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14.12.2013
Marvel newcomers Chris Sims & Chad Bowers join artist Scott Koblish (Deadpool) to take you back to the days of big guns, big pouches, and big action! After the first edition of the book was in print, we shared copies of the book with several career services leaders throughout the United States. A career services leader mentioned that she did not think most colleges arrange for business cards for students.
In the book, I recommend following up after an application has been submitted or after an interview has been completed. A career counselor from the Midwest recommended to me to suggest that students use Google alerts as a way to monitor what is going on at a company or in an industry. I also would mention the opportunity for mock interviews so you can practice your interviewing skills and gain valuable feedback from a counselor. EmailTweetAs a writer, you’re already aware of the power of your book’s title to identify its genre, allude to its subject matter, and create that first shiny hook to catch a reader’s eye. The best-built stories have chapters with a clearly defined mission that works to support its overarching premise.
As you dive deeper into your work, chapter titles can also orient you when you’re lost in the story swamp. By defining and proofing the mission of each chapter in the method described above, I’ve created a map in the Scrivener binder that I can quickly scan to review what’s happening before and after the chapter I’m exploring. Of course flexibility is critical to following the strategies outlined above, and that’s another key to harnessing a chapter title’s power.
Finally, beyond a title’s power to attract an audience, focus your work, and keep you oriented within the world of your story, the simple process of boiling down your book into the short phrases that capture its essence burns your tale deeper into your brain with every chapter title you take on. I sort of do in my first book as it’s historical based fiction, going from June 1984 to August 1987, I put each month in the story as a chapter heading. I agree on changing chapter titles when the title is promising something different than what the chapter actually contains. I’ve tried this for a couple of past WIPs, and in the end I had to say RIP to those titles. I never use chapter titles in my novels, I don’t know why, seems to me as if they breack up the flow. I don’t use Scrivener, but the program I use, Liquid Story Binder, allowes to break down the story in chapters and scenes and allows to give a title and a short synopsis of few words to each segment.
Of course, chapter titles or even chapters are not needed for a successful ripping yarn, as Terry Pratchett has shown.
Late to the party on reading this article – came across it trying to figure out formatting of all things. Ultimately, I examined the chapters and selected sections of sentences (strictly dialogue) that either I wanted to emphasize, or that the character felt passionately about. Best of the Web Book Marketing Tips for the Week of September 8, 2014 - Author Marketing Experts, Inc. That’s right, this June, the most radical team of mutants ever assembled make their triumphant return to the world of comics in X-MEN ’92 #1! Baron Kelly, ruler of the Westchester domain has called upon the Clear Mountain Project and it’s mysterious new director to deal with the mutant menace – by any means necessary! I completely agree!  Following a company or its managers or industry professionals via Google alerts or Twitter or Facebook is a great idea. A title is your chance to stop the feet or finger of a hungry browser in a bookstore or online and to convince him to enter your story world.


