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FCC Disclosure: The Chris Voss Show receives products from companies looking to promote their products. In our tests we found the Marshall London phone the best for overall audio quality, followed by the Samsung Galaxy S6 in second place and the BQ Aquaris M5 in third. Every day people use their smartphones, be it with earphones, headphones or via the built-in speakers of the phones, to listen to music, watch movies and YouTube videos. Some of the questions you might be asking yourself right now include: Will I be able to hear the difference between phones (sources) if I’m not an audiophile? To make this a fair test we took all the smartphones into an isolated room to test them with our own ears, using a variety of different headphones and earphones at various price ranges to distinguish the differences. When it comes to listening for differences, it doesn’t take an audiophile to hear the variances between smartphones.
It’s safe to say that the differences will be more distinguishable with higher-end gear, and the same goes for the quality of the music recordings. In order to ensure we had all areas covered, we conducted our tests using a variety of different songs at various recording qualities - our lowest sampled song was at 256kbps, 44.1kHz MP3. We invite you to try the phones out yourselves and share with us your experiences - all comments are welcome and we would be more than interested to hear your thoughts on our tests and assessments.
In order to accurately and fairly test the phone’s speaker qualities, we tested each phone at a safe and enjoyable level near our ears. However, before testing each speaker at a more normal volume, we did ramp up each phone to hear its maximum loudness.
Alongside a short summary, we then broke down each of the phones’ speakers by their physical speaker positioning, loudness rating (including distortion and vibration testing results), lows (including sub-bass and mid-bass), mids, highs and soundstage (including decay, instrument separation and tonality).
The iPhone 6s has a decent sound, but is a little let down by its mids and overall loudness. Apple iPhone 6s Physical speaker positioning: Single downward-firing speaker design with its location at the bottom-hand corner of the phone. Apple iPhone 6s Mids: The mids are affected by the low-end response and are in fact V-shaped and therefore are a little recessed.
Apple iPhone 6s Highs: The highs are a little rolled off, which is a little disappointing, but natural considering its emphasis is more on the low-end frequencies. Apple iPhone 6s Soundstage: Its soundstage is decent where its instrument separation is amazing. The Aquaris M5 has great overall sound quality through its speaker, which is a single downward-firing right-hand speaker. BQ Aquaris M5 Physical speaker positioning: Single downward-firing speaker design with its location at the bottom-hand corner of the phone. Google Nexus 6P Mids: The reproduction of the mids was very good and more so had great imaging.
Google Nexus 6P Highs: The highs were very slightly rolled off at the top-end, but yet provided a great sparkle and extension. Google Nexus 6P Soundstage: The soundstage is well presented, mainly because of its dual-speaker design, where the reproduction of the songs were wide rather than narrow, which is a good sign. The HTC One M9 did not disappoint us in its speakers’ sound quality, however we found that a lack of loudness hindered the phone really being used as a Boombox - pun intended. HTC One M9 Mids: The mids were average, with the sound being a little pushed back and recessed. HTC One M9 Soundstage: Its soundstage was good but lacked a little depth, which tied into our similar findings to the Google Nexus 6P.
We were very impressed by the LG G3’s overall loudness and its high-end frequency extension. LG G3 Physical speaker positioning: Single backward-firing speaker design with its location at the bottom-hand corner of the phone. LG G3 Lows: The lows had a very slight sub-bass extension, where its mid-bass is very faint and not that well controlled. LG G3 Mids: Its mids take advantage of the weak mid-bass slam and are surprisingly good, where they had a good reproduction and sense of realism.
LG G3 Soundstage: Its soundstage could have been a little wider, but on the plus side had a good depth to it, which equated to a fantastic tonality and instrument separation.


