There are many sites to know the country and state, but the best site to know about the name of the person is by using true caller. There are also many other sites to know the location.But to know the name True caller is the best one. Jan Bohuslav Sobota died on May 2nd of 2012 and this is my remembrance of this fine man who was a friend and mentor to me. Each autumn, salmon return to the rivers of their birth a€“ there to spawn and once again trigger a renewal of the eternal passion play. Salmon that do eventually arrive at their destinations must once again compete a€“ this time for mates and to fight for access to the precious and very limited gravels. The profligate expenditure of life and extravagant wealth of biology is there everywhere to behold, as Death dances lightly among the gathering throngs of fish, picking and choosing from among them; who from their number shall successfully spawn and who shall just be food for the gathering predators and scavengers. Spend a day in silence, walking among the spawning salmon, as they dig spawning redds, jockey for position and slash at competitors with those gaping, snaggletoothed, hooked jaws.
Jan Bohuslav Sobota has died, while half a world away; I was preparing these etchings of Spawned Salmon and dedicating them to Jan, the lover of fish. The book you hold in your hands has evolved from my simply giving these etchings a second life in book form, to my using them as a vehicle for honoring a friendship of three decades. In 1985, Jan and I had been corresponding for some months without ever meeting a€“ all quite distant and correct. A short bit of background on Jan Sobota to begin, but fear not; Ia€™ll soon be spinning anecdotes and thoughts on books as art a€“ celebrating Jana€™s life of course, telling a few stories out of school, but also straying into the personal and speculative in search of the meaning to be derived from the life and death of a friend.
Jana€™s father was a serious bibliophile and collector of fine books, who nurtured that same love of books in his son a€“ an appreciation that steadily grew, until he was apprenticed to master bookbinder Karel A ilinger in PlzeA?. The pivotal event in Jana€™s early life as a book artist was the posthumous retrospective exhibition of fellow Pilsener, Josef VA?chal in 1969. Jan supported a family, sponsored workshops, exhibited widely, did conservation work on rare historic books, ran a gallery a€“ and on it went. What Jan did for contemporary bookbinding, was to act as a bridge between the traditionally trained masters of the past and innovators of the present. America was a great place to be a book artist in the early 1980a€™s precisely because it was an active zone of hybridization and hotbed of creativity.
An instructive contrast to the anything-goes US scene was the icy reception I got when I showed a wooden box containing loose sheets of poetry and etchings to a Prague publisher.
Neither Jan nor I had much interest in the book-like objects that often sneak into the museums as book arts a€“ the carved and glued together things that sorta, kinda have a bookish aspect to them a€“ rough-looking a€“ perhaps chain-sawed Oaken boards or granite slabs, slathered in tar and lashed together with jute; but lacking text. When Jana€™s books went beyond function, conservation or decoration, they were subtle statements about binding and the place of books, knowledge and art, as well as statements about the dignity inhering in the handcrafted - with a good dose humor.
There are others who know their conservation and those, whose scientific contributions are far greater, but few of them are also artists at heart. It can sound so pedestrian, these eternal compromises between art and craft, yet what Jan represented was not at all common.
There is an inflection point at which exceptional craft begins to make the transition to art and it is closely associated with surmounting the limitations inhering to the discipline. Visiting with Jan in his workshop you quickly realized, that he did what a professional must, but ultimately, he just loved messing about with books. A curiously protean hybrid of artist and craftsman, ancient and modern, one cannot think of Jan without seeing an unabashed Czech patriot in a foreign land.
Early on in their stay in Cleveland, the Sobotas experienced the quintessential American disaster.
Even after their medical debts were retired, money was still an issue for a family of immigrants with three kids a€“ two with special needs.
Later on, when they were living in Texas, the massacre at Waco opened Jana€™s eyes to yet another difficult side of his adopted home.
In 1979, I apprenticed with Jindra Schmidt, an engraver of stamps and currency, living in Prague.
