astray and came into temporary possession of the earth. The plan failed, of course, and that site of the tower of Babel later became Babylon, which in 606 B.C. It was a blasphemous idolatry, filled with immoralities, licentious ceremonies and degrading rites.
And there appeared another wonder in heaven; and behold a great red dragon, having seven heads and ten horns a€¦ and the dragon stood before the woman which was ready to be delivered, for to devour her child as soon as it was born. Goda€™s illustrative depiction of the papacy reveals that she was made up of parts from all those old pagan kingdoms. How clearly these statements show that the papacy received her seat and power from pagan Rome! All Christian groups recognize that Easter Sunday is often as much as five weeks apart from one year to the next. The very word Easter has been transliterated from the name of the goddess Ishtar, whose worship was memorialized by the adoption of Easter. As the papacy developed, it was open to the reception of unbiblical customs that marked it clearly as the real counterfeit power described by God in Revelation 13. We do not have any commandments concerning the observing of Christa€™s resurrection or His birth. So far in our study, we have described nine identifying marks of the beast power and its application to the papacy.
If we want to apply this test to the papacy, we must find the official name of the pope, who is the head of his church. It only adds weight and strength to that which has already been said in making the application to the papal power.
When that seal is placed upon a law or an official document, it shows that the presidenta€™s authority is supporting that declaration.
In other words, the Sabbath is the seal of Goda€”the mark of the only one who can create and who is authorized to rule the earth. It appeared more convenient to let the pagans keep their own day of worship on Sunday and ask the Christians to join them in it. At this time, it was necessary for the Church to either adopt the Gentilesa€™ day or else have the Gentiles change their day. 13, 1955 edition, states: a€?The Bible does not contain all the teachings of the Catholic religion, nor does it formulate all the duties of its members.
The book of Revelation describes a final edict of this eartha€™s governments that will actually seek to enforce the mark upon all the world. Secondly, this second beast would come up a€?out of the earth.a€? This is in contrast to the first that rose out of the water.
The United States of America was the only nation a€?coming upa€? to power in 1798, as the first beast received its deadly wound. Under some influence, it would begin to compel worship, a€?saying to them that dwell on the earth, that they should make an image to the beast, which had the wound by a sword, and did live. Church and state will be united enough to enforce religious laws and will thus closely resemble the papal system. Based on Goda€™s Word we have shown it to be the counterfeit Sabbath set up by the beast power. He returned to these folios frequently in the years that followed a€” many include changes, graphic additions, or new captions, which he dated individually (we find dates from the years 1338-1341, especially). Morsea€™s other crucial innovation, in addition to asserting the rational and intentional basis of Opicinusa€™ thought, was to place the Vaticanus manuscript at the heart of her research. Salomon and others characterize the themes of the Vaticanus manuscript as just an extension of those in the Palatinus.
The shapes of Europe, Africa, and the Mediterranean Sea each contain (or form) a human figure; these are the forms that Whittington calls a€?body-worlds,a€? and they constitute Opicinusa€™ most original and perplexing contribution to 14th century visual culture.
One of the things that makes Opicinusa€™ drawings so unusual is that they also incorporate a visual tradition that was practical, empirical, and scientific a€” medieval sea charts, usually called portolan charts. He often kept adding to the drawings over many years, including new details or textual explanations, and dating them to a specific day. As mentioned above, it seems possible that the Vaticanus was never meant to be viewed by others; much of it is arranged chronologically (like a diary), rather than thematically, and the subject matter of the texts and images suggests a private function. The meaning of such imagery obviously depends on context, but these diverse examples demonstrate how a land, country, or region has often been embodied within a human figure, to show the potential power of that space, or even the dominion of a figure over it. The images of Africa and Europe as human figures were the core of this experience, but the interpretation of the vision was left up to him. According to Whittington the formats of Opicinusa€™ body-world drawings can be grouped into four categories: (1) single portolan charts, (2) portolan charts overlapping with local maps, (3) multiple portolan charts overlapping with each other, and (4) multiple, mirrored portolan charts. The coastlines of the Mediterranean and the relative scale and position of the landforms are almost exactly the same as we know them to be today. The figure appears to be bare-chested, although no breasts are visible (perhaps they are covered by her long hair). But the label above the head of the figure seems to identify it as Opicinus assuming the identity of a€?the house of God.a€? Another caption in the Mediterranean Sea off the southern coast of France labels the figure as an Ymago Prudentie.
The fact that the face is labeled as Christa€™s would indicate on the surface that the figure is male. Yet beyond the basic characters and the captions, the drawinga€™s meaning is clearly activated or shifted by the placement of the two personifications within the geographical forms of the portolan chart; after all, it is not difficult to imagine a much simpler way to express this confrontation, using only pictures and no maps. The scene is full of interesting and surprisingly graphic details, many of them interpreted in the marginal texts. Such interpretations are, I think, meant as models; as Morse demonstrated, Opicinus hoped that the drawings could be used by others to probe their own consciences and personal histories. Many parts of it must have been intentionally humorous, such as the basket for collecting the sea-mana€™s excrement, the graphic sexual organs, the interpretation of the Europe womana€™s pearl earrings, or the depiction of the Africa womana€™s cloak as a green river.
Even when texts in the Vaticanus indicated the stressors in Opicinusa€™ life a€”spiritual, moral, legal a€” the drawings remain exploratory and even lighthearted.
Without any words from him on the subject it is impossible to know where such an idea comes from, but perhaps the grids on the portolan chart(s) from which Opicinus was working reminded him of a gridded map of Pavia that he had seen, or perhaps even made. The mapsa€™ superimposition encourages the viewer to seek correlations between them, and Opicinus reinforces these correspondences by drawing actual lines and lines of text to connect various parts. He grafts a spiritual system of correspondences and coordinations onto this new representation of the physical world, but specifically includes details that undermine both systems, seeking instead a negotiation between the two. The rota on the breast of Affrica naturalis shows the mental processes that lead to sin: thinking, imagining, deciding, and delighting in (cogitatio, ymaginatio, electio, delectatio) lead the sinner to consent to sin (consensus peccati).
These can either connect the same geographical location between two separate maps (as in the line drawn between the two Carthages on the upper left map and the lower left map), or establish a point of contact between the same physiological parts of two body-worlds on the same map (as in the line drawn between the reproductive areas of the Europe-woman and the Africa-woman in the upper-right map).
It contains four complete portolan charts, all the exact same size, placed in careful relation to one another through overlapping and mirroring.
This is different from the numerous drawings in the previous category, in which the two charts overlapped one another; here, the two white charts on the surface of the page are both complete diagrams of the region, reflecting one another along an invisible horizontal line in the Holy Land and Asia Minor.
The figures seem to present the encounter between a new priest and his new parish (a situation that Opicinus underwent several times in his early career). The role of this form in the drawing is ambiguous a€” its cruciform shape and its a€?soaking in blooda€? certainly evoke Christa€™s sacrifice, and its position at the heart of the drawing, precisely where the two white maps are mirrored, suggests that it may be significant in the transition between the two. One caption on the left side of the page is a short rant about the mosquitoes that were bothering Opicinus while he made the drawing, while another, longer text at the lower left is an extended metaphorical description of the penis, describing how, like a heretic disobeying the Church, the penis disobeys the orders of the body.
