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Contained within this volume are two of Joseph Conrad's great tales of the sea, "The Nigger of the 'Narcissus'" and "The Secret Sharer." Drawing from his own experiences as a seaman, Conrad's writing is rich with the details of a life lived at sea. Just decided to reproduce the preface here:A work that aspires, however humbly, to the condition of art should carry its justification in every line.
Although most famous for Heart of Darkness and his criticism of Imperialist Britain, Joseph Conrad's Secret Sharer may well be his most autobiographical (and most revealing) work. Victoria Miro is delighted to announce The Secret Agent, a solo exhibition by the celebrated Canadian artist Stan Douglas, featuring the UK premiere of a new multi-screen film installation along with a series of large-scale photographs. A production of Teatro Nucleo, this inside and open-space performance is freely taken from “HEART OF DARKNESS" BY JOSEPH CONRAD and realized with the support of the Joseph Conrad Institute. For more information, see the website: TeatroNucleo, or download the informational flier here. A One Day Colloquium at Senate House, University of London is scheduled for Friday, 6th November, 2015 from 9.30 AM - 5 PM.
This panel will explore cross- and inter-disciplinary approaches to, or alternate mediations of, text within the works of Joseph Conrad. This is a non-residential conference, and participants are invited to make their own arrangements for travel and accommodation.
To download the 2015 Final Programme, including the lists of speakers, venues, and meal options, click here. Opera Parallèle's upcoming production of Tarik O'Regan's adaptation of Heart of Darkness will run from 1-3 May, 2015 at the Z Space, 450 Florida Street, San Francisco. The Institute for Transtextual and Transcultural Studies at University Jean Moulin-Lyon 3 and the French Conradian Society will host a one-day conference on the feminine and space, the known and unknown, in the writings of Joseph Conrad. The 40th Annual International Conference of the Joseph Conrad Society UK was held at the University of Kent at Canterbury, from Wednesday 2 July to Sunday 6 July 2014. NEW: Photographs from the 2014 conference can now be accessed through the Annual Conference Archives, and Keith Carabine's closing address as Chair can be found in Society News.
The Edwardian Culture Network and the Arnold Bennett Society (UK) invite abstracts for ten-minute papers on any aspect of Bennett's Edwardian writing, biography and wider circle. This conference is scheduled to take place at Keele University (Keele, Staffordshire ST5 5BG, UK) from 17th to 18th October 2014.
As part of the celebrations to mark the 100th anniversary of Joseph Conrad’s return visit to Cracow in 1914 and the 90th anniversary of his death in 1924, the Jagiellonian University Joseph Conrad Research Centre and the Joseph Conrad Society (Poland) invite scholars to take part in a conference to be held at the Jagiellonian University in Cracow from 28-30 September 2014. The Call for Papers gives details about the conference, registration fees, and provides other information. A Conrad seminar, titled “The unexpected in Joseph Conrad’s fiction”, will be held at the 2014 ESSE Conference in Kosice, Slovakia (Friday 29 August – Tuesday 2 September, 2014).
Jointly hosted by The Joseph Conrad Society of America and Fairleigh Dickinson University-Vancouver, a conference celebrating and investigating facets of the life and work of Joseph Conrad will be held in Vancouver in mid-August. For more information on practicalities, including arrival, dining options, and transportation in and around Vancouver, download the PDF here. The 40th Annual International Conference of the Joseph Conrad Society UK will be held at the University of Kent at Canterbury, from Wednesday 2 July to Sunday 6 July 2014. For information and to download application forms for the 2014 Juliet McLauchlan Travel Grant and Gail Fraser Memorial Travel Grant, see the Annual Conference page. This event is scheduled to take place at the PEER gallery (97 & 99 Hoxton Street London N1 6QL UK) from 5 June to 26 July 2014. Peter Fudakowski's Secret Sharer (2014) will have its charity premiere on Monday 23rd June at the Curzon Mayfair cinema in London.
The film will also be released in selected cinemas in the UK, including the Curzon Mayfair and the Curzon Victoria, starting Friday 27th June. An eBook of Conrad's The Secret Sharer, with Fudakowski's screenplay of the movie and a review by Gene Moore, has been published by Bloomsbury. The guest speaker will be Laurence Davies, co-author of Cunninghame Graham: A Critical Biography (Cambridge, 2008).
Following the screening, there will be a Q&A session with the director Peter Fudakowski and Prof.
