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When you subscribe to our free service, each Monday you'll receive several transformational quotes on a new topic - with commentary by Peter Shepherd - plus an exceptional accompanying article, to inspire you throughout the week.
And as a bonus when you've confirmed your subscription, freely download your choice of 250 eBooks in the Transformational eBook Collection - including Peter Shepherd's book, 'Daring to Be Yourself'! Generalized Anxiety Treatment ~ Use hypnosis as a generalized anxiety disorder treatment and you can feel calm today. Improving Concentration and Focus ~ Learn how to discipline, direct and command your mind to improve your performance. Exercise Motivation ~ Give you powerful keys to getting back on track with your exercise - and staying there. Overcoming Shyness ~ Provides an invisible security blanket allowing you to develop social ease and overcome shyness.
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Overcoming Procrastination ~ Let hypnosis help you get on with what you need to do, when you need to do it. The iAwake Profound Meditation Program is a way of enhancing your meditation practice, making meditation not only easier and more enjoyable, but also more efficient and effective. Here is a link to a free 20-minute track from iAwake Technologies - a sample of the type of tools that will deepen your meditation immediately and help you quickly become a successful meditator. I think you'll find this technology a tremendous aid on your transformative journey of becoming your best and most creative self - and you can get started today! With the forecasted rain, wind and above-freezing temperatures this weekend, the Coast Guard is urging people to use extreme caution when venturing onto the ice across lower Lake Michigan. The above freezing temperatures are melting and weakening ice and pose safety concerns for anyone venturing onto ice. Plus, ice near the shore of a frozen lake may be unsafe and weaker because of shifting, expansion and sunlight reflecting off the bottom. Always check and monitor the marine weather forecast before and during any trip out onto the lakes.
Carry a registered personal locator beacon in addition to a marine radio to alert the Coast Guard and local safety agencies of potential distress. Carry all required and recommended safety gear, such as visual distress signals and a sound-producing device.
Everyone who enters cold water doesn't drown, but research shows that many drowning incidents may be the result of cold shock response and cold incapacitation. When a cold water situation begins, a person has about one minute to gain control of their breathing and 10 minutes or less of meaningful movement and muscle control to get themselves out of the water.
The Coast Guard and water safety experts say public education and preparedness may help prevent cold water drowning deaths. The public is advised to call 911 to report a person who has fallen through the ice or who is in distress in icy waters.
The Walleyes For Tomorrow Chapter in Green Bay will hold its annual fundraising banquet on Friday, March 11, at the Stadium View, 1963 Holmgren Way, Green Bay. This will be a Friday night all-you-can-eat fish fry featuring baked and deep fried cod as well as chicken. Dinner ticket cost is only $15 per person and corporate tables are $200 which includes 8 tickets.
This event is dedicated to raising money for walleye habitat improvement, fishing education and youth fishing programs. The Friday night all-you-can-eat fish fry will feature baked and deep fried cod, as well as chicken.
With two suitcases, three carry-ons, a diaper bag, a double-stroller, and a pair of additional car seats, the van was packed, too packed for a shovel.
A bittersweet week in Madison as the famed octopus signs from the Octopus car washes are coming down. What is a whirling dervishes ceremony(Sema) ? The Whirling Dervish ceremony, called Sema, is a music and dance ritual born out of “love” and “respect” which are the primary ideals propagated by 13th century poet, theologian and Sufi master Mevlana C.
Is the modern Sema only a commercial and touristic show ?The Mevlevi sect, Rumi's modern day following, has continued to draw on and develop inspired religious beliefs, literature, dance and music since 13rd century weaving into their lifestyles this once, original way of seeing the world. Why is the ceremony taking place in the House of Dede Efendi?The House of Dervish Dede Efendi is a most suitable place for the spiritual atmosphere of Sema ritual. The Whirling Dervish ceremony, called Sema, is a music and dance ritual born out of “love” and “respect” which are the primary ideals propagated by 13th century poet, theologian and Sufi master Mevlana C.
