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Vatican's chief exorcist has claimed that practicing yoga and reading 'Harry Potter' brings evil. As collectors, dealers, and curators across the world make plans to attend the Spring 1999 a€?Asia Weeka€? in New York, they will notice that for the first time in recent memory neither Sothebya€™s nor Christiea€™s has scheduled a specialized auction of Chinese paintings. In my former position as Director of the Chinese Painting Department at Sothebya€™s I devoted much time and energy and more than a decade of my life to establish and maintain New York as a major center of the international Chinese painting market.
I remember clearly the first time I set foot in the old Sotheby Parke Bernet on Madison Avenue.
The sale was held on November 2, 1979 and was a watershed event for the market for Chinese paintings in America, as well as the beginning of my career as a Chinese art dealer. With the support of James Lally, then head of the Chinese Works of Art Department, we introduced a full range of Chinese paintings and calligraphy, including purely decorative works, modern and contemporary paintings, as well as pre-modern Chinese paintings, to a small but enthusiastic American audience, and in doing so helped to establish a legitimate price structure for individual artists and for the various types of anonymous Chinese paintings. In May 1980, Sothebya€™s Hong Kong held its first sale of modern Chinese paintings, with Paula taking responsibility for the offerings. The decade of the 1980s saw the market for Chinese paintings increase exponentially due to a confluence of a number of factors.
In order to accommodate regional tastes, both Sothebya€™s and Christiea€™s adopted, for the most part, the strategy of offering the best 19th and 20th century Chinese paintings in Hong Kong while holding sales of Song, Yuan, Ming and Qing dynasty paintings in New York.
The most rewarding aspect of working at one of the major auction houses, at least from the standpoint of an expert department, is the ability to discover and make available to the public previously unknown or little-known works of art. Readera€™s Digest has recently been the subject of many art columns because of the highly successful auction held at Sothebya€™s featuring a significant portion of their corporate holdings of Modern and Contemporary paintings.
The international character of the Chinese paintings market encouraged a global approach to marketing, in which Hong Kong and New York auctions complemented rather than competed with one another. Another important work of Yuan dynasty calligraphy appeared in Sothebya€™s New York June 1985 auction of Fine Chinese Paintings.
The great majority of works bought and sold at auction are done so anonymously, particularly in a relatively new market such as Chinese paintings. The most exciting collection I ever worked on, however, was perhaps more interesting because of its owner than for its contents, although the collection did contain several masterpieces.
At this time Zhang Xueliang was technically still under house arrest but, as he had already outlived most of his detractors and he posed no threat to the government of the Republic of China, he led a fairly unfettered existence and was even permitted to visit friends and go out to dinner. By the time Zhang Xueliang was finally released from house arrest in 1988, many of his best paintings had already been sold through New York auctions, but he still retained in Taiwan a large number of paintings and calligraphy, including hundreds of fan paintings. The success of the Dingyuanzhai auction was the culmination of a trend which had begun in the mid-eighties--the dominance of Taiwanese buyers in the Chinese art market. Taiwanese buyers were not a factor in the sale of a 17th century masterpiece six months later at Sothebya€™s. The sale of the Wu Bin handscroll in December 1989, was clearly the highlight of my career at Sothebya€™s. There were many reasons why I resigned from my position at Sothebya€™s in October 1992, after turning down a significant promotion. In 1995 Christiea€™s began producing semi-annual sales of a€?Fine Classical Chinese Paintingsa€? in Hong Kong, based on the presumption that the majority of buyers were in Asia and that holding sales closer to home would allow Christiea€™s to take advantage of the a€?Pacific rima€? economic boom. Yet, in the six years that have passed since my resignation, both Sothebya€™s and Christiea€™s have held auctions in New York and they have continued to offer a number of excellent works. Nevertheless, there is no lack of interest for Chinese paintings in America, nor is there a lack of understanding and expertise. As we enter a new year that finds parts of Asia, including Hong Kong, in the midst of the regiona€™s biggest economic decline in decades, we may question the wisdom and timing of Sothebya€™s choice to put all its Chinese painting eggs in one Asian basket.
If you would like a printable version of this article in pdf format, please request one by email. Shadow Skeletons and New Realitiesa€“Guohua and Cultural Identity (Reprinted from Kaikodo Journal VI, October 1997, pp. As the dawn of a new millenium rapidly approaches, modern and contemporary Chinese art is receiving an unprecedented amount of attention throughout Asia and the West.
There is now a thriving art market for contemporary Chinese paintings, done in both traditional and Western styles. As we try to absorb this impressive flood of images and information about 20th century Chinese art we are suddenly encountering, and before we begin to assess the artistic and art-historical merits of these works of art, it is useful to present a brief outline of some of the major issues that have concerned Chinese artists during the last century and identify some of the stylistic trends that have shaped the context in which the art of this period was and is being created. During the past one hundred years the political, social, and economic systems of China have been transformed on an unprecedented scale. Kanga€™s views represented the prevailing attitude among progressive Chinese intellectuals who associated modernization with Westernization and Westernization with the development of science and technology.
Many artists chose not to abandon completely traditional Chinese painting but tried instead to make adjustments in subject matter or style in order to broaden its appeal and update its appearance, making it more responsive to the perceived needs of contemporary society.
Most critics, including Kang Youwei, advocated a synthesis of Western and Chinese art: a€?if we adhere to the old way without change, Chinese painting will become extinct. Kanga€™s approach was based on a formulation that he and the other a€?self-strengthenersa€? of the unsuccessful 1898 reform movement had advocated as a solution to most of Chinaa€™s ills.
During the first decades of this century, numbers of young painters took up Kanga€™s challenge in earnest. Although agreeing on the general premise that Chinese painting needed an infusion of Western artistic know-how in order to advance into the modern age, the three leaders of this Westernizing movement, Xu, Liu, and Lin, did not see eye-to-eye on much else.
The arguments among these three and their followers as to which foreign models to follow were as vehement as those waged by traditional painters about whether to imitate the Four Wangs (as did Wu Hufan and his students) or Shitao and Bada Shanren (as did Zhang Daqian and his followers). The decades of the 1920s and 1930s were a period of great creativity and artistic experimentation.
By the end of the 1930s the future of Chinese art looked promising, albeit somewhat confused. The politicization of all aspects of the processes of creating, exhibiting, publishing or otherwise disseminating art in the Peoplea€™s Republic of China is discussed in several recent studies and doubtless will continue to be a subject of inquiry for many years to come. Mao Zedong, in his 1942 a€?Talks at the Yana€™an Conference on Literature and Art,a€? had clearly stated his belief that art must serve the people, and that there could not be art for arta€™s sake. Each individual is born into a culture, and its orientations and basic beliefs shape him and remain deeply rooted in his personality all of his life. LeShan and Margenau are concerned with the inherent limitations of the physical sciences to adequately describe and explain all manner of phenomena, particularly as new scientific discoveries have revealed microcosms and macrocosms for which standard Newtonian assumptions about time and space do not hold true.
In Maoist China the art bureaucracy attempted to condition societya€™s perception of reality by strictly limiting the artistsa€™ range of acceptable themes and styles, and by short-circuiting the natural feedback process through the stringent control of all means of criticism. Many early attempts to synthesize guohua techniques and approaches with new a€?revolutionarya€? subject matter failed for precisely this reason. Among all artists, traditional painters had the most difficulty modifying or updating their artistic techniques in order to satisfy the needs of the new society as envisioned by the leaders of the Peoplea€™s Republic. Although the intent of the theoreticians, such as Kang Youwei and Cai Yuanpei, was to modernize Chinaa€™s art following Western models, Xu Beihonga€™s style of academic realism was conservative, perhaps already outdated, by the time it reached China. Western art was of course undergoing its own revolution, reflecting new concepts of reality engendered by Einsteina€™s Theory of Relativity, quantum mechanics, particle physics and other scientific discoveries and philosophical intuitions. It was the Chinese artists working in Taiwan and abroad, including Zhang Daqian (1899-1983), Wang Jiqian (C.C. Working outside the constraints of the Maoist regime in relatively free artistic environments, these artists have made great strides in creating a true synthesis of traditional Chinese and modern Western painting styles. The current exhibition presents the work of a new generation of traditional, guohua painters, active in China, Hong Kong, Taiwan, and overseas.
This generation of younger artists grew up at a time in which, when political realities renders questions of cultural identity unavoidable.
Even for those who have practiced continuously the discipline of traditional Chinese painting, the period of the 1980s and 1990s seems like a new beginning. One may question the extent to which guohua has progressed in the five decades since the founding of the Peoplea€™s Republic, or for that matter, in the nearly nine decades since the fall of the Qing dynasty, but, given the extent and intensity of the criticism aimed at traditional Chinese painting and everything that it stood for, and with the recent availability of so many other artistic options, it is perhaps surprising that the art form has persisted at all.
In an age of rapid information exchange and an increasingly global popular culture, it is very possible that a truly international style of art, in oils, acrylics or, more likely, some yet-to-be-invented digital medium, will be developed in the 21st century. A multicultural environment will recognize shared cultural values but it will also embrace cultural differences and encourage the preservation and development of traditional art forms. I discovered a remarkable collection in Germany which yielded a significant number of important works of Chinese painting, calligraphy, and ink rubbings, which were sold off gradually throughout the decade. Sothebya€™s December 1984 auction of Fine Chinese Paintings included several important works dating from the 13th century to the present. France was also the source of an intriguing album of ten leaves ascribed to the great Southern Song dynasty painter Ma Yuan sold in December 1986. The Santa Fe River valley was used by all peoples who entered the area and an important concentration of thousands of ancient petroglyphs are found along a volcanic escarpment formed by lava. San Felipe is one of the most culturally conservative of all the Keresan speaking tribes and passionately retains their traditional religion and customs despite relentless pressures from the outside world. Join Southwest Seminars and David Grant Noble for an archaeological journey on the scenic Yampa and Green Rivers through Dinosaur National Monument. Trip Description: Meeting in Vernal, Utah on May 20, we will visit the Dry Fork Creek Petroglyphs near Vernal, one of the most famous rock art sites in the Southwest. In Echo Park wea€™ll hike to two Fremont petroglyph panels and along the way cool off in Whispering Cave. On our final day, wea€™ll emerge from the canyons for a leisurely float through Rainbow Park followed by an exciting ride through Split Mountain and its series of rapids. Santa Anaa€™s original location is unknown as all the members of the Pueblo either left or were killed during the Pueblo Revolt of 1680.
Join Southwest Seminars for the experience of a lifetime led by Geologist Wayne Ranney, author of a€? Carving Grand Canyona€? and featuring 7 days rafting the Colorado River through the legendary Grand Canyon and 7 nights camping under the stars. Learn the story revealed in the thick sequence and variety of rocks exposed in the walls of the canyon which provide a record of the Paleozoic Era (550-250 million years ago). Wayne Ranney is the author of a€?Carving Grand Canyona€? and a€?Ancient Landscapes of the Colorado Plateaua€?, which he co-authored with Ron Blakey. Trip Details: The trip will be in 37 foot motored raft as they are the preferred mode of transportation for this kind of river excursion by Wayne, being more comfortable and safer for this kind of expedition.
Enter Grand Canyon and within the first few miles begin our descent though the geologic layers, traveling 78 miles by river to the bottom of this great stack of rocks.