It is the caption that tells us something different; over their heads are written the words a€?matrixa€? and a€?virgaa€? a€” womb and penis. Representing pregnancy and birth inside of Europe was a way for Opicinus to convey how both good and evil tendencies enter the world. Some researchers have convincingly explained this positioning of the tiny body-world figures as indicating a Caesarian birth; as Opicinus explains, the two figures are born through Genoa, the a€?forced porta€? in the stomach of the European figure, rather than through Venice, the a€?natural porta€? of the figurea€™s vaginal canal (Opicinus makes the pun about Venetian a€?canalsa€? several times). The earliest depiction of Europe as a woman is believed to be by the 14th century Pavian cleric Opicinus de Canistris for the papal court, then at Avignon. Schulze mixes chalk, nitric acid, and silver in a flask; notices darkening on side of flask exposed to sunlight. A daguerreotype, produced on a silver-plated copper sheet, produces a mirror image photograph of the exposed scene. Indeed, any history of maps is compounded by a complex series of interactions, involving their intent, their use and their purpose, as well as the process of their making. All reconstructions are, to a greater or lesser degree, the product of the compiler and the technology of his times.
He knew it would be out of date, but that is precisely what he wanted - an ancient map; to perpetuate it, he also had a carpet woven from the drawing. Inferences have to be made about states of mind separated from the present not only by millennia but also - where ethnography is called into service to help illuminate the prehistoric evidence - by the geographical distance and different cultural contexts of other continents. Two of the basic map styles of the historical period, the picture map (perspective view) and the plan (ichnographic view), also have their prehistoric counterparts. However, the measurement of circular and triangular plots was envisaged: advice on this, and plans, are given in the Rhind Mathematical Papyrus of ca. From Ptolemaic Egypt there is a rough rectangular plan of surveyed land accompanying the text of the Lille Papyrus I, now in Paris; also two from the estate of Apollonius, minister of Ptolemy II.
There is, however, but one example known, which has come down to us from that ancient day, this a celestial globe, briefly described as the Farnese globe. Yet there was no century, not even in those ages we happily are learning to call no longer a€?darka€?, that geography and astronomy were not studied and taught, and globes celestial as well as armillary spheres, if not terrestrial globes, were constructed. Here however he makes his hero confess that he is wholly out of his bearings, and cannot well say where the sun is to set or to rise (Od. Although these views were continued and developed to a certain extent by their successors, Strabo and Ptolemy, through the Roman period, and more or less entertained during the Middle Ages, they became obscured as time rolled on. The bones of the holy apostle were found, with some relics that were placed in a rich vase. Again, if we consider the Atlantic and North Pacific Oceans as devoid of the American Continent, and the Atlantic Ocean as stretching to the shores of Asia, as Strabo did, the parallel of Iberia (Spain) would have taken Columbusa€™ ships to the north of Japan--i.e. At the time when Alexander the Great set off to conquer and explore Asia and when Pytheas of Massalia was exploring northern Europe, therefore, the sum of geographic and cartographic knowledge in the Greek world was already considerable and was demonstrated in a variety of graphic and three-dimensional representations of the heavens and the earth.
In addition, many other ancient texts alluding to maps are further distorted by being written centuries after the period they record; they too must be viewed with caution because they are similarly interpretative as well as descriptive. Eudoxus had already formulated the geocentric hypothesis in mathematical models; and he had also translated his concepts into celestial globes that may be regarded as anticipating the sphairopoiia [mechanical spheres].
And it was at Alexandria that this Ptolemy, son of Ptolemy I Soter, a companion of Alexander, had founded the library, soon to become famous through the Mediterranean world.
It seems, though, that having left Massalia, Pytheas put into Gades [Cadiz], then followed the coasts of Iberia [Spain] and France to Brittany, crossing to Cornwall and sailing north along the west coast of England and Scotland to the Orkney Islands.
On the contrary, a principal characteristic of the new age was the extent to which it was openly critical of earlier attempts at mapping. Disregarding the elaborate projections of the Greeks, they reverted to the old disk map of the Ionian geographers as being better adapted to their purposes. This shape was also one which suited the Roman habit of placing a large map on a wall of a temple or colonnade. 90-168), Greek and Roman influences in cartography had been fused to a considerable extent into one tradition. The Almagest, although translated into Latin by Gerard of Cremona in the 12th century, appears to have had little direct influence on the development of cartography. Ptolemya€™s principal legacy was thus to cartographic method, and both the Almagest and the Geography may be regarded as among the most influential works in cartographic history. However, the maps of Marinus and Ptolemy, one of the latter containing thousands of place-names, were at least partly known to Arabic geographers of the ninth to the 10th century. The most accomplished Byzantine map to survive, the mosaic at Madaba (#121), is clearly closer to the classical tradition than to maps of any subsequent period. He Shuangquan, a research fellow with the Gansu Provincial Archaeological Research Institute, has made an in-depth study of the map and confirmed its drawing time to be 239 B.C. But now the measure of rebellion reaches a point which makes it necessary for God to intervene and to expose the terrible extent of mana€™s treason against Goda€™s government. The confederation of evil will consolidate for a desperate last-ditch struggle to engage the loyalty of eartha€™s inhabitants. No one ever saw a creature with the body of a leopard, the mouth of a lion, and the feet of a bear. Just as we have the American eagle and the Russian bear in our modem political vocabulary, God used animals long, long ago to represent countries also. Any schoolboy who has studied his lessons carefully in ancient history will know that Greece arose as the next world ruler. But for a man to make such claims would constitute blasphemy, according to the Biblea€™s own definition.
By comparing these Scriptures, we understand that a time is a year in Bible prophecy, times is two years, and half a time is half a year.
This means, then, that the little horn power would rule for 1,260 years, instead of merely 1,260 days.
Lucii Ferraris, contained in the book Prompta Bibliotheca Canonica Juridica Moralis Theologica.
Notice, please, that this beast is doing exactly the same thing as the little horn of Daniel. This is Goda€™s graphic illustration of the papal power, as it came up to exercise arbitrary authority over the earth for 1,260 years.
The great controversy between good and evil, which had started in heaven, was now transferred to this planet.


Do you remember how God told each one of them to bring a lamb, but Cain substituted fruit or vegetables for that which God had commanded as a sacrifice? But soon the dragona€™s followers quarreled among themselves, and Medo-Persia came into power. The masterstroke of Satan to destroy Jesus on the cross was foiled on that Sunday morning when the Crucified One broke the bonds of death in the resurrection. He would bring in pagan doctrines and philosophy from the old empires of Babylon, Medo-Persia, Greece, and Rome and combine them with Christian teaching.
A whole set of counterfeit doctrines was added so that the papacy could gain prestige with the pagan peoples of that age.
The pagans worshiped the sun, and they noticed that in December, the days were becoming shorter and shorter and the sun was getting farther away from them.
If this is the number of a man, it would naturally be the man who is the head of the organization.
It is the capstone proof in conjunction with all the other marks laid down so clearly in the Scripture.
Now we ask, a€?What is the seal?a€? If we can establish this point, it will help us to identify the mark. The three requisites of a seal will be found only in the one that includes name, title and territory of God. And to make His law authoritative, He has placed the seal in it, showing that He stands behind every single commandment in that law.
