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The holidays are behind us, 2015 is a memory, and a brand new year lies ahead — and for a lot of us, that means drawing up a list of resolutions that we all know we’ll probably end up breaking before St.
For most of us, unwittingly gulping down a roofie is the biggest danger we face when accepting drinks from a stranger in a strange place.
A blistering non-fiction takedown of empty calories and corporate agriculture might not be the first place most people would look when hunting for books to adapt for the big screen, but Richard Linklater isn’t like most directors. Rodney Dangerfield’s schlubby humor and salt-of-the-earth persona made him the perfect fit for Back to School, starring the respect-deficient comedian as a self-made millionaire who, needing a distraction from his latest philandering trophy wife, decides to head back to college as a way of bettering himself while reconnecting with his uptight son (Keith Gordon). No matter how many degrees you have, moving up the corporate ladder often comes down to who you know. Atkins, Paleo, South Beach… there’s a diet for every week of the year, but for sheer effectiveness, none of them can hope to match the pound-shedding power of a gypsy curse.
With the possible exception of Lewis Black on a good night, it’s hard to like anybody when they’re angry.
Nothing’s more important than family, but sometimes it’s hard for us to see that until it’s almost too late. Vacations are always fun in theory, but it’s very rare that every member of the family is equally on board with whatever the person planning the trip has in store — especially if said planner is an arrogant-yet-well-meaning dunderhead like Clark Griswold (Chevy Chase), who miscalculates basically every possible preparation for the family trip to Wally World in National Lampoon’s Vacation.
With its rousing, old-fashioned tone, this fact-based epic is properly thrilling and inspirational, a tale of heroism that almost seems too good to be true.
It's 1952 and a routine shipment is being undertaken by the crew of an oil tanker travelling along the coast of Cape Cod. 2016 spec BMW 1000rr has morphed into an angry, character filled beast, far more so than 1st model. For the fourth go-round of Transformers, I’ll admit adrenaline driven uber-director Michael Bay manages to get an awful lot right, most importantly the tone of the film. With an all new cast of humans, Age of Extinction picks up five years after the battle of Chicago, as seen in the visceral 45-minute climax of 2011’s Dark of the Moon. In a nod to the ’80s mythology, old school Transformers G1 fans will appreciate seeing Optimus Prime laying dying and dormant in the form of his Freightliner cab-over-engine semi-truck model.
Prime is also the target of  bad ass intergalactic bounty hunter called Lockdown, who wants to bring him back to his ancient creators. While the film has eliminated the taxing sophomoric humor that plagued the first three installments, Bay again proves to be his own worst enemy with the deadly one-two punch casting of his wooden Pain & Gain star Wahlberg along with Reynor. The thick sci-fi element is the driving force of the film, while the forgettable heroic humans just slow things down. It goes without saying there is no shortage of the Bayhem we are paying to see here in IMAX 3D.
In this week's Total Recall, we take a look at some films that correspond with the most popular resolutions.
But for recovering alcoholic Jack Torrance (Jack Nicholson), his decision to fall off the wagon in The Shining means striking up a deadly bargain with the malevolent spirits that really run the spooky old hotel he’s been tasked with looking after over a bitter Colorado winter.
Sadly, many critics felt Linklater’s ensemble-driven take on Eric Schlosser’s Fast Food Nation failed to turn the book’s passionate argument against mass-produced meals into a compelling movie — although for an equal number of scribes, the powerful performances delivered by the impressive cast (which included Bruce Willis, Luis Guzman, and Patricia Arquette) made up for any narrative gaps. While it presents roughly the same cartoonishly unrealistic picture of campus life as any other 1980s college comedy, School has a sweet core lacking from most of the decade’s T&A-fueled romps, and it benefits greatly from charismatic performances by Dangerfield and a young Robert Downey, Jr. At least, that’s what we learn in Thinner, director Tom Holland’s rather misguided adaptation of the gripping Stephen King story about a slovenly lawyer (Robert John Burke) who picks the wrong old lady to run over and ends up losing weight at an alarming rate. Bruce Banner, however, takes this maxim to ridiculous green extremes — and while neither of his solo big-screen outings have come close to maximizing the potential of his counterpart on the printed page, Banner’s rampaging alter ego came tantalizingly close to cinematic glory in 2008’s The Incredible Hulk, starring Edward Norton as the hunted scientist who morphs into an indestructible beast whenever he gets a little too ticked off. Jeff Bailey (Robert Mitchum) has a cigarette in hand just about every time he’s on the screen — but it makes puffing tobacco look like such a stone cold cool habit that a viewer can pretty much inhale the vice’s visceral pleasures just by watching Out of the Past. For example, take Max Dugan (Jason Robards), whose decades of estrangement with his daughter (Marsha Mason) come to a sudden end when he shows up on her doorstep to right old wrongs and start a relationship with his grandson (Matthew Broderick) — and share the bitter news of his impending death.