The Mevlevi sect, Rumi's modern day following, has continued to draw on and develop inspired religious beliefs, literature, dance and music since 13rd century weaving into their lifestyles this once, original way of seeing the world. In our role, our organization assumes accountability and accepts fully the responsibility to the origins and spirit of the ceremony. The House of Dervish Dede Efendi is a most suitable place for the spiritual atmosphere of Sema ritual. Frozen Fiefdom - AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit. We have an Art Studio in Sultanahmet area and we have 2 teachers that are professional in Traditional Turkish Tile & Ceramics workshop. 2 Hours Turkish Tile & Ceramic Workshop ( Per Student ) 2 - 5 Guest ,55 Euro ,6 - more ,40 Euro ,1 Guest 65 Euro,Tour Includes. Mimar Sinan University,The Anatolian Seljuks were of course influenced by the cultural heritage they encountered in their new homeland, adapting them to the techniques that they had brought with them from the Iranian plateau. A type of architectural decoration used in conjunction with glazed brick was hexagonal, triangular, square, and rectangular monochrome tiles. Excavations carried out in 1965-66 at Kalehisar near Alacahoyuk have revealed important evidence of the Seljuks' ceramics industry in the 13th century.
Sgraffito and slip-decorated wares continuing Seljuk techniques and styles were also produced during the Emirate period. The earliest example of the new styles that emerged in the early Ottoman period are the 'blue-and-white' Iznik ceramics.
Another blue-and-white group from Iznik is erroneously called 'Golden Horn ware' because the first examples of it were discovered at a site on the Golden Horn in Istanbul.
Iznik is also where another misnamed group of ceramics known as Damascus ware was manufactured. Yet another group of polychrome underglaze Iznik ceramics to be erroneously attributed to another place is the one misleadingly known as Rhodos wares, so-called because of the numerous examples of them purchased from the island of Rhodes and taken into the Cluny Museum.
As late as the middle of the 16 century, the Ottoman ceramic industry was producing more utensils than architectural tiles.
During the first half of the 19th century, Kutahya's ceramics industry suffered a downturn from which it slowly recovered during the second half and into the early part of this century. There is a third important group of Turkish ceramics that are quite different from both the sublime products of Iznik and the humbler wares of Kutahya. To summarize, the art of Turkish tile and ceramic-making developed over the centuries incorporating many different techniques and styles.
The art of Turkish tiles and ceramics have a very important in the history of Islamic art. There is a widely held but quite erroneous belief that figurative painting, is not found in Islamic art due to prohibition by the Koran.
We have an Art Studio in Sultanahmet area and we have 2 teachers that are professional in Traditional Turkish Tile & Ceramics workshop. Please send us an e-mail if you are interested in participating our classes as individual or a student group. It's based on a technique used by top athletes and other successful people to help them make a big stride forward.
A Don't let last Saturday's 40 degree temperatures fool you, cold water is cold water anytime of the year. Water currents, particularly around narrow spots, bridges, inlets and outlets, are always suspect for thin ice. This Fall, the Coast Guard has responded to multiple instances of people being swept off of waterfront structures, such as jetties or piers, during periods of large wave action all across Lake Michigan. To stay safe on the ice, get the right information about conditions and weather, wear appropriate clothing, and don't leave home without the right equipment to stay alive. Carry your visual distress signal and whistle in the pocket of your life jacket so they're close at hand in an emergency.
In cold water drowning situations, if you survive the first minute, the cold will soon rob your muscles of their strength and dexterity.
Severe hypothermia will set inwithin one hour, but without a life jacket, the victim is likely to drown before that occurs. In addition to understanding the physiological effects of cold water, people need to be aware that the initial shock of entering the cold water can cause panic and gasping, resulting in a person inhaling large amounts of water. Her mom is a wild, Californian sea otter that sought refuge in the pool to shield her against other animals and the stormy days.
As the modern tradition progressed, it has weakened primarily due to the lack of resources and community, which in the past were at the foundation, provided by Mevlevihanes or dervish lodges. Some of our most revered Sufi compositions were born in the house of Dede Efendi in the 19th century.