Constantine professed conversion to Christianity and opened the doors of the church to all his heathen followers. Take, for instance, the matter of Sunday observance, attendance at divine service, and abstention from unnecessary servile work on that day. Thomas, Chancellor of Cardinal Gibbons, in answer to a letter regarding the change of the Sabbath: a€?Of course the Catholic Church claims that the change was her act. When we understand the issues we must make a tremendous decision either to keep the true Sabbath and recognize Goda€™s authority, or to take the false Sabbath and recognize the Catholic Churcha€™s claims. 106, 107, says: a€?It is quite clear that however rigidly or devotedly we may spend Sunday, we are not keeping the Sabbath.
The reason we observe the first day instead of the seventh is based on no positive command. Here is the patience and the faith of the saints.a€? Then immediately John saw a second beast in vision that he describes in the next verse. And he had power to give life unto the image of the beast, that the image of the beast should both speak, and cause that as many as would not worship the image of the beast should be killed.
The keeping of Sunday instead of the Bible Sabbath is claimed as a mark of allegiance to the Catholic Church by her own priests and leaders.
The mark of the beast will then be placed upon all who choose to disobey the commandment of God to keep the Sabbath day holy. As the test becomes more severe, every individual must choose to obey God or man, to follow the commandments of God or tradition, to keep the true Sabbath or the counterfeit, to receive the seal of God, or the mark of the beast.
The dating of the Palatinus is more complicated a€” the large autobiographical calendar on fol.
The Vaticanus was often mentioned by earlier authors, but had never been the object of extensive study, perhaps because its visual material is smaller and less elaborate than the large Palatinus folios. These and other claims are refuted by Whittington with a basic statistical analysis of the manuscriptsa€™ subject matter. Their enigmatic forms, expressions, and arrangements have the power to arrest the attention of modern viewers, reversing expectations about what sorts of imagery were possible in the early 14th century. The a€?world,a€? in Opicinusa€™ drawings, is always represented using these charts; they form the drawingsa€™ structural basis and frame their meanings. Still, crucially, this does not make the drawings, in their inception, a€?abouta€? Opicinus. The large size of the Palatinus folios suggests a more public function, given their physical similarity to large medieval wall maps and portolan charts.
Here one sees before a map of the Mediterranean world a€” Europe, North Africa, Anatolia and part of the Near East are left the white color of the paper, and the seas around them are tinted with a reddish-brown wash.
The incredibly diverse drawings that he created in the years that followed were his way of exploring the meaning of this vision and experimenting with different strategies for representing its shape and scope, searching for the arrangements and combinations that would lead him to the deepest meaning. Opicinusa€™ maps were based on the most modern and technically accomplished cartography of his day a€” marinersa€™ sea-charts, which we call portolan charts.
Several folios depict only the western portion of the standard Mediterranean portolan chart, limiting their view to the area between Gibraltar and the boot of Italy.
The geographic range of the depicted portolan outline is narrow - we see Gibraltar, Tunisia, France, Spain, and Italy, but none of the eastern Mediterranean, which is cut off by the drawinga€™s lower edge.
Little is visible of her lower body, but she wears some kind of cloth wrapped around her waist. However, the most prominent indicator of the figurea€™s identity is the large rota around the face in the Iberian peninsula, which seems to label the figure as Christ. The drawing thus suggests a combination of male and female elements: a pregnant female personification of Christendom, with Christ at the head and heart. In this first example, where the contrast between the two figures is simple and direct, we can more easily explore two ways that the form of the drawing a€” its geographical frame a€”may change the meaning of these figures.
For example, the Mediterranean figure appears to have two sexual organs a€” one massive penis that seems to be ejaculating onto the southern coast of Spain, and another that he clutches in his fist (presumably in an act of masturbation) near Venice. 84v, numerous captions explore the moral, theological, quotidian, and incidental correspondences created by the overlay of the city grid on the portolan chart.
In addition, the monastery with which they were both associated fell near Rome on the portolan chart.
The revelation and the experiment were meant to be used by anyone a€” Opicinus is using himself as a test case, taking examples from his own life, family history, and childhood, and using them to interpret the correspondence between the two charts. These are all examples of Akbaria€™s horizontal allegory, or of allegory as a primarily interpretive act; Opicinus creates the structure (which may or may not have an intrinsic meaning a€” in this case, it seems not to), but the primary work is put into interpretation, play, and the creative exploration of his visual construction. Opicinus created, an over-determined world because of its opportunities and flexibility, not to build a burdensome system that would collapse on top of him. This basic format is repeated on at least eight other pages in the Vaticanus; again, there are variations in the size and placement of the two maps, but all of these examples include two portolan charts that are laid on top of one another. In the smaller, lower image, the negative space of the chart a€” the sea a€” is tinted with a light brown wash, delineating the body of the so-called a€?Mediterranean Man,a€? often labeled a€?Lucifera€? His head and beard occupy the eastern Mediterranean (his ear tucked against the Nile delta and curving beard shaping the coast of the Anatolian peninsula), his arms gesture near Italy (one fist plunging violently east of Italy, forming the Adriatic), and his feet poke out near Gibraltar, between the faces of Europe and Africa.
On this page he connects the two representations of the Adriatic with a diagonal line that slices through the center of the image, running from Venice on one chart to Venice on the other. Morse also points out that different renderings of the sea in the two charts likely correspond to their content; the embodied a€?devil seaa€? lies between the natural worlds, while the a€?spiritual seaa€? is left empty, perhaps to indicate its purity. Small lines connect the first four concepts to the eyes, ears, nose, and mouth of the Africa-figure, indicating the complicity of the exterior senses in this pathway to sin.
74v how Opicinus, by framing his allegories within the portolan charts, solidified their meaning into measured form, aligning the worlda€™s shapes with the truths and figures they revealed. The meaning of such lines remains ambiguous, but they do suggest points of contact and interconnection between elements that are otherwise set in opposition to one another.
All four of these portolan charts are embodied, creating eight distinct characters: four male figures of Europe, and four figures of Africa (two angels and two male figures).
Rather than containing the figure of the diabolical sea, the spaces of the Mediterranean and Black Seas on these two charts are left as windows through which the viewer can see the other maps in the drawing. The colored worlds below are not labeled, but the figures seem to be a precise mirror of those on top, in both gender and physical appearance. Opicinusa€™ statement about the generation of meaning seems to apply both to this drawing and to many others that depict multiple levels of reality (usually through multiple iterations of the body-worlds). 82r becomes overwhelming, Opicinus provides the viewer with visual cues to make sense of the drawinga€™s disorienting forms. This drawing contrasts two complete sets of body-worlds, one overlapping and partially obscuring the other, and two very different depictions of genitalia are found in the area around Venice on both depictions of Europe. In a passage early in the Vaticanus, Opicinus describes how the a€?diabolical seaa€? inseminates an already-pregnant Europe, splitting the child unnaturally into two figures a€” Europe and Africa. Victoria Morse shows the way that Opicinus read meaning even into the precise position of these two tiny body-worlds over Lombardy below, determining which local cities fell under Africa and Europe. The alchemist Fabricio, more or less at the same period of time, observed that silver chloride was darkened by the action of light.