From getting saddled with a lemon of a car to refusing to ask for directions, Clark makes plenty of mistakes — and when he isn’t messing things up on his own, he’s beset with annoying family members (like Randy Quaid’s legendary Cousin Eddie) who do it for him. And in an interview with British newspaper The Metro, Eric, 47, revealed life on set certainly had its high and low points.While the Australian actor, born to Croatian-German parents, enjoyed working with Ricky, he didn't much love being subjected to Ricky's musical attempts through the paper thin wall of a very small trailer.
But it's the astonishing story of a real sea rescue carried out by ordinary men who rose to the challenge.
However, little did they know of a disastrous oncoming storm that would brutally attack New England like never before. Needless to say, mankind ain’t the biggest fans of the giant alien robots any longer, despite a former alliance with the good guy Autobots. He is rescued and repaired by Cade Jaeger (Mark Wahlberg), a broke widowed Texas junk junkie and failed inventor who works out of his barn. Add on another sinister plot point courtesy of  Joshua Joyce (Stanley Tucci), CEO of the tech conglomerate Kinetic Solutions Incorporated (KSI) that has cracked the metallic genetic code of the alien robots, and can create their own army of Transformers once they obtain a vital internal part from Prime. What has to do directly with the robots is actually better than the plot of the last two films. Nobody expects Shakespeare, but their pained delivery of at times pained dialogue is far from engaging. Prime and Bumblebee get upgrades (and new toy designs!) as well as impressive evil dopplegangers. Explosions, CGI bombast, impossible somersault camera movements and actors running through giant balls of fire that must have exponentially raised their insurance premiums. By movie number four, it doesn’t bring the wow factor despite its new cast and best reboot-esque intentions. Here you can find some new design about The Secret Life of Walter Mitty (2013) Movie for your current screen resolution. In the spirit of the New Year, we’ve decided to round up a list of movies that correspond with some of the most popular resolutions. Next thing you know, ol’ Jack’s chasing after Shelley Duvall with an axe and wandering through the world’s freakiest topiary — food for thought the next time you think about ordering that extra drink. Fox) discovers early in The Secret of My Success, your family connections might not be good for much more than a gig in the mailroom — unless you opt for the non-traditional approach and invent a new employee who rocks the boardroom in spite of the fact that he doesn’t technically exist. Packed with action and ripe with subtext, the 2008 Hulk tried to split the difference between portraying a man desperately trying to manage his anger and allowing audiences the simple joy of watching him give in to it all and break stuff. In fact, no less an authority than Roger Ebert deemed it one of the all-time greatest smoking movies; as he put it, “There is a lot of smoking in all noirs, even the modern ones, because it goes with the territory. Boasting a screenplay by Neil Simon and typically light-fingered direction from Herbert Ross, Max Dugan Returns entranced critics like Janet Maslin, who wrote for the New York Times, “There are certainly some questionable ingredients to the story, but you’re not likely to notice them while the film is under way. The final act descends into lunacy, but underneath it all is a frantic desperation for an unattainable ideal that lies at the dark, splintered heart of any vacation gone wrong.
