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Animated tale, produced by a staff of Disney-trained artists led by "American Tail's" Bluth; concerns a newly widowed mouse who discovers a secret agency of superintelligent rats (they've escaped from a science lab) who aid her in protecting her family. Twitter: marvelousworldMarvelous World : Perilynn's Ambition (Favorites Day Novella 3) is Finally Available Now! As is usually the case with Bluth films, the animation is superb while the socially aware plot struggles to keep pace. It was during one of these periods, post Disney’s The Lion King and Aladdin, when we felt the desperate need to find some films that were not textbook fairytales; to find stories that didn’t always end with everything being rosy and perfect. Brisby, a mild-mannered mother mouse with a plan to move Heaven and Earth (or at least her house and home) to save her family from Farmer Fitzgibbon's plow!
This was very unfortunate as what we have delivered here is a world first - NIMH in its original theatrical framing. Rather, this is one of the best examples of how good a Dolby Digital 2.0 surround encoded soundtrack from the 80s can sound. Along the way she gets some help from a lovelorn Crow, a busybody neighbour mouse and a fearsome Great Owl. You would think then, that with our superior PAL formatting and OAR the winner would clearly be the local product. Brisby will need an engineering miracle to hoist her home, and for that she must face a mysterious rat, fend off a ferocious cat and claim a magic amulet!
They have clearly demonstrated in other endeavours that they would be able to bring a wealth of animation knowledge and experience together in a how-to or making-of production.

Originally pitched to Disney and subsequently rejected, Don decided not to take no for an answer and found external backing to produce his film.
The detail is also lacking and as a result you miss out on significant amounts of exquisite detail in the animation and backgrounds. Therefore, I conclude that the only reason we do not have any extras of any significance on our release, or any others for that matter, is due to lack of interest on behalf of the studio United Artists and the distributor MGM.
There is practically no background noise present but there is some film grain, which is consistent with the age of the film.
The complete lack of subtitles however, means that if you do miss one of them then you’re out of luck. Both the black levels and the shadow details are very good, as is the corresponding white level.
The audio sync is also surprisingly good considering two things; (a) this is an animated feature, and (b) most of the characters are non-human.
This was a mammoth effort that utilized every major advancement in hand painted animation available and produced what is arguably one of the finest examples of the animated art form of its time. In keeping with almost all multi-layered cel based animation, there is some variability in light intensities from frame to frame but this is well controlled in this feature, especially considering that some scenes, such as Mr. Many animated features in this category have very unrealistic approximations to any type of lip sync; that is not the case here. It also launched a very successful career that has seen the combination of Don and Gary produce more independent animations than any other independent breakaways from Disney Studios.

Brisby that her son is very ill and cannot be moved until he has fully recovered despite the up and coming “moving day”. Well, had it been a good, clean, detailed 16x9 enhanced transfer I believe the answer would have been a resounding 'yes', however I feel that there are just too many things wrong with the local R4 release in comparison to the US R1 release to say this. Brisby is rescued from the farmer's cat by a kindly but bumbling crow called Jeremy (Dom DeLuise), who provides regular periods of comic relief for the little ones. For starters, the image is very soft, almost blurry and as a result much of the tremendously fine detail is lost from this extraordinary animation masterpiece and the colours are restrained and lack vibrancy and saturation. Personally, I want to see both the theatrical release and the open matte presentation, complete with extras and a director's commentary please. I suspect though, that if this were to happen it would only be via the Criterion collection and thus NTSC. It is also a fine example of the animated art form at its most spectacular, re-affirming that involved, detailed environments can be achieved without the need for computer generated images.

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