Chemistry student Robert Cornelius was so fascinated by the chemical process involved in Daguerrea€™s work that he sought to make some improvements himself. Tinman [Thomas Tinman--brother of Edward] and his daughter made me feel at home and asked me to call every time I could. Hinton asking me to bring Eddy with me to Belfast tomorrow, so I got supper and went out into the country to tell the folks, and they treated me fine and asked me to call as often as I passed.
Tinman [Thomas Tinman--brother of Edward] and his daughter made me feel at home and asked me to call every time I could.A  {ALJ p. Elder Lindsay of the Church of Jesus Christ of Latter day Saints and I may say that we had a spiritual feast.A  The Lord has greatly blessed me in all ways for which I am truly grateful. Therefore, reconstructions are used here only to illustrate the general geographic concepts of the period in which the lost original map was made.
It was said that as the Archangel Gabriel appeared to Zacharias in the holy of holies, Zacharias must have been High Priest and have lived in Jerusalem; John the Baptist would then have been born in Jerusalem. I have not been able to find any such evidence or artifacts of map making that originated in the South America or Australia.
This is described in an inscription in the Temple of Der-el-Bahri where the ship used for this journey is delineated, but there is no map.
It is of marble, and is thought by some to date from the time of Eudoxus, that is, three hundred years before the Christian era. The Venerable Bede, Pope Sylvester I, the Emperor Frederick II, and King Alfonso of Castile, not to name many others of perhaps lesser significance, displayed an interest in globes and making.
See the sketch below of an inverted Chaldean boat transformed into a terrestrial globe, which will give an idea of the possible appearance of early globes. Indeed, wherever we look round the margin of the circumfluent ocean for an appropriate entrance to Hades and Tartaros, we find it, whether in Japan, Iceland, the Azores, or Cape Verde Islands.
Terrestrial maps and celestial globes were widely used as instruments of teaching and research. Despite what may appear to be reasonable continuity of some aspects of cartographic thought and practice, in this particular era scholars must extrapolate over large gaps to arrive at their conclusions. By the beginning of the Hellenistic Period there had been developed not only the various celestial globes, but also systems of concentric spheres, together with maps of the inhabited world that fostered a scientific curiosity about fundamental cartographic questions. The library not only accumulated the greatest collection of books available anywhere in the Hellenistic Period but, together with the museum, likewise founded by Ptolemy II, also constituted a meeting place for the scholars of three continents. From there, some authors believe, he made an Arctic voyage to Thule [probably Iceland] after which he penetrated the Baltic. Intellectual life moved to more energetic centers such as Pergamum, Rhodes, and above all Rome, but this promoted the diffusion and development of Greek knowledge about maps rather than its extinction.
The main texts, whether surviving or whether lost and known only through later writers, were strongly revisionist in their line of argument, so that the historian of cartography has to isolate the substantial challenge to earlier theories and frequently their reformulation of new maps. There is a case, accordingly, for treating them as a history of one already unified stream of thought and practice. With translation of the text of the Geography into Latin in the early 15th century, however, the influence of Ptolemy was to structure European cartography directly for over a century.
It would be wrong to over emphasize, as so much of the topographical literature has tended to do, a catalog of Ptolemya€™s a€?errorsa€?: what is vital for the cartographic historian is that his texts were the carriers of the idea of celestial and terrestrial mapping long after the factual content of the coordinates had been made obsolete through new discoveries and exploration.
Similarly, in the towns, although only the Forma Urbis Romae is known to us in detail, large-scale maps were recognized as practical tools recording the lines of public utilities such as aqueducts, displaying the size and shape of imperial and religious buildings, and indicating the layout of streets and private property. But the transmission of Ptolemya€™s Geography to the West came about first through reconstruction by Byzantine scholars and only second through its translation into Latin (1406) and its diffusion in Florence and elsewhere.
But as the dichotomy increased between the use of Greek in the East and Latin in the West, the particular role of Byzantine scholars in perpetuating Greek texts of cartographic interest becomes clearer. Forested areas marked on the map also tallies with the distribution of various plants and the natural environment in the area today. And they worshipped the dragon that gave power unto the beast: and they worshipped the beast, saying, Who is like unto the beast? Once the symbol is interpreted in any prophecy, the rule will apply in every other prophecy. Then, to be more explicit, God added this in verse 23, a€?The fourth beast shall be the fourth kingdom upon earth.a€? If the fourth animal represented the fourth empire of history, then the first three would have to represent the first three empires. Alexander the Great came marching from the west, laying the world at his feet in a very short time. In that very year the French general, Berthier, marched his armies into Rome and pulled the Pope off his throne. Verse five continues, a€?And power was given unto him to continue forty and two months.a€? How long is forty-two months? A pure woman stands for the true church, but a fallen woman symbolizes a false religious system. Forty days later, He was caught up to heaven in perfect fulfillment of the words of the prophecy. According to Revelation 13:2, the dragon gave the beast his power and seat and great authority. Pagan idols were left at the door, but idols of Peter, Mary and the saints took their place.
In the next chapter we shall discover, though, that other pagan doctrines were introduced which strike at the very heart of true Bible religion. Hence, to the Bishop of Rome as head of the church, was given the title, a€?Vicar of Christ.a€™a€? At present, the popea€™s miter does not contain the Latin title, but the words are incorporated into the coronation ceremonies of each newly crowned pope. The Church could naturally reach them better by keeping their day.a€? Sunday and Christian Sabbath, pp. One will search the Scriptures in vain for authority for changing from the seventh day to the first. The second beast, coming out of the earth, would depict a nation rising in some area of the world where there were no previous civilizations and multitudes. By accepting the mark of allegiance to the papacy (Sunday), they reject the mark that God claims as His sign of authoritya€”the seventh-day Sabbath.
The first 48 contain little visual material besides a few marginalia, while the second half of the book includes some text-only pages, some full-page drawings, and some smaller drawings with extensive text on or around them. 11r, which provides the most complete information about his life, ends with June 1336, suggesting that this drawing was finished by that date.
In contrast, Morse demonstrated that the Vaticanus holds the key to understanding Opicinusa€™ thought: its drawings are more intimate and revealing, and it contains over a hundred pages of text. Portolan charts were modern, cutting-edge diagrammatic maps of the Mediterranean region, and Opicinusa€™ use of them transforms what would otherwise have been old-fashioned, theoretical, and primarily textual drawings into a completely new type of representation.
Interpreting the vision with relation to his own body and life was only one of the tactics that he used. The drawings in both manuscripts could have been preparatory studies for some larger-scale project or commission that was never carried out. According to Whittington, to explain what the body-worlds a€?mean,a€? one must explore how and why Opicinus harnessed these maritime maps to a completely different purpose from that for which they were created. Others include the entire range of the chart, from the Atlantic Ocean to the Black Sea and the Holy Land. Small captions and rotae are positioned at various points on the map; some of these are placed to comment specifically on a geographical feature, while others remark more generally on the drawing and its characters.
A worm or snake emerges from an otherwise empty circle on her stomach, twisting along the North African coast, its mouth gnawing on the figurea€™s thumb near Carthage.
Large red capital letters spell out C-R-I-S-T-U-S, with each letter also being the first letter of one of the seven gifts of the Holy Spirit. Opicinus uses the portolan chart to construct a binary system in which values can be opposed, and also to place these allegories or personifications within a space that is, in the broadest sense, real.
