How to look up an arrest record in texas myself,best sound in cell phone,find vehicle registration number owner - 2016 Feature

As collectors, dealers, and curators across the world make plans to attend the Spring 1999 a€?Asia Weeka€? in New York, they will notice that for the first time in recent memory neither Sothebya€™s nor Christiea€™s has scheduled a specialized auction of Chinese paintings. In my former position as Director of the Chinese Painting Department at Sothebya€™s I devoted much time and energy and more than a decade of my life to establish and maintain New York as a major center of the international Chinese painting market. I remember clearly the first time I set foot in the old Sotheby Parke Bernet on Madison Avenue.
The sale was held on November 2, 1979 and was a watershed event for the market for Chinese paintings in America, as well as the beginning of my career as a Chinese art dealer. With the support of James Lally, then head of the Chinese Works of Art Department, we introduced a full range of Chinese paintings and calligraphy, including purely decorative works, modern and contemporary paintings, as well as pre-modern Chinese paintings, to a small but enthusiastic American audience, and in doing so helped to establish a legitimate price structure for individual artists and for the various types of anonymous Chinese paintings.
In May 1980, Sothebya€™s Hong Kong held its first sale of modern Chinese paintings, with Paula taking responsibility for the offerings.
The decade of the 1980s saw the market for Chinese paintings increase exponentially due to a confluence of a number of factors.
In order to accommodate regional tastes, both Sothebya€™s and Christiea€™s adopted, for the most part, the strategy of offering the best 19th and 20th century Chinese paintings in Hong Kong while holding sales of Song, Yuan, Ming and Qing dynasty paintings in New York. The most rewarding aspect of working at one of the major auction houses, at least from the standpoint of an expert department, is the ability to discover and make available to the public previously unknown or little-known works of art.
Readera€™s Digest has recently been the subject of many art columns because of the highly successful auction held at Sothebya€™s featuring a significant portion of their corporate holdings of Modern and Contemporary paintings.
The international character of the Chinese paintings market encouraged a global approach to marketing, in which Hong Kong and New York auctions complemented rather than competed with one another. Another important work of Yuan dynasty calligraphy appeared in Sothebya€™s New York June 1985 auction of Fine Chinese Paintings.
The great majority of works bought and sold at auction are done so anonymously, particularly in a relatively new market such as Chinese paintings. The most exciting collection I ever worked on, however, was perhaps more interesting because of its owner than for its contents, although the collection did contain several masterpieces. At this time Zhang Xueliang was technically still under house arrest but, as he had already outlived most of his detractors and he posed no threat to the government of the Republic of China, he led a fairly unfettered existence and was even permitted to visit friends and go out to dinner.
By the time Zhang Xueliang was finally released from house arrest in 1988, many of his best paintings had already been sold through New York auctions, but he still retained in Taiwan a large number of paintings and calligraphy, including hundreds of fan paintings. The success of the Dingyuanzhai auction was the culmination of a trend which had begun in the mid-eighties--the dominance of Taiwanese buyers in the Chinese art market. Taiwanese buyers were not a factor in the sale of a 17th century masterpiece six months later at Sothebya€™s.
The sale of the Wu Bin handscroll in December 1989, was clearly the highlight of my career at Sothebya€™s. There were many reasons why I resigned from my position at Sothebya€™s in October 1992, after turning down a significant promotion.
In 1995 Christiea€™s began producing semi-annual sales of a€?Fine Classical Chinese Paintingsa€? in Hong Kong, based on the presumption that the majority of buyers were in Asia and that holding sales closer to home would allow Christiea€™s to take advantage of the a€?Pacific rima€? economic boom.
Yet, in the six years that have passed since my resignation, both Sothebya€™s and Christiea€™s have held auctions in New York and they have continued to offer a number of excellent works. Nevertheless, there is no lack of interest for Chinese paintings in America, nor is there a lack of understanding and expertise.
As we enter a new year that finds parts of Asia, including Hong Kong, in the midst of the regiona€™s biggest economic decline in decades, we may question the wisdom and timing of Sothebya€™s choice to put all its Chinese painting eggs in one Asian basket. If you would like a printable version of this article in pdf format, please request one by email. Shadow Skeletons and New Realitiesa€“Guohua and Cultural Identity (Reprinted from Kaikodo Journal VI, October 1997, pp. As the dawn of a new millenium rapidly approaches, modern and contemporary Chinese art is receiving an unprecedented amount of attention throughout Asia and the West.
There is now a thriving art market for contemporary Chinese paintings, done in both traditional and Western styles. As we try to absorb this impressive flood of images and information about 20th century Chinese art we are suddenly encountering, and before we begin to assess the artistic and art-historical merits of these works of art, it is useful to present a brief outline of some of the major issues that have concerned Chinese artists during the last century and identify some of the stylistic trends that have shaped the context in which the art of this period was and is being created. During the past one hundred years the political, social, and economic systems of China have been transformed on an unprecedented scale. Kanga€™s views represented the prevailing attitude among progressive Chinese intellectuals who associated modernization with Westernization and Westernization with the development of science and technology. Many artists chose not to abandon completely traditional Chinese painting but tried instead to make adjustments in subject matter or style in order to broaden its appeal and update its appearance, making it more responsive to the perceived needs of contemporary society.
Most critics, including Kang Youwei, advocated a synthesis of Western and Chinese art: a€?if we adhere to the old way without change, Chinese painting will become extinct. Kanga€™s approach was based on a formulation that he and the other a€?self-strengthenersa€? of the unsuccessful 1898 reform movement had advocated as a solution to most of Chinaa€™s ills. During the first decades of this century, numbers of young painters took up Kanga€™s challenge in earnest. Although agreeing on the general premise that Chinese painting needed an infusion of Western artistic know-how in order to advance into the modern age, the three leaders of this Westernizing movement, Xu, Liu, and Lin, did not see eye-to-eye on much else. The arguments among these three and their followers as to which foreign models to follow were as vehement as those waged by traditional painters about whether to imitate the Four Wangs (as did Wu Hufan and his students) or Shitao and Bada Shanren (as did Zhang Daqian and his followers). The decades of the 1920s and 1930s were a period of great creativity and artistic experimentation. By the end of the 1930s the future of Chinese art looked promising, albeit somewhat confused.
The politicization of all aspects of the processes of creating, exhibiting, publishing or otherwise disseminating art in the Peoplea€™s Republic of China is discussed in several recent studies and doubtless will continue to be a subject of inquiry for many years to come. Mao Zedong, in his 1942 a€?Talks at the Yana€™an Conference on Literature and Art,a€? had clearly stated his belief that art must serve the people, and that there could not be art for arta€™s sake.
Each individual is born into a culture, and its orientations and basic beliefs shape him and remain deeply rooted in his personality all of his life. LeShan and Margenau are concerned with the inherent limitations of the physical sciences to adequately describe and explain all manner of phenomena, particularly as new scientific discoveries have revealed microcosms and macrocosms for which standard Newtonian assumptions about time and space do not hold true.
In Maoist China the art bureaucracy attempted to condition societya€™s perception of reality by strictly limiting the artistsa€™ range of acceptable themes and styles, and by short-circuiting the natural feedback process through the stringent control of all means of criticism. Many early attempts to synthesize guohua techniques and approaches with new a€?revolutionarya€? subject matter failed for precisely this reason. Among all artists, traditional painters had the most difficulty modifying or updating their artistic techniques in order to satisfy the needs of the new society as envisioned by the leaders of the Peoplea€™s Republic. Although the intent of the theoreticians, such as Kang Youwei and Cai Yuanpei, was to modernize Chinaa€™s art following Western models, Xu Beihonga€™s style of academic realism was conservative, perhaps already outdated, by the time it reached China.
Western art was of course undergoing its own revolution, reflecting new concepts of reality engendered by Einsteina€™s Theory of Relativity, quantum mechanics, particle physics and other scientific discoveries and philosophical intuitions. It was the Chinese artists working in Taiwan and abroad, including Zhang Daqian (1899-1983), Wang Jiqian (C.C. Working outside the constraints of the Maoist regime in relatively free artistic environments, these artists have made great strides in creating a true synthesis of traditional Chinese and modern Western painting styles. The current exhibition presents the work of a new generation of traditional, guohua painters, active in China, Hong Kong, Taiwan, and overseas. This generation of younger artists grew up at a time in which, when political realities renders questions of cultural identity unavoidable. Even for those who have practiced continuously the discipline of traditional Chinese painting, the period of the 1980s and 1990s seems like a new beginning. One may question the extent to which guohua has progressed in the five decades since the founding of the Peoplea€™s Republic, or for that matter, in the nearly nine decades since the fall of the Qing dynasty, but, given the extent and intensity of the criticism aimed at traditional Chinese painting and everything that it stood for, and with the recent availability of so many other artistic options, it is perhaps surprising that the art form has persisted at all.