Float deeper into the Marble Canyon section of the river and see lush green spring of Vaseya€™s Paradise stopping at Redwall Cavern, a vast alcove that J.W. The canyon is truly Grand Canyon as we float downstream to the turquoise blue waters of the Little Colorado River, the spiritual birthplace of the Hopi Fourth World. Raft the notorious Lava Falls in the depths of the Grand Canyon near the end of our journey. Arriving at Whitmore Wash, we board a helicopter for a scenic flight out of the canyon, followed by charter flight returning us to Marble Canyon for farewell dinner with Wayne and those often dreamt about beds. We have learned more about the Coronado Expedition in the past 25 years than has been pieced together in a century of prior work. Located on Ute Mountain tribal lands, this park was a 1911 compromise: between the United States taking tribal lands and the visionary leadership of Jack House, son of the Ute Chief Acowitz, who in the 1880a€™s tipped off the legendary Wetherill brothers to the existence of fantastic ancient Pueblo sites in Lion and Johnson Canyons in the Southwest. Step back in time to the late 19th century as we ride the train from Lamy, to Las Vegas, NM on the tracks of the old Atchison, Topeka and Santa Fe Railroad to visit three historic hotels: Castaneda, Plaza, and Montezuma. Join us for a special visit to San Ildefonso Pueblo, one of the best-known New Mexico Pueblos because of the famous black-on-black pottery, which originated there and was revived in the1920s. Join Alan Osborne and attend Candelaria Day festivities at both San Felipe and Santo Domingo Pueblos, both Eastern Keres villages on the banks of the Rio Grande, where traditional and culture are closely held and tenaciously kept. We have been invited to the Acoma Sky City Governora€™s Feast Day where we will feast at the home of the governor and his family and witness celebratory observances of this important event where tribal members renew their culture, language and native religion.
The juxtaposition of young lava and old sandstone makes for a wonderful geologic setting and story.
When sixteenth-century Spanish explorers first set foot in what is now Arizona and New Mexico, they encountered people who lived in large multistory apartment buildings of stone and adobe enclosing communal plazas. Join John Ware, Porter Swentzell (Santa Clara), and Connie Eichstaedt for a seven day tour of the Ancestral Pueblo world to visit the sites highlighted in Warea€™s new book from the SAR Press, A Pueblo Social History. Our 3-day 2-night visit will be centered at the Chaco National Park campground, where our outfitters will provide a luxury and restful camping experience, including catered delicious food and shelter on-site under the stars and the night skya€™s pantheon of other heavenly bodies. Eighteen giant calderas, or a€?supervolcanoesa€?, erupted in southwestern Colorado between 30-25 million years ago, forming much of the modern San Juan Mountains. Visit an early 18th Century Comanche camp, a site which encompasses where lodges were erected as well as ritual sacred areas beyond the dwellings. Journey to sacred sites in northern New Mexico, which are spiritually significant to different traditions, which have made a mark on New Mexicoa€™s cultural and religious landscape. This excursion will visit the remote site of Tsipinga€™uinge, an ancestral Tewa village on the northwest edge of the Tewa world. Attend the Jemez Pueblo feast day dances and witness an age-old religious ceremony, one of the only occasions outsiders may visit the Jemez Pueblo village of Wallatowa. Following our cultural orientation we will drive to the village of Santo Domingo for the occasion and spend the balance of the day watching the dances and ceremonial activities. Frontiers a€?the leading edges of contact and change between culturesa€? and boundaries are important because they recognize that social systems are open and provide perspective on the more intensely studied central places, such as Chaco Canyon, Mesa Verde, and the Mimbres River. This important cultural area embraces the entirety of the Rio Alamosa drainage, from its headwaters at the Plains of San Agustin to its mouth on the Rio Grande including its tributary drainages and was the home of Ancestral Puebloans for more than 800 years. What could be better than a spring float down the mighty San Juan River, legendary cultural resource in the heart of the Four Corners region?
Our expedition outfitter is Wild Rivers Expeditions with its staff of expert and well-informed river guides, who tell the local stories, row the rafts and prepare all our river meals, and also furnish our camping equipment and supplies. After a hearty breakfast on Thursday, we will board our rafts for a 3-day float down the San Juan River. Float through the fabulous Upper Canyon of the San Juan with its stunning geologic formations and fascinating stop to see fossils. Includes 3 full days of floating and 2 nights of camping on the river, 2 nights lodging at Desert Rose Inn, (the evenings before and after the raft trip), with tents, and sleeping bags for the camping nights. Laguna Pueblo is seen by literally thousands of travelers who pass along Interstate 25 heading west of Albuquerque, but few are aware of its history, legacy, or traditions. The next morning, we drive to Bisti Badlands area, where we will marvel at the hauntingly beautiful scenery and enjoy a (requiring good walkers) 4-mile round-trip hike on relatively flat grounda€¦a gourmet picnic luncha€¦followed by more spectacular scenery and outdoor geology classes as Dr. Nestled between the Sangre de Cristo Mountains and the Sandia Mountains, While much attention has been given to the important archaeology of the Galisteo Basin, much less has of the public interest has been devoted to the geology of this rich resource area, until oil and gas exploration was proposed recently before our Governor imposed an important moratorium on extraction industries in this beautiful area just south and east of Santa Fe located along the Rio Galisteo. El Malpais National Monument offers many learning opportunities for us, including a presentation by Dr. We will drive over the continental divide through a lovely, ponderosa forest setting amid volcanic flows, cinder cones, and scenic sandstone bluffs landscape to El Morro National Monument.i?? This prominent high rocky promontory sheltered a large fresh-water pool, which attracted wildlife, as well as ancestral Pueblo, Spanish and Anglo-American travelers seeking water at the base of the bluff. Georgia Oa€™Keefea€™s Beloved White Place: A Geo-Walk Through the Rocks at Plaza blanca with Dr.
Located in the Sierra Negra Badlands, Our special day trip to Plaza Blanca (White Place) with our wonderful and favorite vulcanologist and Fulbright Scholar, Dr. You will also have the extraordinary blessing of spending a day with Sunny Dooley, a traditional Dine storyteller from the Chil Chi Tah area south of Gallup, who will guide us through her rural homeland.
Make a memorable visit to the Crownpoint Navajo Rug auction, a significant monthly cultural event held in the Crownpoint Elementary School auditorium, where you will see many traditional weavers, as well as appreciate the opportunity to view a stunning collection of 200 or more weavings of all sizes, regional styles, and prices. Tour participants will visit three recently discovered (2008) Apache petroglyph sites along the upper Rio Grande, near Pilar, with noted Ethnobotanist and archaeologist Dr. Visit some of the most important Archaic era petroglyphs in the U.S, estimated at 4,000-6,000 years old or more.
The charming town of El Rito, north of Santa Fe on El Rito Creek, is situated along the margin of both the Colorado Plateau and the Rio Grande rift. For those of you that have explored the eastern half (the part you see from State Highway 4 out of Los Alamos), of the Valles Caldera, this tour will provide new insight and understanding to the amazing geologic and natural history of the Valles Caldera.
Join Alan Osborne, Southwest Cultural historian for a day trip to Zia Pueblo for feast day dances. Spend an enlightening day with noted archaeologist, scholar, author and professor emeritus Dr. Arroyo Hondo was composed of 1,000 rooms arranged in 1 and 2-story room blocks and was originally investigated and partially excavated by Nels Nelson of the American Museum of Natural History. Tijeras Pueblo is on the east side of the Sandia Mountains and was occupied, like Arroyo Hondo, from about 1300 to 1425 AD. While neither Arroyo Hondo nor Tijeras Pueblos remained occupied into the mid-1400's, settlement did continue at a pueblo in the modern village of San Antonio.
Paa-ko Pueblo also began in the 1300's AD as a plaza-oriented adobe-walled compound of several hundred rooms.
Journey into the magical Canyonlands and Arches National Parks of southeast Utah and the spectacular Red i??Rock Country of the Colorado Plateau for an unforgettable five-day experience with Dr.
Something extraordinary happened a thousand years ago in a shallow canyon in the heart the San Juan Basin of northwestern New Mexico.
Saturday, April 7, 2007 The many layers of geologic history unfold as we spend a fascinating day hiking among the sacred landscape and spectacular i??formations of the new Kasha-Katuwe Tent Rocks National Monument.
This one-day hiking adventure will explore the geologic story of the Abiquiu area, including rock formations and vistas that inspired Georgia Oa€™Keeffe. With Deputy Director of the OAS and Chaco scholar, Wolky Toll and cultural historian Alan Osborne, we'll leave Santa Fe early in the morning and drive along a scenic route through lands of the Santa Ana and Zia Pueblos and the Jicarilla Apache Reservation on our way to Chaco Culture National Historic Park.
This six day tour of the Rio Grande Pueblos will include visits to Taos, Picuris, San Ildefonso, Pojoaque, Cochiti, and Zia Pueblos, as well as tours of important and seldom visited Eastern Pueblo archaeological sites, including Tsankawi, Hanat Kotyiti, Guisewa, Kuaua, Pecos, and the world famous rock art panels of the Galisteo Basin. Departing Santa Fe, we will travel to EspaA±ola, then turn west onto Forest Road 144 (also known as 39-mile road), winding our way up into the northern Jemez Mountains. The link between spirituality and happiness is pretty well-established for teens and adults.
However, religious practices were found to have little effect on children's happiness, Holder said. Religion is just one institutionalized venue for the practice of or experience of spirituality, and some people say they are spiritual but are less enthusiastic about the concept of God.
Other research has shown a connection between well-adjusted and well-behaved children and religion, but that is not the same, necessarily, as happiness. In an effort to identify strategies to increase children's happiness, Holder and colleagues set out to better understand the nature of the relationship between spirituality, religiousness and happiness in children aged 8 to 12 years. A total of 320 children, from four public schools and two faith-based schools, completed six different questionnaires to rate their happiness, their spirituality, their religiousness and their temperament. Another research project recently added weight to previously known links between spirituality and happiness among teens.
This researchers compared teenagers with the inflammatory bowel disease (IBD) with their healthy peers.
Teams led by Yi and Cotton collected data on socio-demographics, functional health status and psychosocial characteristics as well as spiritual well-being for 67 patients with IBD and 88 healthy adolescents between the ages of 11 and 19.
One of the most important predictors of poorer overall quality of life for both the healthy and the sick teens was having a poorer sense of spiritual well-being, Yi said, although personal characteristics such as self esteem, family functioning and social support were similar between adolescents with IBD and their healthy peers. Cotton's analysis of the same 155 adolescents found that higher levels of spiritual well-being were associated with fewer depressive symptoms and better emotional well-being. The results were detailed in recent online versions of the Journal of Pediatrics and the Journal of Adolescent Health. For the science geek in everyone, Live Science offers a fascinating window into the natural and technological world, delivering comprehensive and compelling news and analysis on everything from dinosaur discoveries, archaeological finds and amazing animals to health, innovation and wearable technology. November 27, 2011 - London Vatican's chief exorcist has claimed that practicing yoga and reading 'Harry Potter' brings evil. He went to graduate school at Boston College, became a social worker, got married, raised four children, got elected to the Clinton Board of Selectmen and over the past years, has watched three wars unfold on his television screen. Sothebya€™s has effectively closed the department in New York, referring prospective sellers to their Hong Kong office. The recent decision by the two leading auction houses to eliminate or significantly reduce sales in New York has prompted me to review briefly the history of Chinese paintings at auction and to reflect upon the current state of the market. It was Autumn of 1979 and I had been approached by Paula Gasparello of the Chinese Works of Art Department to assist in the cataloging of a number of important Ming and Qing dynasty paintings from the estate of Ruth Spelman. In October our fledgling New York department produced an unprecedented sale of 145 works by living Chinese artists, which featured paintings by Zhang Daqian, Cheng Shifa, Huang Junbi, Li Keran, Wang Jiqian, Li Kuchan, Yu Chengyao, Qian Songyan, Xie Zhiliu, Xu Bangda, and others.
