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Totally Vinyl records aims to bring you the best rare vinyl, rare acetates, vinyl records, picture discs, 7 inch singles, LP albums, memorabilia, autographed records, and other fantastic items. Amnesty International has been very fortunate over the years to have received considerable support from the world's leading musicians. The breakthrough in securing support from the rock music community came in 1979 when Pete Townshend of the Who was invited to perform at Amnesty's "Secret Policeman's Ball" benefit show in London. Townshend's solo acoustic performances of some of his most-cherished compositions, including "Pinball Wizard" and "Won't Get Fooled Again," made a huge impact at the show and in the subsequent album and movie.
Just over three years later, Bob Geldof instigated the Band-Aid single "Do They Know It's Christmas?" which he co-wrote and produced with another musician he met at the Amnesty show - Midge Ure.
All these seeds blossomed in 1986 with the "A Conspiracy Of Hope" tour - the first of what became Amnesty's "Human Rights Concerts" series. Over the span of the next 12 years, Amnesty presented two concert tours - one of the USA and one of the world - plus two major stand-alone concerts - that together redefined the way music was used as a means of outreach for social and political causes. Inevitably, many of the musicians who were the first to come on board what was dubbed Amnesty's 'caravan' in 1986, were those who had been recruited to the cause through the "Secret Policeman's Ball" shows in the UK. The passion of these musicians from the British Isles in committing to support Amnesty, inspired American and Canadian musicians to join their fellow rock troubadours in the good fight. Other luminaries who participated in the show to help convey Amnesty's message included Muhammad Ali, Robert De Niro, Christopher Reeve, Lee Grant, Elliott Gould, Michael J. In September & October 1988, Amnesty took an idea hatched by two of its longtime activists - to stage a world tour commemorating the 40th anniversary of the signing of the Universal Declaration of Human Rights - and turned it into reality.
Cumulatively, over one million people attended the twenty concerts held in gigantic stadiums. On December 10th 1998, on the exact 50th anniversary of the signing of the Universal Declaration of Human Rights, Amnesty marked the milestone with a grand concert in the city where that landmark document was signed - Paris.

One of the most profound developments to emerge from the concert series was the way in which many of the musicians became ever more involved as social and political activists. Deeply moved by this, and wanting to register his own protest against the heinous Pinochet dictatorship that had slaughtered thousands of innocent Chilean citizens since seizing power in 1973, Sting composed the song "They Dance Alone".
For the final concert of the "Human Rights Now!" tour in October 1988 in Buenos Aires, Sting performed the song with Peter Gabriel and invited on stage the Argentinian equivalent of the Chilean movement of mourning mothers. Sting reprised his dramatic show of solidarity for such women when Amnesty organized the "An Embrace Of Hope" concert in October 1990 to celebrate Chile's liberation from Pinochet.
A key organizational figure in the first three events of the "Human Rights Concerts" series was Jack Healey - Executive Director of Amnesty International USA between 1981-1993. The 1998 Paris concert was very much the vision of Amnesty planning officer Blair Gibb (who sadly died of leukemia, age 52, just months after the concert) and Peter Gabriel. Following this series of concerts, Amnesty has continued to enjoy the support of the music community but in recent years has harnessed that support primarily through creating audio recording projects rather than by presenting large-scale concerts. And the 2012 album commemorating Amnesty's 50th anniversary - "Chimes Of Freedom" - a set of Bob Dylan compositions freshly recorded by a wide range of stars including: Pete Townshend, Sting, Jeff Beck, Seal, Mark Knopfler, Paul Rodgers, Nils Lofgren, Joe Perry, Eric Burdon, Bryan Ferry, Jackson Browne, Elvis Costello, Mick Hucknall, Kris Kristofferson, Steve Earle, Billy Bragg, Tom Morello, Dave Matthews, Lenny Kravitz, Ziggy Marley, Raphael Saadiq, Adele, Joan Baez, Patti Smith, Carly Simon, Sin'ead O'Connor, Angelique Kidjo, Marianne Faithfull, Evan Rachel Wood. After their solitary TV broadcasts in 1986, 1988 and 1990, the first three films of the "Human Rights Concerts" were - in the ethos of that era's "Live Aid" concerts - placed on the proverbial shelf. The "Human Rights Concerts" have been restored and produced for release by Martin Lewis - who was co-creator (with John Cleese) of Amnesty's "Secret Policeman's Ball" series and co-producer of all the 'Ball' shows, movies, TV specials and albums between 1976-1985. The title of the new "Human Rights Concerts" box-set is another tip of the hat to Amnesty's history with the music community and also a reminder of one of the organization's foremost missions - the freeing of prisoners-of-conscience who have neither used, nor advocated the use of, violence. In the 52 years since Amnesty was founded in London by British lawyer Peter Benenson, the organization's grassroots, member-driven campaigns have assisted in securing the release of tens of thousands of political prisoners.
Amnesty's musical connection to the title "¡RELEASED!" stems from 1981's "Secret Policeman's Other Ball". Given that three of the concert films had never been available for home enjoyment - and the fourth had been long unavailable - it is fitting indeed that finally, at long last, the "Human Rights Concerts" have been ¡RELEASED!

This is a non-commercial, non-profit informational website in celebration of the "Human Rights Concerts" and in support of Amnesty International.
This website is not officially affiliated with, or sponsored by, Amnesty International, Eagle-Rock Entertainment or Shout! Please register to receive the latest updates and experience the full functionality of our site. For example, prior to being recruited to Amnesty in 1981, Sting had comparatively little awareness of the human rights issue. Following the success in the US marketplace in 1980-1984 of Amnesty UK's "Secret Policeman's Ball" movies, videos and music albums, Healey decided to build on this breakthrough by organizing concerts for Amnesty that focused on rock music. Indeed many freed prisoners attended the various "Human Rights Concerts" and spent time with the musicians - an experience that the artists found especially enriching. He saw how entertainment could help that process and then he took the 'Ball' and ran with it. Send me deals for An overview of The s, including cast and credit details, a review summary, and more.
The musical guests at that final concert included Miles Davis, Carlos Santana, Fela Kuti, Joni Mitchell, Joan Armatrading, Ruben Blades, Howard Jones, Yoko Ono, Peter, Paul & Mary, Third World, The Hooters and Steven Van Zandt. Follow the movie on Plot Summary This documentary presents highlights from four 1979 benefit performances given in support of Amnesty International.
Bonus features include a 2004 BBC documentary, (1989) returned to the roots of the series with an emphasis on comedy and eschewing the music that, by the 1987 show, had come to be an equal component of the. For the first time in the four-decade history of the Amnesty International has presented its classic comedy extravaganza live in the USA Rotten Tomatoes.

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