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17.06.2015
Kevin McFarland reviews episode 5 in season 1 of HBO's crime drama "True Detective," starring Matthew McConaughey and Woody Harrelson. At this point in the history of prestige television dramas, after so much buildup-as-misdirection, perhaps it should be expected that the showdown True Detective has been pointing toward turns out to be less climactic than initially suggested. In the pilot, detectives Rust Cohle and Marty Hart dropped hints about this incident--Dora Lange, the house where they brought kids out--as though it constituted the big reveal, the key that would unlock the mystery of all the various layers. So Marty and Rust apprehended two men at a drug cookhouse in the middle of nowhere, and seemingly solved the biggest case of their respective careers—-albeit with the actual story completely covered up. I mentioned in my first post on True Detective that one of the most impressive elements is the show’s fluid relationship to its timeline, both within an episode and across the series so far.
After the raid, Maggie comes around and reconciles with Marty, but they run into significant parenting difficulties with their oldest daughter in her teen years.
Rust enters his stable relationship with Maggie’s doctor friend Laurie, becoming the go-to bullpen interrogator to get a confession out of anyone. When Cohle and Hart return to the prison to talk to the man, he’s slit his wrists and committed suicide. The other interesting narrative arc this episode plays out is Marty beginning to doubt Rust—-or appearing to, since True Detective has proven adept at the bait-and-switch.
It must be noted that Woody Harrelson’s two hand taps at the end on “one way” to sell this moment, a desperate authoritative tone that belies the facade these men have created in order to justify what they did to seemingly close this case at the time. But in light of the accusations from the 2012 detectives, it’s important that it’s actually Marty who takes the irrevocable step to put a bullet in Ledoux’s head, which necessitates the extensive cover-up and the hail of automatic rifle fire as an alibi.
In the pilot, the dates on the interviews show they talked to Cohle first, and they say his stories don’t line up.
What makes me so increasingly excited about True Detective, enough to keep reassessing it week after week as something greater than what it appeared to be initially, is how Pizzolatto’s writing keeps jumping the lines between genres to loop in odd combinations. The supernatural and theoretical elements of True Detective are beginning to amplify in the story. Cohle’s final lines in “The Locked Room” resonated with me again after watching “The Secret Fate Of All Life,” in a way that I can’t shake now that there are such nihilistically philosophical beliefs on the table: “You, yourself, this whole big drama, it was never anything but a jerry-rig of presumption and dumb will and you could just let go, finally know that you didn't have to hold on so tight. This show has a far more existential bent than it initially presented, when it was two mismatched detectives with opposing lifestyles: one lackadaisical, lightly religious, unhappy family man on the verge of crisis, paired with a man teetering on the edge and trying desperately to use his gifts to hold on in a world he couldn’t bring himself to depart by his own hand. You never know when new projects, ideas or opportunities can drop into your lap at a moment’s notice.
Boing Boing uses cookies and analytics trackers, and is supported by advertising, merchandise sales and affiliate links. Author Mitch Horowitz joins us to talk about the occult history of America on this edition of The Paranormal Podcast.
CLICK HERE to get your first month of membership in my Paranormal Plus Club for only $3.95! Jay Weidner joins us to discuss his theory that legendary filmmaker Stanley Kubrick helped NASA fake the Apollo 11 moon landing. From our career paths to our love lives to whether or not we become parents, we wonder how much of it is a result of one choice atop another choice atop another…or if we had no choice in any of it at all.
I’ve been thinking about this subject a lot lately, recently feeling this pull towards certain people and situations that genuinely seem as though they were “meant to be,” all the while pondering with some frustration other situations I cannot seem to fix or change. The word “destiny” comes from the Middle English “destinee,” and simply refers to a predetermined course of events that are the result of an irresistible power or agency. In order for a life to be predestined, it had to be predetermined, and this is where science, philosophers and religious and spiritual leaders have long struggled to explain exactly who, or what, predetermined it. While scientists might say it was just random, the result of the Big Bang and its resultant physical laws that fell into place by some kind of brilliant accident, philosophers and religious thinkers sensed that there was something that started the whole chain of cause and effect that laid down the path of each human life, maybe even the earth itself.
This sounds just like the Judeo-Christian concepts of reap what you sow and do unto others.
Yet over thousands of years, we have battled with the sense that both destiny and free will or choice play a huge role in our lives, and certainly in how the world around us came to be. The Big Bang is often referred to as the starting point of our universe (we won’t even get into what came before it, or what first cause “caused” the Big Bang!), from which all the forces, laws and matter and form and energy and life came into existence.
But there are those scientists who believe that the amazing sophistication and intricacies of how life came to be simply could not have been a lucky accident of chemicals and particles and gasses and heat and matter and energy all being in the right place at the right time, and in just the right amounts. But if this is how we are creating our reality, as the popular Law of Attraction teachings tell us, with focus and intention and observing things into being, then how could anything be predetermined? Millions of people visit astrologers, palm readers, tarot readers, even love and relationship coaches wanting to know their destinies. Love coaches will tell you that there are many soul mates out there for you, and not just The One, and that there might be someone destined for you in a sense that they will be the best fit, but they won’t be the only best fit out of billions of people on the planet. But our main concern is with our own lives, more than how they play out in the natural world. Yet if we are honest with ourselves, many of us do feel called, as if we have a path, or a destiny, that we are moving towards. Much of investigating the paranormal involves looking at external effects and influences without any general understanding of the cause, or the forces behind them. A young boy is saved by a guardian angel, a deceased relative pays a visit and more on this edition of Campfire! Bender was not the first person to encounter one of the creepy MIB, but there’s no denying it was thanks to him that the enigmatic issue became known widely.
A resident of Bridgeport, Connecticut, Bender was not just a devotee of all-things ufological.
As Bender’s interest in UFOs expanded, he established his own journal – Space Review – which attracted a sizeable, worldwide audience. Gray Barker – an author and publisher on matters relative to UFOs – was an acquaintance of Bender and ultimately became a friend. The purpose of this article is not to delve into all of the intricacies of the Bender controversy, but to demonstrate the incredible extent to which Bender’s account influenced the world of entertainment.
The Invaders is hardly a solitary example of how the Men in Black have infected the world of on-screen entertainment.
Then, there’s the equally popular and successful Matrix movies, starring Keanu Reeves, Carrie-Anne Moss, and Laurence Fishbourne. There are also “The Observers” from Fringe, a sci-fi-themed show that ran on Fox from 2008 to 2013. In my view, and based upon my lengthy studies of the MIB phenomenon, the Strangers of Dark City are the closest fictional things to the real Men in Black. Dark City, Men in Black, The Matrix, The Invaders, and Fringe – and more – all owe a debt of gratitude to Albert Bender.