In the West, particularly in America, academic interest in pre-modern Chinese painting was at a peak and a number of important museum exhibitions--such as a€?Eight Dynasties of Chinese Painting,a€? organized jointly by the Cleveland Museum of Art and the Nelson Gallery-Atkins Museum, Kansas City--provided increased access to an ever-more appreciative public. This allowed for two major sales per year in each location and enabled both buyers and sellers to consolidate their efforts and focus their energies on those works that most interested them.
While at Sothebya€™s I had the good fortune to bring to the market quite a few important works of Chinese painting and calligraphy, many with obscure or unexpected provenances. Because the Readera€™s Digest collection of European paintings was so well known, its appearance on the auction block was accompanied by much fanfare and anticipation, but the art world at large is unaware of the quiet role that the collection played in the development of the Chinese painting market in New York. In addition, collectors and dealers in Hong Kong, taking note of the positive results of the auctions of pre-modern Chinese paintings, began to consign works for sale in New York. One of the early successes from this consignment was the sale, on June 13, 1984, of an album of twenty-five letters by Song and Yuan dynasty calligraphers). Expertise and administrative support were shared between the two auction sites, as were salaries and expenses. Zhao Mengfua€™s 1303 a€?Record of the Repair of the Three Purities Palace at the Temple of the Mysterious and Marvelousa€? (Xuanmiaoguan chongxiu sanqingdian zhiji), a handscroll written in regular script, was consigned by a young Chinese gentleman who had acquired it in France from a French family who knew nothing of its origin or its potential historical or monetary value. The consignor of this set of landscapes was a wealthy Parisian who was a major collector of modern European paintings and was thus well known to the Sothebya€™s Paris office. Part of the attraction of the process is the element of surprise; one never knows what may turn up in the next sale.
I refer to the collection of Zhang Xueliang, known to students of modern Chinese history as the a€?Young Marshall.a€? Zhang is the son of the powerful Manchurian warlord Zhang Zuolin, who was assassinated in 1928. An intermediary had brought two fine 18th century paintings into the Sothebya€™s Taipei office.
I met him in person for the first time, along with Rita Wong, and for the next ten years we had many opportunities to visit with him and his wife Edith and we shared several meals with them.
In consultation with Rita Wong he made the bold decision to offer the remainder of his collection at public auction in Taipei, using his studio name Dingyuanzhai. Collectors and dealers from Taiwan were already extremely active in most facets of the market, especially porcelain, jadeite jewelry, and modern paintings.
Both of these paintings, as well as most of the top lots in the sale, were purchased by Taiwanese collectors.
Wu Bina€™s a€?Ten Views of a Fantastic Rocka€? is one of the most extraordinary Chinese paintings ever to appear on the auction market.
The Chinese paintings market was strong but just as the demand for paintings and calligraphy was reaching a peak, the availability of good quality paintings had greatly diminished. To some extent, I was not happy with the way the company was being run and I was dissatisfied with the direction in which both auction houses were heading. The sales were successful but they had the negative effect of competing with New York for both consignments and resources. Christiea€™s, in particular, has been successful because of major consignments, such as the group of important Song dynasty fan paintings from the collection of Stephen Juncunc.
In fact, the level of sophistication among Western buyers (including overseas Chinese) is such that they recognize and demand high quality examples of works by both major and minor artists of all periods. Exhibitions of works in all media by Chinese artists from mainland China, Taiwan, Hong Kong (once again a part of China after a century of British rule), and overseas have been mounted or are being planned throughout Asia, Europe, and the United States. Auctions of this material are now held on a regular basis in many cities throughout China as well as in New York, Hong Kong, Taipei, and Singapore. Even before the Imperial monarchy that had ruled China for several thousand years was completely overthrown in 1911, the Chinese had begun to assess their inherited traditions and values and to question their very cultural identity.
Traditional Chinese painting (guohua)2 especially as practiced after the Song dynasty, was specifically criticized for its lack of realism or naturalism, and the conscious disregard by its practitioners of the harsh realities of contemporary society in favor of a rarefied vision of an ideal Confucian society which had never existed in fact. This colloquialization (to borrow a phrase describing a similar but more far-reaching movement in literature) of Chinese painting is epitomized by the work of the great Qi Baishi (1864-1955), whose colorful depictions of common objects from everyday life enlivened the tradition through the introduction of a colloquial vocabulary of familiar images.
Some, like Fu Baoshi (1904-1965) and the Gao brothers (founders of the Lingnan School), traveled to Japan to investigate the process by which Japanese artists were modernizing their native traditions by a selective incorporation of Western techniques and styles. History would note that, at least for the short term, Xu Beihonga€™s academic realism ultimately won out, although more for political and ideological than artistic reasons. Artists were free to work in all media, which they did in an incredible range of styles and with tremendous passion and dedication.
8 Although many questions remain and many individual stories have yet to be recounted, it is clear that one of the casualties of mainland art policy from the 1950s to the 1980s was Chinese traditional painting.
During the 1950s Mao began to make good on his promise by revamping the entire system of art education and production. If he moves into a new culture with other orientations and basic beliefs, the two versions of reality are dissonant within him. The sources from which a field grew remain within it as a shadow skeleton, and they partly define what is real and what is true, what is sense and what is nonsensea€“in short, what is the basic shape or essence of reality.
Alternate realities and multiple truths cannot be understood through their physical means alone. In periods when control over the arts was most absolute (during the many anti-rightist campaigns, for example) artists were not only told what subjects to paint but were also given stylistic directives. Obviously, Western and Chinese painting had very different roots and very different evolutions; they are the products of completely dissimilar world views and emerge from disparate cultural contexts. The repressive policies of the PRC ensured that this type of painting, with some ideological a€?improvements,a€? became the official means of artistic expression. Just when Chinaa€™s artists were mastering a style of painting which they thought was modern, Western artists and critics were rejecting both the style and the cultural construct it represented, and at a time when Western artists such as Picasso, Paul Klee, Mark Toby, and Jackson Pollock were recognizing and embracing non-Western artistic traditions, including Chinese painting and calligraphy, the Chinese themselves were declaring some of these same traditions invalid.
It is thus upon the foundation of their work that the future of guohua is likely to be built. It is true of course that guohua represents only one aspect of Chinese painting, which, in turn, is only one aspect of Chinese art as a whole. Their relationship to the the historical past of China and its traditional values depends to a great extent on where they were raised.
This new generation of artists approaches the tradition with fresh eyes and renewed energy. It has been nearly one hundred years since Kang Youwei issued his challenge to a€?begin a new era by combining Chinese and Western art,a€? and now, a century later, it can be argued that not only have these lofty ideals not been fully attained, but the fundamental questions of artistic and cultural identity remain largely unanswered. It is worth noting, however, that as we enter the 21st century, the global context in which we live is vastly different than the one in which Kang Youwei, Cai Yuanpei or Xu Beihong existed.
As popular culture becomes more global it also becomes more homogenized and the unique characteristics of a particular culture or ethnic group become all the more distinctive and significant. I use the terms guohua and a€?traditional Chinese paintinga€? interchangeably, to refer to work painted with traditional Chinese pigments on traditional paper or silk.
Kang Youwei, Travels in Eleven European Countries, quoted in Lawrence Wu, a€?Kang Youwei and the Westernisation of Modern Chinese Art,a€? Orientations (March 1990), pp. Quoted in Michael Sullivan, Art and Artists of Twentieth-Century China, Berkeley, Los Angeles, London, 1966, p. Lawrence Leshan and Henry Margenau, Einsteina€™s Space and Van Gogha€™s Sky: Physical Reality and Beyond, New York, 1982, p. Our special visit to the southwest Santa Fe petroglyph site of La Cieneguilla features one of our favorite study leaders: David Grant Noble, noted and celebrated editor, photographer and archaeology writer and author. Although the Pueblo is not more than thirty minutes from Santa Fe, the fact that outsiders are not encouraged to visit has made it possible for them to maintain their individuality and resist the influences of modern life.
The 4th edition of his Ancient Ruins of the Southwest: An Archaeological Guide is due to appear in 2015, as his a new edited volume, Living the Ancient Southwest. We float through the beautiful canyons of the Yampa River for three days, reaching the confluence with the Green River in Echo Park, so-named by John Wesley Powell on his famous 1869 expedition. The Yampa is the only remaining free-running, undammed tributary of the Colorado and its flow level depends on the winter snow pack and spring runoff. Our outfitter will be Dinosaur River Expeditions, family owned and locally operated in Vernal Utah staffed by experienced and knowledgeable river guides that love sharing the beauty, the history and the wildlife of the mighty Yampa River of Colorado and the crystal clear waters of Utaha€™s Green River of the Flaming Gorge. Three nights lodging at Landmark Suites in Vernal, Utah (2 nights before the rafting trip and 1 night after). 1300-1600) by visiting four important Classic Period Ancestral Tewa sites in the Ojo Caliente Valley northwest of Santa Fe.
Following the 1692-4 Spanish Reconquest, Old Sana Ana Pueblo (Tamaya), was founded 8 miles NW of Bernalillo.


We raft into the Canyon beginning at Leea€™s Ferry and exit the canyon via scenic helicopter and charter air.
He holds a mastera€™s degree in geology at Northern Arizona University and leads tours for the Museum of Northern Arizona, The Grand Canyon Field Institute and the Smithsonian, including round the world trips by private charter. Our 190-mile trip between Leea€™s Ferry and Whitmore Wash has been selected by Wayne as covering the most scenic and geologically significant sites within the canyon in just the right balance of time on the river and off site exploration.
Jane Coulter in 1922 as a tourist camp, ita€™s style was later adapted to most National Park Service locations. Explore the relationships between settled Puebloan villages along the Rio Grande and early Spanish-led expeditionaries. This led to a race for claimants to the treasures, the search and disappearance of artifacts along with the creation of a brisk trade in antiquities looted from these sites before federal laws were enacted to preserve them. After a warm welcome by a Harvey Girl we will get a detailed description of what railroad passengers experienced as they will bring back the deep appreciation of those magnificent days when the customer was king and the Harvey Girls, a€?those respectable young womena€™ and Couriers were ambassadors of impeccable service and local culture. We will visit friends who have invited us to feast with them as they observe this important sainta€™s religious day in the Pueblos. It was extensively studied and researched by School of Advanced Research (SAR) in the 1970a€™s and has been the subject of nine monographs and numerous scholarly articles.