Schmidt had engraved stamps for Bulgaria, Iraq, Ethiopia, Albania, Guinea, Vietnam and Libya. In 1992, Jindra Schmidt was honored for his contributions and depicted on the last stamp of a united Czechoslovakia, before it split into Czech and Slovak republics a€“ a fitting tribute. Unlike most children of immigrants, my destiny remained connected to that of my parentsa€™ homeland. My vocation as artist clarified itself in Prague while learning the increasingly obsolete skills of steel engraving.
My first book was indeed, modeled after VA?chal, even to the extent of its diabolical subject matter. Jan showed me a great deal in the following years about the tradition of books as the meeting place of art, craft and ideas a€“ where printmaking intergrades seamlessly with the worlds of language, typography and illustration. One can like these things just fine and admire them from an uncomprehending distance, or you can become engaged.
The book you hold was to have been a simple reprint of the Spawned Salmon a€“ something fun for Jan to work his magic upon. Nice sentimental reminiscences, but there is still the matter of getting the work accomplished and out before the public, organizing exhibitions, printing catalogs and paying for transatlantic flights. The Prague show was reconfigured and curated by Jana€?s longtime friend, Ilja A edo, for exhibition at the West Bohemian Museum in PlzeA?.
Quite predictably, I like seeing the kind of work I do honored a€“ the wood engravings and etchings made to shine in the context of crisply printed type and an excellent binding. Ia€™ve heard printmakers lament that the surest way to devalue prints is to add excellent poetry, sensitive typography and a bang-up binding a€“ and then live to see the whole thing sell for half the price of just the unbound prints. Therea€™s nothing quite like seventeenth century Bohemia, the dead center of Europe, for particularly thorough violence a€“ with the Bubonic Plague stepping in afterwards as mop-up crew.
The chapel at Sedlec was rebuilt after the major blood-letting of the thirty-years war as a memento mori a€“ reminder of death. What can you say about the mounds of dead, the ruined lives, destroyed nations and misery multiplied by millions that isna€™t trite or self-evident? But then I pan over to other fields a€“ not the kind where the grass is composting my fellow man, but to fields of endeavor where the ferment is of ideas recombining into ever more refined ways of thinking. I once lived at the Golem house in Prague a€“ at Meislova ulice, number 8, in the old Jewish ghetto. Horoscopes might seem a curious basis on which to select ministers and diplomats, but it is also more common than youa€™d think.
Picture the scene before you: Ita€™s a late night in Prague, before the Marlboro man dominated every street corner, even before the neon of casinos and the vulgarity of Golden Arches assaulted the nightwalkersa€™ eyes at all hours a€“ back when darkness, oh yes, that beautiful comforting velvety, all-enveloping and blessed dark, broken only by the moon, stars and late night taxis, still ruled the streets after the sun went down. The Golem was a mythic being of Jewish folklore, created from clay and quickened by the Shem, a magical stone engraved with an ancient Hebraic inscription, inserted into Golema€™s forehead. The maternal tongues of these small nations have miraculously survived all the invasions, floods, plagues and foreign occupiers to this day a€“ a gift preserved and delivered to them across the generations. Minority languages, on the other hand, carry an emotional load that can scarcely be exaggerated. Ishi and his sister were the last of the Yahi tribe to survive the genocidal colonization of California. Those whose language and culture are not threatened can never know the burden under which the carriers of small minority languages labor a€“ nor how those in exile bring up their children to preserve that which is beyond their capacities to save. Jan was all about preserving traditions and the kind of ancestral knowledge that today is mostly enshrined in books. Today, the stories of our tribes are less and less passed on as oral tradition and most often read to us from the childrena€™s books wea€™ve learned to treasure a€“ illustrated by fine artists and produced with care for the highly discriminating purchasers of childrena€™s books a€“ for grandparents. A?epelA?k employed binders and typesetters to present complete suites of his work and in this too, he introduced me to a new world.