In an age of rapid information exchange and an increasingly global popular culture, it is very possible that a truly international style of art, in oils, acrylics or, more likely, some yet-to-be-invented digital medium, will be developed in the 21st century. A multicultural environment will recognize shared cultural values but it will also embrace cultural differences and encourage the preservation and development of traditional art forms. I discovered a remarkable collection in Germany which yielded a significant number of important works of Chinese painting, calligraphy, and ink rubbings, which were sold off gradually throughout the decade.
Sothebya€™s December 1984 auction of Fine Chinese Paintings included several important works dating from the 13th century to the present.
France was also the source of an intriguing album of ten leaves ascribed to the great Southern Song dynasty painter Ma Yuan sold in December 1986. A Close source said, Al Pirro, and his corrupt political cronies were at Ernie Davisa€™ Fundraiser at Samba NA  Brasa 42 West Broad Street. This is JEANINE PIRRO the woman who the FEDS have on tape saying, what do I have to do Bernie watch him f--king the bitch on the boat?
Look at the condition of Mount Vernon's South Side, 3rd street, it's more run down now then ever before, men get shot while sitting in a barber chair. Jeanine Pirro drives a Bentley, and she lives in a mansion, and she does nothing for the poor, and she has prosecuted innocent people, and covered up police brutality and false arrest. Sothebya€™s has effectively closed the department in New York, referring prospective sellers to their Hong Kong office. The recent decision by the two leading auction houses to eliminate or significantly reduce sales in New York has prompted me to review briefly the history of Chinese paintings at auction and to reflect upon the current state of the market. It was Autumn of 1979 and I had been approached by Paula Gasparello of the Chinese Works of Art Department to assist in the cataloging of a number of important Ming and Qing dynasty paintings from the estate of Ruth Spelman.
In October our fledgling New York department produced an unprecedented sale of 145 works by living Chinese artists, which featured paintings by Zhang Daqian, Cheng Shifa, Huang Junbi, Li Keran, Wang Jiqian, Li Kuchan, Yu Chengyao, Qian Songyan, Xie Zhiliu, Xu Bangda, and others. In the West, particularly in America, academic interest in pre-modern Chinese painting was at a peak and a number of important museum exhibitions--such as a€?Eight Dynasties of Chinese Painting,a€? organized jointly by the Cleveland Museum of Art and the Nelson Gallery-Atkins Museum, Kansas City--provided increased access to an ever-more appreciative public. This allowed for two major sales per year in each location and enabled both buyers and sellers to consolidate their efforts and focus their energies on those works that most interested them.
While at Sothebya€™s I had the good fortune to bring to the market quite a few important works of Chinese painting and calligraphy, many with obscure or unexpected provenances. Because the Readera€™s Digest collection of European paintings was so well known, its appearance on the auction block was accompanied by much fanfare and anticipation, but the art world at large is unaware of the quiet role that the collection played in the development of the Chinese painting market in New York. In addition, collectors and dealers in Hong Kong, taking note of the positive results of the auctions of pre-modern Chinese paintings, began to consign works for sale in New York.
One of the early successes from this consignment was the sale, on June 13, 1984, of an album of twenty-five letters by Song and Yuan dynasty calligraphers). Expertise and administrative support were shared between the two auction sites, as were salaries and expenses. Zhao Mengfua€™s 1303 a€?Record of the Repair of the Three Purities Palace at the Temple of the Mysterious and Marvelousa€? (Xuanmiaoguan chongxiu sanqingdian zhiji), a handscroll written in regular script, was consigned by a young Chinese gentleman who had acquired it in France from a French family who knew nothing of its origin or its potential historical or monetary value.
The consignor of this set of landscapes was a wealthy Parisian who was a major collector of modern European paintings and was thus well known to the Sothebya€™s Paris office. Part of the attraction of the process is the element of surprise; one never knows what may turn up in the next sale. I refer to the collection of Zhang Xueliang, known to students of modern Chinese history as the a€?Young Marshall.a€? Zhang is the son of the powerful Manchurian warlord Zhang Zuolin, who was assassinated in 1928. An intermediary had brought two fine 18th century paintings into the Sothebya€™s Taipei office. I met him in person for the first time, along with Rita Wong, and for the next ten years we had many opportunities to visit with him and his wife Edith and we shared several meals with them.
In consultation with Rita Wong he made the bold decision to offer the remainder of his collection at public auction in Taipei, using his studio name Dingyuanzhai. Collectors and dealers from Taiwan were already extremely active in most facets of the market, especially porcelain, jadeite jewelry, and modern paintings. Both of these paintings, as well as most of the top lots in the sale, were purchased by Taiwanese collectors.
Wu Bina€™s a€?Ten Views of a Fantastic Rocka€? is one of the most extraordinary Chinese paintings ever to appear on the auction market. The Chinese paintings market was strong but just as the demand for paintings and calligraphy was reaching a peak, the availability of good quality paintings had greatly diminished.
To some extent, I was not happy with the way the company was being run and I was dissatisfied with the direction in which both auction houses were heading. The sales were successful but they had the negative effect of competing with New York for both consignments and resources. Christiea€™s, in particular, has been successful because of major consignments, such as the group of important Song dynasty fan paintings from the collection of Stephen Juncunc. In fact, the level of sophistication among Western buyers (including overseas Chinese) is such that they recognize and demand high quality examples of works by both major and minor artists of all periods.
Exhibitions of works in all media by Chinese artists from mainland China, Taiwan, Hong Kong (once again a part of China after a century of British rule), and overseas have been mounted or are being planned throughout Asia, Europe, and the United States. Auctions of this material are now held on a regular basis in many cities throughout China as well as in New York, Hong Kong, Taipei, and Singapore. Even before the Imperial monarchy that had ruled China for several thousand years was completely overthrown in 1911, the Chinese had begun to assess their inherited traditions and values and to question their very cultural identity. Traditional Chinese painting (guohua)2 especially as practiced after the Song dynasty, was specifically criticized for its lack of realism or naturalism, and the conscious disregard by its practitioners of the harsh realities of contemporary society in favor of a rarefied vision of an ideal Confucian society which had never existed in fact.
This colloquialization (to borrow a phrase describing a similar but more far-reaching movement in literature) of Chinese painting is epitomized by the work of the great Qi Baishi (1864-1955), whose colorful depictions of common objects from everyday life enlivened the tradition through the introduction of a colloquial vocabulary of familiar images. Some, like Fu Baoshi (1904-1965) and the Gao brothers (founders of the Lingnan School), traveled to Japan to investigate the process by which Japanese artists were modernizing their native traditions by a selective incorporation of Western techniques and styles.
History would note that, at least for the short term, Xu Beihonga€™s academic realism ultimately won out, although more for political and ideological than artistic reasons. Artists were free to work in all media, which they did in an incredible range of styles and with tremendous passion and dedication.
8 Although many questions remain and many individual stories have yet to be recounted, it is clear that one of the casualties of mainland art policy from the 1950s to the 1980s was Chinese traditional painting.
During the 1950s Mao began to make good on his promise by revamping the entire system of art education and production. If he moves into a new culture with other orientations and basic beliefs, the two versions of reality are dissonant within him. The sources from which a field grew remain within it as a shadow skeleton, and they partly define what is real and what is true, what is sense and what is nonsensea€“in short, what is the basic shape or essence of reality. Alternate realities and multiple truths cannot be understood through their physical means alone. In periods when control over the arts was most absolute (during the many anti-rightist campaigns, for example) artists were not only told what subjects to paint but were also given stylistic directives.
Obviously, Western and Chinese painting had very different roots and very different evolutions; they are the products of completely dissimilar world views and emerge from disparate cultural contexts. The repressive policies of the PRC ensured that this type of painting, with some ideological a€?improvements,a€? became the official means of artistic expression.
Just when Chinaa€™s artists were mastering a style of painting which they thought was modern, Western artists and critics were rejecting both the style and the cultural construct it represented, and at a time when Western artists such as Picasso, Paul Klee, Mark Toby, and Jackson Pollock were recognizing and embracing non-Western artistic traditions, including Chinese painting and calligraphy, the Chinese themselves were declaring some of these same traditions invalid.
It is thus upon the foundation of their work that the future of guohua is likely to be built. It is true of course that guohua represents only one aspect of Chinese painting, which, in turn, is only one aspect of Chinese art as a whole.
Their relationship to the the historical past of China and its traditional values depends to a great extent on where they were raised.
This new generation of artists approaches the tradition with fresh eyes and renewed energy. It has been nearly one hundred years since Kang Youwei issued his challenge to a€?begin a new era by combining Chinese and Western art,a€? and now, a century later, it can be argued that not only have these lofty ideals not been fully attained, but the fundamental questions of artistic and cultural identity remain largely unanswered. It is worth noting, however, that as we enter the 21st century, the global context in which we live is vastly different than the one in which Kang Youwei, Cai Yuanpei or Xu Beihong existed. As popular culture becomes more global it also becomes more homogenized and the unique characteristics of a particular culture or ethnic group become all the more distinctive and significant. I use the terms guohua and a€?traditional Chinese paintinga€? interchangeably, to refer to work painted with traditional Chinese pigments on traditional paper or silk.