These two parks are geologic showcases for the Jurassic Navajo sandstone, the largest petrified dune field in the world. We then travel to Zion National Park where we will stay in the park at the renowned historic National Park Service Lodge cabins, Zion Lodge for 3 nights. The Spanish referred to these people as Pueblos (Spanish for a€?townsa€?), no doubt to distinguish them from the regiona€™s rancherA­a dwellers and nomads. Wea€™ll visit the contemporary Eastern Pueblos of Cochiti and Jemez, the Western Pueblos of Hopi and Acoma, and Ancestral Pueblo sites in Chaco, Mesa Verde, the San Juan River Gorge, and Canyon de Chelly. Scott Ortman will lead us on a very special tour of the Santa Clara Tribal Park at Puye Cliff Dwellings. We will hike the 3.6 miles South Mesa Trail Loop to Tsin Kletsin, (3 hours) on the South Rim with a visit to the important great kiva at Casa Rinconada. With less driving back to town for overnight lodging in a town, we will see morea€¦nature, birds, plants, landscape, the skya€¦basically the full day and night Chaco experience. Kirt Kempter for a 4-day geologic exploration of the Creede and Lake City and Pagosa Springs, region of Southern Colorado, where four of the massive supervolcanoes eruptions occurred. Visit the scenic North Clear Creek Falls and the spectacular Slumgullion landslide en route to Lake City. Zia achievements in pottery and other arts and crafts, their storied history as well as spiritual tenacity are legendary. Our purpose will be to enhance our appreciation and understanding of these special sacred places and the spiritual traditions which hold them dear. We will also visit the Jemez State Monument, a 17th century Spanish Mission church, and the ancient village it was built near, now operated by the New Mexico State Monuments Division, as well as a delightful lunch at Deba€™s Deli in Jemez Springs, a resort community in the beautiful valley of the Jemez River.
Joe Suina, former Governor of Cochiti Pueblo and Professor of Education (ret.), for the renowned Santo Domingo Feast Day, an annual ceremonial held in one of New Mexicoa€™s most colorful Pueblos on the Rio Grande.
Suinaa€™s home in Cochiti Pueblo for an informative cultural education presentation on the ceremonialism of Pueblo dances and Sainta€™s day feast celebrations in theEastern Keres villages of Cochiti and Santo Domingo.
Tuition of $90 includes Study Leader honorarium, transportation, meal, and donation to the Keres Language Project in which Dr. Steve Lekson and Karl Laumbach for an archaeology and history field study trip to visit important sites of the Canada Alamosa, located in southwestern New Mexico.
Studies suggest that the Pueblo populations of the CaA±ada Alamosa were at times strongly linked to a central place(s) and at other times were reorganizing in an independent effort to adapt and survive. Rio Alamosa is fed by a perennially flowing warm spring (Ojo Caliente), home of the Warm Springs Apache, the hot springs are located three miles northwest of the ranch headquarters. Enjoy an educational and relaxing 3-day trip down the scenic San Juan River between Montezuma Creek, Utah and Mexican Hat. Shortly before our river trip ends, we will pass the amazing balancing rock known as the Mexican Hat, which is near our river put-out. All meals: 4 breakfasts, 4 lunches and 4 dinnersa€¦2 at a€?Bluffa€™s besta€™ and 2 a€?round the campfire. Visit one of the traditional western i??Keres villages of the Lagunas, Paraje, with Southwest cultural historian Alan Osborne where we will attend the annual Feast Day honoring Saint Joseph, patron saint of the Pueblo. Containing some of the most spectacular and b bizarre geologic formations in New Mexico, including gravity-defying hoodoos and multi-hued shales, the stacked layers, or formations within this 45,000 acre wilderness area show a continuous record of ancient environments, formed between 160 million and 40 million years ago, with episodes of uplift and erosion, inland seas, shorelines, estuaries, large forested river deltas, meandering steams, bogs, and numerous fresh-water lakes leaving evidence of early mammal fossils, dinosaurs, petrified wood caches, and periodic volcanic ash showers. Its subtle natural beauty, with wooded hillsides, dramatic volcanic dikes, and wide, open grasslands has drawn many noted contemporary artists to settle there and has attracted attention from those seeking easily accessible but less traveled areas containing important sites of natural history, including those who specialize in flora and fauna, as well as geology and vulcanology. Kendrick on the many archaeological sites found El Malpais and recent discoveries, as well as current preservation projects in which Dr. Taylor, an 11,301-foot volcano, which figures prominently into native cosmology, life here has been longstanding, adaptive, and enriched by the landscape. We will a chance to see some of the most exciting and interesting ancient and historic petroglyphs (more than 2,000) in North America, including the Onate inscription of April 1605, (15 years before Plymouth colony in Massachusetts) most of which are accessible by a scenic paved walking trail.
Kirt Kempter, who will feature his a€?wise and well-considereda€™ thoughts and research on the geology between Santa Fe and Abiquiu, including a few roadside stops to look at important landscape features, rocks, scenic overlooks, and geologic field maps.
Paul Zolbrod, Research Associate, Laboratory of Anthropology, Santa Fe, Professor of Literature, Dine College, Crownpoint, Professor Emeritus, Allegheny College, Pennsylvania, and Author, Dine Behane.
Sunny is a scholar for the New Mexico Endowment for the Humanities and travels widely sharing her culture through stories. Included is transportation, lodging at legendary El Rancho in Gallup on Route 66, most meals, special presenters and Study Leaders honoraria, and donation to Chil Chi Tah Elementary School, and celebration dinner. We will take you to seldom visited sites in northern New Mexico That are spiritually sacred and significant to different traditions which have made a mark on New Mexicoa€™s cultural and religious landscape. These western-Keres speaking and traditonal people have occupied the scenic hilltop village and this rugged region NW of Albuquerque for centuries. Linda Cordell, with whom we will be visiting four archaeological sites on the edge of the Galisteo Basin: Tijeras Pueblo, Paa-ko Pueblo, Arroyo Hondo Pueblo, and San Antonio.
Intensively studied by Douglas Schwartz for the SAR, it sits at the margins of the Sangre de Cristo Mountains just outside Santa Fe. It is located above a seep, it is bisected by 2 arroyos, and was excavated by UNM field schools in the late 1940's, and again in the 1970's, directed by W. Kirt Kempter, vulcanologist, geologist, former Fulbright scholar, and Alan Osborne, Southwest cultural historian. Not only spectacular vistas, but also wildlife, including bighorn sheep, are always a possibility for sighting and photographing on this memorable day. Puebloan peoples constructed over a dozen elaborate Great Houses of stone reaching three to four stories above the desert floor. Wea€™ll first arrive at the Chaco Visitora€™s Center on the north side of the canyon, which features exhibits and interpretations of recent archaeological research as well as historic excavations, and artifacts revealing ancient life at Chaco.
The analysis showed that while spirituality helped all the kids cope, it was especially helpful for the ones with IBD (which causes abdominal pain and other nasty symptoms, as well as higher risk for psychosocial difficulties and mental health problems; it is more serious than and not the same as IBS or spastic colon). We aim to empower and inspire our readers with the tools needed to understand the world and appreciate its everyday awe. Father Gabriel Amorth, who has carried out more than 70,000 exorcisms in the past 25 years after being appointed by the late Pope John Paul II, surprised delegates at a conference by revealing his dislike for yoga and 'Harry Potter'. Dziokonski, who was a Navy corpsman assigned to a Marine Corps rifle company in Vietnam and a recipient of two Purple Hearts and a Bronze Star with a Combat "V," considers himself a strong man, a self-described curmudgeon. Christiea€™s plans to include a small selection of paintings within their auction of Chinese Works of Art in New York, followed by a larger specialized sale of Chinese Paintings in April in Hong Kong. The results of this auction provided compelling evidence that high quality Chinese paintings, rigorously catalogued, could be sold successfully at auction and demonstrated that there was sufficient institutional and private interest in the United States to warrant serious attention on the part of the auction houses. Many of these artists were unfamiliar to western collectors and few had ever been previously offered at auction.
Wong as a specialist in Chinese painting and a mutually beneficial rivalry developed between the two houses. In the Asia--especially Hong Kong, Taiwan, and Singapore--economic prosperity, political stability, and increased education created an environment conducive to collecting art.
In cooperation with their regional offices and representatives throughout the United States and abroad, the auction houses took advantage of their broad networks of contacts to locate potential sellers and to attract potential buyers.
In June of 1982, when the Chinese painting department was struggling to gain credibility and recognition, Sotheby Parke Bernet offered for sale an extremely important painting by the most significant living Chinese painter of the time, Zhang Daqian. By 1984 the increased supply of good works, coupled with evidence of a modest but increasing demand internationally, justified semi-annual specialized sales of Chinese paintings and calligraphy accompanied by the publication of separate catalogues.
Included among the leaves were examples of writing by the Song dynasty writers Liu Wuyan, Wang Sheng, Wu Ju, and Fan Chengda, and the Yuan dynasty calligraphers Zhao Mengfu, Xianyu Shu , Qiu Yuan, Zhang Yu, and Ni Zan.
Signed Hengshan Wen Bi, and inscribed with a date corresponding to October 30, 1499, this short handscroll was accompanied by a most impressive series of colophons written by many of the luminaries of late 15th-early 16th century Suzhou, including Shen Zhou, Wu Kuan, Zhu Yunming, Wang Chong, Chen Shun, Peng Nian, Wang Guxiang , Wen Peng and others.
The system required cooperation and coordination and it succeeded because the individuals involved were firmly committed to the success of the enterprise. The new owner knew little more, except that it bore the signature of the famous Yuan dynasty literatus and he purchased it on the chance that it might be genuine. She could not remember where or when she had acquired the album but since it did not fit in with the rest of her collection she decided to sell it. Buyers are always looking to acquire a€?fresh goodsa€? that have not appeared on the market before. After his fathera€™s death, Zhang Xueliang took control over much of northeastern China and was a major player in the subsequent period of warfare, politics, and intrique which shaped the face of modern China. Prior to this occasion I had seen very few good Chinese paintings in private hands in Taiwan. He was always excited to talk about Chinese art, collecting, and his longtime friendship with Zhang Daqian, who had died in 1983.
Although I had already resigned my position at Sothebya€™s, at Zhanga€™s request I assisted in the cataloging of the sale.
During the late eighties and early nineties they became increasingly prominent bidders in New York sales of pre-modern paintings.
Measuring more than thirty feet in length, the painting consists of ten sections, each depicting a specific view of a scholara€™s rock, as viewed from different angles. We had developed an international interest in an art form that had previously seemed to many to be unapproachable and unsaleable.
Many of the new buyers--I hesitate to call them collectors--seemed to be in a hurry to buy a€?masterpieces,a€? major paintings by major artists. The nature of the auction house and its role in the art market had changed over the years; it had become much more of a retail outlet and had lost much of its exclusivity. The establishment of regular auction sales of Chinese painting and calligraphy in Beijing, Shanghai, and elsewhere within mainland China, as well as in Taiwan, has further diluted the supply of quality works available to the New York-based auctions. The Chang Family Han Lu Studio Collection, sold by Christiea€™s New York in September 1996, featured a rare group of letters by Song dynasty writers in addition to several fine paintings and calligraphic rubbings. If the market rejects poor works of questionable attribution, that, in fact, is a positive indication for the field of Chinese paintings as a whole. In New York, the Metropolitan Museum of Art has recently opened their renovated Chinese Galleries and, for the first time, thanks to a generous gift from Robert H. Specialized galleries have been established all over the world and several dealers in ancient Chinese art (including Kaikodo) have begun to feature contemporary paintings as well. The type of guohua practiced by the literati (wenrenhua) was severely attacked by many critics, among the most vocal of whom was the reformer Kang Youwei (1858-1927), who accused: a€?Four or five hundred years ago Chinese painting was the best. However, Qi did not sacrifice such traditional aesthetic values as excellence in brushwork, simplicity of form, and directness of expression; on the contrary, his work may be seen as advancing the art form in each of these aspects.