One of the most prolific Fortean writers on the planet, Nick Redfern is the author of many books, including Men in Black, Chupacabra Road Trip, and The Bigfoot Book. The legendary Brad Steiger joins us to talk about all things paranormal including his latest work. Micah & Jim talk about a mysterious UFO sighting by commercial pilots, updates on the Loch Ness Monster, reincarnation, the universe as a simulation and more on this edition of The Paranormal Report!
On December 5th, 1945, five US Navy bomber planes were making their way over the waters of the Atlantic during a training mission.
This is one of many tales surrounding the Bermuda Triangle, an extremely enigmatic area of the Atlantic Ocean, that when viewed from above, creates the shape of a triangle. While these theories all harbor serious debate and controversy, the mystery remains as to why this certain area seems so active with unexplainable disappearances. Stretching from Ludington, MI to Benton Harbor, MI, and then all the way to Manitowoc, Wisconsin, this triangular portion of Lake Michigan has inspired many anomalous events.
The legend behind this mysterious triangle began to spread, and more and more stories began to be told of tragic accidents and unexplained phenomena surrounding the waters. The Burle Triangle is comprised of Mount Pilat, Mount Mezenc, and the small town of Le Puy, in France. One of the more peculiar aspects of many of these plane crashed were that of UFO sightings in the areas making up the triangle.
Whatever was happening over the skies of the Burle Triangle, it seemed that some sort of aerial phenomena didn’t want the planes there. Similar to the Bermuda Triangle, this area of water is located in the Philippine Sea off China’s eastern coast. These disappearances led the Japanese government to acknowledge the area as a danger zone and to send a team of scientists to study the triangle. Situated in southeastern Massachusetts, the town of Bridgewater sits smack dab in the center of an area whose points stretch from the neighboring towns of Abington, Freetown, and Rehoboth.
Other areas of the Bridgewater Triangle have boasted high amounts of UFO activity throughout the years, including one in 1760 that could possibly be considered one of the first recorded UFO reports in history. Perhaps one of the more terrifying aspects of the Bridgewater Triangle were reports of cattle mutilations in the forested areas. While some of the activity in the Bridgewater Triangle has been documented, not all of it can be substantiated. While no singular answer can explain the plethora of mysteries in each and every one of these areas, it is interesting to note that they all seem to run the sharp three lined path of a triangle. According to western culture, the orientation of a triangle can have powerful meaning as well. One could speculate endlessly as to why such mysterious and terrifying things have happened at each and every one of these locations.
An entity seems to possess a woman, loved ones come through to their loved ones left behind, angel stories and more on this edition of Campfire. Casper is an online retailer of premium mattresses for a fraction of the price because everyone deserves a great night’s sleep. Each piece of SCOTTeVEST clothing is engineered with a TON of pockets to hold all of your gadgets and gizmos…everything from a memory card to a tablet!
A strange ball of light, a haunted childhood home, special messages from passed loved ones and a story revolving around a beloved pet are all part of this week’s Campfire!
Since the years following World War II, “flying saucer” has been widely recognized as a household term. Descriptions of UFOs vary greatly enough, in fact, that no single explanation has ever been offered that accounts for all of the kinds of aerial phenomena observed over the decades. Among these are reports of the so-called “flying triangles”, objects which are typically described as large, silent, slow-moving triangular objects which are dark enough in color to nearly blend in against the night sky, save only for lighted portions which are often reported at the corners, as well as the center of the base of the objects.
Clearly, the FAS entry excerpted above does appear to reference the giant triangular UFOs which have risen to prominence over last few decades.
Indeed, many have asserted that these strange aircraft are the result of some secretive U.S. Whatever their origins, as stated previously the “flying triangles” are indeed unique among UFO reports for the consistency they provide. The first of these, which I collected from a South Carolina resident named “Aaron”, occurred in October 1998, just outside the town of Liberty, South Carolina. As I opened the door to get out of the car, I looked up, and at around a 45 degree angle to my line of sight was a black triangular object. At the time, I was 17 years old and thought that I had witnessed something extraterrestrial. I grew up in Enon and as a child there were B52s at this airstrip where the triangle was headed. The witnesses’s description that the object appeared to move more slowly than he did while traveling by car is not unusual, per se, at least as it relates to flying triangle reports.
I’m hoping that one day soon the pentagon will take the wraps off these things so I can be vindicated in the eyes of my family. Note here the recurring sense the witness expresses that these aircraft are some variety of military aircraft, rather than being of exotic origins. A final report for consideration here was supplied to me by a woman who, along with her late husband, observed a large, black triangular craft as it passed above them at low altitude in August, 2002. The witness noted that the object moved perfectly silently, and that she had been given the impression that she and her husband observed it for much longer than they realized, as it was nearly 2:30 AM when they returned indoors. Micah Hanks is a writer, podcaster, and researcher whose interests include history, science, current events, cultural studies, technology, business, philosophy, unexplained phenomena, and ways the future of humankind may be influenced by science and innovation in the coming decades.
One of the many curious aspects of the UFO phenomenon is that relative to so-called “waves” and “flaps.” Over the years, there have been more than a few occasions upon which UFOs have intruded into our airspace to a significant degree.
Even a cursory examination of the history of the UFO phenomenon demonstrates that sightings of so-called “black helicopters,” “phantom helicopters,” and even “silent helicopters” abound. Official documentation on the encounters has surfaced from the Air Force, the FBI, and the North American Air Defense Command (NORAD). The odd saga proceeded to get even stranger: “…personnel reported the object as low as 200 ft. Of particular note is Unidentified Helicopter Sighted at Low Level Over Loring AFB, a file that adds further weight to the theory that there had been major, serious invasions of secure facilities – facilities that appeared to be not so secure, after all. A NORAD document of November 11 provides the following, which demonstrates even more high-strangeness: “This morning, 11 Nov 75, CFS Falconbridge reported search and height finder radar paints on an object up to 30 nautical miles south of the site ranging in altitude from 26,000 to 72,000 feet.
If the six-minute, single-shot finale of last week's "Who Goes There" set your pulse racing through sheer visceral force, this week, "True Detective" keeps up the pace while finding new ways thrill with "The Secret Fate Of All Life." Yes, there is another nail-biting setpiece that anchors the first half of the episode, but it's the developments in the case that really start to bear fruit, with the investigation into Reggie Ledoux moving away from merely procedural and pointing toward something more far-reaching and sinister.
We've long known that darkness weighs on the soul of Rust, but it has never diminished his determination and he's not letting his only solid connection to Reggie Ledoux slip away. While the sexier single-take shot will likely go down as one of the best visual moments of show, let's hope the gorgeous transition from 1995 to 2002 comes in a close second.
