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The Secret Place has its own special niche in the realm of christian music, capturing a sound that is creatively fresh and unique. These songs reach for the heart of God, and capture the highs and lows of life's experiences in this eternal quest. To receive updates and our podcast delivered directly to your inbox, join our newsletter: Musical Manna. This beautiful greeting card includes the heart-touching song, You Need to Remember on cd and is now available at our online store. Teresa Thomas' new album Upon Your Shore is now available for download at our online store.
The Secret Place captures a fresh sound in worship that goes beyond the external and touches deep into the heart of the worshipper.
For a unique experience in prayer and intimacy in worship, discover our soaking prayer worship music! Our website contains many interesting christian articles and sermons covering a wide range of subjects. We have made available a collection of our songs for you to listen to on our online christian radio page. Go on a live spontaneous prophetic worship journey and experience some of these unique praise and worship songs.
Learn more about the history and background of your favourite songs from The Secret Place in the song notes section of our website. The song of the Lord is a spontaneous, prophetic utterance in song whose composition is attributed to the inspiration of the Holy spirit. The Song of the Lord is a spiritual song directed primarily to God's people as the singer becomes a channel for the Lord to convey a message in song. The Song of the Lord is often a prophetic song which may warn, instruct in the Spirit, or even sometimes give direction to the local body of Christ. The Song of the Lord also serves to bring comfort to those that are bereaved or in times of great troubling in their lives.
Everyone should exercise faith that the Lord will use him to bear a message in song to God’s people. There are times when we must sing the Song of Praise and the Song of the Lord by faith and not allow our feelings to govern us (Hebrews 11:6). As one is sensitive in the Spirit to other people’s needs and burdens, he should expect the Lord by faith to give him a song to minister to that need.
Many years ago a friend of mine suggested that I ought to learn this song because he thought it would be a good song for me add to my repertoire. The theme of the song is inspired by the words of Jesus in the Gospel of Matthew in the Bible, as referenced by Mrs. As a lightning bolt of illumination splits the sky, a thunderclap of enlightenment follows.
Somewhere around 1999 or the early 2000s I went with a group of co-workers to an early show at the now-defunct, sorely-missed Manhattan nightclub, The Bottom Line. In an effort to pin down the exact date of the show, I checked the "Timelinea€? on the Bottom Line website that lists the performers for each show. Although he couldna€™t answer my question (a€?There were so many appearances!a€?), he was eager to weigh in with his own recollections and praise. Later, her father graduated from Rutgers University and began teaching in the New Jersey public school system. At nine years old, Janis heard Odetta for the first time on a Harry Belafonte television show. In junior high, shea€™d go to Greenwich Village, meeting with others from camp, to stand around the fountain in Washington Square Park and sing. Her father subscribed to Broadside Magazine which published songs by people like Bob Dylan and Buffy Sainte-Marie. Her recording career got its rocket-propelled start after she wrote a€?Societya€™s Child (Baby, Ia€™ve Been Thinking)a€? based on her observation of an interracial couple. The psychological battering from pressure to constantly write, tour and record, and the disintegration of her family took its toll.
While we cannot be sure that poem was written exactly during that time, it seems to capture her frame of mind. She played a tough weeklong gig in California, but realized that the weather and atmosphere was what she needed. The album Stars (1974) was followed by her biggest success, Between the Lines (1975) which contained the song a€?At Seventeen,a€? another revealing tract that cut so deep, she was initially afraid to play it to audiences. In 1982, feeling depleted, Janis walked away from a multi-million-dollar record deal with Columbia which had three more albums contracted.
In 1986, her new publisher MCA suggested that Janis work with Nashville writers to improve the marketability of her songs.
The years of being a workaholic caught up with her and she became ill with Chronic Fatigue Syndrome (CFS).
As she finally regained the upper ground in her battle with CFS, Patricia Snyder came into her life, bringing her physical and emotional comfort. The initial album coming out of this period, Breaking Silence, would be her first in ten years. The book describes in detail the relationships Janis has had, over the years, with both men and women. Janis had been approached by the gay-oriented magazine, The Advocate to write a monthly column for them.