Some of the most famous, including Xu Beihong (1895-1953), Liu Haisu (1896-1994), and Lin Fengmian (1900-1991), went to Europe to experience Western culture at first hand and to learn what they could about European art.
Liu Haisu, renowned for being the first in China to employ nude models for life drawing in his art school, was enamored of the Impressionists and post-Impressionists. Realistic oil painting, primarily figural themes, gradually incorporating more and more elements of the Soviet Socialist Realist style, became the new orthodoxy in China. Even after he is a firmly functioning member of the new culture, the orientations of his beginnings still influence him. When the field develops so that new data contradict these old beliefs, a basic conflict develops in the field of knowledge. Art, parapsychology, ethics, and consciousness all play a part in comprehending these new realities. Only a chameleon-like illustrator could successfully create in such an environment, so it is not surprising that much of the propaganda art of the period, in style as well as function, is closer to advertising in the West than it is to fine art. That the two worlds should come together in this age of instantaneous global communication should not surprise us, but one of the most curious, even ironic aspects of this cross-cultural exchange is the way in which contemporary Chinese and Western artists and audiences tend to view the othera€™s culture. No attempt was made to keep up with new developments in Western science and art; in fact, these were suppressed just as strenuously as traditional painting was being repressed.
While many European and American artists explored alternate views of reality, through investigations into Eastern spirituality and art, (assisted, in some cases, by mind-altering drugs), the mainland Chinese artists found themselves mired in Marxist dogma and bound to a tradition of painting that was trapped in a reality-warp. Artists working in mainland China today are, at least for the time being, more free to express themselves than they have been for many decades. Perhaps they have not all attained the same level of technical prowess that painters of Imperial China would have developed through years of copying calligraphy and old master paintings, but neither are they burdened with the unenviable task of upholding Chinaa€™s artistic legacy and maintaining her outmoded cultural values. Western domination of technology and the world economy is a remnant of her colonial past, and economists, politicians, and businessman now increasingly look eastward for expanding economies and emerging markets. Cross-cultural artistic exchanges will be so commonplace and will occur so quickly, and stylistic influences will be so vast and complex that regional or even national characteristics will be difficult, if not impossible, to discern.
As cultures co-mingle rather than collide the purity of each artistic tradition is free to be rediscovered. Andrews, Painters and Politics in the Peoplea€™s Republic of China, 1949-1979, Berkeley, Los Angeles, London, 1994, p.
Laing, The Winking Owl: Art in the Peoplea€™s Republic of China, Berkeley and Los Angeles, 1988. We will learn about the history and theories relating to Ancestral Puebloan rock art, migration of Tewa Pueblo peoples, Colonial Spanish exploration and settlement along El Camino Real (Royal Road). Individual interests are subordinate to community values and responsibilities so that the strong ceremonial structure and the traditional rituals have kept the people as a vital and distinctive tribal entity with a proud heritage of ancient origin.
Along the way, wea€™ll see the remains of a pioneera€™s cabin, a series of pictographs in the Barrier Canyon style, and Serviceberry Shelter, where Archaic hunter-gatherers camped millennia ago. See architecture, agricultural fields, and ritual features in the context of some of the largest and best-preserved ancient Pueblo sites in the region.
Tribal members usually maintain two places of residence, one in the farming community along the Rio Grande and the other a traditional home on the north bank of the Jemez River several miles away.
The trip includes hotel lodging and dinner the night before the excursion as Wayne sets the stage for our grand adventure and another night and dinner after the trip wraps up as we celebrate our amazing journey through this vividly colored canyon, a nine day study tour on the most coveted raft trip in the world.
Discuss the origin of the canyon and how the complexity of erosional features of the Colorado River and precipitation created and continue to shape the canyon.
We begin our journey with slow moving rapids, which increase in intensity as we travel further into the Canyon. Our highly recommended outfitter, Colorado River & Trail Expeditions (CRATE) has been in business since 1971 and features knowledgeable, trained and experienced river guides, who are excellent outdoor chefs, enthusiastic river companions and certified in CPR, Wilderness Medicine and River Rescue. Protecting these lands from Anglo incursion, touristic curiosity and the federal government has created a seldom visited trove of four well-preserved canyon cliff dwellings requiring three miles of hiking and climbing five ladders when accompanied by a Ute tribal guide. We will learn about Fred Harvey, the Englishman who founded the hotel and restaurant chain. They have a strong sense of identity and retain ancient ceremonies and rituals and dances tenaciously.
The site was occupied in two separate and distinct phases more than six centuries ago, and at its height was comprised of approximately 1,000 rooms.
Over 2000 feet of Navajo Sandstone form massive cliffs within Zion Canyon, creating one of eartha€™s grandest geologic settings.
Our days at Zion will include visits to more remote corners of the park, such as Kolob Canyon in the northwest, and the more central Kolob Terrace Road, where we will hike the scenic Northgate Peaks Trail.
Classifying people by settlement pattern and architecture, the most visible of cultural expressions, may be a natural thing for explorers to do, but i??the label a€?Puebloa€? glossed over considerable cultural variability. Participants will be regaled with stories of the Pueblo past from an archaeologist (Ware) and Native Pueblo scholar (Swentzell), and view the spectacular landscapes of the Southwest 4-Corners from the comfort of a modern coach (with on-board restroom!). These ancestral Puebloan sites figure prominently in his ethno genesis research on Tewa Pueblo origins, migrations, settlement patterns, and history.
This study tour is designed to experience 2 backcountry trails while still visiting Great Houses within the central a€?downtowna€™ area of Chaco Canyon Culture National Historic Park, a UNESCO World Heritage Site. Their mission church and plaza and the village and surrounding hills and mountains are powerful spiritual forces.
Visits include (subject to change): Upaya Buddhist Zen Center, Sikh Dharma in Sombrillo, Plaza Blanca and Dar al Islam in Abiquiu, and Christ in the Desert Monastery overlooking the Chama River, the Sikh Dharma in Somlbrillo, Our day will be filled with opportunities for reflection and awareness on the different paths for restoring balance and harmony in our world. 1312-1350 and is possibly one of the places where immigrants from the Four Corners region entered and settled the northern Rio Grande region. In the centuries before the Apache (Athapascan) migration in to this area, it was the setting for two large-plaza Pueblos, a migrant Mesa Verde village, a huge 500-room Tularosa town, the northernmost Mimbres village, the southernmost Socorro site, and a sizeable earlier Ancestral Puebloan pithouse community, all located on the Monticello Box Ranch. Wea€™ll camp for 2 nights, learning about the cultural history and archaeology of the region with David Grant Noble. Comfortable overnight motel lodging the night before and after our 3-days and 2-nights on the river at Desert Rose Inn, a log lodge recently built on the edge of the town of Bluff, Utah. This scenic stretch of the river is especially noted for its Puebloan ruins and Basketmaker rock art panels and many are only accessible from the river. Honorarium for our exceptional Study Leader and river guides, all fees for permits and services. You will have the opportunity to be part of this important ceremonial day and by your silent observation both give and receive the blessings of the Lagunas.
The area is filled with multi-colored ash created by iron, manganese and crystal-forming silicates, and has been described as a paleontological treasure trove! Kirt, offering plenty of time for on-site educational lectures, photographic moments, and awe-inspiring sacred landscape. Drive back to Santa Fe that afternoon for evening arrival with a stop at our favorite Cuba, NM dinner spot, Brunoa€™s for some home-style cooking before our Santa Fe evening return. Many myths and legends abound about this remarkable area, including oral tradition never written down. For an optional energetic uphill hike, those interested may visit the ancestral Zuni village of Atsinnaon top of El Morro. Along the way, we will Santa Rosa de Lima, the historic site overlooking the Chama River and original site of the Abiquiu Valley settlement. We visit her local Chapter House and to the Chil Chi Tah School, where you will meet Navajo teachers and students. Our purpose will be to enhance our appreciation and understanding of these various sacred places and the spiritual and religious traditions which hold them in esteem.
Ford who serves as Arthur Thurnow Professor of Anthropology and former director, Ethnobotanical Laboratory, University of Michigan.
Zia, located beside the Jemez River, is near the Nacamiento Mountains and red rock foothills of the Pajarito and Jemez Plateaus. Each of these is representative of different ways Ancestral Puebloans built 14th century communities. In the 1970's, portions of the ancestral pueblo village and the historic San Miguel de Laredo were excavated by the Museum of New Mexico and scholars conducted important ethno historic research.
By the 1500's, a smaller, mostly stone-masonry pueblo was built on-site and occupied into the 1600's AD.
Wea€™ll spend all four nights at the new and beautiful Red Cliffs Lodge, featuring a popular restaurant and on-site winery and vineyard, as well as beautifully appointed riverside timber lodges with private patios overlooking the Colorado River. Within just a few generations, masonry Great Houses were built by Pueblo communities throughout the San Juan Basin and beyond to eventually encompass portions of four adjacent states. Following lunch we will take the short hike to the nearby-unexcavated Una Vida site, as well as an optional scramble up to the petroglyphs overlooking Una Vida. The relationship between spirituality and happiness remained strong, even when the authors took temperament into account.
So when he found himself at the top of a mountain crying over a dead butterfly, he knew he needed help.
Gasparello, who introduced me a few of her colleagues, including James Lally and Carol Conover.
Chinese Painting began to solidify its position in the art market, and was listed as a separate expert department at Sotheby Parke Bernet beginning in 1979 (although internally Chinese Paintings was under the jurisdiction of the Chinese Works of Art Department). Although neither sale was a financial triumpha€“the entire New York auction grossed just over $100,000a€“they paved the way for specialized sales of modern and contemporary Chinese paintings in both Hong Kong and New York and established the precedent for holding regular auctions in both locations. For the next decade auction became one of the primary sources of Chinese painting and calligraphy for private collectors, dealers, and institutions. Twentieth century painting, in particular, satisfied a demand on the part of new collectors for art that was both Chinese and modern.
The success of Sothebya€™s Chinese Painting Department was linked, to a great extent, to the overwhelming dominance of our worldwide Chinese Works of Art Department led by James Lally in New York and Julian Thompson in London.
The monumental six-panel work a€?Giant Lotusa€? had been purchased by Readera€™s Digest in 1963 from an exhibition of the artista€™s work held at Hirschl and Adler Gallery in New York. The album was of great importance, for both artistic and historical reasons, but since no work of this type had ever been offered at auction before, the presale estimate was a conservative $30,000-50,000.
The inclusion of the painting in the Imperial Collection of the Qianlong and Jiaqing Emperors, attested to by the six Imperial seals affixed to the painting and its appearance in the catalogue Shiqu baoji sanbian, added luster to its provenance.
I had the good fortune to work directly with many capable and dedicated individuals, including Tammy Mui and Maria Chu in Hong Kong, and Angela Hsu and Laura Whitman in New York, all of whom began as administrators and became specialists in their own right.
Based on the collectorsa€™ seals and colophons, the scroll displayed a magnificent provenance. There was much presale discussion among scholars as to the authenticity of the paintings, four of which bear the signature of Ma Yuan.