In the interrogation room, Rust brings forth a presence akin to a father, protector and priest to those he talks to, and he's so good that, sometimes, the accused don't even realize they've confessed to a crime. The obsessives' guide to contemporary cinema via film discussion, news, reviews, features, nostalgia, movie music, soundtracks, DVDs and more. In the day and age of countless prequels, reboots, sequels, and indistinguishable blockbusters, no remake stands out quite as curiously as Michael Haneke’s return to his 1997 film Funny Games with his American remake ten years later. Funny Games revolves around a family—a husband, wife, and son—who arrive upon their vacation home only to be confronted by two upper class, white teenage boys that take the family hostage for a very long and horrible night. Starting with the family’s drive to their new lakeside vacation home, the husband and wife play a game of guessing the title and composer of the classical tracks on their cassette player. Haneke leads a small, diminishing group of filmmakers confident enough to play out not just a scene or two, but long sequences out in real-time—allowing the audience to observe the family as they pursue their daily and mundane activities.
Like with the music in the opening, Haneke again ensures that the audience cannot remain unengaged with this destruction of the fourth-wall.
After a few more games—one that includes stripping the mother down to consider whether she is fat while stuffing the son’s head inside a pillowcase—Peter leaves Paul in charges of the family while he returns to the kitchen to make a snack. As the wailing of the mother and father are heard through his tirade, the audience comes to the horrific realization that it is the blood of the small child seen upon that television set. The horror audience (and specifically the slasher subgenre) has come to the film with a certain expectation that have been cleanly setup by the premise. Moreover, this long sequence between the couple brings the rising horror of the film’s former minutes into a stark and unmistakable reality.
After recomposing themselves in the wake of this tragedy, Anna and George summon whatever will is left inside them to try and find help.
Just after the audience has settled into some feeling of normalcy following Anna’s escape, Haneke refuses to let the audience off the hook. Indeed, with the boys’ disappearance following the child’s death, one wonders how the film could possibly continue. He finds the remote, clicks rewind, and then the film literally begins to rewind—reversing to the moment to just before Anna fired the gun.
As though embodying the very soul of the film, Peter grabs the remote and changes the narrative’s course.
With Anna now the family’s sole survivor, the boys take her out upon the family’s fishing boat. Peter then realizes that Anna has seized the hidden knife, and after applauding her “Olympic Spirit”, the two pause their philosophical discussion, check to find that it’s only 8 AM…before then Peter nonchalantly throws Anna over the boat for her to drown in the middle of the lake.
Here, again, the conversation plays out so seemingly out of context, quick, and cursory that the dialogue may slip past the viewer. Though answers exists to such an esoteric and abstract theory, the point is to at least consider the consequences of distancing ourselves from such fictional horrors.
The film ends with Peter knocking on the resident’s door at this house on the opposite end of the lake.
While many genre fans are often annoyed by movies like this, one as subversive and challenging about the very elements that a viewer has paid to see, Funny Games proves to be one of the most exceptionally crafted and inventive pieces of horror filmmaking to simultaneously push genre boundaries on a narrative level while confronting viewers’ desire to seek out this specific type of “entertainment”. Instead, it’s another crumb leading down an increasingly dark and threatening hallway, not unlike the abandoned school Rust navigates at the end of the episode with only a flashlight for guidance. But I was still floored and impressed with how this episode nimbly pivoted from what has served as an ominously early climactic event into unexpectedly deeper, darker, and more complex moral and philosophical territory. Rust takes his biker buddy turned reluctant informant Ginger to a bar, out past all the factories and refineries, where he meets a man who knows Ledoux but refuses to give up any information to Cohle in the guise of his undercover identity.
Rust returns to the case after receiving a tip from one of his old Confidential Informants about Reggie Ledoux’s cookhouse. But in order to make it look legitimate, Rust grabs a rifle, sprays bullets around, and they carry the kids out as backup arrives for the hero shot.
In “The Secret Fate Of All Life,” that stylistic guiding principle gets textual analysis, as Rust expounds on his theories about experiencing past, present, and future events all at once, repeatedly ad infinitum.
Marty once again goes over the “Detective’s Curse” of not noticing what’s right under his nose—-which should suggest something in plain sight will be important to how this all shakes out—-and his latent anger at his inability to control the women in his life re-emerges when his daughter gets caught in a car “having relations” with two older men. This is the mysterious unraveling that will form the back half of the season, as a black hole expands and Rust searches through every last place associated with the case for more devil nets, poring over the most important case of his career in order to find what he missed. At the beginning of the episode he’s reciting the story down to the letter, even as the images betray the egregious falsehoods. As the new investigation probes further, Marty finally puts up a wall, and they’re forced to explain their line of thinking. And they have photographic evidence of Cohle showing up at the scene of the most recent case tied to the old investigation. In the early hours of this series, True Detective looked particularly adept at telling a high-quality version of a standard hard-boiled crime thriller, the kind that “went all the way to the top” with shocking, vulgar details.
To realize that all your life, you know, all you love, all you hate, all your memory, all your pain: it was all the same thing. We’ve seen the apex of satisfaction and happiness in this show, and it lasted for the length of a caesura. The music video for the track depicts someone smoking to the point of hallucination, which seems appropriate for Cohle’s mental state at this point during the case. And judging from the nominees over the past few years in the Outstanding Lead Actor in a Drama Series category, it makes me sad that poor Jon Hamm will probably be on the outside looking in once again.
On Thursday, The Federal Communications Commission okayed a proposal to let cable TV customers swap out their Comcast or TWC cable boxes for third-party boxes and applications. Beyond simple protection, finding a case that can charge your phone on its own, but doesn’t feel like it’s also adding a couple pounds to the phone’s weight is the tricky part. Social media and self-help gurus bombard us with contradictory claims that our lives are pre-destined, that Fate deals us the cards we will play our entire lives with, that whatever happens, happens for a reason. There are even goddesses that are responsible for giving out good fortune, such as the Greek goddess Tyche, and the Roman Fortuna, ruling out any role that choice might play in finding and keeping wealth, success and happiness. This beginning of the chain is known as “first cause,” and without knowing first cause, we simply don’t know who or what destined us to our roles in life.


If each moment of our future, and the future of everyone around us, were already planned to the minutiae, then would there even be a purpose to life at all?
Our religions are filled with stories and proverbs and quotes about having a destined role or a predetermined fate, such as Christ’s destiny to be betrayed by Judas.
If we look at our own bodies, we can easily see that we have a genetic blueprint by which we became blond or brunette, green-eyed or brown-eyed, short or tall, big boned or small boned, and any other physical characteristics that were handed to us by our parents and their parents and their parents. It was perhaps a blueprint of sorts, and yet many scientists will say that it did not have any kind of intelligent design behind it. To these men and women of science, there indeed seems to be a destiny that started and directs the cosmos, and that the first cause behind it appears to have had some type of intelligence, though not necessarily human. At the level of the quantum, we are told that particles exist in a suspended state both as particle and waveform, until they are observed and their wave function collapses, thus fixing the particle into a position or outcome.