Kang Youwei, Travels in Eleven European Countries, quoted in Lawrence Wu, a€?Kang Youwei and the Westernisation of Modern Chinese Art,a€? Orientations (March 1990), pp. Quoted in Michael Sullivan, Art and Artists of Twentieth-Century China, Berkeley, Los Angeles, London, 1966, p. Lawrence Leshan and Henry Margenau, Einsteina€™s Space and Van Gogha€™s Sky: Physical Reality and Beyond, New York, 1982, p. Richardson is covering up corruption, and Jeanine Pirroa€™s corrupt record.
Did you say Mount Vernon, New York Rev. Richardson is not a man of God, he has turned Grace Baptist Church a house of prayer into a den of thieves Matthew 21:13 Rev. Richardson also served on the boards of the Congress of National Black Churches, the National Urban League, and the Constituency for Africa.
During the ceremony Deputy Wilson and Deputy Jurado were given special recognition for their outstanding achievements. Christiea€™s plans to include a small selection of paintings within their auction of Chinese Works of Art in New York, followed by a larger specialized sale of Chinese Paintings in April in Hong Kong. The results of this auction provided compelling evidence that high quality Chinese paintings, rigorously catalogued, could be sold successfully at auction and demonstrated that there was sufficient institutional and private interest in the United States to warrant serious attention on the part of the auction houses.
Many of these artists were unfamiliar to western collectors and few had ever been previously offered at auction.
Wong as a specialist in Chinese painting and a mutually beneficial rivalry developed between the two houses. In the Asia--especially Hong Kong, Taiwan, and Singapore--economic prosperity, political stability, and increased education created an environment conducive to collecting art. In cooperation with their regional offices and representatives throughout the United States and abroad, the auction houses took advantage of their broad networks of contacts to locate potential sellers and to attract potential buyers.
In June of 1982, when the Chinese painting department was struggling to gain credibility and recognition, Sotheby Parke Bernet offered for sale an extremely important painting by the most significant living Chinese painter of the time, Zhang Daqian.
By 1984 the increased supply of good works, coupled with evidence of a modest but increasing demand internationally, justified semi-annual specialized sales of Chinese paintings and calligraphy accompanied by the publication of separate catalogues. Included among the leaves were examples of writing by the Song dynasty writers Liu Wuyan, Wang Sheng, Wu Ju, and Fan Chengda, and the Yuan dynasty calligraphers Zhao Mengfu, Xianyu Shu , Qiu Yuan, Zhang Yu, and Ni Zan. Signed Hengshan Wen Bi, and inscribed with a date corresponding to October 30, 1499, this short handscroll was accompanied by a most impressive series of colophons written by many of the luminaries of late 15th-early 16th century Suzhou, including Shen Zhou, Wu Kuan, Zhu Yunming, Wang Chong, Chen Shun, Peng Nian, Wang Guxiang , Wen Peng and others. The system required cooperation and coordination and it succeeded because the individuals involved were firmly committed to the success of the enterprise. The new owner knew little more, except that it bore the signature of the famous Yuan dynasty literatus and he purchased it on the chance that it might be genuine. She could not remember where or when she had acquired the album but since it did not fit in with the rest of her collection she decided to sell it.
Buyers are always looking to acquire a€?fresh goodsa€? that have not appeared on the market before. After his fathera€™s death, Zhang Xueliang took control over much of northeastern China and was a major player in the subsequent period of warfare, politics, and intrique which shaped the face of modern China. Prior to this occasion I had seen very few good Chinese paintings in private hands in Taiwan. He was always excited to talk about Chinese art, collecting, and his longtime friendship with Zhang Daqian, who had died in 1983. Although I had already resigned my position at Sothebya€™s, at Zhanga€™s request I assisted in the cataloging of the sale. During the late eighties and early nineties they became increasingly prominent bidders in New York sales of pre-modern paintings. Measuring more than thirty feet in length, the painting consists of ten sections, each depicting a specific view of a scholara€™s rock, as viewed from different angles.
We had developed an international interest in an art form that had previously seemed to many to be unapproachable and unsaleable. Many of the new buyers--I hesitate to call them collectors--seemed to be in a hurry to buy a€?masterpieces,a€? major paintings by major artists.
The nature of the auction house and its role in the art market had changed over the years; it had become much more of a retail outlet and had lost much of its exclusivity. The establishment of regular auction sales of Chinese painting and calligraphy in Beijing, Shanghai, and elsewhere within mainland China, as well as in Taiwan, has further diluted the supply of quality works available to the New York-based auctions. The Chang Family Han Lu Studio Collection, sold by Christiea€™s New York in September 1996, featured a rare group of letters by Song dynasty writers in addition to several fine paintings and calligraphic rubbings. If the market rejects poor works of questionable attribution, that, in fact, is a positive indication for the field of Chinese paintings as a whole.
In New York, the Metropolitan Museum of Art has recently opened their renovated Chinese Galleries and, for the first time, thanks to a generous gift from Robert H.
Specialized galleries have been established all over the world and several dealers in ancient Chinese art (including Kaikodo) have begun to feature contemporary paintings as well.
The type of guohua practiced by the literati (wenrenhua) was severely attacked by many critics, among the most vocal of whom was the reformer Kang Youwei (1858-1927), who accused: a€?Four or five hundred years ago Chinese painting was the best. However, Qi did not sacrifice such traditional aesthetic values as excellence in brushwork, simplicity of form, and directness of expression; on the contrary, his work may be seen as advancing the art form in each of these aspects. Some of the most famous, including Xu Beihong (1895-1953), Liu Haisu (1896-1994), and Lin Fengmian (1900-1991), went to Europe to experience Western culture at first hand and to learn what they could about European art.
Liu Haisu, renowned for being the first in China to employ nude models for life drawing in his art school, was enamored of the Impressionists and post-Impressionists.
Realistic oil painting, primarily figural themes, gradually incorporating more and more elements of the Soviet Socialist Realist style, became the new orthodoxy in China. Even after he is a firmly functioning member of the new culture, the orientations of his beginnings still influence him. When the field develops so that new data contradict these old beliefs, a basic conflict develops in the field of knowledge. Art, parapsychology, ethics, and consciousness all play a part in comprehending these new realities.
Only a chameleon-like illustrator could successfully create in such an environment, so it is not surprising that much of the propaganda art of the period, in style as well as function, is closer to advertising in the West than it is to fine art.
That the two worlds should come together in this age of instantaneous global communication should not surprise us, but one of the most curious, even ironic aspects of this cross-cultural exchange is the way in which contemporary Chinese and Western artists and audiences tend to view the othera€™s culture. No attempt was made to keep up with new developments in Western science and art; in fact, these were suppressed just as strenuously as traditional painting was being repressed.
While many European and American artists explored alternate views of reality, through investigations into Eastern spirituality and art, (assisted, in some cases, by mind-altering drugs), the mainland Chinese artists found themselves mired in Marxist dogma and bound to a tradition of painting that was trapped in a reality-warp. Artists working in mainland China today are, at least for the time being, more free to express themselves than they have been for many decades.
Perhaps they have not all attained the same level of technical prowess that painters of Imperial China would have developed through years of copying calligraphy and old master paintings, but neither are they burdened with the unenviable task of upholding Chinaa€™s artistic legacy and maintaining her outmoded cultural values.
Western domination of technology and the world economy is a remnant of her colonial past, and economists, politicians, and businessman now increasingly look eastward for expanding economies and emerging markets. Cross-cultural artistic exchanges will be so commonplace and will occur so quickly, and stylistic influences will be so vast and complex that regional or even national characteristics will be difficult, if not impossible, to discern.
As cultures co-mingle rather than collide the purity of each artistic tradition is free to be rediscovered. Andrews, Painters and Politics in the Peoplea€™s Republic of China, 1949-1979, Berkeley, Los Angeles, London, 1994, p.
Laing, The Winking Owl: Art in the Peoplea€™s Republic of China, Berkeley and Los Angeles, 1988. A But he promised me on his returnA back to the United States I would be the first media personality to interview him in New York City.A  I never will forget how confident he was that he would return victorious.


Franklyn Richardson is Senior Pastor of the historic Grace Baptist Church in Mount Vernon, New York and Port St. Richardson admits hea€™s corrupt! Richardson endorsed Jeanine Pirro, he's just as corrupt as she is, Jeanine Pirro is a modern day Hitler.
Franklyn Richardson served for twelve years as the General Secretary of the 8 million members National Baptist Convention USA, Inc., which thrust him into the international arena of the World Council of Churches where he served on the prestigious Central Committee. Franklyn Richardson is Senior Pastor of the historic Grace Baptist Church in Mount Vernon, New York andPort St. Gasparello, who introduced me a few of her colleagues, including James Lally and Carol Conover.
Chinese Painting began to solidify its position in the art market, and was listed as a separate expert department at Sotheby Parke Bernet beginning in 1979 (although internally Chinese Paintings was under the jurisdiction of the Chinese Works of Art Department).