Sellers, on the other hand, appreciate the ability to dispose of works in a discreet manner. He is most renowned (or notorious, depending on your point of view) for his participation in the Xia€™an Incident of 1936 whereby he captured Guomindang leader Chiang Kai-shek and forced him to negotiate with the Chinese Communist Party to create a united front to fight the Japanese. Although there were no collectorsa€™ seals on the paintings, my experience told me that such high quality works, beautifully mounted, must be from a serious collection. The auction of Fine Chinese Paintings from the Dingyuanzhai Collection was held in Taipei on Sunday, April 10, 1994. The ten images of the rock are interspersed with elaborate written descriptions composed and transcribed by the scholar-official Mi Wanzhong. Even as I revelled in a genuine sense of accomplishment, I was wary of the future of the department. They were generally more interested in the artista€™s name than in the quality of the work. Both Sothebya€™s and Christiea€™s had undergone a gradual but undeniable shift in emphasis from expertise to marketing. During the nineties, the New York auction rooms have been increasingly dominated by international dealers, such as Paul Moss, Harold Wong, and Kaikodo, representing themselves, institutions, and private clients all over the world.
To blame every poor sales result on a€?the marketa€? shifts attention away from the real issues, which are the quality and quantity of the offerings. Ellsworth, Chinese paintings from the 19th and 20th centuries are prominently displayed alongside masterpieces from earlier periods.
They all progress along with the progress of science.a€?4 This emphasis on progress and the sincere belief that Western art (as the Chinese perceived it) was inherently more scientific and modern (and therefore more desirable) presented a serious challenge to advocates of literati painting and nearly signaled the end of the guohua tradition altogether. The degree of Qi Baishia€™s success is indicated most clearly by the fact that his style forms the basis of much of the guohua produced during the past fifty years.
There is great difficulty and struggle in recognizing, organizing, and solving the new problems presented by the conflict of the new data and the old beliefs and basic orientations. While much of the booka€“which deals primarily with scientific theorya€“is likely to be incomprehensible to most specialists of art, its observations are relevant here for at least two important insights. Not since the 1920s and 1930s, have young Chinese artists been able to explore such a broad range of stylistic and theoretical options and goals. Guohua need no longer be seen as the only medium capable of expressing the cultural identity of China because it is now clearer than ever before that there is no single identity and no single tradition that represents all Chinese. Many aspects of popular culture have become globalized and most large companies have internationalized. Artists from all over the world will be able to express their individual perceptions of new global realities in a truly international, multicultural forum.
Traditional Chinese painting can coexist with works in other media, as they exist today or as they will appear in the future, and it need not replace nor be replaced by any other art form.
Compare my naive and overly optimistic study Painting in the Peoplea€™s Republic of China: the Politics of Style, Boulder, 1980. At certain times of the year, however, they welcome visitors and the Green Corn Dances in May are the main attraction to outsiders and other Pueblo people as well. We will learn about the archaeology of the Desert Archaic and Fremont cultures through Davida€™s lectures and hikes. Wea€™ll also hike to Mantlea€™s Cave, a huge rock shelter where Fremont Indians stored an astonishing array of specialized items in storage cysts, now in the collections of the University of Colorado, Boulder. Set among towering red cliffs and ancient ponderosa pines, we may see a variety of wildlife, deer, eagles and big horn sheep along the shoreline. Learn Tewa history and how we use different techniques, archaeological review and Tewa oral tradition, to better understand their past. Learn about the variety of species of mammals, reptiles, fish and birds that make the Grand Canyon home, including many threatened and endangered species and plants that have found a refuge in the Parka€™s protected lands. There is plenty of whitewater excitement, including some of the most famous a€?drops and fallsa€? in the world: Horn Creek, Hermit, Crystal and Lava Falls. While millions visit Mesa Verde National Park, which borders Ute reservation lands, these are seldom seen and striking sites that have not been stripped of their ancient presence and essence. Wea€™ll tour the famed Castaneda, newly purchased and under renovation by its new owner, Allan Affecldt (or resident partner), who also restored La Posada, the Harvey Hotel in Winslow, Az. The significance of Arroyo Hondo is that it was one of the earliest large, aggregated pueblos built during a period when settlement patterns throughout the northern Rio Grande were evolving in the direction of large towns located near dependable sources of water.A We will have an archaeological tour of this important cultural site, owned by the Archaeological Conservancy, with site steward and noted author, and archaeologist, Dr. Several easy to moderate hikes will be offered within Zion Canyon, including Echo Canyon, Weeping Rock, and the Riverside Walk. Coral Hills Best Western will serve as our base for two nights to explore beautiful Snow Canyon. The people the Spanish called Pueblos spoke at least seven mutually unintelligible languages (six are still spoken today) from four different language families, and their linguistic diversity was mirrored in many of their social, economic, and religious practices and institutions. He is able, using linguistics, metaphors, architecture, and material culture, to follow ancestors on their long journey south from Mesa Verde and the San Juan River Basin. Between them, wea€™ll learn about the history and theories relating to ancestral rock art, migration of Tewa Pueblo peoples, Colonial Spanish exploration and settlement along El Camino Real (Royal Road), plus fascinating concepts of earth science, significant geographic landscape and visible volcanic features young and old we see in this region, as well as the causes of the rise of the majestic Sangre de Cristo Mountains. Wea€™ll be like trees: silent observers, important witnesses, participants in the continuing strength of Keres Pueblo culture here today. Wea€™ll explore the sitea€™s well-preserved architecture, cliff dwellings, artifacts, rock art and trails, and the world-quarter shrine all while overlooking the stunning Piedra Lumbre made famous by Georgia Oa€™Keeffe.
Suina will share with us aspects of culture, history, spiritual underpinnings, and ritual observances which are tied to the rhythms of nature in the native world of the Eastern Keres Pueblos.
The area has been extensively studied by scholars for several years in recognition and interpretation of frontiers and migrations of peoples in the archaeological record. Lekson and others have made a strong case that the Canada Alamosa was the destination for a migrant community from the Mesa Verde culture area. He has guided educational and archaeological groups down the San Juan River for more than twenty years. Learn the history of the Keres world and its influence from both the ancestral Puebloan and European traditions.
Kirt Kempter, will use this outdoor classroom as an educational opportunity to explain and discuss the earth history of this beautiful basin in our own backyard. From them, you will learn about the magnificent natural and cultural history of this scenic area, called a€?the evil countrya€™, or the badlands, by chroniclers on the Coronado Expedition of 1540, as a result of their extreme difficulty in crossing through lava flows by the expeditionaries and their horses along the legendary Zuni-Acoma Trail.


The mythology of El Malpais will be discussed as well as the many different native cultures in the area, including Acoma, Zuni, Dine (Navajo), and others, which have made their home in the region for centuries and in some cases, millennia.
All will have access to the modern Visitor Center, featuring rangers, interpretive exhibits, and books and literature. Departing Santa Fe, we will travel through EspaA±ola, turn west over the Rio Grande, and on the north side of town turn west again onto a dirt road which we will travel for several miles on a scenic forest road, where we wind our way up through the Pajarito Plateau and into the scenic Jemez Mountains. Zolbrod will escort us to an important ancient Chacoan outlier, Kin YaA­a (Tall House), where he will help us understand the importance of Chaco Canyon culture. You will have an opportunity to interact and learn about Dine culture in education from the teachers and students and tour the school. Our Study Leader is a specialist on sacred spaces and places, and this will be a unique opportunity to share in his wisdom and insights. After scenic drive up the northern Rio Grande valley to Pilar, we will access the petroglyphs by hiking to view some of the most exciting images on stone. Forest Service and members of the American Rock Art Research Association, as well as Arizona State University scholars, these areas (Sites #006 and #147) are filled with over 600 known rock art carvings, which are astronomically aligned to Summer solstice and equinox sunrise and sunsets. These lands were the site of hunting gathering and farming communities for many millennia, as this region was populated by different peoples over long periods of time who came together to become those who were encountered by Spanish conquerors, missionaries and settlers. All four pueblos were constructed of adobe and noted scholars excavated each to different degrees during the 20th century and today visitors see low mounds of earth. Pottery traditions of the village were shared with other puebloans of the Tewa Basin and Pajarito Plateau but Arroyo Hondo appears not to have participated in much broader networks of exchange.
While much smaller than Arroyo Hondo, with about 250 rooms, it experienced 2 different construction episodes during which the community completely reorganized its space.
This is one of Americaa€™s recent national monuments and is an important area sacred to Keres and other Pueblo peoples. They may both seem innocuous but they both deal with magic and that leads to evil," the Daily Mail quoted him as saying. And he found relief and release in a yoga program designed specifically for war veterans called Yoga Warriors International. The following year I joined Paula Gasparello as a full time specialist in Chinese painting and we began to hold regular auctions of Chinese paintings and calligraphy. Although the art market as a whole was not particularly strong in the early 1980s the Chinese department, fueled in part by a burgeoning Hong Kong economy, held its own.
Sothebya€™s early entry into the market in Asia, particularly Hong Kong, gave us a distinct advantage in cultivating new buyers and sourcing potential consignors of paintings as well as ceramics and works of art. The curators of the Readera€™s Digest collection had no knowledge or interest in Chinese art, even contemporary Chinese art, and they decided to sell the work at auction.
After intense competition, primarily among overseas Chinese collectors, the album sold for $297,000, nearly ten times the presale estimate and easily a world auction record for Chinese calligraphy at the time. The scroll had been consigned by a young Hong Kong collector and it was finally hammered down for $187,000 to a new North American collector bidding against stiff international competition. Additionally I received tremendous support from my colleagues in the international Chinese Works of Art Department and in Sothebya€™s regional offices, especially Rita Wong, Suzanne Tory, Meeseen Loong, Tony Omura, Timothy Sammons, Jonathan Bennett, David Priestley, and Patti Lam, all of whom were helpful in finding consignments as well as in assisting collectors and cultivating new buyers.
Opinions ranged from a€?genuinea€? to a€?Southern Song, but not Ma Yuan,a€? to a€?Ming Academy work,a€? to a€?17th century copy,a€? but in the end the album was sold for $319,000 to a Chinese-American collector who believes it to be a genuine work of the Song master. In the case of famous works or well-established collections, however, the auction houses can also capitalize on the cachet and reputation associated with the individual work or collection. Chiang did give lip-service to the united front effort and flew back with Zhang to Nanjing where Chiang was given a heroa€™s welcome. The presale exhibition was extremely well attended and the salesroom was packed with serious collectors of Chinese art as well as dozens of unfamiliar faces and first-time buyers who were not really art collectors but were aware of the identity of the owner and hoped to come away with a piece of history. Following the painting are lengthy colophons by Ming and Qing dynasty writers, including Dong Qichang.
I found it increasingly difficult to procure enough authentic paintings and calligraphy to satisfy their needs.
But to dwell on these philosophical differences would present a negative picture of what I saw as a very positive decision and a logical career progression.
Taiwan buyers are not as active as they once were but they are beginning to be replaced by a new generation of collectors in mainland China. Selectivity is the key to survival, for auction houses and dealers alike, because selectivity is the key to collecting. Not only were Chinese artists and intellectuals largely cut off from their own past, they were also isolated from artistic and scientific developments in the rest of the world. In the struggle confusions arise, and there is a loss of communication among many of the students of the field of knowledge. 1936), and others, who discovered and pursued the underlying intellectual and spiritual connections between traditional Chinese painting and 20th century Western art, particularly abstract, non-objective painting. An accurate assessment of the visual arts in todaya€™s China would require investigation into an unprecedented variety of media including oil painting, acrylics, watercolor, gouache, sculpture, woodblock prints, ceramics, textiles, film, graphic design, and installation art in addition to the traditional forms of Chinese painting and calligraphy. Hong Kong and overseas Chinese have had to grapple with complex questions of identity on a daily basis. It is equally clear, however, that, in spite of all attempts to suppress it, traditional Chinese painting is both resilient and relevant.