But the truth is, there are forces at play in our lives that are unseen except in the effects and influences we can observe.
We have yet to be able to prove that ghosts are real, aliens exist or cryptids roam the backwoods. The same goes for whether our own lives are lived in a way that offer no choice, leading to sense of defeat at the “fixed” nature of it all…or whether we feel like the whole dang world is a peach tree of choices just ripe for the picking. Jones is the author of several books about the paranormal, metaphysics, and cutting-edge science (many coauthored with Larry Flaxman), including PSIence, The Deja vu Enigma, Destiny vs.
When the “modern era” of Ufology kicked off in June 1947 – thanks to the famous encounter of Kenneth Arnold at Mt. He was also heavily involved in – and interested in – all manner of paranormal, supernatural, and occult phenomena.
When he learned that Bender’s exit from Ufology was prompted by a series of chilling, intimidating visits from a trio of ghoulish men dressed in black – and with nothing less than glowing eyes and sporting fedoras – Barker knew this was a story that had to be told. Five years after Flying Saucers and the Three Men was published, ABC aired a short-lived, but well-remembered show called The Invaders. In the show, the Observers dress in dark suits, wear equally dark fedoras and skinny black ties, and have pale skin and emotionless faces and characters. Had it not been for that strange and sinister series of encounters in Bender’s “Chamber of Horrors” in the early 1950s, it’s highly unlikely any of those shows and movies would have turned out the way they did.
Lieutenant Charles Taylor was in constant communication with the base, updating them on the progress of the mission. Dating all the way back to 1891, a schooner by the name of Thomas Hume, and seven other men, were making their way across the lake to retrieve a shipment of lumber. Eleven members of the Benton Harbor House of David were making their way across the lake in the Rosa Belle ship. Some even claimed that the triangle was some sort of inter-dimensional portal where ships were hopping in and out of time. The area was named after the extremely high winds and snow storms in the area, and it holds the French record for unexplained aircraft accidents; surely a record nobody wants to hold. One in particular occurred in 1943 when a fighter plane plummeted to the ground, leaving a sole survivor. Their vessel, the Kaiyo Maru No, also went missing, prompting the Japanese government to abort the study.
They include USOs (unidentified submerged objects), time warps, and electromagnetic anomalies.
Unlike the other triangles that encompass mountain ranges or bodies of water, this triangle mostly stretches across land, and is littered with countless claims of paranormal activity.
This is a five-thousand acre area that includes an eight-thousand year-old Native American burial ground. A multi-witnessed event occurred in 1968 when five people claimed to have seen a strange all of light hovering through the trees of Rehoboth. In 1970, there were various accounts of a seven foot tall hairy beast wandering through the area. But one thing is clear; whatever is going on within the confines of this area is beyond unusual, and many paranormal investigators continue to travel its supposed points of origin, trying to narrow in on one of the most active paranormal hotspots on the planet. One can speculate endlessly as to why this may be, but perhaps the symbology of the triangle itself could bring us a bit closer to an answer. But one thing is for certain; we have, throughout many decades, shaped the narrative of these incidents around that of a triangle, almost fearing the word when tragedy strikes. I think you should try their products. CLICK HERE AND use my special discount code JIMHAROLD to get 20% off of your SCOTTeVEST purchase.
However, within the broader range of UFO reports that have been collected over the last several decades, there are some reliable examples that have emerged, which also present consistencies from case-to-case, particularly in recent years. In fact, the prevalence of triangle UFO sightings has resulted in a number of books, articles, and television documentaries devoted almost entirely to solving the mystery of their appearances. Military project, with some further asserting that the triangles are likely a variety of platform blimp developed by DARPA. Over the years, this author has collected reports and corresponded with a number of individuals who have claimed to have had their own encounters, a few of which we will review here (though some of the names of the individuals who supplied these reports have been changed or omitted, due to requests for anonymity). As I came around a bend in the road my headlights malfunctioned causing me to stop the car. In many instances, these objects appear to be capable of hovering, in addition to a number of other unusual airborne maneuvers that involve such things as clockwise rotation, as described by “Lance”, a contact who reported observing one of the craft behaving in this manner in the evening sky over Jacksonville, Florida, in 1999.
We kept checking in that direction and watched as the now amber light kept coming straight at us. With his writing, he has covered topics that include controversial themes such as artificial intelligence, government surveillance, unconventional aviation technologies, and the broadening of human knowledge through the reach of the Internet. In part, it reads: “The past two evenings at one of our northern tier bases, an unidentified helicopter has been observed hovering over and in the near vicinity of the weapons storage area.
The site commander and other personnel say the object appeared as a bright star but much closer. There's a sense of desperation emanating from Rust; he leans in a little too closely during the meetupa€”his confidence almost seems a put ona€”and Reggie's partner immediately senses something is off. Martin (Woody Harrelson) tails Reggie's partner following his meeting with Rust, and some careful reconnaissance brings them to a group of trailers and train-containers hidden in the woods, surrounded by crude, homemade booby traps. As Martin's daughters fight over a tiara in front of the house, it gets thrown up into the branches of a tree.
And indeed, Guy Leonard Francis is surprised when during his conversation with Cohle, he admits to a double murder. Rust has been identified by witnesses and photographed around the crime scene of the latest victim that is prompting a fresh look into the killings. Despite the relocation to America with American actors, the two films written and directed by the same filmmaker remain largely identical. The boys engage in a series of eponymous games with the family, forcing their complicity in acts of humiliations, torture, and increasingly repulsive choices which culminates in a cycle of violence that not only comments on the repetition of the horror genre but of the audiences’ desire to seek out such horrors. The father and son prepare their boat for sailing, the mother prepares meat for dinner, the family dog tries stealing food out of the refrigerator—for about fifteen minutes, the audience abides these uneventful and monotonous routines of familial life. And with this, the film enters the very long night of “funny” games perpetuated upon the hostage family. Like it or not, the audience must now understand that they are not a passive observer in the politics of this violent narrative but playing an active—albeit removed—role in the games to follow.
Peter then again turns directly toward the camera to ask: “Do you think they’ve a chance of winning. The blood upon the television set of both our literal screen to watch the movie, and the “fictional” set within the living room of the family.
She turns off the TV and—simultaneous with the departure of the boys—the film returns to the feeling of “real-time”. A normal group of people are terrorized by the monster from beyond, some will live, but some will most certainly die. For all the viscera and compelling filmmaking that has led the audience to engage with film—to be entertained by it—this family has lost their child. George blow-dries the phone to call the police, while Anna takes to the streets—literally screaming for help. The final game involves Anna choosing whether a knife or gun will be her weapon of choice for death. Even though Anna, standing in as the audience surrogate, continues to ask why they insist on completing the bet, that they’ve suffered enough. With so much running time left and the main agents of “plot” progression through the boys, Funny Games does not have much “entertainment” to pool from moving forward.