As the modern tradition progressed, it has weakened primarily due to the lack of resources and community, which in the past were at the foundation, provided by Mevlevihanes or dervish lodges. This particular program has been performed by our professional musicians and dervishes in Turkey and abroad over the last 5 years. Some of our most revered Sufi compositions were born in the house of Dede Efendi in the 19th century. In our place, we give beginner, intermediate & advanced level of traditional Turkish Tile & Ceramic painting lessons. This resulted in a distinctively Anatolian style of Seljuk architecture that was in full bloom by the 13th century. Unlike brick, these were preferred for indoor applications and were suitable for a multiplicity of geometrical arrangements.
Two kilns were unearthed along with a substantial quantity of kiln material and incomplete and spoiled examples of ceramics decorated with the sgraffito and slip techniques.In the sgraffito technique, the object is allowed to dry to leather-hardness after which the design, usually plant and floral motifs, is incised into the surface, which may or may not be given a coat of slip beforehand. During early Ottoman times, they appear among Iznik wares reflecting the tastes of folk art.In the course of excavations at the site of ancient Miletus, the archaeologist and art historian F.
The techniques involved in their manufacture are quite advanced as compared with anything previously done.
Dr Oktay Aslanapa's excavations at Iznik have demonstrated incontrovertibly that these wares were manufactured there.
Thereafter however production shifted heavily in favor of the latter as there was a strong surge in the demand for tiles as decorations in the extensive building programs undertaken by Suleyman I (1520-1566) and his successors when the Ottoman Empire was politically, economically, and culturally at its peak. Thus do we find examples of Kutahya-made tiles decorating a number of late-Ottoman buildings.
Canakkale ceramics have begun attracting the interest and attention of researchers and collectors more and more in recent years.The earliest examples of these ceramics can be dated to the end of the 17th century.
Enriched by the arrival of the Seljuks, the ceramic industry in Anatolia achieved a deservedly worldwide reputation with the support of the Ottoman court. Its roots can be traced at least as far back as the Uighurs of the 8th and 9th centuries.
Religious rulings issued only in the ninth century discouraged the representation of any living beings capable of movement but they were not rigidly enforced until the fifteenth century. Stay away from cracks, seams, pressure ridges, slushy areas and darker areas since these indicate thinner ice.


The ola€™ mini van stood tall in the face of Ashleya€™s 13+ inch assault, though the ripple effect was felt, snow piled high on the sides and behinda€¦drifting and plowinga€¦quite the pile-up. Rumi taught that the mere existence of the human being served as an axis point for all of creation and this itself was visible evidence of the Universal Creator. These Mevlevihanes do privately exist, however our version of the full ceremony is preserved by becoming touristic show which is performed in less than ideal conditions sometimes in commercial venues that aren't necessarily ordained spiritual grounds.
Bridging the past and present through his music, our musicians play his legacy, bringing you a unique experience in the center of the city of Istanbul.How can one participate?You may make reservations for the programme. Rumi taught that the mere existence of the human being served as an axis point for all of creation and this itself was visible evidence of the Universal Creator.
These Mevlevihanes do privately exist, however our version of the full ceremony is preserved by becoming touristic show which is performed in less than ideal conditions sometimes in commercial venues that aren't necessarily ordained spiritual grounds. With the underlying ideals of of respect and love present not only a ceremony that is a body of work combining perfectly performing arts facilities and dervish culture, but we also invite you to feel. Bridging the past and present through his music, our musicians play his legacy, bringing you a unique experience in the center of the city of Istanbul.
Its subsequent development was influenced by Karakhanid, Ghaznavid, and (especially) Iranian Seljuk art.
Usually lessons are 2 hours based and by the end of 2 hours, you will be able to finish one item like a tile, plate or a figure.
Seljuk mosques, medreses (theological academies), tombs, and palaces were lavishly decorated with exquisite tiles. The resulting design is then covered with a transparent glaze of a different color and then the piece is fired. Sarre came across a type of polychrome pottery that erroneously became known as 'Miletus ware'. Raby has proposed calling them the 'Tugrakes spiral style' instead.5 The motifs of tiny leaves and flowers on spirals are executed in shades of cobalt blue, turquoise, and black. The forerunner of the style is said to be a lamp in the Dome of the Rock that is dated 1549 and bears the signature 'Musli'. These ceramics have an extensive palette and are generally decorated with naturalistic flowers. Countless examples of mosques and tombs not only in Istanbul but all over the empire were adorned with the products of the Iznik potters' skill.These underglaze-decorated ceramics and tiles were decorated with a rich palette of shades of cobalt blue, turquoise, green, black, brown, and the famous 'coral' or tomato red, the last of which appears in a slight relief resembling sealing-wax.