On the southern coast of France, a basket-woven pattern is explained in a caption as a basket to catch the excrement of the sea-figure. For example, in a short passage in the upper left corner of the page, Opicinus mentions that the body of the sea-devil extends beyond the inner city wall of the Pavian map, which he interprets as a sign that malice and mischief are spread out in the city; beyond the old city walls.
An over-determined world allowed him to make visible to himself and his potential readers the primary concerns, impulses, histories, and spaces of his world and his body in a way that led to potentially productive connections and revelations. In contrast, the sea of the larger top map is not embodied, and retains the color of the paper.
This line could help the viewer perceive the imagea€™s orientation, by providing a reference point for the location of the same city on each map at this crucial juncture at the center.
The sea-figure takes control of the pagea€™s center, superimposing his twisting body over the eastern half of the upper, spiritual chart a€” his a€?negativea€? space dominates the positive space of the other chart. In contrast, a caption on the rota for Affrica spiritualis points to the interior senses (sensus interiores) that indicate spiritual progress: meditation, contemplation, discernment, and rumination (meditatio, contemplatio, discretio, degustatio).
They also establish that the body-worldsa€™ identities as both bodies and maps remain significant on their own; because connections rely on their status as both maps and bodies, one is not emphasized over the other. This window or outline a€” the negative space of the upper drawing a€” provides a view onto a world of color. The mirror of any of his creations, which he acknowledges are fabrications (in the sense that they are imaginary and exploratory), will always contain some new level of meaning. The two red lines indicate the precise point where worlds are mirrored, and the differentiation in color a€” white, brown, and red a€” brings the forms of the body-worlds into a near-sculptural relief. In the overlapped body-worlds, which are tinted with red and brown wash, we see a small penis depicted inside the figure of Europe, just past the fist of the Mediterranean figure. It must be acknowledged that both figures are shaped like small penises, but it is also true that in medieval anatomical texts the female genitalia are often described as an interiorized mirror image of a male penis, so perhaps we should not be surprised that the two are a€?personified,a€? if we want to use that term, in similar ways.
According to Victoria Morse, Europea€™s pregnancy was also related to local political situations, visualizing the (sexual) corruption of Lombardy within an otherwise holy European body. She then contrasts this a€?violenta€? delivery of the figures with the small baby depicted on fol. In 1537 the Tirolese cartographer Johann Putsch celebrated the Hapsburg rule over Europe by presenting a placid a€?Europa Reginaa€? wearing Charles Va€™s Spain as a crown and Ferdinanda€™s Austria as a medal at her waist, representing the triumph of the Hapsburgs.
It was only two hundred years later that the physicist Charles made the first photographic impression, by projecting the outlines of one of his pupils on a white paper sheet impregnated with silver chloride. It was commercially introduced in 1839, a date generally accepted as the birth year of practical photography.The metal-based daguerreotype process soon had some competition from the paper-based calotype negative and salt print processes invented by Henry Fox Talbot.
And in 1839 Cornelius shot a self-portrait daguerrotype that some historians believe was the first modern photograph of a man ever produced. No one person or area of study is capable of embracing the whole field; and cartographers, like workers in other activities, have become more and more specialized with the advantages and disadvantages which this inevitably brings. Nevertheless, reconstructions of maps which are known to have existed, and which have been made a long time after the missing originals, can be of great interest and utility to scholars. It has been shown how these could have appealed to the imagination not only of an educated minority, for whom they sometimes became the subject of careful scholarly commentary, but also of a wider Greek public that was already learning to think about the world in a physical and social sense through the medium of maps. The relative smallness of the inhabited world, for example, later to be proved by Eratosthenes, had already been dimly envisaged. The confirmation of the sources of tin (in the ancient Cassiterides or Tin Islands) and amber (in the Baltic) was of primary interest to him, together with new trade routes for these commodities. Indeed, we can see how the conditions of Roman expansion positively favored the growth and applications of cartography in both a theoretical and a practical sense. The context shows that he must be talking about a map, since he makes the philosopher among his group start with Eratosthenesa€™ division of the world into North and South. Here, however, though such a unity existed, the discussion is focused primarily on the cartographic contributions of Ptolemy, writing in Greek within the institutions of Roman society. In the history of the transmission of cartographic ideas it is indeed his work, straddling the European Middle Ages, that provides the strongest link in the chain between the knowledge of mapping in the ancient and early modem worlds. Finally, the interpretation of modem scholars has progressively come down on the side of the opinion that Ptolemy or a contemporary probably did make at least some of the maps so clearly specified in his texts.
Some types of Roman maps had come to possess standard formats as well as regular scales and established conventions for depicting ground detail. In the case of the sea charts of the Mediterranean, it is still unresolved whether the earliest portolan [nautical] charts of the 13th century had a classical antecedent. Byzantine institutions, particularly as they developed in Constantinople, facilitated the flow of cartographic knowledge both to and from Western Europe and to the Arab world and beyond. Obedience to God or to Satan, as manifested through the beast power, will be the only alternatives open to man. You cana€™t really know who the beast is.a€? Listen, will God warn us about the fearful danger of this beasta€”a danger so deadly that it will mean life or deatha€”and then tell us it is impossible to know what it is? And sure enough, Babylon arose very quickly to take its place as a ruler of the entire world. Listen to these claims: a€?The Pope is of so great dignity, and so exalted, that he is not a mere man, but as it were God and the Vicar of God. There has been only one man-child who was destined to rule all nations and who was finally caught up to Goda€™s throne.
We have learned that the dragon actually symbolizes the pagan Roman Empire, as well as the devil himself.
Then on December 25, for the first time, they could tell that the sun was coming back closer; the days were beginning to lengthen out again.
In sharp contrast to Christianity, Mithraism recognized Caesar e as the bearer of the divine Grace, and its votaries filled the legions and the civil service. Hiscox, the author of the Baptist Manual: a€?There was and is a commandment to keep holy the Sabbath day, but that Sabbath day was not Sunday. The early Christians began to worship on the first day of the week because Jesus rose from the dead on that day. Historians record that there was something wonderful and providential about the rise of this country. That is exactly what is predicted, and it is also exactly what is shaping up right now in American politics. The representation and interpretation of this divine image of the earth would occupy much of the rest of his life. Other dates in the manuscript are scarce; most scholars agree that the bulk of the drawings were completed between February 1335 and June 1336, with later additions stretching all the way to 1350.
Opicinus was working during a crucial moment in the history of cartography, when numerous artists and mapmakers sought to combine old and new forms. Most of the drawings suggest other interpretive avenues, through personifications, allegorical confrontations, or superimposition; one does not have to turn to Opicinusa€™ biography to explain them. It is also possible that these works were intended, like several of Opicinusa€™ earlier treatises, for the Pope. In this example, Europe is embodied as a man a€” his head occupies the Iberian Peninsula, his chest and stomach lie in France (where some kind of beast in the ocean tries to bite at his shoulder), his arm arches up through the lowlands and Germany, and his legs occupy the Italian peninsula and the Dalmatian coast. He used this technical, practical, scientific cartography to probe deeper into the nature of God and the created world. But all of the drawings in this category share a single feature: they include only one map, one level of cartographic reality on the page.
The two figures that constitute, lie within, or coexist with Africa and Europe are classic examples of Opicinusa€™ body-worlds (the third figure that often appears in the Mediterranean is not included, in this particular drawing). In two outer concentric rings Opicinus places the names of the seven planets and the days of the week.