This time, however, Paul manages to reclaim the weapon and stop her from killing his companion.
While sailing out to the middle of the vast lake, the boys debate a particular philosophical discussion in a casual manner that may easily slip past the viewer due to its casual delivery and camera’s focus on Anna’s attempt to retrieve a knife in one last hope for escape.
The two appear to give little care toward Anna’s quick demise, especially with so much time left in the “bet”, under the excuse that they’re hungry. However, it holds the key to much of Haneke’s thesis for the violence within not just this movie but horror in a broader context.
Numerous times throughout the film, Haneke confronts the viewer about “rooting” for such heinous acts to occur, about accepting such tragedies in the name of entertainment, or attempting to distance ourselves from playing a removed role in the progression of these atrocious acts that occur on the “fictional” screen. Furthermore, Haneke’s decision to recreate his own movie through a shot-for-shot remake with American actors and setting serves to not only reproduce the entertainment for a new audience but also works as commentary on the continuing cycle of violence within the genre. Symbolically, Fukunaga pushes the camera in as the man growls at Rust, “I can see your soul at the edges of your eyes.
The whole raid sequence, as the two men describe fighting against a hail of gunfire just as they were turning to call in backup, reveals that even though they no longer work together, they have enough mutual trust to hold firm on the version of the story they devised, presented to the public, and staked future reputations on.
But Rust’s proclamation from “The Locked Room” of a monster waiting at the end of the story doesn’t apply here, because it’s clearly not the end of the tale.
It’s something that Reggie Ledoux says to him-—the “time is a flat circle” statement that now haunts Rust so badly he’s been destroyed by the line of thinking it led him down. Suddenly, the Dora Lange case isn’t ironclad, and that nagging detail begins to unravel Rust’s reality. The period of satisfaction is a speed bump in this story, and there’s no lingering over the malaise of positivity in the middle of the episode, which is just a brief reprieve before the darkness washes over everyone again.
Marty emphatically states, “I tell it the same way that I told the shooting board and every cop bar between Houston and Biloxi. This all comes together in an attempt to push the theory that Rust Cohle is the actual disturbed serial killer. But beginning with last week and bleeding into the beginning of this episode, True Detective became an action movie, either in a point-of-view from Rust’s perspective, or during the raid.
It was all the same dream, a dream you had inside a locked room, a dream about being a person. Pee-wee’s charm, innocence, and awesome moral compass are still keeping him out of trouble, despite a cast of delightfully troublesome characters that pop up along the way. OR that our lives are what we choose them to be, that what we focus on expands and manifests according to some “Law of Attraction.” Or maybe it’s all just one big crapshoot. We put out the word of our desire for a new job, and someone calls with a lead the next day. While destiny implies that one has a bit of maneuvering room by which they can reach their destined end point, fate implies no such allowance for choice. Why would we not then be robots, born to eat, reproduce and die with no dreams or goals or feelings or emotions or consciousness at all? Perhaps the Universe, including us, is nothing more than the program of a giant Cosmic Computer, yet one would still have to ask…who or what is programming the computer? Particles have a range of possible or potential states and until an observer effect occurs, those states remain in superposition, or happening all at once so to speak.
We have yet to show in a purely scientific fashion that telekinesis or precognition or even remote viewing is real, although we do have some good data and even some hands on clinical testing to show they do happen. He was the man who thrust the Men in Black – and the mystery surrounding them – into the public domain in the 1950s. Rainier on the 24th of the month – it prompted numerous people to get involved in the study of the phenomenon. He even converted his attic-based abode into what he termed his “Chamber of Horrors.” It was a dark and foreboding place filled with paintings of demons, witches, ghosts, and more – even an “altar,” one that was designed to summon up who knows what from who knows where. Running for just two seasons, The Invaders told the story of a man named David Vincent (actor Roy Thinnes) who finds himself caught up in a nightmarish battle against hostile aliens.
Of course, the most visible and obvious example is the incredibly successful trilogy of Men in Black movies starring Will Smith and Tommy Lee Jones.
They’re known as “The Agents,” computer programs whose job it is to prevent anyone from getting close to the truth of the simulated world of the Matrix of the movies’ titles.
Would they have even existed without Albert Bender’s widely publicized run-ins with the MIB? Not unlike The Matrix in many respects, Dark City – which was released in 1998, one year before The Matrix surfaced – is an intriguing production.
The second traces down to San Juan, Puerto Rico and the remaining point to complete the triangle is none other than the island of Bermuda. And while no clear explanation can solve the puzzle, it has become a cautionary tale to steer clear of the Lake Michigan Triangle at all costs.
Supposedly, more than sixty people have died in miscellaneous plane crashes throughout the years. This man went on to claim that he’d witnessed a multitude of small, multi-colored lights surrounding the aircraft before it made its tragic descent. Could something more mysterious even be hiding the mountains, making this planes lose control and spiral to a fiery end? While may unusual explanations could attribute to the disappearances, seismic events seem to be the main culprit. One of the most extensive studies on the area was done by author, Charles Berlitz, who ambitiously connected the Dragon’s Triangle to the disappearance of Amelia Earhart. When archaeologists stumbled upon a site of tombs, they noticed that the red ochre around the graves began to bubble, and then mysteriously disappeared. Another major event occurred in 1994 when an law enforcement officer reported seeing a triangular craft with red and white lights ominously floating through the night sky. Both Bridgewater and Massachusetts State Police conducted an extensive search for the creature, assuming it was a bear. But legend also has it that grisly murders of the human-kind have also taken place in the forest, attributing this to cult members as well. Could this possibly have something to do with why these triangles seem to form over bodies of water? He is the author of the upcoming book, “Somewhere in the Skies: A Human Approach to an Alien Phenomenon”, published by Richard Dolan Press.
Air Force investigator Edward Ruppelt introduced the term “unidentified flying object”, or UFO, which was devised with hope of employing a more ambiguous, catch-all term that could be applied to a wide variety of alleged aerial phenomena. While this may be a likely explanation for the origin of the objects, no conclusive data has been presented which helps confirm this. It appeared to be about the size of a large commercial airplane, and had three dim red lights near each corner. As I have grown older, I have come to think that this may indeed have been very terrestrial in origin. When it was almost on top of us it was like we became frozen to the spot staring at this light that we could now see had a dark shape behind it. Whatever the case, the number of similar reports of these objects, now spanning several decades, does seem to support their existence… which is more than can be said of many other varieties of alleged UFOs which have traversed the public consciousness since the late 1940s. Micah lives in the heart of Appalachia near Asheville, North Carolina, where he makes a living as a writer and musician. Attempts to identify this aircraft have so far met with negative results.” In other words, something intruded upon the most secure part of the base and no-one was able to determine what was afoot or even why. While the papers in question definitely suggest that a helicopter (or something that, superficially at least, looked like a helicopter) was the culprit, other reports are not so easy to explain. It's Reggie's cook lab, and the pair decide to move in and make the arrest themselves, which soon reveals one of the big reasons why seventeen years later, they are both sticking to a specific version of events.Tense and intense as it is, the operation at first goes smoothly. The camera follows along and when it glides back down, a pickup pulls into the driveway and the eldest Audrey gets out the vehicle, now very much a teenager who looks like she's been shopping at Hot Topic. Far from 'nothing meaning anything' to him, ita€™s almost as though everything means too much to him. They believe maybe it was Rust himself who killed Ledoux, perhaps settling an old score, or maybe trying to silence the meth cooker who may have had something on him.