The tiles on the Tomb of Sultan Mehmed Resad V in Eyup (Istanbul, 1918) for example were made at the manufactory of Hafiz Emin Usta, which was then operating in Kutahya. Fairly good-quality wares continued to be produced up until the beginning of the 19th century. Its subsequent development was influenced by Karakhanid, Ghaznavid, and (especially) Iranian Seljuk art. Figural art is especially rich in tiles as well as stone and stucco reliefs of the Seljuk period, adorning both secular and religious reliefs monuments. A Itasca County Sheriff Vic Williams gives a public warning about the current ice conditions. For most dig out conditions, like long-term airport parking, the garden trowel provides plenty of clearing ability and great ice-chipping leverage, and it stores under the seat or often in a glove box or easily in a backpack if you're a winter hiking, snowshoeing, or camping enthusiast. The axis is illustrated through turning or whirling, the most common movement in the Universe from microcosmic organisms likeatoms to macrocosms like planets, solar systems and galaxies; therefore, mirroring this movement is a way to pray or reach Creator.
In our role, our organization assumes accountability and accepts fully the responsibility to the origins and spirit of the ceremony. With the Seljuks' victory over the Byzantines at Malazgirt in 1071, the art followed them into Anatolia and embarked upon a new period of strong development fostered by the Anatolian Seljuk sultanate.There is a widely held but quite erroneous belief that figurative painting, is not found in Islamic art due to prohibition by the Koran.
Examples of such tile-clad structures can still be seen in the Seljuks' capital city of Konya as well as in the cities of Sivas, Tokat, Beysehir, Kayseri, Erzurum, Malatya, and Alanya.The most frequently-encountered type of architectural decoration during the Anatolian Seljuk period involved the use of glazed brick in which glazed (and also unglazed) bricks were arranged to produce a variety of patterns, mostly on the facades of buildings. In the slip technique, the design is painted onto a red-paste surface using diluted white slip to produce a slightly molded effect.
We now know, as a result of recent excavations, that these wares were actually made in Iznik.
In this object we find a new palette of colors incorporating, in addition to the traditional cobalt blue and turquoise, eggplant violet and a cumin green.
Many examples of Kutahya ceramics from this period are to be found in museum and private collections in Turkey.The difficult straits into which the Iznik industry had fallen in the 18th century inspired some in Istanbul to establish a reliable source of tiles that was closer to home and easier to control. In addition, efforts are also being made in private workshops and educational institutions in Iznik, Istanbul, and Bursa to keep the art of traditional Turkish tiles and ceramics alive and develop it so that it can address the demands of modern-day life.Felt Making Workshops in Istanbul,Traditional Turkish Felt Making,Felt is a non-woven cloth that is produced by matting, condensing and pressing woollen fibres.
With the Seljuks' victory over the Byzantines at Malazgirt in 1071, the art followed them into Anatolia and embarked upon a new period of strong development fostered by the Anatolian Seljuk sultanate. The subjects included nobility as well as servants, hunters and hunting animals, trees, birds, sphinxes, lions, sirens, dragons and double-headed eagles. This impressive practice is built on the foundations of aesthetic symbolism, from the details of dervish's dress to the fulfillment of the ceremony. This impressive practice is built on the foundations of aesthetic symbolism, from the details of dervish's dress to the fulfillment of the ceremony. In this way we are part of the process of echoing the resounding love and respect born in the messages of Rumi. We invited you also to remember your most powerful feelings and treasure them after leaving our door. Religious rulings issued only in the ninth century discouraged the representation of any living beings capable of movement but they were not rigidly enforced until the fifteenth century.
We also have the Tile owen to finish the process.Group lessons for High Schools and Universities can be provided all year long. Turquoise was the most frequently-used color for glaze although cobalt blue, eggplant violet, and sometimes black were also popular.