Yet their placement within a map, particularly an empirical one which was actually used for travelling, emphasizes the tenuousness of such binary oppositions. Despite these and other details on the figures, the actual bodies seem less important to Opicinus in these three drawings; the commentary focuses more on the physical interplay and connections between the two overlapping maps. It is not that he thinks that this image of the two maps placed in this particular arrangement is necessarily a€?correcta€? or a€?truea€? a€” on fol. 84v offers further evidence that Opicinus viewed the portolan charts as empirical representations.
At the centre of the page the embodied eastern Mediterranean of the lower map (including the Black Sea) overlaps both the land and the sea of the upper map, so that its eastern half (part of Italy and all of Greece, Egypt, and Turkey) is obscured. Or, given the opposing genders of the two Europes in the maps, and the fact that the area at the top of the Adriatic was understood as the erogenous zone of the European body, the line could suggest a sexual point of contact a€” even intercourse a€” between the two figures.
It is necessary first to describe and explain the drawinga€™s complex structure, before discussing its content in relation to several captions that surround it. In the space below, the continents are shaded a brick red, while the seas are painted a soft brown-grey. The interpretive paradigm for this drawing must be one of experimentation; it is the only image in the manuscript with this particular arrangement of forms, and through it Opicinus only seems to have arrived at fragments of meaning. The small caption nearby simply reads Venetie [Venice] and without further explanation it is unclear whether the penis belongs to the European body, depicted lying back against his stomach, or whether he is somehow being penetrated by a small penis belonging to the sea-figure.
Here, reproductive sexuality is a sign of corruption; elsewhere, as we will see, it is a marker of generative spirituality. 74v, which is positioned for a normal delivery through Venice, with its head down and its arms folded peacefully in prayer. The queena€™s crown (Spain), orb (Sicily), and heart (Bohemia) from a triangle that directs the viewera€™s eye away from Eastern Europe toward the West.
1877, after living with her husband for 18 years, two months, and sixteen days, aged 36 yrs.
The possibilities include those for which specific information is available to the compiler and those that are described or merely referred to in the literature.
Some saw in the a€?hill countrya€™ Hebron, a place that had for a long time been a leading Levitical city, while others held that Juda was the Levitical city concerned. The fact that King Sargon of Akkad was making military expeditions westwards from about 2,330 B.C. The whole northern region, of sea as he supposed it, from west to east, was known to him only by Phoenician reports. If a literal interpretation was followed, the cartographic image of the inhabited world, like that of the universe as a whole, was often misleading; it could create confusion or it could help establish and perpetuate false ideas. It had been the subject of comment by Plato, while Aristotle had quoted a figure for the circumference of the earth from a€?the mathematiciansa€? at 400,000 stades; he does not explain how he arrived at this figure, which may have been Eudoxusa€™ estimate. It would appear from what is known about Pytheasa€™ journeys and interests that he may have undertaken his voyage to the northern seas partly in order to verify what geometry (or experiments with three dimensional models) have taught him. Not only had the known world been extended considerably through the Roman conquests - so that new empirical knowledge had to be adjusted to existing theories and maps - but Roman society offered a new educational market for the cartographic knowledge codified by the Greeks. Ptolemy owed much to Roman sources of information and to the extension of geographical knowledge under this growing empire: yet he represents a culmination as well as a final synthesis of the scientific tradition in Greek cartography that has been highlighted in this introduction. Yet it is perhaps in the importance accorded the map as a permanent record of ownership or rights over property, whether held by the state or by individuals, that Roman large-scale mapping most clearly anticipated the modern world. If they had, one would suppose it to be a map connected with the periploi [sea itineraries]. Our sources point to only a few late glimpses of these transfers, as when Planudes took the lead in Ptolemaic research, for example. And there was given unto him a mouth speaking great things and blasphemies; and power was given unto him to continue forty and two months. Would He say to us, a€?You will be cast into the fire if you have the mark, but Ia€™m not going to tell you what it isa€”ita€™s just too bad if you have ita€??
And four great beasts came up from the sea, diverse one from another.a€? He saw the prophetic water just as John did, but Daniel saw four beasts arising instead of only one.
Within eight years, he had completely subjugated the world and sat down to weep because there were no more worlds to conquer. The Pope is, as it were, God on earth, chief king of kings, having plenitude of power.a€? Volume VI, pp. So these people said, a€?The sun is reborn to us.a€? They called December 25 the birthday of the sun or sun god. We know of the change only from the tradition of the Churcha€”a fact handed down to us from earliest times by the living voice of the Church. But the Catholic Church appears and says in effect, a€?No, dona€™t keep the Sabbath; keep the first day of the week.
It will be said, however, and with some show of triumph, that the Sabbath was transferred from the seventh to the first day of the week. In over eighty surviving drawings, now kept in the Vatican Library and referred to by scholars as the Vaticanus and Palatinus manuscripts, he experimented with how he could uncover the meaning that he was sure God had planted in the vision he saw, in the hope that his drawings would help to renew the faith of all Christians. Far more drawings in the Vaticanus portray body-worlds (23), while few in the Palatinus do so (6). This encounter between the scientific and the spiritual is best explored by looking at the structures that Opicinus used to create the drawings.
Another rota lies inside France, near the location that Opicinus usually associates with the a€?hearta€? of the Europe figure a€” Avignon. On a map you can literally sail by sea from one a€?placea€? or a€?bodya€? to the other a€” each place is accessible to the other. Here, the grid structures the space of the local map, but also shapes the way we view the portolan below. It looks like a kind of symbolic twin to the spatio-indexical rhumb lines of the original portolan charts. 61r demonstrates that Opicinus was also aware of the dangers of aligning appearance with truth; appearances could just as easily deceive as reveal.
The arrangement of these colored maps beneath the surface of the white ones is the most complicated aspect of the drawing.
The angels are labeled angelus lucis and angelus tenebrarum a€” an angel of light and an angel of darkness. Given the penises in this region that we discussed above, this latter proposition is not without basis, but it seems more likely that it belongs to the European figure, since it is tinted the same color. The photos were turned into lantern slides and projected in registration with the same color filters. Viewed in its development through time, the map is a sensitive indicator of the changing thought of man, and few of these works seem to reflect such an excellent mirror of culture and civilization.
Of a different order, but also of interest, are those maps made in comparatively recent times that are designed to illustrate the geographical ideas of a particular person or group in the past but are suggested by no known maps. Many solutions to this problem were put forward, but it was solved once and for all by the Madaba map, which showed, between Jerusalem and Hebron, a place called Beth Zachari: the house of Zacharias. The paucity of evidence of clearly defined representations of constellations in rock art, which should be easily recognized, seems strange in view of the association of celestial features with religious or cosmological beliefs, though it is understandable if stars were used only for practical matters such as navigation or as the agricultural calendar.
The celestial globe had reinforced the belief in a spherical and finite universe such as Aristotle had described; the drawing of a circular horizon, however, from a point of observation, might have perpetuated the idea that the inhabited world was circular, as might also the drawing of a sphere on a flat surface.