After her moma€™s death, to honor her, Janis established Pearla€™s Foundation, a scholarship fund to help people in their efforts to seek higher education, Her mother had forged ahead and graduated from Goddard College, in spite of her illness, fulfilling a lifelong dream.
Janisa€™s most recent albums, God and the FBI (2000), Billiea€™s Bones (2004) and Folk is the New Black (2006) show that her writing is still razor-sharp.
Those of us who have been fortunate to stand face to face with Janis will never forget the steady gaze behind which sits one of the formidable minds of our generation.
I was shocked to discover how little I actually knew about Janis Ian.A  It wasna€™t until I picked up a copy of her autobiography, Societya€™s Child, that I understood the full depth of Janisa€™s connection to folk music. The FBI would shape her early life.A  Her family was already being scrutinized before she was born. The book describes in detail the relationships Janis has had, over the years, with both men and women.A  What was horrific about most of Janisa€™s earlier relationships was the amount of betrayal her partners displayed. With an emphasis on intimacy and prayer, these worship songs are sure to capture your heart, and leave you with an enduring sense of His presence, and a hunger for more.
Your email address is kept strictly confidential and is not shared with any other person or company for any other purpose. The music is perfectly suited for your own personal devotion and soaking times with the Lord, as it creates a peaceful atmosphere for an encounter with Him.


Many of the songs are raw, live worship recordings that capture the spontaneous, prophetic song of the Lord. Download for free all the piano sheet music, guitar chords, tabs and song lyrics for some of our most popular worship choruses - completely free!
It is often released as part of a corporate expression of prophetic worship or spontaneous worship. As prophecy in song, the hearer bears the responsibility to heed the word of the Lord and be a doer of that word.
Many times the Song of the Lord serves to lift our spirits unto God and encourages us in Him. The Comforter, the Holy Spirit, stirs a Song of the Lord in a human vessel to sing the soothing, comforting word which is as a healing balm to those who are suffering.
The disciplined, mature Christian will not allow his feelings to control him, but will cause his spirit by faith to control his feelings. This should not be a sensitivity which stems because of something you have a personal vendetta about or a need you have already noticed in the congregation. If this is not the case, our failure in this area personally will hinder the thrust of the message.
Although today it is a staple of African-American worship services, the song was originally written in 1905 by two white songwriters, lyricist Civilla D. Lured by a bill that included Tom Paxton and Janis Ian, we knew we were in for an evening of top-notch folk music. She took center stage and began playing fingerstyle guitar with an almost impossibly pristine sound.
I know that earlier in my life -- through my 20s possibly into my 50s, I viewed her as a pop artist with a social conscience.
A precocious toddler, Janis writes that her father used to say, a€?Janis started talking at seven months and never stopped.a€? At two-and-a-half years old, she persuaded her father, also a master music teacher, to give her piano lessons. The FBI would contact each school administration every two years when hea€™d be up for tenure. With her fathera€™s guitar perched on her lap in the back of the family station wagon, she played it for them.
Janis made a lead sheet like those in the magazine, added the melody, chords and lyrics, put her name and phone number on the page and submitted a€?Hair of Spun Gold.a€? Two months later, her father got a call from the editors. Janis took guitar lessons with the Reverend Gary Davis, and after the lessons morphed into social occasions, began hanging out with him. She played regularly after that, which got her noticed and led to a meeting with legendary producer a€?Shadowa€? Morton.
Chapters dealing with their separation and divorce and Janisa€™s emotional upheaval are particularly sad. All the Seasons of Your Mind (1967) sold enough to make the national charts, but followup albums, The Secret Life of J.
Harrowing passages describe how a diligent psychotherapist there, Gerry Weiss, pulled her back from near death and personally nursed her back to health. It was provoked partly by a critic referring to her, still a teenager, as a a€?washed-up has-been.a€? It was also partly inspired when she heard Don McLeana€™s a€?Vincenta€? for the first time. She needed to get off the merry-go-round to explore other areas of life, to regenerate her resources.
