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For the young cineaste, attending your first midnight movie is a rite of passage that’s as important as your first kiss.
David Lynch’s first feature-length film opened to 25 people back in 1977, but the movie gained in popularity through midnight screenings. Alejandro Jodorowsky’s 1970 acid-Western El Topo is considered one of the progenitors of the midnight movie, thanks to its surreal visuals and bizarre characters (including people with real deformities). Pink Flamingos is the gateway to John Waters’ cult aesthetic and pro-trash style, offering audiences the right kind of camp and quotables for midnight madness. Chester Novell Turner directed only two films, but found cult status amongst VHS acolytes with this insane, essential movie about a perverted ventriloquist’s dummy. A movie brought to light by fans who embraced it as a camp classic and saw the film’s hokey alarmism as hysterical. Arthur Penn’s 1969 film was embraced by audiences who wryly acknowledged the wistful passing of the counterculture in its own time. Walter Hill’s rowdy 1979 cult hit mythologized New York City as a great melting pot of violence and mayhem in a way only previously imagined in comic books.
The 1982 musical movie became a focal point for the album, giving the fans something to rally around — encapsulating feelings of alienation, which midnight movie freaks can relate to.
Gerald Potterton’s 1981 adult animated movie became a great showcase for underground comic artists. A film for those who felt doomed to be misunderstood and one that empathizes with the outcasts, Easy Rider got a lot of fist pumps at midnight screenings from marijuana-cloaked misfits. Ed Wood’s odd retro artifact throws Bela Lugosi (a posthumous billing), Vampira, and Lyle Talbot in a blender, and makes it work. An endurance test for even the bravest of horror fans, Cannibal Holocaust‘s midnight allure centered on its reputation as one of the banned and censored video nasties, featuring real animal deaths and shocks galore. 2001 is a trip movie, but it’s also a movie that seems to offer something different every time you see it — at least until we all venture to space or become gods, and the unexplained becomes obvious. Ralph Bakshi’s 1972 film makes fun of everyone — from pseudo-counterculture rebels to members of the establishment.
A pervy Sesame Street — eccentric, exploitive, and surreal — Peter Jackson’s second film is a loud and proud button-pusher that appeals to fans of low humor and high satire. A heady time capsule that doesn’t get enough credit for its odd comedy and is favored for its fashion and narrative about the appropriation of culture, Liquid Sky was a chance for midnight audiences to embrace the semiotics of punk — but wash it off the next day. An example of just how wild Hong Kong movie moguls the Shaw brothers could be, Boxer’s Omen is about a spiritual journey that also features bat-demons, technicolor blood and vomit, and makeup effects that any horror die-hard would love. Dirty fun and an important entry in blaxploitation cinema, Shaft‘s macho charm and pulpy action — starring a hero who people still root for — stands above the usual trappings and cheesy stereotypes. You don’t have to be a fan of silent film to appreciate Nosferatu, which is an instant ticker-seller thanks to our current familiarity with Dracula.
Andy Warhol, Paul Morrissey, Joe Dallesandro, Udo Kier — a recipe for a sexy, funny, rude midnight classic. Gender-bending shocks, unsettling black comedy, and a Mick Jagger-fronted manifesto for the fluidity of sexuality.