The critically acclaimed Ognisko Restaurant is offering guests the chance to join the director for a two-course dinner after the Q&A for an additional price. Christopher Hampton, playwright and Academy award-winning screenwriter, wrote and directed an adaptation of Conrad’s The Secret Agent in 1996.
The event is scheduled to take place at The Screening Room, Somerset House, Strand, London WC2R 1LA on Fri 25 October 2013, 6.30pm - 9pm (Doors open at 6pm).


The co-general editors of the Cambridge Edition of the Works of Joseph Conrad are pleased to announce that two volumes, the twelfth and thirteenth, respectively, are currently in press and due to appear this summer and autumn. Under Western Eyes, edited by Roger Osborne and Paul Eggert, with an Introduction by Keith Carabine and Notes by Jeremy Hawthorn and Keith Carabine, is scheduled for publication in October 2013.
A play inspired by The Secret Agent will be performed by theatre O at the Young Vic, 66 The Cut, Waterloo, London, SE1 8LZ, from 4 to 21 September 2013.
Co-commissioned by Warwick Arts Centre and supported by the Arts Council England, Shoreditch Town Hall, and the National Theatre Studio, The Secret Agent is theatre O's heartbreaking but hilarious chronicle of passion, betrayal and terrorism, performed in their highly imaginative trademark cinematic style, which The New York Times has called ‘vivid, enlightening, inventive and compelling’.
For more information, including performance times and ticket prices, see the official Young Vic website.
An interactive exhibition, titled 'The Secret Agent, or The Enigma of the Knitting Machine', is scheduled for 13–16 September 2013 in The Old Police Station, 114 Amersham Vale, Deptford, London. The exhibition explores the parallels of story-telling and knitting with regard to Conrad's novel The Secret Agent and a letter he wrote to Cunninghame Graham, in which Conrad describes the fantasy of existence being controlled by a knitting machine. The first sale took place on 10 July 2013; full results of that sale are now listed on Sotheby's website.
Soheil Sommi, an Iranian translator of works by Doris Lessing, Saul Bellow, Joseph Heller, and Samuel Beckett, has now translated Conrad's The Nigger of the Narcissus, The Shadow-Line, and Typhoon into Persian. A second printing of The Rescue, translated by Kiomars Parsay, has also been published in Iran after 12 years. The 39th Annual International Conference of the Joseph Conrad Society (UK) will be held in Rome, 10 - 13 July 2013. The Culture Capital Exchange (Somerset House) will present U-Wei Haji Saan's Hanyut, an award-winning adaptation of Joseph Conrad's first novel, Almayer’s Folly (1895). This panel will take place at the South Atlantic Modern Language Association conference in Atlanta, Georgia, November 8-10, 2013. Please submit abstracts (250-300 words) by May 15, 2013 to Hunt Hawkins, University of South Florida.
Note that technology should be understood in the broadest sense to include new teaching and research technologies as well as technologies theoretical and thematic in Conrad studies.
Please submit abstracts by May 17, 2013 to Lissa Schneider-Rebozo, University of Wisconsin River Falls.
Cambridge University Press includes in its academic book sale beginning 1 February two volumes of the Cambridge Edition – A Personal Record and Twixt Land and Sea – at extremely attractive discount prices (60% off list price). Scholars and students who might have found the volumes rather dear in the past have an opportunity to acquire these essential resources now for their personal or university libraries. Please see the attached press release (in PDF) for more details; or, to buy tickets, visit the company's website. The organizers of this session welcome papers that investigate topics or questions relating to Joseph Conrad and cognitive science from historical as well as theoretical perspectives or through close reading. In "The Nigger of the 'Narcissus'" a ship's crew struggles with morale as a black member of the crew lay dying. And art itself may be defined as a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect. The other was the novella Heart of Darkness and that was close to twenty livros nicholas sparks pdf joy orbison dldrms001 mix THE SECRET AGENT BY JOSEPH CONRAD.
Saturated with information, and yet rejecting easily consumable messages, these works place the viewer within the charged atmospheres and ambiguous political and social intricacies of 1970s Portugal and postwar Vancouver, respectively. This may include (but is not limited to) novel approaches to criticism, mediations of text (for example, via film, theater, the press, or graphic novel), or creative responses of other artists to Conrad’s work.
