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When orphaned Mary Lennox comes to live at her uncle's great house on the Yorkshire Moors, she finds it full of mysterious secrets. The gardens surrounding the odd property are Mary's escape and she explores every inch of them—all except for the mysterious walled-in, locked garden.
I read both The Secret Garden and A Little Princess as a little girl and have read and re-read them throughout my life. Secret Garden doesn’t start out sounding like it should be a wandering into anything other than run-of-the-mill power metal circa 2008 with its opening strains.
The big drawback to Secret Garden, for me anyway, is really the tonality of the whole record. If the embedded track is a good indication of the quality of the release overall, I’d say this could easily sail to an AotM spot.
The embedded track is certainly a good one, and on a lesser album, it would definitely be a highlight, but its definitely not one of the best songs on the album. I for one think Andre Matos is a great vocalist with a very unique voice, but I agree Angra’s discography is kind of a mess. My favourite thing about AMG as a website is that the same place that gives Origin and Decapitated album of the month nods also digs shit like Angra.
Liked the album, though I preffer the earlier records of both major eras (Matos and Falaschi). Wow, Im not only impressed that this got a 4.0, but the Angry Metal Guy himself personally did the review! I had this on my Best of 2014 list ranked #8 simply because it came out overseas in December, but its still been in regular rotation since I wrote my article, and had I done my top 10 today, I probably would have ranked it higher. One thing I’ve learned in the metal-verse is to always keep coming back to bands even after years of subpar albums because you never know. BTW, if we’re in the prog department — any plans of reviewing latest Rishloo album? This is an excellent review and I’m not just saying that because I agree with everything you wrote. I would hold back album of the month comments in the same month Beyond the Red Mirror will be released.

Anyone else bothered by what to me seem Christian or specifically Catholic anti-science lyrics?
The lyrics in the embedded video are heavily inspired by Disney’s sound track of its mega blockbuster Frozen!
There are nearly one hundred rooms, most of which are locked, and the house is filled with creepy old portraits and suits of armor.
The band has been a power metal fixture since the early 1990s and are one of the biggest metal bands to ever breach the borders of their native Brazil.
First, while Fabio is Angra‘s primary vocalist in 2015, Simone Simons (Epica) steps in admirably on the title track, carrying the moody melodies and pseudo-swing admirably on her silky voice. Secret Garden isn’t just well-performed, the songwriting is poignant and heavy and loaded with drama. Secret Garden is a modern power metal record, and that means that it has that pristine (some might say sterile), condensed tonality that Sweden and Devin Townsend have foisted on an unsuspecting and innocent world. I love the excellence and OTT of good metal and as a cough musician cough songwriter cough myself, metal is a major influence on me but when I write, it just doesn’t come out like that.
Fabio sounds toooo regular for Angra, I believe his voice does not fit well in Angra’s sound. This album is a very positive surprise to me, I didn’t expect something nearly as good. Why wouldn’t Angra get that classification (as I’ve seen people claim here and there)? I have enjoyed each release more than the previous one, and this one is no exception to that awesome rule.
Mary rarely sees her uncle, and perhaps most unsettling of all is that at night she hears the sound of someone crying down one of the long corridors. Still, the last decade(ish) has been rocky for these guys, and you might not be blamed for having thought they called it quits. And while the song is a pretty good power opener, what kept me listening was the noodly breakdown around 3 minutes, followed by a truly inspired acoustic solo with Spanish guitar influences. And, surprisingly enough, Angra manages to do all this without sounding cheesy or overblown.

From hardship often arises great artistic production and this album is just one more piece of totally non-verifiable statistical noise that confirms my bias that this is an undeniable truth. And after the first split, I really enjoyed Temple of Shadows and Rebirth quite a lot too, even though both had several weak tracks.
Both Doro and Raphael’s vocals on Crushing Room are top notch, the spanish guitar and tribal drums sprinkled throughout the album really work well. I keep coming back to that song over and over again and manage to be a little bit surprised every time.
Not only did half the band quit in the early-aughts to go and start Shaman, but they’ve had dust-ups with management and were put on hold—even having been mistakenly reported as split-up entirely.
Further, the industry standard DR6 production on Secret Garden is masterfully handled by Herr Bogren out of Orebro’s Fascination Street Studios, but the use of non-standard percussion instruments and classical guitars leaves a little bit to be desired in terms of the breadth and depth of the dynamics.
Regardless of where it comes from, Secret Garden is gonna get a ton of play in Casa de Angry Metal Guy this year. I definitely agree on the tonality and production though, the acoustic guitar and hand percussion get a little lost.
This song is not only masterfully written, with an immensely hooky chorus, but the vocal performances are absolutely lights out.
Sometimes I want the grimmest black, or the most brootal death, or the shiniest power, or the stonedest sludge, or the wankiest prog. Fortunately due to the superior composition of the album they are not frequently overwhelmed by the other instruments.
In fact, no disrespect meant to Fabio, Rafael nearly steals the show with his vocals on Secret Garden.

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