Young people the world over listen to the same music, eat the same hamburgers, and wear the same sneakers.
Guohua will survive because of its unique and timeless artistic qualities: expressiveness of line, simplicity of form, and purity of spirit. Our hike will include some relatively flat trails on the mesa top, some rough uneven terrain along the boulder slope where the rock art is located, but will also include the short but steep rocky talus access to the mesa top, so please come prepared for this rugged landscape on the outskirts of Santa Fe which overlooks the important riparian stream banks of the beautiful Santa Fe River downstream from the city now featuring beaver dam ponds. Hundreds of men, women and children dance throughout the day, accompanied by a male chorus, in the huge sunken bowl of the Plaza worn down by the centuries. Ann features Corn Dance, a colorful spectacle which draws the entire Pueblo together as most of its population, nearly 700 people, return to the Old Pueblo (normally not open to outside visitors) for traditional ceremonies and visiting native arts and crafts vendors. Discover more about the 5000 year human history presence and importance of the canyon to ancestral Puebloan, Hopi, Havasupai, Navajo, Hualapai, Paiute and Zuni.
As importantly wea€™ll hike beautiful side canyons with cascading waterfalls, turquoise pools, and the cooling shade of hidden grottos and enjoy stargazing at night. Wea€™ll enjoy dinner, a lecture, and overnight at the historic Old Plaza Hotel, built in 1889.
It is with anticipation that we look forward to spending time with our dear friend, Dora Tse Pe, the legendry potter and San Ildefonso resident as well as her family who have invited us to share a feast meal with them on this important occasion. George, Utah, just a few minutes from Snow Canyon State Park, where geologically young volcanoes poured dark basalt lava through spectacular canyons of red and white Navajo sandstone.
The close proximity of Snow Canyon and Zion will allow us to spend significant quality time in both parks, with less highway travel.
On Day 3 we begin our exploration of Zion, lodging for three nights in individual historic cabins right in the heart of Zion National Park, a very special opportunity indeed. They were not, in other words, a monolithic culture, but several different peoples who shared cultural practices. On this day trip, we will see remains of Tewa houses dating from the 14th century, much evidence of pottery as well as other artifacts in situ.
We will also review the local hydrology and understand the presence of many natural springs nearby. It is with anticipation that we look forward to spending time with legendary potter and Zia native, Dora Tse Pe and her family who have invited us to visit and share a feast meal with them on this important occasion. He will also share information on the important Keres language preservation project for which this study tour is organized to support. In addition to providing commentary on each site visited, he will offer us interesting facets of Puebloan and Dine (Navajo) history. Wea€™ll also visit the beautiful Laguna Mission church, operated by the Franciscan order, built in 1699 and containing beautiful native paintings, colonial reredo (altar screen), and traditional adobe architecture. We will travel through the historic ghost town of Waldo and along the railroad tracks laid through the area in the late 19th century to the picturesque village of Cerrillos, then travel across the Galisteo Basin heading east on the backloads through this scenic area. Visit a small rural family-owned Trading Post, rarely seen by outsiders, which helps bridge cultures and maintain community. Special visits and tours of Dar al Islam Mosque in Abiquiu, Christ in the Desert Monastery, the Sikh Dharma and community in Somlbrillo near Espanola, the Buddhist stupa in Santa Fe, plus special presentations by representatives at these very special locations. In addition to petroglyphs, there will be spectacular views of the Rio Grande gorge, birds, possibly early wild flowers, important Apache cultural shrines and their campsites. These types of carvings from this era are often associated with nomadic hunter-gatherer societies.
While conquest is an important chapter of Pueblolan history, a€?survivancea€™ is its modern reality. Why did ancient Puebloans build monuments whose construction required the quarrying and shaping of thousands of tons of sandstone from canyon walls and the hauling of over 200,000 pine logs from mountain slopes 60 miles away, all to build a dozen 300-600 room edifices that housed only a handful of people?
The trail is well marked and follows along a small arroyo and enters an elegantly carved slot canyon, then climbing to a scenic overview of the spectacular Rio Grande valley where we will enjoy a gourmet picnic lunch.
A short walk down the canyon will lead us to Kin Kletso, an important part of the developmental history of the area. Ma, Director of Chinese Paintings at Christiea€™s, is determined to maintain a market presence in New York, it would appear that a corporate decision has been made to eventually shift the sale of virtually all Chinese paintings, both classical and modern, to Hong Kong. I readily agreed to research and catalogue the sixteen paintings and one calligraphy, which included works by Wen Zhengming, Lu Zhi, Wang Wen, Wen Boren, Ju Jie, Lan Ying, Wang Duo, Wang Jian, Fa Ruozhen, Wang Hui, Wang Yuanqi, Gao Qipei, Huang Shen, Zheng Xie, Li Fangying, and Luo Ping. By early 1982 economic pressures led to a significant number of layoffs at Sotheby Parke Bernet. It allowed elderly collectors to dispose of works they no longer needed and families to discreetly disperse inherited private collections.
The entire auction totaled nearly $800,000, well below the $1,200,000 presale low estimate for the 126 lots, but encouraging nonetheless because nearly 80% (by value) was sold and a number of pieces brought strong prices. Later, the Ming scholar Chen Jiru attached a colophon and the painter Cheng Zhengkui affixed his seal, and it then found its way into the hands of two of the premier collectors of the 17th and 18th centuries, Liang Qingbiao, and An Qi, who recorded it in his Moyuan huiguan. Nestled amongst the leaves of the album was a short note written in French which indicated that the work had been purchased from a soldier who had fought in China, presumably during the Boxer Rebellion of 1900. Paintings that have been exhibited in museums or have appeared in serious publications tend to be more marketable. Zhang Xuelianga€™s efforts to unify China against a common enemy, however, were rewarded with a swift court-martial and more than five decades of house arrest. Without commenting in detail about either of the works I said simply: a€?The owner of these paintings must have many good things. The sale was a tremendous success and Zhang Xueliang, along with his loving wife Edith, moved to Hawaii where they remain today as Zhang begins his second century on this earth. Wu Bina€™s name does not figure prominently in traditional Chinese accounts of painting history but he is highly regarded by Western scholars.
There was now firm evidence that the right Chinese painting in the right economic environment could sell for more than a million dollars, but it had to be just the right painting offered at just the right time. Perhaps my own notions of quality were too high and my standards for judging authenticity were more strict than the current market necessitated, but I found myself rejecting many works that were later sold successfully elsewhere.
Ma the autonomy to structure the sales in a way that is most beneficial to the company and to his clients.
Guggenheim Museum is planning a major exhibition of 5,000 years of Chinese art which will include modern and contemporary works in a variety of media, and the Asia Society is organizing a show of contemporary art by Chinese artists living outside of China for the fall of 1998. Artists in Taiwan, Hong Kong, and abroad have of course had many more artistic options open to them and they have already made significant contributions to the field contemporary art.
However, it is interesting to observe that these individual Chinese artists of diverse backgrounds have found common ground in their choice of medium. It is worth noting that most of the Chinese painters who worked in both Western and Chinese media demonstrated a distinct preference for the latter in their late years.
In cyberspace, national borders do not exist and information is constantly exchanged across continents at lightning speed.
The trip inclui??des all lodging, meals, river and rafting arrangements and quality time with David Noble.
Experience the soothing comfort of a quiet river valley and nearby pond, a welcome oasis in the heat of the summer.
Visit interesting historical sites only accessible by the river, study unique geological features, and gain a comprehensive educational perspective on the geology and natural history of this majestic canyon. We will take a short hike to Piedras Marcadas Canyon, where the first petroglyph of a horse known in the United States is found amid a rich concentration of petroglyphs, most of which were created a century before European contact. On the next day, accompanied by our modern Harvey Girl we will tour the legendary Montezuma Hotel, now part of the United World College campus. Featuring gas log fireplaces and a private porch at each cabin, we promise a bit of quiet time to enjoy the majesty of one of our favorite U.S. The wealth of data on Pueblo culture, from three thousand years ago to the present day, provides an ideal laboratory for the study of culture change.
Those who have accompanied Ware and Governor Joseph Suina on past Pueblo World Tours will visit many of the same destinations but see many new sites, and youa€™ll be able to follow along with Warea€™s commentary on Pueblo social history with an advance copy of his new critically acclaimed book. The site contains lots of petroglyph panels, spectacular views and a large important ancient Santa Clara village that includes a reconstructed kiva.
Sam Duwe, assistant professor in the Department of Anthropology and Applied Archaeology and Director of the Tewa Basin Archaeological Research Project at Eastern New Mexico University.
David is the author and editor of many books relating to Southwest archaeology and culture, including Ancient Ruins of the Southwest: An Archaeological Guide and most recently, In the Places of the Spirits. A short but interesting hike (one mile round-trip) will illustrate the fascinating earth history of the Cerrillos Hills, Ortiz Mountains and the beginning of rifts in the Santa Fe area.
In El Malpais are found ancient jagged lava flows, volcanic cinder cones and rims, pressure ridges, lava tubes, ice caves, and other landscape features, as well as prehistoric ruins and cairns, rock structures, and homesteads, plus important cultural sites where ancient pottery and other material artifacts have been discovered. Paul Catholic Church in Crownpoint, where Navajo spirituality coexists with Roman Catholic Christianity. The glyphs follow the contours of the rock and incorporate natural features, such as nodules, bumps, and cracks, into the carving.
Some have said the Zia people have retained most of their traditional beliefs and thus absorbed very little influence of our dominant society.
Cordella€™s interpretation, we will walk each of the sites to understand their similarities and differences. Their kivas were of 2 different shapes and construction techniques, and the village maintained 2 different traditions of painted pottery, while participating in extensive trade networks.
Why did ancestral Puebloan communities over a geographic region the size of New England build community centers that emulated these monumental structures?
Learn the fascinating geologic story of how these dramatic columns have eroded as you appreciate the power of Mother Naturea€™s forces: wind, water, and time. Wea€™ll visit smaller habitation sites, small farming settlements surrounding Casa Rinconada, Chacoa€™s massive great kiva. Cimini, the founding director of Central Mass Yoga and Wellness in West Boylston, designed to alleviate the symptoms of combat stress or post-traumatic stress disorder. Paula Gasparello was one of the casualties and I was given responsibility for all sales of Chinese paintings in New York and Hong Kong. Sothebya€™s and Christiea€™s performed the traditional auction house role of providing a secondary market for dealers, museums, and collectors and, in the case of some contemporary works, occasionally played the unfamiliar role of developing a primary market through the introduction of new artists into the marketplace.
I was astounded to be asked by the curator whether the six large hanging scrolls, which are clearly meant to be hung together as a single work, could be sold separately. The scroll subsequently entered the Qianlong Imperial collection and it is dutifully noted in the Shiqu Baoji xubian. This album must have been looted from the Imperial Palace when the combined Western military forces were called in to quell an anti-Christian, anti-foreign Chinese peasant uprising.