There are rare examples with traces of gilding.A third technique in which the Anatolian Seljuks were skilled was that of mosaic tile. The surface is then given a coating of transparent glaze colored blue, green, or light or dark brown and then fired. The styles, designs, decorations, and techniques of these ceramics are quite distinct from Seljuk traditions. During this period, naturalistic such as tulips, roses, pomegranates and hyacinths begin to enrich the repertoire of stylized plant motifs and arabesques. Although the traditional designs of stylized plant motifs, arabesques, and Chinese clouds appear in the compositions, there is a shift towards a more naturalistic style in which tulips, carnations, hyacinths, roses, spring blossoms, lilies, cypress trees, and clusters of grapes and vine leaves appear.
Ibrahim Pasa, a grand vizier during the reign of Ahmed III (1703-1730), had a tile-making factory set up at Tekfur Sarayi in Istanbul.
Designs consist of underglaze spots, simply-drawn ships, flowers, fish, birds, and buildings that are applied free-hand. While some types of felt are very soft, some are tough enough to form construction materials. Rumi believed passionately in the power of music, dance and poetry as a path for reaching Creator and since the eighth century, Rumi's teachings have been developed by his followers.
Rumi believed passionately in the power of music, dance and poetry as a path for reaching Creator and since the eighth century, Rumi's teachings have been developed by his followers. If you take notice also of defect or fault, we also kindly ask your forgiveness, and you can be sure that we will work hard to fix it.
Figural art is especially rich in tiles as well as stone and stucco reliefs of the Seljuk period, adorning both secular and religious reliefs monuments.
This was also employed in interiors, especially in mihrab niches, the interiors of domes, transitions to domes, vaults, and walls. During the firing, the areas decorated with slip assume a lighter shade of the glaze color, which appears darker in the ground. They are decorated with motifs executed in tones of blue, turquoise, and violet under a colorless or colored glaze.
These changes in the Iznik potters' production habits are attributed to attempts to imitate the 15th-century Ming porcelains that were reaching the Ottoman court in various ways. Compositions are relaxed and free, offering greater scope for experimentation with new and richer arrangements. The output unfortunately was incomparably inferior to that of Iznik: designs were poor copies of Iznik originals, glazes had a blue cast and were flawed, and colors were dull and lifeless. Felt can be of any colour, and made into any shape or size.Many cultures have legends as to the origins of feltmaking. Even if it is seen as a form of religious ceremony, Sema is an art form just like music and dance, and we believe these traditions need to be shared in order to survive.
Examples in which the motifs have black contours are also known, as are pieces with black decorations under a turquoise glaze.
Tile manufacturing at Tekfur Sarayi lasted thirty years or so and the enterprise was generally regarded as a failure. The most common forms are dishes, plates, and jars.During the 19th century, quality dropped off sharply. Sema today reflects this impact, echoing love and respect where you can see, peace is accessed through the arts. In this way we are part of the process of echoing the resounding love and respect born in the messages of Rumi.What are the differences between this event and the others?
Sema today reflects this impact, echoing love and respect where you can see, peace is accessed through the arts.
A  Plenty of hearsay, and inaccurate facts are presented below in this Affidavit of Anna K. Different styles of calligraphy adorn the tile friezes on monuments; on utensils we find images of ships, 'rock-and-wave' motifs, triple-spots, animal figures, and fish-scale patterns.
Nevertheless some of its output was used in buildings in Istanbul such as the Hekimoglu Ali Pasa Mosque (1734), the Yeni Valide Mosque (Uskudar, 1708), the Cezeri Kasim Pasa Mosque (Eyup, a restoration done in 1726 of a mosque originally built in 1515), and Kandilli Mosque (1751). Forms from this period consist of jars, ewers, jugs, vases, flower-pots, and candle-holders as well as animal and human figurines. The story of Saint Clement and Saint Christopher relates that while fleeing from persecution, the men packed their sandals with wool to prevent blisters. The main difference of our event, entitled “800 years of Love” our efforts that we make are at approaching Sufi origins. Sanders.A  I wonder how accurate her formal reports were when she was an Alaska State Trooper? The pieces were arranged glazed-side down after which a whitish mortar was poured over them. A feature of most 'Miletus' ware is that the interiors are given a coating of slip but part of the exteriors and the bases are not. There is also a proliferation in vessel forms of which deep and footed bowls, vases, ewers, dishes, lamps, candle-holders, and mugs are but a few.Around the middle of the 17th century, the quality of the Iznik potteries began to feel the impact of the economic distress and political upheavals from which the Ottoman Empire had begun to suffer.