It's also expertly directed by Craig Gillespie (Million Dollar Arm) to bring out subtle character detail amid the exhilarating action.The events took place in a sleepy Massachusetts fishing town in the dead of winter 1952, where Bernie (Chris Pine) is an earnest Coast Guard sailor who has just agreed to marry his strong-willed sweetheart Miriam (Holliday Grainger). As bad luck would have it, the crew on board the vessel find their tanker suddenly ripped in half by the hurricane and they are forced to await the Coast Guard for rescue unable to move from their sinking boat. Not all movies, especially summer fare, need be dissected beat for beat with a film school scalpel.
Turns out the Autobot leader is in high demand and is tracked down for extermination by a CIA Black Ops Unit headed by Harold Attinger (Kelsey  Grammar), who is hell bent on ridding Earth of all Transformers, good and evil.
The globe trotting story takes us from huge attack sequences in Texas, to another round of destruction for Chicago, then over to Hong Kong for the expected over the top finale.
However, on the opposite side of the Actors Studio report card, Kelsey Grammar, Stanley Tucci and Titus Welliver bring far more of their A game than you’d expect in a Transformers film.
Bay would be hard pressed to top his Dark of the Moon finale, and while he is up to usual tricks, he does not out-Bay himself this time around. Despite its over indulgent length, it still moves along better than the worst of the lot that was 2009’s Revenge of the Fallen.

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Then one night a fierce storm breaks an oil tanker in half just off the coast, and Bernie is sent by his aloof commander Daniel (Eric Bana) to lead a rescue mission.
30 men are trapped, not knowing whether anyone was coming to rescue them, not knowing whether or not this was their last night on Earth. Bay has never been one to please the critics, and through the Transformers series, he has consistently delivered loud popcorn pleasure (though the two subsequent sequels had their fair share of highs and lows).
Cade and his daughter Tessa get roped into the action and become fugitives once Prime eludes his hunters and assembles his team of robot comrades.
This concerns the nagging triangle of Cade, Tessa (Nicola Peltz) and her Irish race car driver boyfriend Shane Dyson (Jack Reynor). It’s a shame there is such an imbalance among the human cast, where the villains are far more entertaining than the heroes. The collected squad Autobots, all in distinct colors, looks and feels closest to the source material. But here the Lamborghini and Bughatti logos have been visibly worked into the robot forms of Lockdown and Drift. ILM’s CGI work and sound design are jaw dropping per his high tech standards, but surprisingly the 3D added less to the experience than I had anticipated.
While pretty awesome when they are finally unleashed as legendary immense ancient warriors, it seems that beyond adding sheer third act brawn, the film doesn’t quite know what else to really do with them. There are many missed opportunities that could have taken the series to the next level,  but a new version of the same model will by no means keep the moviegoing masses away from theaters. Don't miss to check all from this kind of lovely popular desktop background by viewing the similar high definition wallpapers design below. He takes his colleague Richard (Ben Foster) and two young crewmen (Kyle Gallner and John Magaro) with him, heading into the dangerous sea swells. After all, it would be a suicide mission for any lifeboat to attempt a rescue in these conditions, but that's exactly what happens. In their vehicle form, all gorgeous streamlined dream cars, the robots in disguise have never looked better on the road. Unfortunately my screening venue didn’t pump the projector bulbs with the extra juice necessary for a proper vivid 3D picture, so it was often muddy and at least a stop too dark. Overall Michael Bay brings the expected excessive, intense and mind numbing explosive tricks that summer event movies are meant to have in earnest. Meanwhile on the tanker's still-floating stern section, engineer Ray (Casey Affleck) becomes the leader of a cantankerous 32-man crew, steering the wreckage toward the relative safety of a shoal. The devious Lockdown thankfully blows open the whole mythology beyond just  the Transformers and their home planet of Cybertron, and serves as the catalyst for Transformers 5 (minus Bay as director) set for 2016. And in these conditions, the odds are in nobody's favour.Unusually, despite pitch-black conditions with driving rain and swelling seas, the on-screen action is crisp and clear. Gillespie uses vivid effects and clever camerawork to keep the audience right in the thick of things, conveying a vivid sense of scale while detailing the connections between each string of events. And because we understand what's happening and who these people are, the set-pieces are literally breathtaking. This is partially due to the fact that these are normal people who are very easy to identify with, from Pine's inarticulate but tenacious sailor to Affleck's reluctant natural leader.

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