Aristotle also believed that only the ocean prevented a passage around the world westward from the Straits of Gibraltar to India. The result was that his observations served not merely to extend geographical knowledge about the places he had visited, but also to lay the foundation for the scientific use of parallels of latitude in the compilation of maps. Many influential Romans both in the Republic and in the early Empire, from emperors downward, were enthusiastic Philhellenes and were patrons of Greek philosophers and scholars. In this respect, Rome had provided a model for the use of maps that was not to be fully exploited in many parts of the world until the 18th and 19th centuries.
But in order to reach an understanding of the historical processes involved in the period, we must examine the broader channels for Christian, humanistic, and scientific ideas rather than a single map, or even the whole corpus of Byzantine cartography.
And he opened his mouth in blasphemy against God, to blaspheme his name, and his tabernacle, and them that dwell in heaven.
But he could not conquer himself; he died as a young man of thirty-three at the height of his power. Nearly all of the drawings in the Palatinus feature what Whittington calls an a€?overarching containing structurea€? a€” a geometrical framework that contains all of the drawinga€™s content. Her face is to the west, shown in profile as she seems to whisper into the ear of the European figure across the Straits of Gibraltar. She seems to speak directly into the ear of the European figure, depicted partly in profile and partly from the front. At the center of the roundel is a seated figure of Christ showing his wounds; around this are the names of seven episcopal seats, and the seven planets and their positions. In these simplest drawings, though, such a possibility is only hinted at; a much fuller manipulation of the metaphor of travel and movement between binaries, and indeed a subversion of the very concept of binary opposition, is found in Opicinusa€™ more complicated images, discussed below. This grid, eight squares by ten, is oriented in the same way as the map below, with east at the top of the page (the street grid of Pavia was, and still is, slightly off-axis from the cardinal points because of its alignment with the river, which is reflected in its positioning at a slight angle on the page).
Opicinus just seems to be testing each possible arrangement on either side of the folio, turning it back and forth to see which parts of it align with things he believes to be true. Any resident or visitor familiar with the city would recognize that the local map of Pavia was a measured, accurate representation, and the fundamental hypothesis of this image and its interpretation is that correspondences can be deduced through the alignment of one measured map with another. One complete map lies below the upper white map, and one complete map lies below the lower white map, but each is placed in a different relation to its chart above. The angel of light in the surface map whispers into the ear of the upper male Europe, labeled homo spiritualis, while the angel of darkness whispers to homo carnalis.
61v, where two tiny figures with the same labels hold between them a baby, its head positioned downward, pointing toward the area near Venice through which we presume it would be born. In 1802, Wedgwood reproduced transparent drawings on a surface sensitized by silver nitrate and exposed to light. The maps of early man, which pre-date other forms of written communication, were attempts to depict earth distributions graphically in order to better visualize them; like those of primitive peoples, the earliest maps served specific functional or practical needs.
Excavations on this site revealed the foundations of a little church, with a fragment of a mosaic that contained the name a€?Zachariasa€?. What is certainly different is the place and prominence of maps in prehistoric times as compared with historical times, an aspect associated with much wider issues of the social organization, values, and philosophies of two very different types of cultures, the oral and the literate. Later we encounter itineraries, referring either to military or to trading expeditions and provide an indication of the extent of Babylonian geographical knowledge at an early date. Another of a land, also in the north, where a man, who could dispense with sleep, might earn double wages, as there was hardly any night.
There was, however, evidently no consensus between cartographic theorists, and there seems in particular to have been a gap between the acceptance of the most advanced scientific theories and their translation into map form.
Viewed in this context, some of the essential cartographic impulses of the 15th century Renaissance in Italy are seen to have been already active in late Byzantine society.
At his death the kingdom was divided among his four leading generals: Cassander, Lysimachus, Seleucus, and Ptolemy.
The danger of any study of Opicinus is that in seeking out the contexts in which one may understand Opicinusa€™ work as logical and coherent, one risks losing sight of what makes them so exceptional. But he also used this idea in order to create images unrivalled in their complexity and interpretive difficulty, multiplying maps and figures across the page in kaleidoscopic networks.
The local grid is filled in with detail; the numerous small labels in brown indicate churches, city gates, bridges, and monasteries in Pavia, while the few red captions refer to cities or regions on the portolan below (here, like elsewhere, Opicinus uses color to clarify his content for the reader).
Once again, a grid serves two functions, measuring the space of one reality and indicating the measurability of another. On the top half of the page, the tinted map below is a precise mirror image of the upper map, reflected from it along a red horizontal line that bisects the upper, white body-worlds. The arrangement recalls nothing so much as the angel and devil of the human conscience that perch on the shoulders of cartoon figures in modern movies and comics, offering advice and urging the character towards good or bad decisions; in the drawing, the heads of the angels seem to rest directly on the shoulders of the figures below them. Here, the two a€?personificationsa€? of the penis and the womb have produced a tiny child and are preparing it for birth. Later editions of Europe as a queen were issued by Sebastian Munster, Heinrich Bunting and Matthias Quad.
Nicephore Niepce (1765-1833) had the idea of using as sensitive material the bitumen, which is altered and made insoluble by light, thus keeping the images obtained unaltered.
Long before the first photographs were made, Chinese philosopher Mo Ti and Greek mathematicians Aristotle and Euclid described a pinhole camera in the 5th and 4th centuries BCE. Maps were also frequently used purely for decoration; they furnished designs for Gobelins tapestries, were engraved on goblets of gold and silver, tables, and jewel-caskets, and used in frescoes, mosaics, etc. They do not go so far as to record distances, but they do mention the number of nights spent at each place, and sometimes include notes or drawings of localities passed through. He probably had the first account from some sailor who had visited the northern latitudes in summer; and the second from one who had done the like in winter. The influence of these views on Chinese cartography, however, remained slight, for it revolved around the basic plan of a quantitative rectangular grid, taking no account of the curvature of the eartha€™s surface. It serves as its own divine commentary and provides the key for understanding the prophecies. This a€?manuscripta€? is a collection of 27 huge unbound parchment sheets, averaging about two by three feet, although some are significantly larger. This observation prompts the next a€” that the Palatinus drawings almost always include calendars (usually as part of the overarching containing structure), while few of the Vaticanus drawings do. Looking at the drawings as a whole, there can be no doubt that there are distinct threads running through them a€” themes, problems, and possibilities that Opicinus set out to explore.
And just as the drawingsa€™ forms combine simplicity and complexity, their content also veers from the straightforward to the impenetrable. The relationship between these human figures and the landforms is, as is always the case in Opicinusa€™ drawings, very difficult to describe. The huge green swath at the right of the page indicates the Ticino River, which is coextensive with the long veil or cloak worn by the Africa woman. The white body-worlds in the top layer always overlap the lower, colored ones, which are only visible in the negative space of the sea. These personificationsa€™ sexuality is normative and non-transgressive a€” male and female members come together inside of the female body. He communicated his experiences to Daguerre (1787-1851) who noticed that a iodide-covered silver plate - thedaguerreotype -, by exposition to iodine fumes, was impressed by the action of light action, and that the almost invisible alteration could be developed with the exposition to mercury fumes. In the 6th century CE, Byzantine mathematician Anthemius of Tralles used a type of camera obscura in his experimentsIbn al-Haytham (Alhazen) (965 in Basra a€“ c. We then bid them good bye coming on with their invitation ringing in our ears to be sure and come again which we promised to do if possible. It was not until the 18th century, however, that maps were gradually stripped of their artistic decoration and transformed into plain, specialist sources of information based upon measurement.