Later in Prague I missed my flight back, due to the World Trade Center bombing and was delayed by a week.
The difficult thing to bear in acknowledging my teachers, models, heroes, suppliers and inspirations, is that these masters of the crafts and industries surrounding and supporting the book arts are mostly deceased.
The fruit we seek is not fast food, but laden with full-bodied flavors, attained by slow natural processes.
All of us come from grandfathers who once were wheelwrights, cobblers or instrument makers; men with a profound love of wood and leather, who knew the working qualities of every kind of obscure tree growing in their countryside a€“ men who knew when to reach for elm or hickory a€“ as well as for goat, dog or even fish-skins. Jan spoke fondly of his grandmother, who baked bread every week of the year to feed an entire estate a€“ farm hands, livery people, gentry, trainers and hod-carriers alike. Working consciously is the ultimate goal a€“ and that is the legacy youa€™ll find evidently contained within and upon the boards of every book bound by Jan Bohuslav Sobota. The etchings you see here first came to life as illustrations for the wedding anniversary announcements of MA­la and Jaroslav KynA?l.
Jan Bohuslav Sobota died on May 2nd of 2012 and this is my remembrance of this fine man who was a friend and mentor to me.A  He was an exceptional bookbinder, teacher and promoter of the book arts, but also an exile who successfully returned home after years abroad. Frozen Fiefdom - AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit.
There they encounter resident trout and bass a€“ even sunfish, chubs and dace, all keyed into the increasingly plentiful and highly nutritious bounty of salmon eggs.
Situated 90A km south-west of Prague at the confluence of four rivers, PlzeA? is first recorded in writings from the tenth century.
That vision was about innovation and creativity within the context of an historical tradition. This is what youa€™ll see in a Sobota binding a€“ exceptional attention paid to context and relationships, using materials and technical means that do indeed function and last. He knew his work was valuable and documented it fastidiously a€“ confident that it would be last. There was, however, nothing about his nationalism that demeaned anybody elsea€™s traditions or origins. That smallish incident within the parade of American fringe politics elicited an insanely violent level of suppression. Masaryk a€“ and the cute little girl with a bouquet of flowers, is my mother Eva, at the age of three. Schmidta€™s income from the federal mint far exceeded anybody elsea€™s in the extended family and supported a network of cars, cottages and rent-controlled flats.
Schmidt, as he preferred to be called, was a man of conservative demeanor who preferred polite and reserved forms of speech and address.
While visiting their unassuming engraver and extending my tourist visa 30 days at a time, I was quietly becoming qualified for life as a counterfeiter a€“ a vocation within which, one is set for life, however it may eventually turn out. Jan allowed several binders to have their way with it a€“ amo boxes for slipcases with shell casings for hinges and so forth. This next incarnation of our exhibit in PlzeA? was all just a bit more prosaic and provincial. Is it the binding we consider and exhibit a€“ or is the binding there to conserve a text, which is ultimately the point?
There are also binders to whom everything else is merely the text block, who care little if it is an offset trade edition or a book made by hand. The tales therein recorded reflected the accreted wisdom and wit of a people as they retold them across the highlands in modest log cottages after the harvest was in. The way of working belongs to the Sobota vision I addressed earlier a€“ the honor and soul to be found in conscientiously made handcrafts.
I dona€™t feel that accomplished or ready to assume their mantle and yet with every generation that is what must happen. Gravels, with just the right flow of fresh water running up through stones of the right size are but a tiny portion of the riverbed.A  The salmon must struggle past cities and sewer pipes, farms and irrigation systems, dams and turbines, fishermen and waterfalls a€“ just to reach the streams of their birth. One of the first priorities of the work was a complete examination of all previous exploration and excavation in the precinct, particularly that of Margaret Benson carried out in 1895-7. This widely beloved stamp was re-issued in 2000 and mother continues to receive philatelic fan mail to this day.
He died the day I was composing a colophon for the Spawned Salmon with words of praise for his lifea€™s work.
