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In this book, Roberto Poli presents original discoveries that have generated ground breaking insights based on years of research and performance: long-standing interpretations of commonly encountered musical signs and symbols, from as early as the 1770s, may fail to reveal the composers' intended meanings. Skuldom's Faeces Christ and his onstage injuries Photo: Heath MortlockMusicians are seldom compared to high-performance athletes.
Yadana Saw meets people who have injured themselves in the pursuit of perfect sound and the professionals who help get them back onstage. Take one black metal bassist, a packet of medical grade scalpels and the biggest music event in the extreme metal scene and you are guaranteed to carve yourself into metal folklore. Music isn’t often associated with life-threatening danger - as the more risky proposition is the off-stage, after-hours pursuits of many musicians.
Early in their set at Satanfest 2002, Faeces pulled out his surgical scalpel to carve an inverted cross onto his chest.
The next time Faeces Christ took a trip to the doctor it was after a run-in with a bloody craft knife and rotten sheep head. Sometimes, there’s nothing more exciting than seeing a live musical staged at one of the great Broadway theaters.
Below are four books all musical theater lovers must read, and three autobiographies you ought to check out, too. When Jack Viertel set out to write a book about musicals, he implemented certain perimeters that ensured no one would be running at him with pitchforks if he dare omit their favorite show. It’s written like a musical, with the first chapter acting as an overture, introducing the themes and motifs to be revisited throughout the book, and moving deep into the history of “I Want” songs, the evolution of the Act One finale, Intermission and its affect on a show, the “fun-if-you-happen-to-catch-it” Act Two opener, the “11 o’clock” number all the way through the finale. One of the biggest joys in reading this book was picking out mentions of shows that I have memorized. The chapters alternate between essays written by Jeremy McCarter, a former New York magazine writer turned employee of the Public Theater, and the songs from the show printed across pages of photography from the show with numerous footnotes written by Lin-Manuel Miranda. With the creation of this book, Hamilton has cemented its history not just in music, but in print. If the #Hamiltome is a close-up look at making a modern day hip-hop musical, Everything Was Possible is its antithesis. The time period the musical was created in is a painful reminder of the pre-computers era for Millennials. Even if you know nothing about Follies prior to cracking the spine on this book, you’re eased into the characters — like co-directors Hal Prince and Michael Bennett and Steven Sondheim — and their quirks. Lest you think this is just a book of straight lyrics, keep in mind that it is also part informative narrative, part autobiography.
The Scottish performer penned Not My Father’s Son in late 2014 which details his tumultuous childhood, rise to fame, and life on the stage and on set of numerous musicals and television shows. This article is a part of Hypable’s inaugural Broadway Week in celebration of the 2016 Tony nominations.
Father figures have always been an important aspect of the Harry Potter series, and Rowling always knew that a few of them (RIP Sirius, Dumbledore, Lupin) would have to be killed during the Chosen One’s seven-year journey.
This is a hard pill to swallow, and the first time we’re explicitly hearing that Arthur living meant Lupin dying. Now imagine you going through all that, except Arthur Weasley had also died in the middle of the book.
This week is National Teacher Appreciation Week, and what better fictional teacher to appreciate than Remus Lupin. Had Arthur died it would have been tragic, but his tightly bonded family would have had each other. Wayward Pines season 2 will have a lot of new characters, as season 1 ended with the death of main character Ethan Burke, played by Matt Dillon, and saw the surviving adults placed back into suspended animation while the First Generation took over the town, which had become perhaps the last surviving hold of mankind in the year 4028.
Human civilization died out nearly 2,000 years earlier, and what remained mutated into carnivorous creatures called “Abbies” (short for “Aberrations”). The new season will explore the First Generation’s “iron-fisted rule” of the town and the rebellion that follows.
Megan Fisher was a major player in Wayward Pines season 1, using her skills as a hypnotherapist to head Wayward Pines Academy, which taught the First Generation.