Although neither sale was a financial triumpha€“the entire New York auction grossed just over $100,000a€“they paved the way for specialized sales of modern and contemporary Chinese paintings in both Hong Kong and New York and established the precedent for holding regular auctions in both locations. For the next decade auction became one of the primary sources of Chinese painting and calligraphy for private collectors, dealers, and institutions. Twentieth century painting, in particular, satisfied a demand on the part of new collectors for art that was both Chinese and modern. The success of Sothebya€™s Chinese Painting Department was linked, to a great extent, to the overwhelming dominance of our worldwide Chinese Works of Art Department led by James Lally in New York and Julian Thompson in London. The monumental six-panel work a€?Giant Lotusa€? had been purchased by Readera€™s Digest in 1963 from an exhibition of the artista€™s work held at Hirschl and Adler Gallery in New York. The album was of great importance, for both artistic and historical reasons, but since no work of this type had ever been offered at auction before, the presale estimate was a conservative $30,000-50,000. The inclusion of the painting in the Imperial Collection of the Qianlong and Jiaqing Emperors, attested to by the six Imperial seals affixed to the painting and its appearance in the catalogue Shiqu baoji sanbian, added luster to its provenance.
I had the good fortune to work directly with many capable and dedicated individuals, including Tammy Mui and Maria Chu in Hong Kong, and Angela Hsu and Laura Whitman in New York, all of whom began as administrators and became specialists in their own right. Based on the collectorsa€™ seals and colophons, the scroll displayed a magnificent provenance. There was much presale discussion among scholars as to the authenticity of the paintings, four of which bear the signature of Ma Yuan. Sellers, on the other hand, appreciate the ability to dispose of works in a discreet manner. He is most renowned (or notorious, depending on your point of view) for his participation in the Xia€™an Incident of 1936 whereby he captured Guomindang leader Chiang Kai-shek and forced him to negotiate with the Chinese Communist Party to create a united front to fight the Japanese. Although there were no collectorsa€™ seals on the paintings, my experience told me that such high quality works, beautifully mounted, must be from a serious collection. The auction of Fine Chinese Paintings from the Dingyuanzhai Collection was held in Taipei on Sunday, April 10, 1994.
The ten images of the rock are interspersed with elaborate written descriptions composed and transcribed by the scholar-official Mi Wanzhong. Even as I revelled in a genuine sense of accomplishment, I was wary of the future of the department.
They were generally more interested in the artista€™s name than in the quality of the work.
Both Sothebya€™s and Christiea€™s had undergone a gradual but undeniable shift in emphasis from expertise to marketing.
During the nineties, the New York auction rooms have been increasingly dominated by international dealers, such as Paul Moss, Harold Wong, and Kaikodo, representing themselves, institutions, and private clients all over the world. To blame every poor sales result on a€?the marketa€? shifts attention away from the real issues, which are the quality and quantity of the offerings. Ellsworth, Chinese paintings from the 19th and 20th centuries are prominently displayed alongside masterpieces from earlier periods.
They all progress along with the progress of science.a€?4 This emphasis on progress and the sincere belief that Western art (as the Chinese perceived it) was inherently more scientific and modern (and therefore more desirable) presented a serious challenge to advocates of literati painting and nearly signaled the end of the guohua tradition altogether.
The degree of Qi Baishia€™s success is indicated most clearly by the fact that his style forms the basis of much of the guohua produced during the past fifty years. There is great difficulty and struggle in recognizing, organizing, and solving the new problems presented by the conflict of the new data and the old beliefs and basic orientations. While much of the booka€“which deals primarily with scientific theorya€“is likely to be incomprehensible to most specialists of art, its observations are relevant here for at least two important insights. Not since the 1920s and 1930s, have young Chinese artists been able to explore such a broad range of stylistic and theoretical options and goals.
Guohua need no longer be seen as the only medium capable of expressing the cultural identity of China because it is now clearer than ever before that there is no single identity and no single tradition that represents all Chinese.
Many aspects of popular culture have become globalized and most large companies have internationalized.
Artists from all over the world will be able to express their individual perceptions of new global realities in a truly international, multicultural forum. Traditional Chinese painting can coexist with works in other media, as they exist today or as they will appear in the future, and it need not replace nor be replaced by any other art form.
Compare my naive and overly optimistic study Painting in the Peoplea€™s Republic of China: the Politics of Style, Boulder, 1980. Richardson is on the board of the Institute of Church Administration and Management at the Interdenominational Theological Center (ICAM), Atlanta, Georgia; Pepsi Cola Ethnic Advisory Board, the Ujamaa Community Development Corporation, the Harvard University Divinity School Summer Leadership Institute for Church-based Community and Economic Development, Chairman of the board of the National Action Network, and trustee of the Virginia Union University, as Vice-Chairman. The following year I joined Paula Gasparello as a full time specialist in Chinese painting and we began to hold regular auctions of Chinese paintings and calligraphy.
Although the art market as a whole was not particularly strong in the early 1980s the Chinese department, fueled in part by a burgeoning Hong Kong economy, held its own. Sothebya€™s early entry into the market in Asia, particularly Hong Kong, gave us a distinct advantage in cultivating new buyers and sourcing potential consignors of paintings as well as ceramics and works of art. The curators of the Readera€™s Digest collection had no knowledge or interest in Chinese art, even contemporary Chinese art, and they decided to sell the work at auction. After intense competition, primarily among overseas Chinese collectors, the album sold for $297,000, nearly ten times the presale estimate and easily a world auction record for Chinese calligraphy at the time.
The scroll had been consigned by a young Hong Kong collector and it was finally hammered down for $187,000 to a new North American collector bidding against stiff international competition. Additionally I received tremendous support from my colleagues in the international Chinese Works of Art Department and in Sothebya€™s regional offices, especially Rita Wong, Suzanne Tory, Meeseen Loong, Tony Omura, Timothy Sammons, Jonathan Bennett, David Priestley, and Patti Lam, all of whom were helpful in finding consignments as well as in assisting collectors and cultivating new buyers. Opinions ranged from a€?genuinea€? to a€?Southern Song, but not Ma Yuan,a€? to a€?Ming Academy work,a€? to a€?17th century copy,a€? but in the end the album was sold for $319,000 to a Chinese-American collector who believes it to be a genuine work of the Song master. In the case of famous works or well-established collections, however, the auction houses can also capitalize on the cachet and reputation associated with the individual work or collection. Chiang did give lip-service to the united front effort and flew back with Zhang to Nanjing where Chiang was given a heroa€™s welcome. The presale exhibition was extremely well attended and the salesroom was packed with serious collectors of Chinese art as well as dozens of unfamiliar faces and first-time buyers who were not really art collectors but were aware of the identity of the owner and hoped to come away with a piece of history. Following the painting are lengthy colophons by Ming and Qing dynasty writers, including Dong Qichang. I found it increasingly difficult to procure enough authentic paintings and calligraphy to satisfy their needs. But to dwell on these philosophical differences would present a negative picture of what I saw as a very positive decision and a logical career progression.
Taiwan buyers are not as active as they once were but they are beginning to be replaced by a new generation of collectors in mainland China. Selectivity is the key to survival, for auction houses and dealers alike, because selectivity is the key to collecting.
Not only were Chinese artists and intellectuals largely cut off from their own past, they were also isolated from artistic and scientific developments in the rest of the world.
In the struggle confusions arise, and there is a loss of communication among many of the students of the field of knowledge. 1936), and others, who discovered and pursued the underlying intellectual and spiritual connections between traditional Chinese painting and 20th century Western art, particularly abstract, non-objective painting.
An accurate assessment of the visual arts in todaya€™s China would require investigation into an unprecedented variety of media including oil painting, acrylics, watercolor, gouache, sculpture, woodblock prints, ceramics, textiles, film, graphic design, and installation art in addition to the traditional forms of Chinese painting and calligraphy.
Hong Kong and overseas Chinese have had to grapple with complex questions of identity on a daily basis.
It is equally clear, however, that, in spite of all attempts to suppress it, traditional Chinese painting is both resilient and relevant.
Young people the world over listen to the same music, eat the same hamburgers, and wear the same sneakers.
Guohua will survive because of its unique and timeless artistic qualities: expressiveness of line, simplicity of form, and purity of spirit.
Stan heard a diesel engine, but thought it was the school bus that comes by at that time every day. Ma, Director of Chinese Paintings at Christiea€™s, is determined to maintain a market presence in New York, it would appear that a corporate decision has been made to eventually shift the sale of virtually all Chinese paintings, both classical and modern, to Hong Kong.
I readily agreed to research and catalogue the sixteen paintings and one calligraphy, which included works by Wen Zhengming, Lu Zhi, Wang Wen, Wen Boren, Ju Jie, Lan Ying, Wang Duo, Wang Jian, Fa Ruozhen, Wang Hui, Wang Yuanqi, Gao Qipei, Huang Shen, Zheng Xie, Li Fangying, and Luo Ping. By early 1982 economic pressures led to a significant number of layoffs at Sotheby Parke Bernet. It allowed elderly collectors to dispose of works they no longer needed and families to discreetly disperse inherited private collections.