For a premise that includes home torture invasion filled with some of the most savage and brutal acts committed to film, one must consider why this subject matter bears such close reexamination and recreation, not just by the filmmaker, but by his audience. As the audience settles into the opening credits, the two tease and joke with one another about their knowledge of these classic musicians. These sequences of quiet, familial life suddenly interrupted by a chubby, affable looking teenager asking to borrow eggs. In the first of many gut-punching moments to come, Anna notices that the family’s constantly barking dog has gone quiet—absolutely silent. Peter has dismantled any illusion that the audience is not a secondary participant to the “entertainment” at hand, and he intends to deliver what is expected in the conclusion of this type of genre entertainment.
And then, the horrible shriek of one of the parents, followed by sobs and hysterical tears. Enraged more by his companion’s breaking of the rules than by the death of the child, Peter and Paul decide to leave the home. Whether it be Freddy, Jason, or Leatherface, these monsters have created million-dollar franchises on this promise—on this bet with the audience—to see who will make it out alive by the end of the picture’s run time.
While the viewer may attempt to distance from this death by labeling it fictional, Haneke will addresses this problem through philosophical theory in the following scenes. Although there have been a few fourth-wall breaks listed above, even as intense as Peter directly confronting the camera, this moment is arguably the most destructive and unbelievable.
Like a viewer of the horror film, if given the opportunity, Peter is determined for the viewer to be entertained by this premise to maximum degree. While the discussion is clearly ambiguous, it also hints toward a theory of fiction that supposes much of the fiction—while existing in a different reality than our own—can still be believed to hold some level of truth. Though there will always be violence in fiction—often times playing to discover a larger emotional truth about human nature, but used in equal measure for the shlock value of cheap entertainment thrills—Funny Games is a rare film that uses the genre to both the push the boundaries of such thrills and simultaneously comment on the larger issue of violence in fiction at large. She allows him inside the house to wait, and after she leaves, Peter stares directly into the camera for a final look at the audience as the heavy metal of “Naked City” ramps up to full volume again—suggesting the repetitive nature of this fictional cycle of violence.
As usual, Haneke has raised the bar for filmmakers to examine the principles of their work, genre, and purpose of the entertainment in their hands.
In reality, they snuck up on the men silently, rushing in undetected to case the entire property. That editing decision a few weeks ago, to play that line over a tattooed man in underwear and a gas mask carrying a machete, made it seem like whatever the detectives found at the cookhouse would put the case to rest, that the “monster” would be found there. It also informs the structure of the episode, which begins in 1995 with the final incident in the Dora Lange case, then skips years ahead to a peaceful working relationship, then reveals a lingering thread that most likely caused Rust’s descent into the scraggly drunk caricature he presents in the 2012 interview. There have been plenty of strange, seemingly supernatural touches to True Detective, most visibly Rust’s hallucinations, including the flock of birds that form the spiral symbol found throughout the case near the end of the second episode.
And now it draws in a philosophical quagmire about experiencing time all at one moment in a theoretical fourth dimension.


Yet other times, life doesn’t go as smoothly and we wonder if we’re slamming up against the wall of fate, unable to break it and have our will no matter what we do. Thus, some outside “agent” such as a God, Goddess or other entity was once thought to be the purveyor of one’s fate. One can easily see why the battle between destiny and free will has been an enduring one, just like the chicken and the egg. He said it was his destiny, and he drank of that particular cup willingly, taking his final fate in his hands. And yet, when it comes to behavior we seem to be able to make choices, both good and bad, and have some say in the course and outcome of our life path. Those who claim to have died, and return to tell about it, often tell stories of being told by higher guides or divine beings on the other side that they must return and fulfill their roles, or destinies, on the plane of the living.
We want to feel as though something good is destined to be; yet we hope that we aren’t fated for something bad. I also dreamed of being a jockey and had I been short enough and not fallen off of horses too much, who knows? She has appeared on more than 1,000 radio shows worldwide, and on television, most recently on the History Channel’s Ancient Aliens series.
It should be noted, however, that Barker omitted most of the really weird material, preferring instead to imply that the MIB were from nothing stranger than “the government.” Then, six years later, Bender came briefly out of “retirement” to pen his own book on the eerie affair, Flying Saucers and the Three Men. In the movies, the primary characters are “J” and “K” (who were named after MIB pursuer and author John Keel, of The Mothman Prophecies fame).
It stars Rufus Sewell, Kiefer Sutherland, Jennifer Connolly, Richard O’Brien, and William Hurt. The triangle, however, isn’t officially recognized by the United States Board on Geographic Names, nor acknowledged on any maps.
Let’s take a look at several places throughout the world that also boast these three-pointed tales of mystery. When locals didn’t hear from the men for a few days, a search and rescue team were sent out for the crew. Another similar event occurred in 1965 over Mount Mezenc, where two F-104 planes went down. Whatever was happening at the Burle Triangle remained a mystery, and continues it’s enigmatic lore even up until today. According to the myth, dragons live deep beneath the surface and their movement can suddenly churn up waves, whirlpools, thick fog, and sudden storms. The Dragon’s Triangle is a very volcanically active area, and were said to be the fault for the disappearance of the vessel of scientists. No matter the case, the myth of the Dragon’s Triangle continues, with more answers laying somewhere in the depths of the sea. At the culmination of a ritual, the summoning of some sort of spirit or entity is expected to appear within a triangle inscribed upon the floor.
Even more interesting is that triangles that point downward symbolize the formation of air and fire. He co-hosts both the Into the Fray and UFOmodPod podcasts, both available on iTunes & Stitcher. However, today the use of “UFO” is generally accepted as representing the presence of extraterrestrial spacecraft in our skies, despite a lack of any sufficient evidence that can support, without dispute, a belief in this exotic origin.
With the book, Marler has, as described at his website, “collected, collated, and analyzed hundreds of reports. There are suspicions that at least some of the helicopters originate with so-called “black projects” that operate outside of the regular conventions of the military. Rust and Martin manage to get Reggie outside, on the ground and in cuffs, and as Rust keeps watch on him, Martin goes to corral the wanted man's partner. Hea€™s too passionate, too acutely sensitive, and he cares too much to be labeled a successful nihilist.
