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30.06.2014
In Retro Movie Missions the Retronauts fire the Retro-rockets on their Retro-starship to take a look back at some retro-movies!
Join Captain Ben, Sergeant Steve, and Ensign Evan as they explore the Disney sci-fi movie BLACK HOLE! With the new Star Wars teaser release, Ben, Steve, and Evan talk about their thoughts of the teaser and address some items from the mailbag! Ben and Evan are joined by three friends to take another trip to the theater…this time to see BATMAN v.
People FOR Superman recognize that he’s pretty much all powerful, from X-Ray vision to impervious skin. Think about it: Superman is the ultimate in racial privilege, while Batman is the ultimate in financial privilege. Striped away of alien strength and 1% wealth, if they met on the field of battle (a dark alley or an actual field of corn?) Batman’s core personality probably gives him an edge in the fight. If it was completely unexpected — in other words, Batman was attacking Superman with no foreknowledge, Batman absolutely could assassinate Superman. So this arguing about who can best the other in battle is, in truth, a pretty useless exercise. People FOR Superman appreciate his ideals, his strength, not just of ARMS, but of character. People AGAINST Batman argue that he is someone who has taken the law into his own hands, become judge and jury, and may have a moral code against guns or killing (depending on the current writer) but who is a paranoid psychopathic law unto himself. People attracted to Batman’s positive qualities look to a man who has overcome the lose of his parents in a tragic death in front of his eyes. And both are characters who, while there are some flaws in their character, and there may be flaws in the presentation of their stories at time, can be looked up to. If you relate to Superman more, it’s because you see someone with great power who uses it responsibly (if not perfectly) to make the world a better place. I believe that, while I may be missing some nuances and perhaps some specifics (please, if I’ve missed YOUR reasons for loving one character or the other, sound off below) this is why both of these characters have resonated with fans for three quarters of a century!
From Star Wars to X-Files to Heroes, old heroes have been making a return…and they make their return, well, older! In this episode we take a look at some of our favorite and not so favorite returns and what those returns bring with them! The government’s finally going to reveal what Fox Mulder has been waiting for all these years . The X-Files has returned, and Steve and Ben WERE pretty excited…and now they are ready to wade through the final three episodes!
A monster of the week, a supernatural FBI tale, and a mythology episode again give a pretty good sampling of what the X-Files was all about, but how did it live up to the X-Files’ legacy? Join Captain Ben, Sergeant Steve, and Ensign Evan as they explore Jim Henson’s classic movie LABYRINTH! A transmedia project about an secret group of multi-generational warriors in the never-ending battle against evil, League of the Gray is part Buffy the Vampire Slayer and part Golden Girls!
Ben talks with Sandy Brownlee, the mastermind behind this web series, about the project’s origins, its future, and how people can help this transmedia project come to fruition! The X-Files has returned, and Steve and Ben are pretty excited…although we have different reactions to SOME of these first three episodes of X-Files season 10. With a mythology episode, a mystery episode, and a humor episode, the first three episodes of this six episode series give a pretty good sampling of what the X-Files was all about, but how did it live up to the X-Files’ legacy? Also, Ben and Steve welcome Evan officially into the fold as the fourth “strange alien”!
For a holiday treat, we read Charles Dickens’ precursor to A Christmas Carol, The Goblins Who Stole a Sexton, a chapter from The Pickwick Papers.
This episode has conversation on the way, conversation in the theater before the movie started, some parking lot conversation after the movie, and commentary on the drive home! Ben is joined by four of his five kids to talk about their thoughts and reactions to the Star Wars prequel trilogy! Ben and Steve are joined by Evan David to discuss some of their favorite “very special Christmas” episodes of TV shows, movies, and comics! Ben and Steve open up the listener feedback mailbag and discuss a few responses to our recent episodes. Ben and Steve take a look back at all 19 Jaws movies, from Jaws to Jaws 4: The Revenge, from Cyberjaws to Jaws in NY, from the prequels to the reboot to the return to the original continuity in this year’s Jaws 19! Joined by The Static Blade’s Evan David, Ben, Steve, and their guest talk about their top ten favorite animated series of all time. The three sci-fi guys are together again, taking a look at the top ten biggest money making movies of all time. Ben and Steve talk about some of their favorite fictional sports, from futuristic racing to sci-fi fighting to fantastic competitions. In a non-review, Ben recommends some movies that actually succeed at some of the things that 2015’s Fantastic Four was trying to be.