The entire auction totaled nearly $800,000, well below the $1,200,000 presale low estimate for the 126 lots, but encouraging nonetheless because nearly 80% (by value) was sold and a number of pieces brought strong prices. Later, the Ming scholar Chen Jiru attached a colophon and the painter Cheng Zhengkui affixed his seal, and it then found its way into the hands of two of the premier collectors of the 17th and 18th centuries, Liang Qingbiao, and An Qi, who recorded it in his Moyuan huiguan. Nestled amongst the leaves of the album was a short note written in French which indicated that the work had been purchased from a soldier who had fought in China, presumably during the Boxer Rebellion of 1900.
Paintings that have been exhibited in museums or have appeared in serious publications tend to be more marketable.
Zhang Xuelianga€™s efforts to unify China against a common enemy, however, were rewarded with a swift court-martial and more than five decades of house arrest.
Without commenting in detail about either of the works I said simply: a€?The owner of these paintings must have many good things. The sale was a tremendous success and Zhang Xueliang, along with his loving wife Edith, moved to Hawaii where they remain today as Zhang begins his second century on this earth. Wu Bina€™s name does not figure prominently in traditional Chinese accounts of painting history but he is highly regarded by Western scholars.
There was now firm evidence that the right Chinese painting in the right economic environment could sell for more than a million dollars, but it had to be just the right painting offered at just the right time. Perhaps my own notions of quality were too high and my standards for judging authenticity were more strict than the current market necessitated, but I found myself rejecting many works that were later sold successfully elsewhere. Ma the autonomy to structure the sales in a way that is most beneficial to the company and to his clients.
Guggenheim Museum is planning a major exhibition of 5,000 years of Chinese art which will include modern and contemporary works in a variety of media, and the Asia Society is organizing a show of contemporary art by Chinese artists living outside of China for the fall of 1998. Artists in Taiwan, Hong Kong, and abroad have of course had many more artistic options open to them and they have already made significant contributions to the field contemporary art.
However, it is interesting to observe that these individual Chinese artists of diverse backgrounds have found common ground in their choice of medium. It is worth noting that most of the Chinese painters who worked in both Western and Chinese media demonstrated a distinct preference for the latter in their late years. In cyberspace, national borders do not exist and information is constantly exchanged across continents at lightning speed. Paula Gasparello was one of the casualties and I was given responsibility for all sales of Chinese paintings in New York and Hong Kong.
Sothebya€™s and Christiea€™s performed the traditional auction house role of providing a secondary market for dealers, museums, and collectors and, in the case of some contemporary works, occasionally played the unfamiliar role of developing a primary market through the introduction of new artists into the marketplace. I was astounded to be asked by the curator whether the six large hanging scrolls, which are clearly meant to be hung together as a single work, could be sold separately. The scroll subsequently entered the Qianlong Imperial collection and it is dutifully noted in the Shiqu Baoji xubian.
This album must have been looted from the Imperial Palace when the combined Western military forces were called in to quell an anti-Christian, anti-foreign Chinese peasant uprising.
I would like to see them.a€? The intermediary left, saying that she would talk with the owner.
Not surprisingly, this long handscroll was hotly contested by two dealers bidding on behalf of American private collectors, and it was finally sold for $1,210,000. The few buyers at the top were unpredictable, buying in what seemed to me to be a rather indiscriminate manner, often paying high prices for works of dubious merit while ignoring what I considered to be high quality examples. For whatever reasons, my competitor was extremely adept at finding works that suited the tastes and budget of the new clientele and Christiea€™s consistently won the battle of market share, which is a house-to-house comparison performed by auction house accountants, like a bizarre postmortem ritual wake, after every series of auctions.
The auction houses are large international corporations with tremendous costs and huge overhead. An examination of the current state of guohua as a distinct type of Chinese art, however, is useful because the limited focus of the investigation brings heightened clarity to larger artistic issues. Their conscious decision to work with traditional brush and ink applied to absorbent paper, at a time when so many other options are available, indicates at the least a tenuous link to Chinaa€™s artistic past. Modern communications and transportation have made all markets international, including the art market. This afforded me a unique opportunity to build up a new market but I was faced with the daunting challenge of trying to make sense out of a very complicated subject. I was relieved to land the consignment and to receive permission to sell the painting as one lot!
In spite of the impressive pedigree of the handscroll, two of the leading authorities on Chinese calligraphy in America initially expressed doubts about its authenticity, perhaps confusing it with a well known related work in a Japanese collection. As a result of the suppression of the Boxer Uprising, not only did the Qing government suffer the indignity of agreeing to pay a huge indemnity to the foreign powers, but a number of European, Japanese, and American soldiers helped themselves to what they considered to be war booty and souvenirs from the Forbidden City. Landing an important collection or estate creates an opportunity for promotion and also enhances the reputation of the department within the field and within the company. Later that day, while Rita Wong, then head of the Taiwan office, was driving me home it occurred to me that the most logical source of the two paintings had to be Zhang Xueliang. The results of the June 1992 New York auctions of Chinese paintings, however, proclaimed Sothebya€™s the victor in market share, winning by a substantial 53% to 47% margin.
As was the case during the first half of this century, the decision to paint guohua will be made for different reasons by different artists.
THESE VERY SAME ENFORCEMENT AGENCIES, WHO HAVE SWORN TO PROTECT AND SERVE, OUR COUNTRY, AND CITIZENS ,ARE BUT SOME, OF THE CORRUPT,GREEDY TRAITORS .ENGAGED IN THE TYRANNY AND TORTURE. At the time Chinese paintings were occasionally sold by Sothebya€™s London as well, where they were included as a postscript to Japanese print sales.
The image of a€?Giant Lotusa€? appeared as a wrap-around cover for the June 1982 auction of Chinese Works of Art and Paintings and it attracted interest from across the globe, selling to a collector in Taiwan for $77,000, at the time a world-record auction price for a contemporary Chinese painting. Fortunately two astute overseas Chinese collectors recognized the scrolla€™s importance and they bid it up to a final price of $77,000. A significant number of paintings and large quantities of Imperial ceramics and other works of art must have found their way into Western collections during the early part of this century in this manner, although the casual note found in this album provides rare documentation of the phenomenon.
In his youth, well before the Xia€™an Incident, Zhang had been known as a collector of Chinese art.
On the other hand, the size of the operation can render the fundamentally simple process of selling individual works of art overly complicated and expensive.
For some, the impetus will be to continue to be part of an unbroken artistic tradition which they can trace back into antiquity, thus reaffirming their own cultural identities. Even today, there is something about using brush and ink, like eating food with chopsticks, that feels natural to a Chinese artist. The Spelman paintings were significant in that they presented to the market a group of excellent works with generally reliable attributions. I was gradually able to wrestle control from the Japanese Department and for a time we experimented with selling Chinese paintings through the London Chinese Department. The sale of the painting received significant publicity in Taiwan and Hong Kong and it helped to bolster Sothebya€™s reputation in Asia for expertise in Chinese paintings.
In a relatively small but extremely specialized market, like Chinese paintings, there may be other, more efficient ways to match buyer with seller.
For others, the choice of guohua may be primarily a reaction against the repressive artistic policies of the Communist regime, ostensibly denying their ties to the recent past. The market there never developed and to this day collecting interest for Chinese painting in Europe remains limited. In early publications on Chinese painting his name is often listed as the owner of specific works which had not yet resurfaced.
For still others, the immediacy and sensitivity of the traditional medium and its unmatched ability to respond to the subtlest of touches, may be reason enough to adopt the art form, affirming the individuala€™s artistic identity, irrespective of his political viewpoint. However, perhaps because of this quirk in the market, Europe became for me a significant source of paintings for sale in both New York and Hong Kong. Over the next few years I developed a peculiar relationship with Zhang Xueliang, through his intermediary, who initially did not acknowledge his identity but realized that I knew who the real owner of these works was. She began showing me paintings on his behalf, some for sale, some not, and she would relay back to Zhang my comments about the works.
If not, we are witnessing the close of a short but intense chapter in Chinese painting history.
We began selling the less important scrolls, which did not bear his collectora€™s seals, but gradually he consigned, always through a friend in the United States, major paintings by artists such as Shen Zhou and calligraphy by as importantt a writer as Zhao Mengfu. If the major auction houses decide that it is no longer financially viable to continue to hold sales of Chinese paintings in New York, it will be up to a few committed and knowledgable dealers to try to pick up the slack. He was just interested instalking a lizard on the back porch." i»?i»?A The advertiser has asked that his name be withhled.
A My second week at the course I got in early and became bored while waiting for my homeboys. How can those who paint just for fun in their spare time capture the true character of all things on earth. A The Sun advertiser and the editorial board of The Clearwater Sun concur in advising its readers, if you are not familiar with the type of snake you encounter, give it a wide berth.A  It is better to err on the side of caution. A My teammates and coaches were often challenged by my "Just give me the ball and get the hell out of my way" attitude.
A I was not the best athlete on the field or on the court, but I thought I was.A When the game was on the line I wanted the ball in my hands.