There is also a hearth, now in the Victoria and Albert Museum in London, whose tiles were made at Tekfur Saray. Only a single-color glaze was used in these ceramics and there are instances in which black, white, blue, red, yellow, or gilded designs were applied over the glaze.10 Ceramic manufacturing at Canakkale was still being carried out as late as the middle of the 20th century.
At the end of their journey, the movement and sweat had turned the wool into felt socks.Feltmaking is still practised by nomadic peoples in Central Asia and northern parts of East Asia, where rugs, tents and clothing are regularly made. This particular program has been performed by our professional musicians and dervishes in Turkey and abroad over the last 5 years. Designs tend to be plant motifs and geometrical arrangements but animal figures are also encountered. The decorations include stylized foliage, arabesques, and Chinese clouds alone or in skillfully-executed compositions.Iznik blue-and-whites can be classified in a number of subgroups on the basis of their motifs and styles.
Some of these are traditional items, such as the classic yurt, while others are designed for the tourist market, such as decorated slippers.


With the underlying ideals of of respect and love present not only a ceremony that is a body of work combining perfectly performing arts facilities and dervish culture, but we also invite you to feel. Mosaic-tile compositions are generally geometrical but floral motifs and Kufic or Thuluth calligraphy are also found.
The contours of the designs are picked out with a mixture of beeswax or vegetable fat and manganese oxide. One group, with motifs consisting of stylized lobed leaves with curling tips is attributed to a 'Baba Nakkas', a chief designer at the Ottoman court studios in the 15th century, and is therefore known as the Baba Nakkas style .4 Cobalt blue in various tones is the principal color.
In the Western world, felt is widely used as a medium for expression in textile art as well as design, where it has significance as an ecological textile.Traditional Turkish Felt Workshop by Mehmet Girgic Mehmet girgic is a master Craftmen in Felt Making in Istanbul and we make our workshops in his Studio by himself or his assistants. During the firing, the wax or fat burns away producing contours of red or black that also prevent the differently-colored glazes from running into one another.The cuerda seca technique permits extremely complex and detailed designs to be applied to ceramic surfaces. One, a composition of thick motifs radiating around a central motif, is identical to the grooved designs on metal bath-bowls.2,The late 15th and early 16th century marks the beginning of a new period in Ottoman tile and ceramic-making.
We invited you also to remember your most powerful feelings and treasure them after leaving our door. In addition to plant motifs, examples decorated with calligraphy and (less commonly) geometric patterns that are a continuation of Seljuk traditions are to be found. During this period the Iznik manufactories apparently turned their attentions more and more to the demands of customers who were less finicky than the Istanbul court and its circles. If you take notice also of defect or fault, we also kindly ask your forgiveness, and you can be sure that we will work hard to fix it. A rich and subtle palette of colors was available with colors such as turquoise, cobalt blue, lilac, yellow, black, and pistachio.
Designs prepared by artists who were employed in the studios of the Ottoman court were sent to Iznik to be executed in wares ordered for use at the palace. There is even evidence, in the form of written complaints, that orders placed by the court in Istanbul were being delayed.8 By the 18th century, the ceramic industry in Iznik had died out completely and Kutahya replaced it as the leading center in western Anatolia. In the lesson you will make the whole stages of a Felt making process and by the evening, you will be able to finish 1 item like a hat, bag, shoe, a scarf or a design that you choose..
The only place in Anatolia were tiles of this type have been found is Alaeddin Kiosk in Konya. The court's patronage stimulated and supported the development of an artistically and technically advanced ceramic industry in Iznik. Indeed, Kutahya had been in operation as a secondary center along with Iznik since the 14th century 9 but its production always paled in Iznik's brilliance.