I would like to see them.a€? The intermediary left, saying that she would talk with the owner. Not surprisingly, this long handscroll was hotly contested by two dealers bidding on behalf of American private collectors, and it was finally sold for $1,210,000.
The few buyers at the top were unpredictable, buying in what seemed to me to be a rather indiscriminate manner, often paying high prices for works of dubious merit while ignoring what I considered to be high quality examples.
For whatever reasons, my competitor was extremely adept at finding works that suited the tastes and budget of the new clientele and Christiea€™s consistently won the battle of market share, which is a house-to-house comparison performed by auction house accountants, like a bizarre postmortem ritual wake, after every series of auctions. The auction houses are large international corporations with tremendous costs and huge overhead.
An examination of the current state of guohua as a distinct type of Chinese art, however, is useful because the limited focus of the investigation brings heightened clarity to larger artistic issues.
Their conscious decision to work with traditional brush and ink applied to absorbent paper, at a time when so many other options are available, indicates at the least a tenuous link to Chinaa€™s artistic past.
Modern communications and transportation have made all markets international, including the art market. Charming casitas, comfy beds and organic samples from the garden will round out our archaeological day excursions. Appreciate the context, and underlying meanings of this powerful ritual and sacred cultural landscape. Our mission is to arrive before dawn so we witness the entrance into the village of the deer and other animals. Few places in world provide so much historical information, over so many centuries, on cultures that thrive today. On the Saturday following the tour wea€™ll visit Cochiti Pueblo for a tour of the community by this yeara€™s Cochiti Governor, Dr.
We begin to learn how Tewa people understand their own unique history and become witness to the kind of collaborative work Scott and tribal members have been doing to link the native understandings to Southwestern archaeological research. Our afternoon will conclude with a relaxed social Happy Hour, including a glass of wine and appetizers at Conniea€™s Casa, the owner-built, passive solar traditional home to Southwest Seminars Director, Connie Eichstaedt. Includes transportation, 4 meals, overnight accommodations, entrance fees and Study Leadersa€™ honoraria.
You will also need long pants and hiking boots, hat, water, and hiking sticks (poles) if you use them. They are typically deeply incised and may represent the only remnants of conscious communication left by these early peoples.
The Zia achievements in pottery and other arts and crafts, as well as spiritual tenacity is legendary.
Was it political hegemony, economic imperialism, or religious fervor that inspired the architects of Chaco and their emulators?a€?a€?Amerinda€™s spring tour to the northern Southwest will spend two days in a€?Downtown Chacoa€? in search of answers to these questions. 3-mile roundtrip hike, 400 feet elevation gain Includes: Study leader honorarium, transportation and a lovely picnic lunch included. This afforded me a unique opportunity to build up a new market but I was faced with the daunting challenge of trying to make sense out of a very complicated subject. I was relieved to land the consignment and to receive permission to sell the painting as one lot!
In spite of the impressive pedigree of the handscroll, two of the leading authorities on Chinese calligraphy in America initially expressed doubts about its authenticity, perhaps confusing it with a well known related work in a Japanese collection. As a result of the suppression of the Boxer Uprising, not only did the Qing government suffer the indignity of agreeing to pay a huge indemnity to the foreign powers, but a number of European, Japanese, and American soldiers helped themselves to what they considered to be war booty and souvenirs from the Forbidden City. Landing an important collection or estate creates an opportunity for promotion and also enhances the reputation of the department within the field and within the company.
Later that day, while Rita Wong, then head of the Taiwan office, was driving me home it occurred to me that the most logical source of the two paintings had to be Zhang Xueliang. The results of the June 1992 New York auctions of Chinese paintings, however, proclaimed Sothebya€™s the victor in market share, winning by a substantial 53% to 47% margin. As was the case during the first half of this century, the decision to paint guohua will be made for different reasons by different artists. Along with the amazing scenery and geo-education wea€™ll enjoy periods of profound peace as we drift quietly through narrow corridors of polished granite. Meredith Davidson, an enthusiastic young scholar, is Curator of 19th and 20th Century Southwest Collection, for the New Mexico History Museum and curated the current permanent exhibition, Setting the Standard: The Fred Harvey Company and its Legacy. We will have a picnic lunch on site and finish with a visit to a Santa Clara pottery-making family for a demonstration of their famous deep-carved black and red ware, which often features the water serpent, or Avanyu, as well as other symbols and imagery significant to the Tewa villages of the northern Rio Grande. On our last Southwet Seminars field trip to the North Rim we had a very special porcupine sighting!
These incredible rock carvings include curvilinear, rectilinear, non-representational, irregular, geometric, spirals, starbursts, animal tracks, hunting images, and vision & Dream scenes. Their mission church and plaza are all part of the accommodation and compartmentalization of different but powerful spiritual forces.
Wea€™ll begin our tour 150 miles to the north in the central Mesa Verde region where Chaco probably had its roots. Speaking on the subject of People And Religion at a fringe event at the Umbria Film Festival in Terni, Father Amorth spoke of his distaste for JK Rowling's young wizard. At the time Chinese paintings were occasionally sold by Sothebya€™s London as well, where they were included as a postscript to Japanese print sales. The image of a€?Giant Lotusa€? appeared as a wrap-around cover for the June 1982 auction of Chinese Works of Art and Paintings and it attracted interest from across the globe, selling to a collector in Taiwan for $77,000, at the time a world-record auction price for a contemporary Chinese painting. Fortunately two astute overseas Chinese collectors recognized the scrolla€™s importance and they bid it up to a final price of $77,000.
A significant number of paintings and large quantities of Imperial ceramics and other works of art must have found their way into Western collections during the early part of this century in this manner, although the casual note found in this album provides rare documentation of the phenomenon.
In his youth, well before the Xia€™an Incident, Zhang had been known as a collector of Chinese art. On the other hand, the size of the operation can render the fundamentally simple process of selling individual works of art overly complicated and expensive. For some, the impetus will be to continue to be part of an unbroken artistic tradition which they can trace back into antiquity, thus reaffirming their own cultural identities. Even today, there is something about using brush and ink, like eating food with chopsticks, that feels natural to a Chinese artist.
Sam Duwe, Assistant Professor of Anthropology, University of Oklahoma and Director, Tewa Basin Archaeological Research Project will be a highlight of our trip as he shares knowledge of the Tewa and the region.
Includes 7 full days of activities and 8 nights in favorite lodging in scenic locations, and featuring the interplay and dialogue which accompanies scholarly discussion and debate.
Includes Transportation, scholar honorarium, lunch, followed by wine with apps at Conniea€™s Casa (and hoped-for lilacs) before return to Hotel Santa Fe, our pick-up and departure point.
Our destination will be a high altitude alpine meadow overlooking the spectacular north rim of the Valles Caldera where we will be served a gourmet fajita picnic lunch with a breathtaking view down into the caldera valley below.
Zolbrod will also introduce us to two Catholic nuns who were part of the effort to create the Crownpoint Rug Auction, now a major cultural tradition and artistic event which you will have the privilege of attending.
We will be like trees: silent observers and important witnesses of the continuing strength of culture here today at Zia Pueblo. The Spelman paintings were significant in that they presented to the market a group of excellent works with generally reliable attributions.
I was gradually able to wrestle control from the Japanese Department and for a time we experimented with selling Chinese paintings through the London Chinese Department. The sale of the painting received significant publicity in Taiwan and Hong Kong and it helped to bolster Sothebya€™s reputation in Asia for expertise in Chinese paintings. In a relatively small but extremely specialized market, like Chinese paintings, there may be other, more efficient ways to match buyer with seller. For others, the choice of guohua may be primarily a reaction against the repressive artistic policies of the Communist regime, ostensibly denying their ties to the recent past.
We are proud to offer this unique opportunity, a Must-Do for all lovers of the Southwest culture and landscape, especially when accompanied by such exceptional scholars. In Harry Potter the Devil is at work in a cunning and crafty way, he is using his extraordinary powers of magic and evil," he said. The market there never developed and to this day collecting interest for Chinese painting in Europe remains limited. In early publications on Chinese painting his name is often listed as the owner of specific works which had not yet resurfaced.
For still others, the immediacy and sensitivity of the traditional medium and its unmatched ability to respond to the subtlest of touches, may be reason enough to adopt the art form, affirming the individuala€™s artistic identity, irrespective of his political viewpoint. All expenses covered coach transportation, admissions, all lodging and meals, donation to tax deductable donation to the Amerind Foundation. Their lives represent an intersection of cultures that they have chosen for their life's work. Lunch included at Conniea€™s Casa in Canoncito at Apache Canyon for debriefing and sharing our adventure stories. However, perhaps because of this quirk in the market, Europe became for me a significant source of paintings for sale in both New York and Hong Kong. Over the next few years I developed a peculiar relationship with Zhang Xueliang, through his intermediary, who initially did not acknowledge his identity but realized that I knew who the real owner of these works was.
He studies each and everyone of us and our tendencies towards good and evil and then he tempts us. With PTSD, your emotions are ruled by what happened 20 or 30 years ago." Dziokonski originally took yoga to gain more flexibility. She began showing me paintings on his behalf, some for sale, some not, and she would relay back to Zhang my comments about the works. If not, we are witnessing the close of a short but intense chapter in Chinese painting history. As he practiced yoga, the wars in Afghanistan and Iraq were unfolding a world away, but were hitting close to home for Dziokonski. We began selling the less important scrolls, which did not bear his collectora€™s seals, but gradually he consigned, always through a friend in the United States, major paintings by artists such as Shen Zhou and calligraphy by as importantt a writer as Zhao Mengfu. If the major auction houses decide that it is no longer financially viable to continue to hold sales of Chinese paintings in New York, it will be up to a few committed and knowledgable dealers to try to pick up the slack.
In these humble surroundings, you will come to respect and understand the Dine and their important connections between people, language, and land.
This is not the first time that the 85-year-old has raised eyebrows with his forthright views, as last year he had said that the ongoing child sex scandals rocking the Catholic Church were evidence that "the Devil was at work in the Vatican".
His discussions and commentary featuring his perspectives on Dine culture will be valuable tools for our own education.
The war was in our living room," Dziokonski said, recalling the firefights that were being broadcast on the nightly news. How can those who paint just for fun in their spare time capture the true character of all things on earth.
In fact, Dziokonski had asked her to teach a class at the Worcester Veterans Center, which fellow veterans later decided to continue.
In addition, she is the co-author of a study that will appear in the American Journal of Occupational Therapy, "The Effects of Sensory Enhanced Hatha Yoga on Symptoms of Combat Stress in Deployed Military Personnel." The study was done by Maj. Jon Greuel, an Air Force instructor pilot, in Kirkuk, Iraq, from November 2008 to November 2009 in collaboration with Cimini.
She is also working with Worcester State University to study the effect of the Yoga Warrior program on military students at the university. Zest Yoga and Fitness in Auburn is one of the local studios offering the Yoga Warriors class with a certified instructor. Zest Yoga and Fitness in Auburn began offering a Yoga Warriors class in September, and is open to all veterans and active-duty military personnel. Dziokonski, who regularly attends a Thursday morning Yoga Warriors session, said yoga has returned to him a sense of calm, and has improved his sleep. Many Vietnam veterans are enrolled in Yoga Warriors, and also some World War II veterans, and now Iraq War veterans.
Dziokonski and Cimini said the emotional impact the war has on returning veterans may not become evident until months or years later.



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