A A It was a hot evening and the constant in and out of the woods was not a pleasant undertaking. What I thought would be a nine-hole outing turned into eighteen holes and a White House visit and a Presidential appointment in 1969. General William Rogers, Hattie, President Nixon and HBA Petey and I would become great friends and in 1965 we would meet again.
A The United Planning Organization a self-help community organization was hiring "Neighborhood Workers." A They hired three, me, Petey and H. A Two years later Rap would be named Chairman of the Student Non-Violent Coordinating Committee. A I would become a Roving Leader (Youth Gang Task Force) for the DC Recreation Department and Petey would find his new home in radio at WOL.
A Three UPO "Neighborhood Workers" would go on to establish their own independent idenities. A Petey would win 2 Emmy Awards and in 2007 there was a feeble attempt to do his life story on the big screen. We sorted through the reporting to highlight a few cases that show the system's greatest shortcomings.When Football Goes on TrialLizzy Seeberg committed suicide ten days after reporting to Notre Dame campus police that she had been sexually assaulted by a Fighting Irish linebacker. He is now in jail serving a life sentence for the murder of a black Deputy Sherrif in Fulton County, Georgia. The school district has moved to a biometric identification program, saying students will no longer have to use an ID card to buy lunch.A  BIOMETRICS TO TRACK YOUR KIDS!!!!!i»?i»?A TARGETED INDIVIDUALS, THE GREEDY CRIMINALS ARE NOW CONDONING THEIR TECH!
When a freshman at Florida State University reported that star quarterback Jameis Winston had raped her, the case was kept under wraps until TMZ broke the news. The New York Times later detailed how authorities failed to promptly investigate even though records show that the athletic department knew about it less than a month after the victim came forward. Brian McIntyre.A  He was sitting almost alone and there was no one waiting in line (compared to today's media circus).
The first segment of the report deals with business proprietors from the State of Hidalgo in Mexico.
The waiting time compared to Wal--Mart was 3-15 times faster, depending on the time of day. A  I looked down and notice that all the white media were seated on one side of half-court and all the blacks were seated on the other side of the half-court line. Subjective analysis of the quality-to-value ratio of Andy's products to Save-a-Lot resulted in the determination that the food tastes better from Andy's shop.The staff is fluent in English and Anglos are welcome. He stepped in front of me and said "I got it."A It would be the start of the 4th quarter that Mark returned to the press table table and apologize for his unprofessional actions.
The other is a news forum for American armed forces men and women (and their families and friends) in connection with duty in Iraq and Afghanistan.
A There were other mistakes like someone thought a black Judy Holland was VP material---far from it. He captured the hearts of his audience with his flawlessly beautiful lyrical, Romantic style.
In a setting resplendent with a candelabra gracing the grand piano, one couldna€™t help but sit back and just let his music a€?singa€? to you!
A It took a minute but in the meantime, he was making an effort to bring about change in his own way. A But according veteran (32 years) sports writer Bill Rhoden of the New York Times, progress in sports media pressrooms around the country are on a slow boat to China.A His recent appearance on the widely acclaimed television news show Meet the Press, he said, "the NBA, NFL and MLB are still dragging their feet.
Media pressrooms at Deadline are still the last plantations.A A Pioneering broadcaster and former NBA CBS basketball analyst Sonny Hill and now a sports talk show host on WIP Radio in Philadelphia said, "I am not surprised by Rhoden's statement, very little has changed in media pressrooms. A One of the problems there is no networking among blacks who have moved it up the ladder." A That is an understatement. To be with an artist of this caliber, trained across the world in the Moscow Conservatory of Music, and to be able to experience the depth of humanity that is deep inside our souls, we are shown that we can, all of us, no matter who or where we are, share the beauty of aesthetics, and be lifted into a higher state.
Carmen Ortiz-Butcher, a kidney specialist whose Part D prescriptions soared from $282,000 in 2010 to $4 million the following year.
A  The copy rights for Inside Sports is own by News Week Magazine and it is own by the Washington Post. She stumbled across a sign of trouble last September, after asking a staffer to mail a fanny pack to her brother. But instead of receiving the pack, he received a package of prescriptions purportedly signed by the doctor, lawyer Robert Mayer said last year. A A First, there was a a problem with the PR Men from hell, Brian Sereno and Matt Williams. A A It was brought to my attention that Sereno was disrespecting the ladies of The Roundball Report. A In 1999, the Institute of Medicine published the famous a€?To Err Is Humana€? report, which dropped a bombshell on the medical community by reporting that up to 98,000 people a year die because of mistakes in hospitals.
The number was initially disputed, but is now widely accepted by doctors and hospital officials a€” and quoted ubiquitously in the media.


A The meeting was set before a Wizard's game in the press louge but Scott Hall was the lead man. A In 2010, the Office of Inspector General for Health and Human Services said that bad hospital care contributed to the deaths of 180,000 patients in Medicare alone in a given year. A Now comes a study in the current issue of the Journal of Patient Safety that says the numbers may be much higher a€” between 210,000 and 440,000 patients each year who go to the hospital for care suffer some type of preventable harm that contributes to their death, the study says. A He listened and we disagreed on some points but when we walked away from the table we were on the same page.
To the left is Tiffany, whose Zombie is ripping the skin apart in an effort to leave the beauty's body. The pale gentlemen to the right has an olio of tat art, which gives a multi-purpose communication, with straight forward purpose.
The clip shows a federal park policeman asking her words to the effect, "So you refuse to leave?" Ms. Yate's reply is to the effect, "Tell me why I have to go and I'll leave."A This is followed by the banjo player being grabbed by the arresting officers.
Yates protests her innocence, an officer tells her to "Stop Kicking." The instrument and Ms. A The community and everyone in it was a friend, the old and the young, the black and the white and the healthy and the lame.
Yates releases three screeching painful sounding screams for help as the officer re-administers the martial arts offensive pressure to the shoulder two more times. A I was honored to speak at his retirement held at the arena just before the Bullets moved to Washington and changed their name to the Wizards.A Denny Gordon was in ticket sales and it seem like he knew everyone who brought a ticket. A He was made the scapegoat after being sold out by his assisstant coach Bernie Bickerstaff and others. There is a crime in this country called 'Contempt of Cop.' - You won't find it on the books, but it exists. A The meeting revolved around a charity all-star game scheduled for the Bahamas, the island home of NBA star Mycal Thompson. A Magic Johnson was one of All-Stars participating.A Representatives from the NBA included VP Ron Thorne, Legal Counsel Gary Bettman and head of security Horace Balmer.
A A Gary Bettman is the Commissioner of the NHL, Thorne is somewhere lurking in the NBA, Balmer has since retired and Magic is a role model for Black America?
A A The short lived existence of basketball legend Michael Jordan as a Wizard's player and Executive in the front office. Photo by SpA¤th ChrJessica Montilla, a local occupational therapy student, was lucky enough to open the NOAA junk mail. A After the story broke he and several teammates made light of it during introductions of a game. A He was eventually suspended for most of the 2009a€“10 season.A The thing that I find disturbing about this Donald Sterling charade is that folks are acting like they were surprised by his rants against blacks. A A I also notice the same "Old faces and voices" are called on to respond to the racist acts by men like Sterling---when they are a part of the problem . A He and Sterling were good friends because "Birds of a feather flock together." A  Check Magic's history out and you will discover the two have a lot in common. A Magic's claim to be a minority owner of the LA Dodgers is another sham (token black face).
In fact, her class produced a short news interview segment using three television cameras, and professional sound equipment.In addition to teaching Studio Production and Direction, she also teaches Survey of Digital Video. James Brown (CBS Sports) another mis-guilded brother claiming to be a minority baseball owner and an expert on racism. Paul Weindling, history of medicine professor at Oxford Brookes University, describes his search for the lost victims of Nazi experiments. A He did finally admit on the late George Michael Show (Sports Machine) "I have no say in making baseball decisions as a minority owner." A His role as a minority owner is to be paraded out on Opening Day as the black face to read the starting line-ups.
Professor Inserra had us do actually three point lighting in the school's television studio. A A This is the same Michael Wilbon that I had at least two recent conversations about the use of the N word as a term of endearment. A I have to give him credit, he will at least talk to me face to face and not behind my back. The chairman of the board at ESL a€” then proprietor of the desert wasteland in Nevada known as a€?Area 51a€? a€” was William Perry, who would be appointed secretary of defense several years later. A I tried to explain that his rationale that his grandfather's use the word as a term of endearment does not make it right today. A I told him he should not go on national television saying it is okay to use the N word among friends and family.