You can trace mobile number Location and owner's name Address and location of any unknown number easily.
The engraving was masterfully done by Schmidta€™s long-dead colleague, Bohumil Heinz (1894-1940). The state security apparatus was surely aware of my presence, but if they kept tabs on me, I never knew. Just read the post below and you can know the Owner name and his country service provider and state. A thirty year old semi-invalid of a distinguished English family, she had the rare good luck to ask for the concession to a site that seemed unimportant and a site that no one else wanted. Everything is just so wonderful and everybody so creative, but suspending judgment long enough to actually look at some artwork and then giving it a chance isna€™t so bankrupt, is it? Human body parts are again flying and the Baron is at his best defeating Turks and evading friendly fire from buffoonish generals.
Farmers would occasionally find their possessions and take them as souvenirs, unaware that the last Indians still lived in their midst. Damn the cost; ita€™s who we are and the last material vestiges of soulful encounters with our elders a€“ onea€™s whose stories are slipping inexorably away, thinned by each passing year and generation.
Their kids were grown and they were by then slipping into that last, reflective phase of life a€“ done competing. It was assumed that even an woman amateur with no experience could do little harm at the nearly destroyed Temple of Mut, in a remote location south of the Amun precinct at Karnak. These scraps turned out to be a deck of medieval playing cards - the second oldest such cards known.
A book is so much more than the sum of its parts a€“ and yet each of us tends to have our own bailiwick in which we shine and to which we look first.


She worked there for only three seasons from 1895 to 1897 and she published The Temple of Mut in Asher in 1899 2 with Janet Gourlay, who joined her in the second season. These plates have been inked and wiped by hand, employing methods that woulda€™ve been familiar to Rembrandt. In the introduction to that publication of her work she emphasized that it was the first time any woman had been given permission by the Egyptian Department of Antiquities to excavate; she was well aware that it was something of an accomplishment. They crashed with my wife Jana and me in Kalamazoo, while taking the a€?orientation coursea€?nearby. I can confidently report back to my English reader, that Jan would only grow in stature for you, if you could have fully understood the subtlety of his thoughts in his own maternal tongue. A  Plenty of hearsay, and inaccurate facts are presented below in this Affidavit of Anna K. Perhaps right for those who shouldna€™t have sharp objects, for fear of hurting themselves. That show was purchased whole by Special Collections at Western Michigan University and constitutes the largest collection of Sobota bindings and the most complete archive of my work. Sanders.A  I wonder how accurate her formal reports were when she was an Alaska State Trooper? Few people would have cast a second glance at that glued-up mess of moldering old papers before pitching it, nor would they have recognized what they had in hand or known how to restore or sell it.
We were frankly warned that we should make no discoveries; indeed if any had been anticipated, it was unlikely that the clearance would have been entrusted to inexperienced direction. These folks were a profound blessing to a family facing some truly rough sailing a€“ a Godsend.
Schmidt had worked was signed with warm dedications to him and thus worth real money to collectors. He wanted to see the printmaker in me come to full fruition and I wanted to be worthy of his attentions.
The family has dwelled within sight of the seats of power, pushing copper plates through a press and outlived the Hapsburg Monarchy, First Republic, Nazis and Communists.
The intact packages were still there on their shelves, all duly graded, labeled and priced, awaiting an owner who was never to return. 3 A Margaret Benson was born June 16, 1865, one of the six children of Edward White Benson. Back home, their Czech neighbors would have envied them and accused them of theft or worse, but people here seemed to be pleased as punch to see them prosper a€“ genuinely happy for them. Those items too, kept trickling out the door, until there came a sad, sad day, when the golden eggs were all gone.
He was first an assistant master at Rugby, then the first headmaster of the newly founded Wellington College.He rose in the service of the church as Chancellor of the diocese of Lincoln, Bishop of Truro and, finally, Archbishop of Canterbury.