And with Rust driving the investigation, cherry-picking previous murders to tie to Ledoux, and finding the evidence, maybe he was covering his own tracks.
Fear flashing in her eyes, Peter smiles and escorts her outside and plays a game of “hot and cold” with the distraught mother as to where the dog may be. A moment later, Anna opens the car door and shrieks, as the corpse of the murdered dog falls from the trunk to her feet.
So who will you bet with?” Again, Peter digs into the heart of the audience’s question of entertainment. When Peter moves back to the living room, the image we are confronted with is bright red blood across the television set. As body counts escalate with each progressives sequel, the filmmakers seem increasingly less interested in the pathos and possible consequences that arise out of these killers taking a life, rather than exploiting the gore and jump-scares that are promised by the premise. While the slasher’s return to the screen is normally presented as a source of excitement following a interim period of following a group of bland teenagers, the return of Peter and Paul into the home—and holding Anna hostage—the viewer is only left with a feeling of dread and that the worst has yet to come. In the most extreme version of this scenario imaginable, it means literally taking the film’s narrative into his own hands and changing the actions of the protagonist to ensure that there may be no outcome possible other than the one that causes viewers to be as “entertained” as possible. In Haneke’s decision to even repeat making this movie—in painstaking shot for shot recreation—Haneke is challenging repeat viewers for their compulsion to seek out this violence yet again. Going forth, one wonders when other filmmakers may seize the opportunity to examine such a particular, prominent genre through both the narrative and medium as masterfully as Funny Games.
You’ve got a demon little man.” That sets the tone for later, but plot-wise, the meeting is just a way for Rust and Marty to track this guy back to the cookhouse, the one suggested at the end of “The Locked Room,” where they don’t wait for backup and instead go through the buildings on the property.
But the fact that there’s an unrevealed incident from 2002 still to be dissected, and new detectives on the case in 2012, suggests that the monster at the end of story in Rust’s mind hasn’t yet been reached.
And in the interim between 2002 and 2012, Billy Lee Tuttle died under mysterious circumstances, right after Cohle reappeared in the state. Hughes points out that lines pulled directly from Chambers’ play-within-a-book appear in Dora Lange’s journal, and multiple characters have references something like this in connection to the occult practices Charlie describes to the detectives, about something called Carcosa and the identity of the Yellow King. This outside agent or force set down in stone how a person’s life would unfold, and there was nothing that person could do to change the course of events to come. We feel as though we have the ability to choose our spouses, our jobs, our homes, the kind of food we will have for dinner, and whether or not we will go to the movies on a Sunday night or just sit home and watch “The Walking Dead.” It’s up to us to decide.
These are subjective and personal experiences, but the fact that so many report them is something to be considered. Some readers will tell people that their lives, according to the stars or rune stones or cards, are in some ways predestined, and yet, they have considerable choice in how they will reach that destiny. We choose, pay the consequences for our choices, and end up in a particular place in life because of that trajectory, any of which we could have changed for a different trajectory. But I felt “called” to write, and worked very hard towards that outcome, by making choice after choice that I felt would keep me on the path. You can only observe the EFFECTS AND INFLUENCES of the gravitational force at play around you. Whereas Bender’s MIB were clearly supernatural in nature, in the movies the Men in Black work for a super-secret agency. The term was coined by author, Vincent Gaddis, in an article he penned in 1964 for the pulp-magazine, Argosy. Witnesses in the area claimed to have seen six spheres, pink in color, surrounding the impact site. These myths became startlingly true between the years, 1952 and 1954, when a total of five Japanese military vessels were lost in the waters of the triangle, racking up over seven-hundred people missing.
The Wampanoag Tribe, of the Algonquian nation, avoid the area because of many supernatural occurrences, warning others to steer clear because it’s what they consider “the place where spirits dwell”. This could perhaps have something to do with the fiery plane crashes in the air that brought many pilot’s lives to a tragic end.
In the process, he has created a detailed profile of these objects and written a rich narrative of their history. I watched for about 1-2 minutes as it moved over the road, and it then began to accelerate and moved out of view. We sat transfixed as it seemed to take the triangle forever to pass overhead due to the extremely slow speed that it was travelling at.
There are even claims that the helicopters are “UFOs in disguise,” which is surely the most controversial of all the theories offered to explain the phenomenon! SAC also advises female civilian reports having seen an object bearing south from her position six miles west of Lewsitown.” The events were never explained. The collection of haphazardly assembled buildings is a maze and soon Martin loses track of his man, but finds something strikes him with pure horror and fury. And in his monologues, dona€™t we detect a whiff of desperation akin to someone who protests too much?
Maybe he was the one who got rid of Francis who instead of trying to help Rust, was actually blackmailing him.
Then, suddenly, the clashing and overbearing heavy metal song “Bonehead” by Naked City plays over this idyllic and peaceful moment. In between his shouts of “hot” and “cold” as Anna’s nears the inevitable, he turns and winks at the camera—at the audience. Though this exact definition remains up for debate, its consequences do not, as detailed in the final scene. But when Marty discovered two kids (one recently dead, another not yet reported missing) held captive, he executed Ledoux. This whole theory feeds off the reprimand Marty gives to Cohle in the pilot about bending facts to fit ideas.
The founding father of political philosophy, Thomas Hobbes, states that freedom is the ability to do what we wish without hindrance or constraint. The truth is far more complicated and involving and I suck at math so I won’t even attempt to get into that!
It is as if we must stay put until our pre-chosen destiny is fulfilled…even if we have to die and return to life again to find out.
An astrologer might say that yes, the stars influence your life, but you still have room to move about within the confines of those influences.
There may be one destination we are moving towards, but we get to choose the route by which we get there. The show is filled with MIB imagery: the aliens on The Invaders often drive black cars (as do the real MIB), they wear dark suits and fedoras, they are very good at dishing out threats and intimidation, and they can control the human mind – something which has been reported in many MIB encounters.
Nevertheless there’s no doubt that the Hollywood movies – based on Lowell Cunningham’s The Men in Black comic-book series of the 1990s – was, to some degree, inspired by Bender’s experiences. We get to meet the people who inhabit it, and we soon learn that the city is not what it appears to be.
In the article titled, The Deadly Bermuda Triangle, Gaddis compiles many anomalous events that occurred in the boundaries of this area where many planes and ships in the water seemed to have vanished off the face of the earth.
Even if this were so, not a single shred of evidence turned up any other ship, nor any reports of an accident of any kind. Another area of Hockomock Swamp is known as Anawan Rock, located along Route 44 in Rehoboth. But it was reports of an alleged creature in flight that caught the attention of many others.