She had talent and wrote deep songs but Nashville writers had the craft to make them more commercial. After she declared her homosexuality, he stood by her and issued an authoritative warning to anyone who might give her trouble: a€?Dona€™t mess with hera€¦a€? He would bolster her confidence in her guitar playing, stressing her individuality. Tragically, her mother, Pearl, had become ill with Multiple Sclerosis and would decline over a 20-year span. She refused, saying a€?I dona€™t write prose,a€? but Pat and an editor provided the idea that Janis would poke holes in the stuffiness of its image and that concept sealed the deal. Janisa€™s father owned every copy of The Magazine of Fantasy & Science Fiction ever printed. Janisa€™s stint as a columnist for Performing Songwriter plumbed her depth of knowledge of the music business. An initial auction of Janisa€™s own personal effects, held on the internet, brought in a total of $66,000. I also became aware of the route by which she developed her sense of social justice, and the emotional, physical and financial hurdles she has overcome. Her father, then a chicken farmer, was inexplicably picked up by FBI agents after attending a meeting about the price of eggs. Her marriage to her husband descended into physical abuse, psychotic behavior and Janisa€™s near-murder at his hands. Draw aside, and allow these prayerful, intimate songs to carry you into the secret place of His presence.
These moments of deep worship are not for the casual listener, but for those who are hungry for music that provides a platform for worshipping in spirit and in truth.
It is our prayer that as you read our unique christian articles you will develop a love for His Presence and your heart will be turned to Him. These intimate expressions of passionate worship are perfect for your own restful quiet time with the Lord. These spontaneous prophetic songs are a soothing, gentle reminder that our hearts were made for the presence of God. The style of the song is not the essential element but rather the message is the significant factor as the Bridegroom, Christ, sings to His bride, the church. It may even include the sense sometimes of foretelling, but this would be infrequent and should come from mature ministry. One who has never ministered in spiritual songs might first begin with singing a Song of Praise before attempting the Song of the Lord.
As we study His Word, this same breath of God begins to quicken our spirits from its pages.
When the Holy Spirit quickens a particular burden to a spiritually sensitive heart, the Lord will give a song for that need in the body of Christ. Also the person should consider that the burden is probably the dealing of God with him to change in this area of his own life. Unfortunately, my friend, Peter Bovell, is no longer with us, but I'm still thankful to him for suggesting it. He sounded amused as he recounted the reactions of colleagues when they discovered how well Janis played guitar. My longest-standing memory was (and still is) the way I would get choked up listening to a€?At Seventeen,a€? especially during the ache-filled refrain, a€?a€¦who call to say, come dance with mea€¦a€? Ahh, yesa€¦ Ia€™d had my share of a€?wallflowera€? years and there were more than a few missed dances. It ended a year later because, at three, she was already getting into arguments with him over interpretations and fingering.


In kindergarten she objected to learning her a€?ABCa€™sa€? because she already knew how to read. Theya€™d see interracial and gay couples while being totally ignored by adults -- a completely opposite atmosphere from conservative New Jersey. She did one more album, Uncle Wonderful (1983) with an Australian publisher, then walked away from the music business. She discovered that her a€?accountanta€? (a bookkeeper without a proper CPA) had embezzled her money and falsely represented her income tax payments. She teamed with accomplished songwriter Kye Fleming both creatively and romantically and found some success and some brief happiness. At the time of the printing of her autobiography, $300,000 had been raised.This preceded, but could have functioned as a road map for eBay. Hunger (1997), completed after a difficult studio experience and filled with glittering gems from start to finish, has become a personal favorite of mine.
Janis has finally found happiness in a stable 20-year relationship, a testament to her resilience and intelligence.
The music is perfect for creating a soft, relaxing atmosphere for your own encounter time with Jesus. Also, as we store God’s Word in our hearts, the Holy Spirit will at times quicken things which we have studied from His Word to minister a challenge to the people.