Annie Proulx uses knot names like “Love Knot,” “Strangle Knot,” and “A Rolling Hitch” to tie her readers to her maritime story of redemption in Newfoundland. But long before your book hits the shelf, chapter titles can play a potent role in shaping it as well. String enough of these together in an organic way that ties cause and effect to escalating tension and you’re well on your way to creating the clean throughline that produces publishable work. The story premise is: A loner who has rejected his estranged family to protect himself from the pain of his sister’s death is forced to reunite with them at the scene of that tragedy where he must choose between a life of reconciliation or isolation. Paul’s love of fly-fishing is introduced early on, so the title for this chapter: “Catch and Release” does double-duty in pointing to the story world and serving as a metaphor for Paul’s emotional reserve.
For me, the writing program Scrivener’s binder structure serves as the compass that contains the cardinal points that help me navigate through my novel.
This reference helps me build the kind of cause and effect relationships that allow each chapter to grow out of, and into, the one before and after it. If I craft chapter titles that sum up the heart of the chapter I’m writing, but their message doesn’t align with my premise, I know the chapters need to be rewritten or cut. Weiland's monthly e-letter and receive her free e-book Crafting Unforgettable Characters: A Hands-On Introduction to Bringing Your Characters to Life.
I think not using them is a wasted opportunity to create suspense, mystery, and world build, whether you’re writing fantasy or an actual mystery. I put scenes in that folder when I’ve written them out of order, and move them to their proper place when I finally get to it. I always scan those first, and if any of them look interesting, I’ll go straight to them.
You’re note about how you browse chapter titles to test-drive a novel provides excellent insight into the marketing power of well conceived titles. But after reading the first Percy Jackson fantasy, I was intrigued with the author’s use of chapter titles. They were somewhat helpful to me during editing, but I didn’t want a reader to suffer through my chapter titles.
Debuting as a Marvel Infinite Comic series in May, X-Men ’92 is optimized specifically for mobile devices, pushing the boundaries of comic storytelling to new heights! Actually, there are not accurate statistics on this subject but I found many schools that either provide the cards for free or at a very large discount. Although your friends or a family member can do it too, remember that the career services staff members are expert at these activities and if they are willing to do a mock interview with you, you should take advantage of their offer. I agree but remember the advice I provided in the book…do not press too hard on salary just because you saw something posted on Vault. But the little string of words on the outside of your book isn’t the only phrase with that power. The same process of ruthless editing that creates that lean story spine can be used to condense the heart of each chapter to a few key words. Early in the book I present the protagonist’s (Paul’s) potential romantic interest: Cassie, a fellow park ranger. When I write a title like this I can easily proof the chapter’s mission’s relation to my story premise. In the screen shot below, you can see my working manuscript copy for “Catch and Release” in the pane to the right. In the same manner, if my chapter’s position within the storyline I’ve defined presents problems with plausibility or continuity, it may also need to be cut, edited, or simply moved to a spot where it makes more sense.


It’s a sure sign you’re creating chapter titles that will live on the tips of many happy readers’ tongues.
I also found it difficult to come up with clever succinct titles that weren’t also spoilers.
I'm the award-winning and internationally published author of the bestselling Outlining Your Novel and Structuring Your Novel. We wanted to take advantage of the good thoughts and ideas received from these career services professionals. There are no firm right or wrong directions here except it is better to follow up than not to do so.
Your book’s chapter titles present chances to play the game again, with linguistic lures that can keep your audience turning pages way past bedtime. In this case, establishing Paul’s self-imposed social isolation in “Catch and Release” supports the “loner” identity I’ve referenced at the start of his story arc. A quick glance to the left shows where that chapter lives within the larger work I’ve outlined.
My beta readers told me my chapters titles needed some work, and I spent a whole day a couple of weeks ago working on twelve of them. Someone recently suggested I didn’t need them as my chapters are fairly short and fast moving but I like them.
Therefore, we placed a link in the book to this page so that readers can come to this page and find updated information. If you are not sure, it is best to say you need more information to make a solid recommendation. And sometimes I’ll use a placeholder title, and go back and change it when the story is more fleshed out.
Sometimes they are working titles that I change later or I might put a couple of options up before I choose which one I like best.
It gives me an organic image of the story when I look at the planer and above all, writing down the description of each scene has me really thinking what the core of that scene is and how it relates to all the others.
Please refer back to this page from time to time as we will be adding more helpful suggestions received from career services professionals as we receive them.
If you know a decision is to be made within a day of your contact, you should consider sending an email to follow up. It is always a good thing, however, to come with some suggestions already worked out so that if the question is asked, you can contribute your ideas…ideas that are hopefully well research. Each chapter folder contains one document that lists the chapter title, timeframe, mission, and chapter synopsis. If you believe you have more time, then the hand written note described in the book is best – it is more personal. I then create as many drafts of the chapter within that folder as it takes to create the final content I’m after. I regularly use Scrivener’s split screen to keep my novel outline in the left pane as I develop my chapter content in the right.



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