The palette of colors that this technique offers is much greater and one finds shades of violet, blue, turquoise, green, red, brown, black, and white as well as gilding. Fine examples of cuerda seca tiles are to be found at the Bursa Green Mosque (1419-1420) and Tomb (1421-1422) the Mosque of Murad II (Edirne, 1436), the Tiled Kiosk (Istanbul), and the Tomb of Prince Mehmed (Istanbul, 1548). But where production at Iznik was discontinued, Kutahya plodded on.For a while, the Kutahya potters produced inferior copies of Iznik blue-and-whites but they also began producing ceramics whose forms, colors, and techniques are quite distinct. Some colors were applied under the glaze and then fired; others were applied over the glaze which then received a secondary opaque white, transparent, or turquoise glaze and was fired again.
Among them are a group of Christian liturgical utensils and tiles with religious themes that were made by Armenian potters for their churches.
The designs of minai tiles are lively and reminiscent of miniatures with themes taken from palace and court life.In underglaze tiles, the designs are painted onto the surface, which is then glazed before the tile is fired. 18th-century Kutahya ceramics are made with a white paste and are usually decorated with underglaze-applied designs in yellow, red, green, cobalt blue, turquoise, black, and violet. Betul is our professional Artist that is graduated from Mimar Sinan University department of fine Arts in Istanbul.
She is professional in Ottoman Calligraphy - Tile Design & Turkish Motives - Ottoman Paper Marbling. Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name. Forms, which can be elegant, include thin-walled small cups, saucers, bowls, ewers, pitchers, flasks, incense-burners, lemon-squeezers, and ornamental eggs.
The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to a sheet of paper (or other surfaces such as fabric). Fine examples of these tiles have been discovered at the excavations of the Kubadabad Palace in Beysehir, where the tiles are decorated with plant motifs as well as with figures of human beings and animals.The luster technique first appeared in Abbasid Iraq.
This decorative material has been used to cover a variety of surfaces for several centuries. Later developed to a high level by the Fatimids in Egypt, it was successfully employed by the Iranian Seljuks. It is often employed as a writing surface fo calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monoprint.Need a break from the hustle and bustle of tourist life in Istanbul? The tiles discovered at the excavations of the palace are now on display at the Karatay Medrese Museum in Konya. Luster tiles are decorated in an overglaze technique in which the design is painted with lusterA?a mixture of metallic oxides incorporating silver and copperA?onto a previously glazed and fired surface.
Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. The tiles are then given a second firing at a lower temperature producing a range of lustrous, mostly brownish and yellowish tones. Seljuk palace luster tiles are decorated with plant motifs as well as with human and animal figures.Anatolian Seljuks sometimes used square, rectangular, hexagonal, and triangular tiles to cover interior walls.
Its origin might ultimately hark back to China, where a document from the T'ang dynasty (618-907) mentions a process of coloring paper on water with five hues. These tiles are plain, with turquoise, violet, or cobalt blue being the chief colors applied in the underglaze technique. Sometimes the traces of overglaze gilding are to be found; however because the gilding was fired at a low temperature (or not fired at all), it was not durable and has mostly disappeared. By carefully laying the paper over the bath, the floating picture on top of it is readily transferred to the paper; thus, each ebru is a one of a kind print.
To obtain beautiful ebru results, one needs to have a light hand, refined taste, and an open mind to the unexpected patterns forming on the water. Patience and a good knowledge of traditional culture are characteristic of ebru masters.After the 1550's, booklovers in Europe prized ebru, which came to be known as ‘Turkish papers’.
A  There's an Unsolved Mystery right there:A  How could I have been "Found" by LAPD or anyone, when I was never "Missing" nor Lost?
Many specimens in their collections and in the several album amicorum books are visible today in various museums. Also, early texts dealing with ebru, such as “Discourse on decorating paper in the Turkish manner”, published in 1664 by Athanasius Kircher in Rome, helped to disseminate the knowledge of this kind of marbling art. There is agreement amongst scholars that the so-called Turkish Papers played a colourful influence on the book arts in Europe.MATERIALS USED IN CLASSICAL TURKISH MARBLING Gum tragacath – Dye – Paintbrush – Basin – Water – Paper - Gall Gum Tragacant is obtained from trunk of a thorny plant growing naturally in Anatolian, Persian and Turkestan mountians and called “gaven”. The sap coming out of scratches made on the branches dries up later and solidifies in bone white colored pieces . Turkish is a very rich country in respect of such natural dyes.Any kind of earth may be first translated into mud then filtered and crushed to from a dye. In older times rainwater was favorite but because of acide rain in our times it is no longer advisable. The ritual of the Mevlevi sect, known as the sema, is a serious religious ritual performedby Muslim priests in a prayer trance to Allah.