Besides Davis and Stevens, the following season 1 cast members will appear in season 2: Carla Gugino (Kate Hewson), Toby Jones (David Pilcher), Melissa Leo (Nurse Pam), Tim Griffin (Adam Hassler), Shannyn Sossamon (Theresa Burke), and Charlie Tahan (Ben Burke). We were blown away by the first season of UnREAL, the Lifetime drama tracking the inner workings of a The Bachelor-style reality show.
Full of awful people doing awful things, UnREAL had it all: Romance, intrigue, betrayal, death, and love.
Creators Marti Noxon and Sarah Gertrude Shapiro have said there is some unfinished business between the pair, but we can’t exactly imagine them riding off into the sunset together! Jack Lemmon plays the piano at New York's Old Knick Music Hall in 1947, his first job in the entertainment industry. These misconstrued readings are due precisely to traditions themselves - traditions that have rested largely upon received knowledge rather than historical accuracy. She was accompanying a soprano named Yolanda Rhodes in a song about new love, titled "Summer." The music rose to a rhapsody -- almost trembling with feeling, and the bells underlined the mood, as if proclaiming, "Listen to this! Yet the physical demands of practicing and playing music push performers’ bodies to the extreme. But whatever the genre or instrument, the passion to play your very best can have some unexpected and unwanted consequences. Seeing a Broadway musical and reading books about the show’s stars, its inception, or even crafting a musical itself.
Whether it’s a live-action version of The Lion King or any note heard from Hamilton, the connection between performer and audience member is unlike any other medium.
That being said, there are four Viertel focuses in on, Gypsy and Oklahoma largely carrying the narrative, and probably close to two dozen musicals mentioned at some point in the book. Hamilton is referenced more than a few times, and shows that despite all its groundbreaking, Broadway-stereotype shattering hype, Lin-Manuel Miranda did write a traditional musical. But, beyond being a detailed, everything-you-could-want-to-know breakdown about the show, it is also a phenomenal look at all the different elements it takes to pull a show together. Decades from now, when film is surely outdated and music is accessible via chip implant, we will still be reading like our cavemen ancestors centuries before us, like Alexander Hamilton, George Washington, Aaron Burr, Eliza Hamilton and America’s founders 200 years ago. Xerox had just debuted a new, largely untrusted, machine and every revision, and every copy of that revision, had to be manually typed if Chapin wanted a project done correctly. The chaos depicted during rehearsals, the rush to block, compose, write, and choreograph are all relatable feelings for anyone who’s been privy to the behind-the-scenes of a musical theater production. Sondheim annotates throughout the book with stories about the inception of his lyrics, his personal connections to the words, and what he’s learned over decades of working in the business.
Patti started performing as a child with her brother, before graduating into one of the first musical theater classes at Julliard, then going on tour for years with the same rag-tag group of 20-somethings, and then finally making it big. Rowling commemorated the anniversary of the Battle of Hogwarts by apologizing for killing Lupin, and telling us that the Grim Reaper almost chose Arthur instead. The year is 2003, and you’ve been up for 72 hours straight, ploughing through the overwhelmingly long Harry Potter and the Order of the Phoenix.
Rowling should just have kept them both alive, but at the end of the day, it was important for her to kill off one of the series’ two fathers, to achieve the symmetry of leaving a child without its parent(s) like Harry had been. Teddy Lupin would still get to grow up with people who loved him, knowing that his parents died heroes, while Harry and the Weasleys (who’d already lost Fred) would get to keep their family intact. His name is Remus Lupin, not just Lupin, the best Defense Against the Dark Arts teacher that Harry and company ever had.
He never underestimated his students, he challenged them to do more than they ever thought possible.
A scientist named David Pilcher foresaw the calamity and created Wayward Pines as a sort of ark to preserve the human race with a select group of people — and whose children would become the first generation of Wayward Pines.
Having a black contestant is something The Bachelor itself has not yet managed to do, and of course, the reactions to that on the show are going to reflect both the good and bad parts of humanity.
Restoring the original connotation of signs and symbols in the scores can bring us closer to practices that have not gained access to our vocabulary because of decades of misinformed playing and fallacious scholarship. This is special.""Summer" was composed by Valerie Capers, one of dozens of African-American classical composers whose music has been championed over the past seven years by Cordell and her teacher, Jodi Gandolfi.

But like theater, books can transport its readers to another time, and when the two mediums converge, entertainment is to be had for days. This book will allow the legacy to carry on and capture the insanity that this broadway show has sparked in millions of people.
As a production assistant (gofer) he was tasked with running around the city dropping off and pick up bars of music, actors, producers, costumes, and of course, coffee. The first book, Finishing the Hat spans from 1954 to 1981, republishing the lyrics to all of the musicals during that time. Without Remus Lupin the trio would have been dead: no Expecto Patronum, no recognizing Bogarts, no practical experience with Grindylows, Red Caps, or Hinkypunks. He didn’t just spend time with shining stars like Hermione, but he made time for people that no one else cared to. Remus Lupin could talk about James and Lily from first-hand experience: funny stories, hopes, sadness, all of it. By bringing us closer to intended practices, the restoration of these meanings can give us greater interpretive insight and freedom. Communication was a task unto itself, without the almighty cell phone in everyone’s pockets. The sequel, Look I Made a Hat, continues the journey, from 1981 to as recent as 2011 (when the book was published). Rowling went to to effectively end Harry’s childhood (killing Sirius, Dumbledore, and Hedwig), leaving both Weasley parents alive allowed us to end the series on a hopeful note. Harry and every student in his year was left with a substandard skill set thanks to Quirrell and Lockhart. Would Neville Longbottom have ever had the confidence to succeed in leading Hogwarts without Harry, Ron, and Hermione without Remus Lupin having taken a personal interest? Just like that, the man who could have been Harry’s adoptive father, his way out of the hellish Dursley household, is gone. Without question, Remus Lupin laid the groundwork for the success that was later achieved by Dumbledore’s Army. He made up for lost time, in a positive and uplifting manner, and was the friendly guidance the students needed. He once said that there were two things he could do well and get attention for: acting and music. They would have watched their boys grow up together and been there for each other as parents in the post-war world.
As he told reporter James Carter in a 1993 interview, his first job in New York after deciding to pursue an acting career was playing piano, in a club run by another Harvard grad. You got a meal." It helped sustain Lemmon while he waited for acting jobs, and later, the piano helped him survive Hollywood. His son, Chris Lemmon, is an actor and writer who says music helped his father survive Hollywood. He says that behind the scenes — even between takes on movie sound stages — his father was forever noodling on any piano he could find, even when the movie did not involve music. Sometimes the studio would provide a piano; after all, a happy actor gives a happy performance. And [he] loved to play the piano." Throughout his life, Jack Lemmon said he was never far from a piano. It's been an hour and a half.' " Still, Lemmon was always modest about his abilities, and was quick to mention that double-threat performers are far from rare.

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