A Pink Floyd soundtrack helped draw midnighters, but Michelangelo Antonioni’s film is also high on the feels, practically exploding with frustration. Since the ’70s, the kinky Ilsa film series has carried a great taboo — which is rare in the era of Internet pornography.
You either love Showgirls for its bizarre melodrama, sleazy humor, and dolphin-inspired sex scene, or you hate it.
Director Russ Meyer was fascinated with aggressive, buxom women who could trash talk with the best of them, but still manage to be soft and sweet (to get what they wanted).
The product of a major studio trying to put its finger on the pulse of a younger generation but not quite sure what excites them, Valley of the Dolls tries to exploit its own audience — and fails hilariously.
This is the kind of movie you want to see with a midnight audience, though you might have trouble hearing the threadbare dialogue over the laughter. An enduring rude-boy narrative with a likable protagonist (Jimmy Cliff), The Harder They Come was an influential film that helped spread the gospel of reggae to audiences far and wide. A silent fantasy about the history of black magic and superstition that indulges viewers’ visions of devil worship and witchcraft in evocative, dramatized scenes that were heavily censored and exploited. A loving spoof of B-movies that squeals with glee right from the title, Attack of the Killer Tomatoes! Midnight audiences love a raunchy musical — and Robin Hardy’s 1973 film has the right tunes and more. Kesha’s Billboard Awards Cancellation Suggests the Musician Is Still Very Much at the Mercy of Dr.
Midnight screenings inspire rabid devotees, because they invite fans to participate in communal antics (think Rocky Horror) and indulge that giddy feeling when experiencing something shocking or strange on an intimate scale.
Starring real-life carnival sideshow performers with real deformities, Freaks was a cabinet of curiosities for the average moviegoer. Shortly after its release, Rocky Horror was adopted by audiences at late-night screenings, who attended shows dressed as the film’s outrageous characters (Tim Curry at his most fabulous) and talked back to the screen, interacting with all the campy goings-on. There was an aura of mystery around Eraserhead‘s production that was very attractive to audiences — something Lynch has maintained with almost every film he’s released since then. Before finding American distribution, the show was a regular hit with midnight audiences looking for a late-night head trip. Romero’s nihilistic 1968 zombie opus made re-watching movies a ritual — its fan base rabid and its influence vast. The company helped restore the movie, making a strong case for the preservation of porn and exploitation cinema as art. The movie succeeded on midnight screens in large part due to the fans’ love, but also a myth that the director had been tragically killed.
Sam Raimi’s 1981 horror-comedy contained enough gross-out humor to fill theater seats.
It revels in stoner-friendly fantasies of empowerment — and gave audiences T & A, ray guns, and swords.
It was a rumored real-life snuff film, which found director Ruggero Deodato arrested on obscenity charges — also adding to its midnight appeal.
A great head-scratcher, Boxer’s Omen is an eternal midnight favorite for Asian cinema fans.


The expressionist classic’s dated qualities only add to its surreality and continuing mystique. Complementary images of disaffected youth and the film’s famous climax made Zabriskie Point a must-see. Effectively sexy, terrifying, and crude, Ilsa explores and embraces its titillating concept — and it became a cathartic experience for viewers willing to give in to evil for 96 minutes, only because they knew it would be destroyed in the end. The film’s strength and cult appeal is in its twisted archetypes and suggestive power.
The Toxic Avenger is marketable enough for an average midnight crowd, but the film (and the company) has its own fan base, making late-show screenings a truly communal experience.
Gloriously tone-deaf and totally mind-boggling, Troll 2 is worthy of midnight movie worship and has gusto to spare. Amateurish enough for the underground crowd, queasily funny enough for everyone else at midnight, Blood Feast boasted more publicity stunts than a Hollywood ingenue (and sent you home with your own vomit bag).
Before Hot Topic was selling Lovecraftian goods to mall zombies, fans of the author were at the theater to see Gordon’s film for their midnight fix. Wicker Man is a folk ballad, a whodunnit, and a horror film, wrapped in a story where the counterculture prevails over the conservative interloper.
It’s a bonding experience that unites outsiders, offers a venue for discovery, and encourages audiences to let their hair down. Theaters took note of the response to Rocky Horror‘s sweet transvestites from Transsexual, Transylvania and encouraged midnight attendance by offering prizes and freebies. Lynch’s experimental approach brought art-film aficionados and cult-movie weirdos together in one movie house. Beatles manager Allen Klein purchased the movie (at the encouragement of John Lennon), helping El Topo find a larger audience — and the film continues to play the midnight circuit at theaters like Manhattan’s IFC Center.
Cult film freaks looking for the next big thing wanted to watch the great Divine eat dog feces — and live to tell all their friends about it the next day. Of course Ken Russell’s 1980 science fiction-tinged film became a midnight trip-movie classic. Movies simply aren’t made this way anymore — and audiences love to bask in its magic during the midnight hour. Made during a state a censorship limbo, the 1978 rape-and-revenge movie promoted a place of empowerment, but drew horror audiences for its gross and conflicted violence and thrills. The film’s pagan themes drew curious audiences who were shocked by its conclusion, realizing they had been rooting for the wrong person the whole time.
Midnight showings can elevate a movie to cult status, but not all cult movies are midnight favorites.
The grrrl power is on the superficial side, but has inspired women, regardless, to do whatever the hell they please.
Here are 50 of the greatest midnight movies that have that certain je ne sais quoi — the ones we’d happily stay up all night to watch.



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