Paper: The ideal paper is the one handmade and having a high absorbtion capacity and acid-free. Mevlevi believed that during the sema the soul was releasedfrom earthly ties, and able to freely and jubilantly commune with the divine. The Whirling Dervishesplayed an important part in the evolution of Ottoman high culture.From the fourteenth to the twentieth century,their impact on classical poetry, calligraphy and visual arts was profound. In order to increasethe absorbtion capaticy and to fix the dye on it(more durable) and alumina solution may be applied on the paper surface. For instance when blue yellow are simultaneously applied and mixed up as much as possible never green comes out.3. MARBLING APPLIED TO PAPER PATTERNS,Marbling is similar to cooking; it is impossible to give the exact recipe. The density of the gummed water and the relationships between the water and the dye, the dye and the tensioning agent (gall), the quantity of gall in the dye are all very important.
Now if this basic pattern is handled by parellel lines made by a thin pencil or chip moved back and forth you obtain “the back-and-forth”.
When a convolute line is applied from the outer circumference towards the centre you obtain a “nightingale nest”.
In the event small colorfull dots are spotted on the back-and-forth or shawl design you get the “sprinkled marbling”.
A  I assumed she was feeling a bit down over the slumping economy and her own financial position, and wasn't keeping up with personal grooming, and wasn't concerned about her appearance. If, instead, you apply larger dots (which means with higher rate of gall contents) you obtain the “prophyry marble” which resemble most to marble.,Nonetheless above patterns may be divesified by selecting one of the above as a basis and making concentric drops of different colors. Mehmet Efendi (the orator of Saint Sophia, deceased in 1973) first formed flower and other patterns, wich were subsequenly called the “Orator pattern” (Hatip ebrusu).
Grant would like to request the videotapes of the Key West Airport baggage claim during my arrival on that date, so we can all have a review of the appearance of Anna, and me. The paper is then careflly lifted off the basin without stripping too much the gum off the surface.
This infinity of colors and shapes quickly formed makes the marbling amazing at and fascinates the spectator (if any). Hikmet BARUTCUGIL,Mimar Sinan University paper marbling, fabric marbling, faux marbling, parrys graining and marbling, marbling paint, contemporary create design fabric marbling paper technique traditional, Turkish Marbling - Ebru Lessons in Istanbul.Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name.
It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Come take an art class with the remarkable Turkish artist Bahar !LEARN the secrets of creating the rich patterns of handmade marble paper . CONTEMPORARY create design fabric marbling paper technique designs on paper, glass or on silk fabrics .Our teacher that is shown in our pictures is Ms. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.LEARN the secrets of creating the rich patterns of handmade marble paper .
EXPERIENCE the sensuous flow of Ottoman Calligraphy,CONTEMPORARY create designs with Turkish patternts on tiles,Our teacher that is shown in the pictures are Mrs. Grant, Attorney at Law, Juneau, AK From Wedding Bells to Tales to Tell: The Affidavit of Eric William Swanson, my former spouse AFFIDAVIT OF SHANNON MARIE MCCORMICK, My Former Best Friend THE AFFIDAVIT OF VALERIE BRITTINA ROSE, My daughter, aged 21 THE BEAGLE BRAYS! HELL'S BELLS: THE TELLS OF THE ELVES RING LOUD AND CLEAR IDENTITY THEFT, MISINFORMATION, AND THE GETTING THE INFAMOUS RUNAROUND Double Entendre and DoubleSpeak, Innuendos and Intimidation, Coercion v Common Sense, Komply (with a K) v Knowledge = DDIICCKK; Who's Gunna Call it a Draw? AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit.
A  How about some facts, such as the Officer's name, time, location of the vehicle, etc.



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