So for this episode, we have some fun poking fun at Obi Wan Kenobi and his really poor decision making.
Some weeks ago, Simon Pegg made some controversial statements about geekdom and cinema and where it seemed to be heading. The topic is Tomorrowland, as Ben joins forces with special guest Even David from The Static Blade Podcast!
The trio is back together again, and it’s time to discuss Avengers: Age of Ultron, the first big movie of the summer movie season! Ben and his four oldest children have just finished watching the original trilogy of Star Wars, and now they have gathered together to discuss them! This is the weekend we celebrate Easter, and in this episode we take the time to reflect on Easter, Good Friday, and the Last Supper. Ben is joined by his family in a series of readings and writings about some aspects of the Holy Week.
MOJAVE first tries to draw you in with intrigue, leaving you stranded and clueless in the desert with its main character. At the 20-minute mark of MOJAVE, I had to re-examine the back of the movie to make sure that I was watching the same movie and wasn’t the victim of a wrong blu-ray in the wrong blu-ray box. We’re never really told bluntly or even subtly why Tom is supposedly suicidal or why Jack develops a bizarre fascination with Tom.
My best assumption is that Tom finds no more meaning in life anymore because his creative juices have been drained.
MOJAVE may be the end result of years of praise for Monahan, who’s gotten some much deserved praise for THE DEPARTED.
Sometimes I try to find the positives of a movie to justify craftsmanship, but MOJAVE doesn’t deserve any credit for its sparsely sprinkled in lines of dialogue that actually feel genuine, it’s beautifully framed and sweeping establishing shots, or it’s sometimes inspired visuals. At a certain point, the storylines for future DC animated universe movies are going to push the running time way past the meager 78 minutes we’re accustomed to. Any villain that’s able to compete with the might of the Justice League, has to be nothing less than astounding. Like most of the DC animated movies, the action is fluid, fun, and evenly spread throughout. Depending on how much backstory and how epic they wanted the last battle to be, I could hav easily see this movie stretching to two hours, which I feel is adequate for two parts. From the DC Comics Vault: As is customary for the DC animated movies, you’re given a selection of TV shows.
THE 33 is a solid unremarkable film that could have been better with more background on the miners. A father and two sons come together under one roof as they try to process the loss of their wife and mother (Isabelle Huppert), a famous war photographer who displayed signs of depression.  She died three years ago in a car accident. Speaking more of the internal noise within the characters, LOUDER THAN BOMBS (also the title of a famous 1987 rock album from The Smiths) is an ironically quiet portrait of a family.


The idea that we are unsure of the outside world, or even grander concepts, is the basis of ROOM. The one thing you’ve probably heard the most is the acting in this movie, and yes, I will join the choir and add that it is fantastic. For those who saw the news coverage and remember any incident involving a kidnapped woman, held against her will, and then released years later, they’ll relate to Larson’s predicament.
Aside from the acting, ROOM is never boring, finding pain and joy in the simplest of things. Audio Commentary with Director Lenny Abrahamson, Cinematographer Danny Cohen, Editor Nathan Nugent and Production Designer Ethan Tobman: Despite the wealth of folks in on this commentary, it’s a bit dry.