A It gives bigots like Donald Sterling the Green Light to do the same among his friends and family. The law applies to the beach area, the downtown and the a€?gatewaya€? area, which extends from Cleveland Street along Gulf-to-Bay Boulevard to Highland Avenue. A Plus, Michael told me he was not going to appear on the ESPN Show Outside the Lines because the white host had no horse in the race! EUCACH.ORG PanelIn a 2-hour wide-ranging Panel with Alfred Lambremont Webre on the Transhumanist Agenda, Magnus Olsson, Dr. Henning Witte, and Melanie Vritschan, three experts from the European Coalition Against Covert Harassment, revealed recent technological advances in human robotization and nano implant technologies, and an acceleration of what Melanie Vritschan characterized as a a€?global enslavement programa€?.Shift from electromagnetic to scalar wavesThese technologies have now shifted from electromagnetic wave to scalar waves and use super quantum computers in the quantum cloud to control a€?pipesa€? a reference to the brains of humans that have been taken over via DNA, via implants that can be breathed can breach the blood-brain barrier and then controlled via scalar waved on a super-grid. A A I wish that Magic, James, Michael and the rest of the media experts would defer to black men like Hank Aaron, Dr. Build them some housing instead!a€?i»?_________________________________________________________________________________ACE Complete Auto Repair= John M. Everett IV - 1021 Park Street - Clearwater, FL 33756 - 727-441-8737"I was totally black in the back. Eventually, such 'subvocal speech' systems could be used in spacesuits, in noisy places like airport towers to capture air-traffic controller commands, or even in traditional voice-recognition programs to increase accuracy, according to NASA scientists."What is analyzed is silent, or sub auditory, speech, such as when a person silently reads or talks to himself," said Chuck Jorgensen, a scientist whose team is developing silent, subvocal speech recognition at NASA Ames Research Center in California's Silicon Valley. A But they wear the battle scars and have been on the front lines of the civil rights movement in real life and in the sports arenas of America.
A In other words, they have been there and done that.A I guess that is wishful thinking, especially when everyone wants to be an expert on television.
A In the meantime, they don't know their asses from a hole in the ground but the beat goes on and on. We numbered the columns and rows, and we could identify each letter with a pair of single-digit numbers," Jorgensen said.
A Auerbach would go a step further in the 1966-67 NBA season, when he stepped A down after winning nine titles in 11 years, and made Bill Russell player-coach. A A trailblazers, RED AND DOTIE AUERBACHi»? ON INSIDE SPORTSA Russell would eventually be the first black to win an NBA championship. People in noisy conditions could use the system when privacy is needed, such as during telephone conversations on buses or trains, according to scientists."An expanded muscle-control system could help injured astronauts control machines.
If an astronaut is suffering from muscle weakness due to a long stint in microgravity, the astronaut could send signals to software that would assist with landings on Mars or the Earth, for example," Jorgensen explained. A There are far too many crying "Foul" and playing the victims in this charade, to include some NBA owners.A Let me start with my homeboy, the great Elgin Baylor who was the Clippers GM for over 2 decades. These are processed to remove noise, and then we process them to see useful parts of the signals to show one word from another," Jorgensen said.After the signals are amplified, computer software 'reads' the signals to recognize each word and sound.
His teams were perennial losers on the court and in attendance, but he picked up his check every two weeks and kept his mouth shut. A A In his deposition, Elgin spoke about what he called Sterling's 'plantation mentality,' alleging the owner in the late 1990s rejected a coaching candidate, Jim Brewer, because of race. A Talking about an organization needing a change of name and a face-lift---meet Leon Jenkins.A Jenkins seen above at a press conference trying to explain why the li»?ocal branch was honoring Sterling during the 100th Anniversary of the organization next month.
A A He explained the previous award had been approved by the man he replaced and he just went along to get along. A A Sterling won't be the first to sleep black and think white when it comes to sex, politics and money.
Slave owners lived by the credo and in modern day history there was the late Senator Strom Thurmond. A Nike NBA rep John Phillips and I met with VP Rod Thorn, League Counsel Gary Bettman and Head of League Security, Horace Balmer.
A The meeting centered around whether Magic Johnson, Mycal Thompson and a group of NBA All-Stars would be allowed to travel to the Bahamas for a charity basketball game without league approval. Our Research and Development Division has been in contact with the Federal Bureau of Prisons, the California Department of Corrections, the Texas Department of Public Safety, and the Massachusetts Department of Correction to run limited trials of the 2020 neural chip implant. The game had been played in the Bahamas the previous year without incident or controversy.A It was obvious that there was a power-play being made by the league office to cancel the game. We have established representatives of our interests in both management and institutional level positions within these departments.
Thorn open the meeting by asking who was going to be responsible if one of the players was hurt during the game?
Federal regulations do not yet permit testing of implants on prisoners, but we have entered nto contractual agreements with privatized health care professionals and specified correctional personnel to do limited testing of our products.
We need, however, to expand our testing to research how effective the 2020 neural chip implant performs in those identified as the most aggressive in our society.
A Magic suggested that the topic of conversation just might be centered around an injury to a player. In California, several prisoners were identified as members of the security threat group, EME, or Mexican Mafia. They were brought to the health services unit at Pelican Bay and tranquilized with advanced sedatives developed by our Cambridge,Massachussetts laboratories.
I tried to explain that playing the game was no different then one of the players participating in a pick-up game on a New York City playground in the off season. The results of implants on 8 prisoners yielded the following results: a€?Implants served as surveillance monitoring device for threat group activity. A What is this some kind of plantation?"A The room went silent and Horace Balmer the only other black in the room just shook his head and seem to be lost for words. A Thorn called off the discussion and promised to get back to us but he never did.A In the meantime, Magic Johnson disappeared and changed his number.
A Mycal was a class act but his hands were tied when Magic decided to do his Houdini act.A Gary Bettman now runs the NHL, Ron Thorn is still in the NBA somewhere calling the shots, Horace Balmer has since retired and Magic is the face (black) in the middle of the Donald Sterling charade. However, during that period substantial data was gathered by our research and development team which suggests that the implants exceed expected results.
A When all is said and done, the real victim despite all of her baggage is the girlfriend (The Whistle Blower) V.
One of the major concerns of Security and the R & D team was that the test subject would discover the chemial imbalance during the initial adjustment period and the test would have to be scurbbed.
However, due to advanced technological developments in the sedatives administered, the 48 hour adjustment period can be attributed t prescription medication given to the test subjects after the implant procedure.
A NBA Commissioner Adam Silver during his annoucement as it related to the punishment of Donald Sterling apologize to black NBA pioneers Earl Lloyd, Chuck Cooper and Magic Johnson.
One of the concerns raised by R & D was the cause of the bleeding and how to eliminate that problem. Unexplained bleeding might cause the subject to inquire further about his "routine" visit to the infirmary or health care facility.
Security officials now know several strategies employed by the EME that facilitate the transmission of illegal drugs and weapons into their correctional facilities. One intelligence officier remarked that while they cannot use the informaiton that have in a court of law that they now know who to watch and what outside "connections" they have. The prison at Soledad is now considering transferring three subjects to Vacaville wher we have ongoing implant reserach. Our technicians have promised that they can do three 2020 neural chip implants in less than an hour. Soledad officials hope to collect information from the trio to bring a 14 month investigation into drug trafficking by correctional officers to a close. Essentially, the implants make the unsuspecting prisoner a walking-talking recorder of every event he comes into contact with.
There are only five intelligence officers and the Commisoner of Corrections who actually know the full scope of the implant testing. In Massachusetts, the Department of Corrections has already entered into high level discussion about releasing certain offenders to the community with the 2020 neural chip implants. Our people are not altogether against the idea, however, attorneys for Intelli-Connection have advised against implant technology outside strick control settings. While we have a strong lobby in the Congress and various state legislatures favoring our product, we must proceed with the utmost caution on uncontrolled use of the 2020 neural chip.
If the chip were discovered in use not authorized by law and the procedure traced to us we could not endure for long the resulting publicity and liability payments. Massachusetts officials have developed an intelligence branch from their Fugitive Task Force Squad that would do limited test runs under tight controls with the pre-release subjects. Correctons officials have dubbed these poetnetial test subjects "the insurance group." (the name derives from the concept that the 2020 implant insures compliance with the law and allows officials to detect misconduct or violations without question) A retired police detective from Charlestown, Massachusetts, now with the intelligence unit has asked us to consider using the 2020 neural chip on hard core felons suspected of bank and armored car robbery. He stated, "Charlestown would never be the same, we'd finally know what was happening before they knew what was happening." We will continue to explore community uses of the 2020 chip, but our company rep will be attached to all law enforcement operations with an extraction crrew that can be on-site in 2 hours from anywhere at anytime.
We have an Intelli-Connection discussion group who is meeting with the Director of Security at Florence, Colorado's federal super maximum security unit.
The initial discussions with the Director have been promising and we hope to have an R & D unit at this important facilitly within the next six months.
A He reminds me of the controversial Celebrity Chef Paula Deen who alledgely use The N word to describe her love for black folks. A  How should we expect her to know if she has never walked in our shoes ?A  When it is a part of your DNA it is difficult to rid yourself of the gene.A  A One morning I was watching Ms. This award was longed overdue and I wonder why it took the NAACP so long to finally recognized Mr.
Belafonte in accepting the award asked, "Where are today's black leaders?A  Our children's blood is still running in our streets---there is work still to be done. Napolitano insisted that the department was not planning on engaging in any form of ideological profiling.