As in Greek and Roman inscriptions, some documents record the boundaries of countries or cities. At the same time Chinese geography was always thoroughly naturalistic, as witness the passage about rivers and mountains from the LA? Shih Chhun Chhiu. But what a pity that it comes branded with the mark of paganism, and christened with the name of the sun god, when adopted and sanctioned by the papal apostasy, and bequeathed as a sacred legacy to Protestantism!a€? (From a paper read before a New York ministersa€™ conference held November 13, 1893.) This great Baptist leader condenses into a few sentences all that has been said in the pages of this booklet.
Depending on the individual viewera€™s perception, the figures can seem to be lying on top of the land, growing out of it, or somehow placed under it a€” as if the landforms are windows through which we are looking.
The green lines at the top and bottom of the page show the path of several Pavian canals, and the three concentric red boundaries drawn around the page indicate the city walls.
The same system is repeated in the lower half of the drawing, except that the lower tinted map is reflected along a vertical line, also colored red. It was then fixed with a solution of potassium cyanide, which dissolves the unaltered iodine.The daguerreotype (1839) was the first practical solution for the problem of photography. From these observations, Whittington generalizes some of the basic differences between the two manuscripts. Most of all, however, these enigmatic forms seem to depict the earth and the bodies as coextensive, and of the same material a€” bodies made out of the earth. The two maps on the bottom half of the page are also mirror images of one another, but along a different axis. In 1841, Claudet discovered quickening substances, thanks to which exposing times were shortened.
1848 date for her birth, which means that she would have been just past her 33 birthday at the time of her death on 14 Feb.
The Vaticanus seems to be more of a personal manuscript, perhaps never intended for a wider audience.
The more one looks at these body-worlds, the more one sees the human figures as figures a€” the stranger parts of their bodies, where the landforms do not align so easily with a normative human shape, become less and less noticeable.
The two red axes are thus crucial to understanding the drawing: they must have been used to construct it and also intended to aid in its decoding. More or less at the same time period, EnglishWilliam Henry Talbot substituted the steel daguerreotype with paper photographs (named calotype).
Wilhelm Homberg described how light darkened some chemicals (photochemical effect) in 1694. Hewitt and family good bye, we started on our return to Portadown Accompanied part of the way by Mr.
Its drawings are less structured and presentational, contain more sexual imagery, and include more personal themes, all of which we might associate with a private, rather than public function (although such distinctions were perhaps more fluid in 14th century Italy than they are today). Niepce of Saint-Victor (1805-1870), Nicephorea€™s cousin, invented the photographic glass plate covered with a layer of albumin, sensitized by silver iodide.
The novel Giphantie (by the French Tiphaigne de la Roche, 1729a€“74) described what could be interpreted as photography.Around the year 1800, Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance. Secondly, the drawings in the Vaticanus and Palatinus have very different structures; the Vaticanus uses the form of the portolan [nautical] chart to structure meaning and representations of bodies, while the Palatinus drawings use larger geometric, ecclesiastical, and temporal frames, which in turn often contain representations of the earth.
Maddox and Benett, between 1871 and 1878, discovered the gelatine-bromide plate, as well as how to sensitize it. Willie Holmes my Sister Dolliea€™s Son, arriving here about 11 Oa€™c pretty tired but highly elated at the successful termination of my first meeting with the people of Conroot. Finally, the Palatinus drawings contain a temporal, cyclical element (numerous calendars and representations of the zodiac) that the Vaticanus drawings usually lack.
As with the bitumen process, the result appeared as a positive when it was suitably lit and viewed.
A strong hot solution of common salt served to stabilize or fix the image by removing the remaining silver iodide. On 7 January 1839, this first complete practical photographic process was announced at a meeting of the French Academy of Sciences, and the news quickly spread.
At first, all details of the process were withheld and specimens were shown only at Daguerre's studio, under his close supervision, to Academy members and other distinguished guests. Paper with a coating of silver iodide was exposed in the camera and developed into a translucent negative image. Unlike a daguerreotype, which could only be copied by rephotographing it with a camera, a calotype negative could be used to make a large number of positive prints by simple contact printing.
The calotype had yet another distinction compared to other early photographic processes, in that the finished product lacked fine clarity due to its translucent paper negative. This was seen as a positive attribute for portraits because it softened the appearance of the human face.
Talbot patented this process,[20] which greatly limited its adoption, and spent many years pressing lawsuits against alleged infringers.
He attempted to enforce a very broad interpretation of his patent, earning himself the ill will of photographers who were using the related glass-based processes later introduced by other inventors, but he was eventually defeated. Nonetheless, Talbot's developed-out silver halide negative process is the basic technology used by chemical film cameras today.
Hippolyte Bayard had also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.In 1839, John Herschel made the first glass negative, but his process was difficult to reproduce.
The new formula was sold by the Platinotype Company in London as Sulpho-Pyrogallol Developer.Nineteenth-century experimentation with photographic processes frequently became proprietary.
This adaptation influenced the design of cameras for decades and is still found in use today in some professional cameras. Petersburg, Russia studio Levitsky would first propose the idea to artificially light subjects in a studio setting using electric lighting along with daylight. In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around. Now anyone could take a photograph and leave the complex parts of the process to others, and photography became available for the mass-market in 1901 with the introduction of the Kodak Brownie.A practical means of color photography was sought from the very beginning. Results were demonstrated by Edmond Becquerel as early as 1848, but exposures lasting for hours or days were required and the captured colors were so light-sensitive they would only bear very brief inspection in dim light.The first durable color photograph was a set of three black-and-white photographs taken through red, green and blue color filters and shown superimposed by using three projectors with similar filters. It was taken by Thomas Sutton in 1861 for use in a lecture by the Scottish physicist James Clerk Maxwell, who had proposed the method in 1855.[27] The photographic emulsions then in use were insensitive to most of the spectrum, so the result was very imperfect and the demonstration was soon forgotten.
Maxwell's method is now most widely known through the early 20th century work of Sergei Prokudin-Gorskii. Included were methods for viewing a set of three color-filtered black-and-white photographs in color without having to project them, and for using them to make full-color prints on paper.[28]The first widely used method of color photography was the Autochrome plate, commercially introduced in 1907. If the individual filter elements were small enough, the three primary colors would blend together in the eye and produce the same additive color synthesis as the filtered projection of three separate photographs. Autochrome plates had an integral mosaic filter layer composed of millions of dyed potato starch grains. Reversal processing was used to develop each plate into a transparent positive that could be viewed directly or projected with an ordinary projector. The mosaic filter layer absorbed about 90 percent of the light passing through, so a long exposure was required and a bright projection or viewing light was desirable.
Competing screen plate products soon appeared and film-based versions were eventually made.
A complex processing operation produced complementary cyan, magenta and yellow dye images in those layers, resulting in a subtractive color image.
Kirsch at the National Institute of Standards and Technology developed a binary digital version of an existing technology, the wirephoto drum scanner, so that alphanumeric characters, diagrams, photographs and other graphics could be transferred into digital computer memory. The lab was working on the Picturephone and on the development of semiconductor bubble memory. The essence of the design was the ability to transfer charge along the surface of a semiconductor. Michael Tompsett from Bell Labs however, who discovered that the CCD could be used as an imaging sensor.



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