Some time ago, John Munn (Dermot Mulroney, ABOUT SCHMIDT) moved his sons to Georgia to live a life of quiet isolation. UNDERTOW is the third feature from David Gordon Green, who previously helmed 2000’s GEORGE WASHINGTON and 2003’s ALL THE REAL GIRLS. While portions can be overdone at times (consider the opening credits, which are sporadically filtered for no apparent reason, or the sudden freeze frames which don’t lend to much), there is so much that runs without flair that the entire story feels as authentic as the dirt under the characters’ fingers. Now more than 15 years and 11 films into his career, David Gordon Green has more than proved an essential and generally reliable presence in both independent and mainstream cinema. One night, Sara Price (Natalie Dormer, who plays Margaery Tyrell on HBO’s GAME OF THRONES) gets a phone call informing her that her sister’s employer has filed a missing persons report. It’s there that she meets a reporter named Aiden (Taylor Kinney, NBC’s CHICAGO FIRE), who has a few demons of his own. As expected (perhaps even just from the poster), THE FOREST attempts to offer its biggest thrills through images that suddenly flash on the screen and score cues that suddenly shriek from the speakers.
THE FOREST marks the feature debut of Jason Zada, whose name you may not recognize but whose work you have likely been forced to see by an officemate: Zada had a large role in creating Elf Yourself, the website that allows you to upload a picture onto an elf’s body and watch it dance around for as long as your day allows—it’s about as good for a laugh as THE FOREST is for a scare. This is a poorly written movie that, when it’s not jumping at the viewer for frights, is reminding them that they aren’t smart enough to remember the basic premise. Despite all of the potential in the source and the promising casting of Dormer, THE FOREST accomplishes very little.
Feature commentary with director Jason Zada: Zada offers a decent and informative track that fans of THE FOREST will enjoy. Like Douglas Adams’ Deep Thought, when answering the question of life, the universe, and everything, he had an answer, but the answer came with another question. He could rule the world with an almost literal iron fist, but he chooses instead to help people. Steve, and Evan talk about the career of animator Don Bluth, looking back on their favorite memories from Bluth’s body of work, and on some of their least favorite work from him, from his work at Disney to his arcade video games to Fievel and The Land Before Time to Titan AE!
And don’t forget to check out The Crossover Network for more holiday podcast episodes! Night’s latest film, which seems to be not just a return to form but a return to passion.
He backed off a little bit, and his intent was not to be as controversial as it was made out to be, but it also did provide some fodder for some good conversation.
And in this episode, Ben is joined by the surprise first guest of the summer! After guest hosting on the Geekually Yoked podcast to talk about the movie Spirited Away, Ben mentioned to Rachel that he was planning to do an episode about mad Max: Fury Road and a second impromptu podcast discussion was engaged!
In this episode, Ben and Steve talk about the influence Nimoy had on sci-fi, fantasy, and their own fandoms. Secondly it tries drawing you in with late night existential musings, trying to pass them off smarter than they actually are. It tells me MOJAVE is about a suicidal artist, Tom (Hedlund), who goes into the desert where he bumps into a homicidal drifter, Jack (Isaac). They’re meeting in the desert is apparent happenstance and their connection is just as unsystematic. It’s a movie that acts like it can do no wrong, smugly moving from scene to scene, feeling clever, but instead feeling comical and forced. After starring in the biggest movie franchise on the planet and helping bring EX-MACHINA to life, Isaac may want to just forget he ever starred in this and laugh off this role like a bad cold. Despite the aggravating conversations, it’s even more aggravating when my ears are blasted after I’m struggling to hear what someone is saying.
TEEN TITANS is perfectly fine with its runtime; unless I’m confusing the craving for more DC content for the lack of it. The animation is gorgeous, finding its strength in Beast Boy’s shapeshifting, Trigon’s hellish homeland, and Raven and Starfire’s magic. DC did that with BATMAN: THE DARK KNIGHT RETURNS, and that is hands down one of the best DC animated movies out there.
It’s like a miniature documentary that glosses over the decades old history, but leaves you well-informed by the end. Adds a bit more depth to the character and helps add meaning to her purpose to those not familiar with the Teen Titans. I’ve been excited about this movie since hearing about it and this feature gets me more excited for its release.
This one has BATMAN: THE BRAVE AND THE BOLD and TEEN TITANS, and both are solid episodes from solid TV shows.