To download this year's Conference Booking Form, click here (for PDF), or here (for MS Word). We have reserved a number of rooms at the University Women's Club (open to both genders!), and if this option appeals to you we recommend that you book directly as soon as possible. The set and backdrop will incorporate artwork by Matt Kish, whose illustrated edition of Heart of Darkness was reviewed in the Fall 2014 issue of Joseph Conrad Today. This conference is scheduled to take place at University Jean Moulin-Lyon 3 (69007 Lyon, France) on Friday, 12th December 2014. The theme of this year's conference, scheduled for November 7-9, 2014, is Sustainability and the Humanities. This 6:15 PM screening of the film will be followed by a brief Q&A with the director and Jack Laskey. The conference is part of a series of events celebrating and criticizing adaptations of Conrad’s works.


This event is one in a series of events by Royal Holloway University London, examining adaptations of Conrad’s work.
The volume contains the extensive typescript deletions that Conrad made in revising the novel. This is a collaborative work between Zoe Wagner, a textile designer, and Annina Lehmann, a writer and film-maker. It integrates contemporary concerns with issues such as surveillance and terrorism, which received early and insightful treatment in Conrad's novel. See the following brief announcement from The Guardian online; or, for a full catalogue of items to be auctioned, click here.
Hosted by Professor Richard Ambrosini, the conference will take place at the Università di Roma Tre and other venues in the historic city. The Conference Programme, travel details, and information on hotel accommodations are available on the Annual Conference page.
After the film there will be a short break followed by a panel discussion with the director.
In the shorter work "The Secret Sharer" a captain on his night watch discovers an officer that has come aboard has been accused of a murder. It is an attempt to find in its forms, in its colours, in its light, in its shadows, in the aspects of matter and in the facts of life, what of each is fundamental, what is enduring and essential -- their one illuminating and convincing quality -- the very truth of their existence.
A list of recommended nearby hotels, as well as two featuring conference discounts, can be accessed here.
As part of that series, the Inside-Out Festival will be screening the film and following it with a panel featuring Christopher Hampton in conversation with Dr Andrew Glazzard and Professor Jonathan Powell.
Please note: a ?20 cancellation fee for no-shows and those cancelling within 24 hours of the event. In both works through the context of a voyage at sea Conrad masterfully explores the psychological and moral issues that are at the heart of mankind. Impressed by the aspect of the world the thinker plunges into ideas, the scientist into facts -- whence, presently, emerging they make their appeal to those qualities of our being that fit us best for the hazardous enterprise of living. The critical text dispenses with the chapter divisions imposed by serialization and presents the novella, for the first time, as a continuous narrative. The location is 3 minutes’ walk from Marunouchi Line’s Myogadani underground station.See the attached flier for more details. They speak authoritatively to our common-sense, to our intelligence, to our desire of peace or to our desire of unrest; not seldom to our prejudices, sometimes to our fears, often to our egoism -- but always to our credulity. His appeal is made to our less obvious capacities: to that part of our nature which, because of the warlike conditions of existence, is necessarily kept out of sight within the more resisting and hard qualities -- like the vulnerable body within the steel armour. His appeal is less loud, more profound, less distinct, more stirring -- and sooner forgotten.
The changing wisdom of successive generations discards ideas, questions facts, demolishes theories. But the artist appeals to that part of our being which is not dependent on wisdom: to that in us which is a gift and not an acquisition -- and, therefore, more permanently enduring. And in truth it must be, like painting, like music, like all art, the appeal of one temperament to all the other innumerable temperaments whose subtle and resistless power endows passing events with their true meaning, and creates the moral, the emotional atmosphere of the place and time. Such an appeal, to be effective, must be an impression conveyed through the senses; and, in fact, it cannot be made in any other way, because temperament, whether individual or collective, is not amenable to persuasion. All art, therefore, appeals primarily to the senses, and the artistic aim when expressing itself in written words must also make its appeal through the senses, if its high desire is to reach the secret spring of responsive emotions.
It must strenuously aspire to the plasticity of sculpture, to the colour of painting, and to the magic suggestiveness of music -- which is the art of arts. The task approached in tenderness and faith is to hold up unquestioningly, without choice and without fear, the rescued fragment before all eyes and in the light of a sincere mood. In a single-minded attempt of that kind, if one be deserving and fortunate, one may perchance attain to such clearness of sincerity that at last the presented vision of regret or pity, of terror or mirth, shall awaken in the hearts of the beholders that feeling of unavoidable solidarity; of the solidarity in mysterious origin, in toil, in joy, in hope, in uncertain fate, which binds men to each other and all mankind to the visible world. We watch the movements of his body, the waving of his arms, we see him bend down, stand up, hesitate, begin again.
We understood his object, and, after all, the fellow has tried, and perhaps he had not the strength, and perhaps he had not the knowledge.



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