They bashfully admitted their foolishness and went back to making beautiful books a€“ and their American friends were so relieved to see them regain their sanity. You take time to grieve and then pick yourself up by your bootstraps (by God a€“ get a grip) and get on with it (Rome wasna€™t built in a day you know).
StrejA?ek was still working, but it was all coming to an inevitable end, as he grew shaky of hand and hard of seeing.
Enriched by my days of being nurtured by Prague, Matkou MA›st (Mother of Cities), I moved on to meet my destiny with art.
Benson was a learned man with a wide knowledge of history and a serious concern for the education of the young. He was also something of a poet and one of his hymns is still included in the American Episcopal Hymnal.
Arthur Christopher, the eldest, was first a master at Eton and then at Magdalen College, Cambridge.
A noted author and poet with an enormous literary output, he published over fifty books, most of an inspirational nature, but he was also the author of monographs on D.
He helped to edit the correspondence of Queen Victoria for publication, contributed poetry to The Yellow Book, and wrote the words to the anthem "Land of Hope and Glory". Most important to the study of the excavator of the Mut Temple, he was the author of The Life and Letters of Maggie Benson, 4 a sympathetic biography which helps to shed some light on her short archaeological career. He also wrote several reminiscences of his family in which he included his sister and described his involvement in her excavations. He helped to supervise part of the work and he prepared the plan of the temple which was used in her eventual publication. His younger brother, Robert Hugh Benson, took Holy Orders in the Church of England, later converted to Roman Catholicism and was ordained a priest in that rite. He also achieved some fame as a novelist and poet and rose to the position of Papal Chamberlain. Her publication of the excavation is cited in every reference to theTemple of Mut in the Egyptological literature, but she is known to history as a name in a footnote and little else.A Margaret Benson was born at Wellington College during her father's tenure as headmaster.
Each career advancement for him meant a move for the family so her childhood was spent in a series of official residences until she went to Oxford in 1883.
A  There's an Unsolved Mystery right there:A  How could I have been "Found" by LAPD or anyone, when I was never "Missing" nor Lost? She was eighteen when she was enrolled at Lady Margaret Hall, a women's college founded only four years before.
One of her tutors commented to his sister that he was sorry Margaret had not been able to read for "Greats" in the normal way. 5 When she took a first in the Women's Honours School of Philosophy, he said, "No one will realize how brilliantly she has done." 6 Since her work was not compared to that of her male contemporaries, it would have escaped noticed.
In her studies she concentrated on political economy and moral sciences but she was also active in many aspects of the college. She participated in dramatics, debating and sports but her outstanding talent was for drawing and painting in watercolor.
Her skill was so superior he thought she should be appointed drawing mistress if she remained at Lady Margaret Hall for any length of time. She began a work titled "The Venture of Rational Faith" which occupied her thoughts for many years. From the titles alone they suggest a young woman who was deeply concerned with problems of society and the spirit and this preoccupation with the spiritual was to be one of her concerns throughout the rest of her life. In some of her letters from Egypt it is clear that she was attempting to understand something of the spiritual life of the ancient Egyptians, not a surprising interest for the daughter of a churchman like Edward White Benson. A In 1885, at the age of twenty, Margaret was taken ill with scarlet fever while at Zermatt in Switzerland.
By the time she was twenty-five she had developed the symptoms of rheumatism and the beginnings of arthritis. She made her first voyage to Egypt in 1894 because the warm climate was considered to be beneficial for those who suffered from her ailments. Wintering in Egypt was highly recommended at the time for a wide range of illnesses ranging from simple asthma to "mental strain." Lord Carnarvon, Howard Carter's sponsor in the search for the tomb of Tutankhamun, was one of the many who went to Egypt for reasons of health.
After Cairo and Giza she went on by stages as far as Aswan and the island temples of Philae. She commented on the "wonderful calm" of the Great Sphinx, the physical beauty of the Nubians, the color of the stone at Philae, the descent of the cataract by boat, which she said was "not at all dangerous".
