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For thousands of years, humans have been fascinated by mazes and labyrinths: We've built them, told stories about them, created games and puzzles around them, and even trained animals to solve them. Ancient labyrinths were designed to be serene and introspective, and followed a single circuitous path.
Though the terms are often used interchangeably, mazes and labyrinths have slightly different definitions. Ancient Greek historian Herodotus claimed to have visited the Egyptian labyrinth, and described it as a winding building, made up of thousands of rooms, many of which were underground and held the tombs of Egyptian kings.
Starting in the 16th century, European royalty began building elaborate hedge mazes on their property.
In 1882, polymath John Lubbock started designing mazes to study the navigational skills of insects. Entitled MAZE: Solve the World's Most Challenging Puzzle, the 45-page picture book asked readers to find their way to the center of an imaginary house, solving riddles along the way.
The Dole Plantation’s giant Pineapple Garden Maze is made up of 14,000 tropical plants, and was declared the longest in the world in 2008.

In 2014, visitors to Cool Patch Pumpkins in Dixon, California got to explore the sprawling, looping temporary maze, which the Guinness Book of World Records confirmed was the largest ever created. Called aMAZEme, the pop-up installation in London was built over the course of four days by hundreds of volunteers, and immersed visitors in classic literature. Officially, the word “maze” refers to a collection of branching paths, through which the traveler must find the correct route. The mazes were meant to entertain, as well as to provide private, out-of-the-way places for secret meetings. He built impromptu mazes and navigational puzzles out of household items, and observed the way ants made their way around them. IN THE 1980S, ILLUSTRATOR CHRISTOPHER MANSON ANNOUNCED A $10,000 PRIZE WOULD BE GIVEN TO THE FIRST PERSON TO SOLVE THE RIDDLE IN HIS MAZE BOOK. Though the task seemed relatively simple, the puzzles—of which there were more than 116—were wickedly tough.
Kids and adults alike would draw a line through different maze illustrations, trying to make as few wrong turns as possible.

Brazilian artists Marcos Saboya and Gualter Pupo designed the structure to mimic the shape of Spanish language writer J.L.
Around the same time, early video game companies started building simple 2D maze games, aesthetically similar to the pen-and-paper games, which featured races through mazes, or maze puzzles. For instance, Atari’s fourth video game, Gotcha, released in 1973, had players chase each other through a black-and-white maze. In response to the panic, the local police deputy wearily suggested future visitors remember to bring a map.

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