Then, Gary insisted that Janis open for him at a Gaslight Cafe gig and the owner reluctantly agreed after Gary threatened to walk out. Shadow disagreed with her a€?Baby, Ia€™ve Been Thinkinga€? title, so when her first record came out, it became a€?Societya€™s Child,a€? with the prior title in parentheses. Although it brought a halt to her relationship with Peter, they remain friends to this day.
The albums Aftertones (1975), Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed. Janis found it liberating to study in areas, such as ballet, where she had no innate ability. She attended her first Worldcon, the largest gathering of science fiction writers and fans, at the prodding of two of her heroes in the genre, Mike Resnick and Anne McCaffrey. Her article on a€?The ABCs of being the Boss,a€? geared toward musicians, contains a wealth of helpful information for anyone in a supervisory capacity. The agents would hang around, always recognizable in their black suits and ties, even in the heat of August. The albums Aftertones (1975),A  Miracle Row (1978), Night Rains (1979), and Restless Eyes (1981) followed. The song is most associated with actress-singer Ethel Waters who used the title for her autobiography.
After her mom had a talk with the principal, Janis was allowed to read while the rest of the class did their drills. She practiced, listening to all the records in her parentsa€™ collection, plus some borrowed from family members. A huge success in Japan, she became an iconic star and was (and still is) treated like royalty there. She also studied acting under Stella Adler, who became a close friend and mentor until Stellaa€™s death in 1992.
An avaricious IRS agent appropriately named Granite seemed to take sadistic pleasure in erecting barriers to Janisa€™s attaining any kind of solvency, despite her complete cooperation.
After the relationship ended, although Kye, a Nashville native felt awkward, Janis felt that Nashville had become a€?home,a€? and decided to move there permanently. They pushed her to involve a number of other authors to contribute to Stars, a compilation book of short stories based on her songs.
Also available is the article Janis wrote for Performing Songwriter, on the free downloading phenomenon, a€?The Internet Debacle.a€? When she reported that downloading actually increased sales, not the opposite, as the record industry had charged, she was called a traitor. She practiced,A  listening to all the records in her parentsa€™ collection, plus some borrowed from family members. Peter became her love, her rock, an oasis inside of the whirlwind.A  On the music trail, she became friends with stars such as Janis Joplin and Jimi Hendrix, who tried to protect her from drugs, but the proximity led to some experimentation.
A local librarian helped Janis a€?retain her sanitya€? by allowing her to take out more books than the usual allotment and picked out more advanced works for her to read.
At the Village Gate, she played alongside some of her heroes (sitting between Tom Paxton and Len Chandler) and, after each song, she got a standing ovation. Although she still wrote, and had songs covered by others, she issued no recordings for around 10 years.
After sixteen years, the magazine has just ended its publication, but for eight years, Janis imparted her wisdom to the songwriter community.
She started making some of her songs available as free downloads and watched her sales shoot up. Her husband was an incurable cripple who had to propel himself to and from his business in a wheel chair. In school, her fellow students at the High School for Performing Music and Art were respectful.
Despite their afflictions, they lived happy Christian lives, bringing inspiration and comfort to all who knew them. We sat there slack-jawed as Janis unleashed a barrage of guitar histrionics that crossed a line -- to borrow a phrase from Star Trek -- where no folkie has ever gone before. Once a week, past her bedtime, shea€™d secretly listen to a folk show out of Newark at 10pm, a towel stuffed under the door to avoid being heard. In the first tale, a€?Come Dance With Me,a€? Janis herself makes a thinly veiled appearance.
One day while we were visiting with the Doolittles, my husband commented on their bright hopefulness and asked them for the secret of it. Jealous of her success, they penalized her for absences resulting from performing, even though she got good grades on tests. Janisa€™s own story, a€?Second Person Unmasked,a€? not unsurprisingly deals with a shifting sexuality and the issue of powerlessness. Asked in a later interview if she had any regrets, she replied, a€?Not for an eighth of a second.a€? She always knew there was no place for a person like her in the American school system.



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