The coalition stated it will urge President Obama to mention an urban jobs plan in his state of the Union speech on February 12th----Good luck! Ben Carson of John Hopkins University Hospital.A  His prayer and message was centered around health care, the economy, American debt, and tax reform, thus taking dead aim at President Obama's platform for the nation. Carson spend 25 minutes talking about the nation's ills and solutions with the President sitting less than 5 feet from him.A  When all was said and done, President Obama was not looking so Presidential!
Carson set the record straight from the very beginning.A  He made it clear he was not taking any wooden nickels. I will tell him face-to-face that we honor veterans at DHS and employ thousands across the department, up to and including the Deputy Secretary," Ms. In 2010, he became that series' youngest driver and the first black driver to win a race at Greenville-Pickens Speedway. A close friend of mine that has been partially paralyzed by strokes, pays for aids to "help". If they show up, they usually just sit and do nothing, root through her jewelry and personal effects, and some have been caught stealing jewelry. One was there when she collapsed with another stroke, and instead of calling for help, she called her boyfriend and left, leaving her patient to manage on her own.
Steve Buyer of Indiana, the ranking Republican on the House Committee on Veterans' Affairs, called it "inconceivable" that the Obama administration would categorize veterans as a potential threat. It runs M - F from 10am - Noon and starting on Monday July 22 will repeat from 4pm - 6pm each day. My opinions about Tiger Woods or any other issue are mine and I could give a damn about what Feinstein or anybody else things about them. In their prime at theA Washington Post, they were among the best sports writers in the country. A I was up close and personal with the sports department.A Kindred and Chad were talented writers but you could not trust them, Cornheiser and Feintstein's talent, they easily blended in with the landscape of the paper. A Feinstein called Wilbon the biggest ass kisser in sports media, if that is true he had great teacher in Cornheiser. A When Solomon tried to kick Cornheiser to the curve (fire him) in the 80s he was able to move to the Style section of the paper. A One black female Washington Post columnist wrote a book titled "Plantation on the Potomac." A She was describing her employer. A Hopefully, they were asked to participate and were of the same mindset as Wilbon not comfortable with Mr. A Goodell makes more than any player in the NFL and he never has to make a tackle or catch a pass.A The owners recent pay out to the players for injuries suffered on their watch was peanuts compared to the billions they make year in and year out.
A When he refused a request by his mother to cease using the word and a similar plea by poet Myra Angelo. Martin Luther Kinga€™s 1963 march on Washington and 46 years since his assassination in Memphis, Tenn. With the high-scoring Macauley, elite passer Cousy, and new prodigy Sharman, Auerbach had a core that provided high-octane fast-break basketball. In the next years until 1956, the Celtics would make the playoffs every year, but never won the title. Brown was desperate to turn around his struggling and financially strapped franchise, which was reeling from a 22a€“46 record.[5]A The still young but already seasoned Auerbach was made coach. A Nike NBA rep John Phillips and I met with VP Rod Thorn, League Counsel Gary Bettman and Head of League Security, Horace Balmer.A The meeting centered around whether Magic Johnson, Mycal Thompson and a group of NBA All-Stars would be allowed to travel to the Bahamas for a charity basketball game without league approval. A He was right on point.A To this day I think Magic had a previous discussion with the league office.
James Gholson, Red Auerbach, Biff Carter, Jessie Chase, Morgan Wooten, Everett Cookie Payne Sr., Frank Bolden, Dr. Leo Hill, Roper McNair, Earl Alfred, Maxwell Honemond, Tilman Sease, William Roundtree, Charlie Baltimore, Jaky Mathews, Ferdinand Day, Nick Turner, Walter Brooks, Ted McIntye, and my saviors, Dave Brown and Bighouse Gaines.A  They knew their Xs and Os, but more important, they were there for our highs and lows.A  Where have all those flowers gone?
We never could have made it without them.I have given up on the Pigskin Club, but keeping hope alive for the DC Recreation Department and the Roving Leader Program. BELL 12-25-1940---8-1-2013A A GOOD COP WHO BROKE THE CODE OF SILENCE IN THE WASHINGTON, DC POLICE DEPARTMENT.
A The real Serpico is seen leaving the Bronx Courthouse alone after testifying before the Knapp Commission on wide spread police corruption in the department. A In the old days police A would carry a "drop knife---an inexpensive weapon cops would bring along on patrol to drop onto or next to suspect that they had taken out so that they could say that he had threaten them. A Today you don't even need to do that; all that you have to do is justify the use of deadly force if you are a police officer is to say that you feared for your life, for whatever reason. If the victim dies, that just means there will one less witness around to contradict the test-lie. A In the case of Officer Michael Slager of the North Charleston police, it appears he was being extra-carefulto cover his tracks. A Probably he could have gotten away with simply declaring, as he did in the radioed report, that Walter Scott "took my taser," and that would have probably have sufficed to exonerate him.
A But Slager having shot Scott eight times in the back--as everyone can see in the now famous video--perhaps felt that he needed a little help explaining what he was up to.
A So apparently dropped his Taser next to Scott's body, which would obviously help to make the case that Scott "Took my taster."A If you think that what happen in North Charleston is a unique case, its not.
A Only recently, in another case, a policewoman in Pennsylvania first Tasered a black man then shot him twice in the back as he lay face down in the snow. A Unless honesty is rewarded more often then corruption, the police will lose credibility altogether. A I wrote a letter to President Bill Clinton in 1994 addressing this very issue, saying that honest cops have never been rewarded, and maybe there ought to be a medal for them, he wrote back but nothing change.
A If enough testi-lying is uncovered, then who is going to believe the police even when they are telling the truth? A A Until now the shoot first fear of my life mantra has eliminated any cause for concern in the taking of life by police. A When a civilian committs a crime, every nuance is looked at, the better to "throw the book at" the suspect. A The other day I got a letter from a journalist in Argentina who was complaining about police and judicial corruption there. A I wrote back to him, there are good cops, even where you live, but if the good cops don't want to be painted with the same broad brush as the bad cops, they need to come forward and expose the guys who are doing bad things.
A Take New York City detective who was caught on camera recently abusing an Uber driver with threats and foul language, A This was truly disgusting behavior. Yet predictably enough the detective union leader, Michael Palladino, was out there making excuses for him, suggesting that, well, it was only one incident, and everyone has a bad day. A Afterward Police Commissioner William Bratton announced he was removing the detective's shield and placing him temporarily on desk duty while an investigation is conducted . A But this man needs to be demoted to uniform at the very least, or "back in the bag" as we use to say. A Imagine what he is capable of doing under the cover of darkness if he can talk to someone like that in broad daylight. A There are plenty legitimate incidents where police believe, correctly, that their lives are in danger. A I was in a few of those situations myself during the course of my career.A But unless the police forces and society as a whole take action we're not going to be able to distinguish between the legititimate claims and made-up testimony. A A long time ago Norman Rockwell painted a famous picture of a friendly neighborhood cop bending down to help a little boy. A For example; I could name someone who is a great athlete but a lousy human being or I could name someone who is a great human being but not a great athlete.
A Heading the list is Muhammad Ali (The Greatest), Red Auerbach (NBA), Dave Bing (NBA), Lenny Moore (NFL), Bert R. Sugar (Boxing), Lee Jones (NBA), Roy Jefferson (NFL) and Harold McLinton (NFL), finding pro athletes like them today are far, few and in-between.
A And that is a sad commentary when you think about the hundreds of men and women I have interviewed on Inside Sports and worked with as a youth advocate (Kids In Trouble). Moore, LB Dave Robinson (2013 NFL Hall of Fame inductee) and WR Roy Jefferson host KIT toy party. A Sam Jones (NBA), Lenny Moore (NFL) and Roy Jefferson (NFL) participate in KIT clothing drive for needy children at Union Station.
A Bert Sugar (Boxing) receives KIT Life Time Achievement Award and Dave Bing (NBA) pays tribute to KIT Saturday Program All-Stars.I had the opportunity to hear an interview on Sirius A XM Radio (channel 126) on the Maggie Linton Show recently, her guest was NFL Washington Pro football player, wide receiver Peirre Garcon.
A I have not been very impressed with todaya€™s pro athletes and their give back commitment to their family, friends and community. A He has three older sisters making him the youngest and the only one born in the United States.His father died when he was 4 years old leaving his mother to raise him and his 3 sisters alone. A My background is similar to Peirrea€™s, my mother had to raise 4 boys alone with an assist from Grandma Bell.



Buy flip mobile phones online india
How to check owner of phone number in malaysia search
Phone number 99.5 chicago website



Comments to «How to look up an arrest record in texas myself»

  1. superman writes:
    Found at will search for individuals by e mail grow swiftly with 63 million registered customers.
  2. SEYTAN_666 writes:
    Not her, are needed extract info,??Jones stated.
  3. TELOXRANITEL writes:
    Strive to protect such information following it arrives at our servers, we can't assure will only make.
  4. Diabolus666 writes:
    August 2007 with the projected.