Could this practice hold some meaning in terms of the Bridgewater Triangle, and the Native American spirits said to haunt the area? And perhaps the best action we can take is to steer, swim, fly, or walk as far away from these areas as we can, knowing that some mysteries are best left unanswered. He tackles the arguments made by skeptics that dismiss these triangular UFO reports outright.
He comes charging out of the train container and without a moment of hesitation, walks right up to Ledoux and shoots him in the side of head, killing him. When Cohle speaks of the unspeakable, is it with the same illusory perspective as when Hart speaks about the importance of having rules and boundaries? And it's a feeling that's underscored when he brings Martin the next day to meet Guy, only to learn that the prisoner has conveniently committed suicide after taking a call from what was said to be his lawyer. Perhaps he was pushing the idea that Dora Lange's killer was still out there to find another patsy to pin the crimes on. The screaming, discordant vocals of the heavy metal over this smiling family within the comfort of their location (the car) can be befuddling, yet demonstrates exactly what Haneke will prove throughout the rest of the movie—that as much as the audience may wish to identify with this innocent and endearing family, as much as the appeal and elitism of the classical music may delude the audience into believing this is the same type of entertainment that they too enjoy, it is only with the intrusion of the unbelievably loud and attention-seeking heavy metal music that the audience finally starts to truly pay attention…for better or worse.
For the next few long, agonizing minutes, the couple must absorb the fact that their child has died.
As the game reaches its climax, with Peter continuing to mock Anna and her husband, she finally does it—Anna grabs the shotgun and shoots Paul in the chest to kill him. That sends the other man there, holding the ingredients for some decidedly less-than-Heisenberg quality meth, running for his life, where he steps on one of the homemade traps and gets blown to smithereens.
These new detectives offer up scruples that add up, without the benefit of experience, to show Cohle as a plausible suspect due to his behavior.
Because there is no concept of God in Buddhism, this explanation suggests instead there is a linear fashion by which our lives are bound to happen. Even within the confines of our social, cultural, sexual and behavioral conditioning, complexes and needs, we can do whatever we choose. But the implication is exciting and has become the basis for hundreds of self-help and personal motivation books, empowerment tools and expensive webinars.
A tarot reader might tell you that you will meet with danger next week, but you can still make the choice to be hyper-vigilant and avoid a terrible car accident while leaving for work.
In other words, there’s very little doubt that the Bender saga had a major influence on how the brains behind The Invaders chose to present the alien menace. Since then, the Bermuda Triangle has been the subject of countless books, television shows, and movies. There simply was no conventional explanation for the brutal damage to the ship, and missing bodies.
It is named after named after Chief Anawan, and is the site where he and his tribe had surrendered to the colonists during the First Indian War.
Since the early 70’s, many reports have come in about unusually large black birds, with wingspans stretching well past eight feet. He also addresses the claims of so-called insiders who claim these objects are a creation of the U.S.
As it was about halfway over I realized that the triangle was so massive that it filled my entire field of vision. But tracing the call, Rust and Martin discover it was from a payphone out in the middle of nowhere. It's a bold assertion, and a compelling one, with Martin listening to Gilbrough and Papania's theory with half an ear toward buying into the notion. This long, uncomfortable sequence further demonstrating the gut-wrenching consequences of the sadism so reveled in by the horror genre, but that is usually ignored by the urgency of the plot in so many other slashers and home-invasion movies. That doesn’t mean that’s how they WILL happen…but only how they are bound to and that we can change something, and thus lead to a new life that is bound to happen as a result.
Later philosophers added that perhaps freedom was not so much about being able to do anything one wanted to do, but to have the power to do anything one wanted to do. Not fated, because someone could come along and yank them from the ground, ending their existence.
Of course, because a human life is absolutely meaningless if it’s all fated and fixed from the get go.
Not as bug-eyed little critters or as tentacle-waving monsters, but as emotionless men in suits. Theories on what is actually occurring in these waters range from magnetic vortices, space-time warp, electronic fog, UFOs, ancient technology from the lost city of Atlantis, methane gas hydrates, and even more unusual; the souls of slaves. The angry spirits of Anawan’s men are said to haunt the area, dancing and starting fires.
Perhaps the form of the triangle itself has prompted the unusual frenzy of the bizarre and strangeness that occurs there. Notably, and thanks to the provisions of the Freedom of Information Act, we can see just how seriously matters were taken. Hearing the shot, Reggie's partner bolts and tries to make it to the woods, only to be rather gruesomely blown up by one of the tripwire grenades on the perimeter of the compound. The former has reconciled with his wife Maggie (Michelle Monaghan), and is back under the same roof with her and their daughters.
And it's hard to argue that Cohle doesn't seem just off-center enough to conjure up some twisted serial killings.However, as the episode closes, we know this can't be true, no matter how bad it looks. The entire sequence is another brilliant one for director Cary Fukunaga, cutting between Cohle and Hart as they narrate the tale, contrasted with the real story.
We get some control here, but still move towards what feels to us like a “chosen path,” even if we are doing most of the choosing. But nature is filled with examples of things that seem to work under the triadic influence of all three: destiny, fate and choice. We’d never learn, never grow, never expand and fulfill the potentiality of who we can become. Many have reported hearing the sounds of the spirits echoing through the swamp, the flicker or fire being witnessed from the roads nearby. And even Rust has managed to settle, dating a doctor and approaching something resembling domestic life.
Returning to the abandoned Light of Way school, Rust makes his way inside and discovers more of the mystery totems made of twigs and twine.
With her suspicion rising, the second of the two boys—Peter—enters the home looking for his companion. There were two young children insidea€”one reported missing, the other not as of yeta€”hidden away and lord knows what they had been subjected to.
Professionally, things seem to be on a even keel as well, with Rust gaining a reputation as one of the best detectives when it comes to getting confessions.
A single shaft of sunlight shines into the darkened classroom and Rust holds up one of those totems, as he turns it over and around.
If Paul’s presence weren’t enough to grab both Anna and the audience’s attention that something is wrong, Peter’s introduction wastes no time confirming it. And as Martin goes to ensure the safety of the children, Rust immediately starts fixing the scene to support the story they will tell for the next decade and more: that Reggie came out shooting, and that Martin and Rust miraculously managed to survive, take him down, save the kids and solve a series of killings.
And as we learn more about what happens seven years after the case, one quickly understands how Rust has arrived at his belief about, well, the secret fate of all life.
It looks like the flat circle of time is coming back around again, bringing with it the horror of a crime unsolved, and perhaps more monstrous than previously imagined. The two boys continue to demand the eggs from Anna, while Peter claims a golf club from her husband’s bag.
And as the pair will find out, the story is too perfect, too neatly wrapped up, to fully explain the murders. That being said, his outlook may be some form of self-protection from a world that pains him much more deeply than he cares to admit.



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