They are playing soccer, having a meal, enjoying some music and discussing what lies ahead. The group soon learns that the escape ladders are missing and communication is nonexistent. There is nice contrast between the darkness of the mine and the sheer brightness of the desert. You hear the director, production designer and visual effects supervisor going over how they achieved this and how to make it realistic. The boys are going through a room full of her old photographs that have yet to be developed or downloaded before turning them over to a writer who wants to publish a story about her.  Gene (Gabriel Byrne), a father and school teacher, is having difficulty explaining to his youngest son that his mother may have intentionally caused the car accident that killed her. As the lone child in the story (yes, for these purposes a teenager is still a child), he is the innocent one in the mess. The complication of her character’s depression in relation to her work and family is far more compelling when kept in deeper mystery.  The flashbacks slow the film down and actually make her less sympathetic, all of which loses focus on our main protagonists.
I won’t even begin to try and regurgitate his masterful, and artful, point-by-point breakdown behind his theory. She runs through the gambit of emotions as a mom first, and battered, bruised woman second. Director Lenny Abrahamson seems to work best playing with utter silence, letting the soundtrack and facial reactions of our actors work our senses. It only moves fluidly when everyone is talking at once and chiming in with thoughts and observations.
We get interviews talking about creating the room, giving the room its own character and how the two human characters interact with it. The sons, Chris (Jamie Bell, who made his debut four years earlier in BILLY ELLIOT) and Tim (Devon Alan, who had appeared in episodes of CSI and ER), are barred from leaving the property. While his debut marked him as a young name to watch and its follow-up as someone who could adeptly manage onscreen relationships, UNDERTOW stands out as a solidifier.
At times, he is reminiscent of Terrence Malick, who was a significant influence on Green (and who served as producer here). A portion of this comes from frequent Green collaborator cinematographer Tim Orr, who has the ability to make the landscapes seem so spacious and yet the scenarios so confined. After coming across evidence that Jess would have indeed visited Suicide Forest, Sara and Aiden decide to have an overnight stay. It just doesn’t want to take the time to care about the characters, the inspirations or giving the audience an enjoyable time at the movies. He recognizes his power is a gift, but it is not just a gift for him, and he makes sacrifices everyday to help people who cannot help themselves. So he’s perfectly willing to create plans to kill every single one of his best friends, even though they ARE friends and he is AGAINST (mostly) killing.


Their existence in this movie appears to be a mouth for writer and director William Monahan’s ideas on fame, fortune, Hollywood, art, and our phone addicted culture. When not focusing on the “story”, the feature feels a bit self-absorbed when involving the director. TEEN TITANS is lacking in content, if anything it handles the introduction of characters, the collection of two groups, and a massive super villain very well within the short runtime. For those who grew up on the cartoon, things are a bit different here in terms of age difference and structure. TEEN TITANS actually begins with the Justice League fighting many established villains, including Lex Luthor, Weather Wizard, Toymaster, and others.
The best part about it was that it had a happy ending with all of the miners being rescued. So this basically tells the audience that this is not a safe job and these men risk their life every day doing it. Minister of Mining Laurence Golborne (Rodrigo Santoro) is asked by President Sebastian Pinera (Bob Gunton) to oversee the matter and get involved. He sets the right mood with mournful ambience when needed and joyful exuberance when there’s much needed hope. The oldest son, Jonah (Jesse Eisenberg), has a wife and new son, both of whom he seems to be avoiding and wishes to keep his mother’s possible suicide a secret from his brother and the rest of the world.  Conrad (Devin Druid) is a troubled teenager who prefers to lock himself in his room, playing video games and avoiding his father. If you like intimate, reflective struggles in family dramas then LOUDER THAN BOMBS is worth seeing.  It’s not the best of its genre but does have some nice moments.
There’s a certain fear that the shock of finding out that the vast world outside those cold walls may ruin everything. There’s a fine line that child actor’s tow and Tremblay never comes close to crossing the line into obnoxious territory.
Watching Jack grow up along with her in their imprisonment, watching her thirst for freedom, and then their hand-in-hand journey back into the world we know is a near-perfect story. There is this unshakeable feeling that there’s more that could have been done or that there’s more we could have learned. They will soon be joined by Deel Munn (Josh Lucas, Ang Lee’s HULK), John’s brother, who the boys never knew existed.