The Marshall London really impressed us, but had tough competition from the other flagship phones. Marshall London Lows: The lows of the Marshall speakers were easily the best speakers we heard on any phone. Marshall London Mids: The mids are very well presented with a very lean and precise reproduction.
Marshall London Highs: The highs were a little rolled off at the top end, but we found them to provide enough sparkle and clarity leading to an enjoyable experience.
The Microsoft Lumia 950 has an average speaker, which left us neither impressed nor unimpressed.
Microsoft Lumia 950 Lows: Unfortunately, there was no sub-bass extension heard on the phone and its mid-bass also had poor control and lacked any impact. Microsoft Lumia 950 Mids: The mids were fortunately well presented and accurate sounding, which comes from the phone having a very subdued mid-bass response. Microsoft Lumia 950 Highs: The speaker has well extended highs that provide a good sparkle to music. Microsoft Lumia 950 Soundstage: The soundstage is well represented and alongside the tonality and reproduction, made the experience a little better.
We found the OnePlus 2 to have one of the weakest speakers out of all the phones we tested.
OnePlus 2 Physical speaker positioning: Single downward-firing speaker design with its location at the bottom-hand corner of the phone. OnePlus 2 Mids: The mid-range on the OnePlus 2 is not that impressive, where it has a decent reproduction and reasonable level of accuracy. OnePlus 2 Highs: Its highs are well presented, where they provide a good extension in the high-end frequencies with a fantastic sparkle. Here we find out which is the best phone for music, and round up the eleven best sounding phones you can buy in the UK in 2016.
Here we find out which is the best phone for music, and round up the eleven best sounding phones you can buy in the UK in 2016. The Marshall London phone also topped our speaker quality tests, while the Galaxy S6 came out on top for internal audio quality.
This is where a smartphone’s sound is important to us - we want to listen to our music the way the artists intended them to sound.
Similarly, a sound system or an aptX-enabled Bluetooth speaker (aptX is an audio codec used by Bluetooth to transmit sound frequencies at a higher quality), will give you a much better experience over the small onboard speakers of any smartphone in the world. The only advantage an audiophile has over the average consumer is that they know their audio equipment well, know what to look for in songs they love and have audio gear that helps them distinguish the differences at their peril. With higher bitrate, sample sizes and higher-quality codec files, the differences become more distinguishable.
This is in fact the default music standard when buying MP3 audio tracks from major resellers, such as Amazon. In our tests we’ve remained neutral and objective, in order to share our professional opinions.
We intentionally did not test the phones at a distance at maximum volume, where we might hear distortion or miss important sound quality traits. We then tried to listen for any distortion being produced by the speakers and further held the phones in our hands to test for any vibrations that might cause discomfort in prolonged periods of use. We would have like to hear it project louder and with a bigger emphasis on the mids rather than the lows.
Its mid-bass is well presented and has a decent slam, however we felt the mid-bass didn’t have the right amount of control to it. Despite only having one small speaker, it was further impressive to hear that its positioning was accurate.
We found the speaker loudness a little low and would have liked it to be louder by default.
They are unfortunately affected by the mid-bass slam and therefore created a V-shaped sound signature.
It was a pleasure to see the dual front-facing speakers aiding the overall experience of watching and listening to content on your phone, but we were disappointed with the distortion of the speakers at maximum volume. With its dual front-facing design, the speakers were loud and provided a great stereo sound. However we found that the mid-bass didn’t have much presence and sounded slightly subdued.


BoomSound, which HTC has developed alongside Dolby Audio was enabled by default for the speakers and we weren’t able to disable it entirely. Volume was drastically lower than the much louder Google Nexus 6P and Marshall London, which both have dual front-facing speakers. However, due to its design the speaker was limited in performance, as when placed normally on the table, with its screen facing up, the LG G3’s speaker reduced in overall loudness and clarity. We felt the Marshall London just edged out in front, mainly due to its speaker design and its fantastic low-end response, which was phenomenal to hear in such a small set of speakers. We did find the speakers to distort very slightly at maximum volume and when the speakers were on maximum volume created small vibrations through the phone’s body. The sub-bass was not only present, but also extended very well, which was surprising to hear. The mids were slightly affected by the mid-bass response, as the mids were slightly pushed back, therefore making the Marshall London sound a little recessed and V-shaped.
We felt its strongest asset was its mids reproduction, while its weakest came as no surprise - its lows. We found the instrument separation to be good, but felt it still had some room for improvement.
We were satisfied with the high-end frequencies the OnePlus 2 offered, but felt that its lows and mids reproduction could have been vastly improved. Despite its positioning, the sound of the OnePlus 2 was not affected by any sort of hand grip.
Due to this, it has neither distortion nor any vibrations that could be heard or felt at maximum volume.
It should be noted that the highs do produce a slightly sibilant sound, but isn’t something that really bothered us when it came to our audio tests. So yes you will hear a difference between the phones, no matter what earphones or headphones you own. In no way is this article aimed for audiophiles only - in this comparison we will draw out differences heard between the phones which are applicable to everyone, using any gear!
Even then, in a blind test it can be tricky to hear the differences between a 256 kbps MP3 song and a 24-bit FLAC song: you really have to know what to listen out for. Despite not having any audio recording equipment to back up our claims, we feel the experience and knowledge we have at PC Advisor is enough to provide you with an honest, impartial assessment of the phones.
Its one-speaker design is also not well placed for those that hold their smartphones in their right hand.
It also came to no surprise that the speakers were the largest on any of the phones we tested, simply due to the size of the Google Nexus 6P’s screen. On the plus side there was no distortion at maximum volume, but there were slight vibrations on the backplate of the phone. Its loudness was also pleasantly received alongside its overall sound quality traits; albeit not being the most flat- and accurate-sounding phone, it still provided the best overall experience.
This comes from the design of the camera at the back of the phone which slightly sticks out, preventing the speaker from being muffled by the surface on which the phone is sitting.
This comes from the speaker being slightly more centred rather than in the corner of the phone. However, it did very slightly distort at maximum volume, where the speakers became less refined and accurate. Furthermore, the positioning of the speaker affected the overall loudness of the phone’s speaker.
The mid-bass had a great slam that could really be heard and sometimes felt - something that was a very nice experience to have when listening to the Marshall London.
The speakers also had a reasonably good depth to them, which added to the overall experience. On the plus side there was no distortion, but instead there were small vibrations present through its metallic body design.



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