It has been nicknamed Suicide Forest because of the large quantity of people that go there to kill themselves. And so Sara hops on the first flight out of Honolulu and heads for Japan so she can solve the mystery. Despite warnings from locals to not deviate from the path, well, you know…Enter the ghosts, spirits and apparitions. But the screenwriters (Ben Ketai, Sarah Cornwell and Nick Antosca) do far too little with it. Superman becomes just another farmer raised in the flyover states with a strong work ethic. For Superman, he could DO more, but it would involve creating a world that would no longer relate to our own if the storytelling took it to its logical conclusion.
If these three attempts don’t work, which I’m willing to bet that they won’t, you’re in for a very long and bad movie. I’m just saying that future movies like this, with lofty expectations and ambitions, will eventually need to be extended or broken up into two parts. Of course this is a comic book movie, so established rules were thrown out the window years ago. So disposing the more well-known names out of the way, we get to meet Trigon (Jon Bernthal). Jerry O’Connell (who actually voices Superman wonderfully), Jason O’Mara, Christopher Gorham, Shemar Moore and Rosario Dawson help bring the Justice League to life.
He asks the foreman Luis (Lou Diamond Phillips) if he can work on his day off to get more money. Laurence tells the families of the miners that the government will do everything in its power to get them out. As it is with most teens, getting to know Conrad is more complex than their surfaced attitude.
But there is one thing that I’ve taken from his lesson that everyone can at least understand. Jack’s only idea of the outside world is a ceiling window and the sounds of an unknown male voice when he’s in hiding. How will he react and will he be too paralyzed with awe and apprehension to carry it all out? He has since, for the most part, reintroduced himself to his initial followers with works like PRINCE AVALANCHE and JOE.) It is the sort of daring, bold and fascinating picture that meshes some of the most compelling matters found in family dramas, Southern Gothic tales and, to a degree, children’s books. They complete the task of introducing the forest and outlining its prominence, but that’s the easy part.
But Jack is simply a sociopath, coming off as a deranged college professor who probably believes that chem trails from planes are the government’s way of slowly killing us. It’s bad enough that Mark Wahlberg arrives just in time to add another dose of absurdist flavoring to the script and ideas being presented. Of course if you’ve seen the previous movie, you know that Robin doesn’t play well with others or by the rules.
But out of everyone, Robin doesn’t have a problem with Raven (Taissa Farmiga), but he does grow suspicious when he hacks Starfire’s computer, only to find out that Raven’s past is blank.
As for the whole versus aspect, it’s a bit of a misleading title, but the battle does happen. He has an unpleasant exchange with Maria after he says that they won’t do anything after earlier attempts failed. I found myself wanting to spend more time with Conrad and his relationship with the other characters. But ROOM isn’t about that tension because if you’ve seen the trailer or heard the Oscar buzz, you know that they will make it out. Watching him react to all his new surroundings and family members is in in of itself a roller coaster of emotions.
When this is brought up, Deel seems to turn dangerous—then, we, as much as John, knows he had this trait all along. What is more difficult is making a horror movie based around Aokigahara and its hauntings while still remaining sensitive and respectful to the victims. If we’re supposedly to feel any form of sympathy for either of these two, my sympathy goes to the one who’s willing to commit a murder-suicide first.
Factor in his hormones, as well as the hormones of the other Teen Titans, and you got yourself a pint-sized superhero pissing contest.
You do get drawn into the story, but you are held at arms length because you don’t know too much about the miners to be deeply invested in them.
We see the “world” through his eyes and we, the viewer, know the tragic truth, but Jack does not. Inevitably, questions are asked and the dynamic in the house shifts and actions are done that cannot be undone. Dario (Juan Pablo Raba) is a drill operator who is estranged from his sister Maria (Juliette Binoche).
When these men enter the mine they are joined by a Bolivian named Carlos Mamani (Tenoch Huerta). He is a man who is subject to much ridicule from the other guys and doesn’t hold their respect.



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