By the end of January she was established in Luxor with a program of visits to the monuments set out.
I don't feel as if I should have really had an idea of Egypt at all if I hadn't stayed here -- the Bas-reliefs of kings in chariots are only now beginning to look individual instead of made on a pattern, and the immensity of the whole thing is beginning to dawn -- and the colours, oh my goodness! The ancient language and script she found fascinating but she was not as interested in reading classical Arabic.
Her interest was maintained by the variety of animal and bird life for at home in England she had been surrounded by domestic animals and had always been keen on keeping pets. By the time her first stay ended in March, 1894, she had already resolved to return in the fall.
When Margaret returned to Egypt in November she had already conceived the idea of excavating a site and thus applied to the Egyptian authorities.
Edouard Naville, the Swiss Egyptologist who was working at the Temple of Hatshepsut at Dier el Bahri for the Egypt Exploration Fund, wrote to Henri de Morgan, Director of the Department of Antiquities, on her behalf.
From her letters of the time, it is clear that this was one of the most exciting moments of Margaret Benson's life because she was allowed to embark on what she considered a great adventure. A Margaret's physical condition at the beginning of the excavation was of great concern to the family. A Margaret Benson had no particular training to qualify or prepare her for the job but what she lacked in experience she more than made up for with her "enthusiastic personality" and her intellectual curiosity. In the preface to The Temple of Mut in Asher she said that she had no intention of publishing the work because she had been warned that there was little to find.
A  I assumed she was feeling a bit down over the slumping economy and her own financial position, and wasn't keeping up with personal grooming, and wasn't concerned about her appearance.
In the introduction to The Temple of Mut in Asher acknowledgments were made and gratitude was offered to a number of people who aided in the work in various ways. Grant would like to request the videotapes of the Key West Airport baggage claim during my arrival on that date, so we can all have a review of the appearance of Anna, and me. The professional Egyptologists and archaeologists included Naville, Petrie, de Morgan, Brugsch, Borchardt, Daressy, Hogarth and especially Percy Newberry who translated the inscriptions on all of the statues found. Lea), 10 a Colonel Esdaile, 11 and Margaret's brother, Fred, helped in the supervision of the work in one or more seasons.
A It is usually assumed that Margaret Benson and Janet Gourlay worked only as amateurs, with little direction and totally inexperienced help. It is clear from the publication that Naville helped to set up the excavation and helped to plan the work. Hogarth 12 gave advice in the direction of the digging and Newberry was singled out for his advice, suggestions and correction as well as "unwearied kindness." Margaret's brother, Fred, helped his inexperienced sister by supervising some of the work as well as making a measured plan of the temple which is reproduced in the publication. Benson) was qualified to help because he had intended to pursue archaeology as a career, studied Classical Languages and archaeology at Cambridge, and was awarded a scholarship at King's College on the basis of his work. He organized a small excavation at Chester to search for Roman legionary tomb stones built into the town wall and the results of his efforts were noticed favorably by Theodore Mommsen, the great nineteenth century classicist, and by Mr.
Benson went on to excavate at Megalopolis in Greece for the British School at Athens and published the result of his work in the Journal of Hellenic Studies. His first love was Greece and its antiquities and it is probable that concern for his sister's health was a more important reason for him joining the excavation than an interest in the antiquities of Egypt. 13A It is interesting to speculate as to why a Victorian woman was drawn to the Temple of Mut.
The precinct of the goddess who was the consort of Amun, titled "Lady of Heaven", and "Mistress of all the Gods", is a compelling site and was certainly in need of further exploration in Margaret's time.
Its isolation and the arrangement with the Temple of Mut enclosed on three sides by its own sacred lake made it seem even more romantic. 14 When she began the excavation three days was considered enough time to "do" the monuments of Luxor and Margaret said that few people could be expected to spend even a half hour at in the Precinct of Mut. A On her first visit to Egypt in 1894 she had gone to see the temple because she had heard about the granite statues with cats' heads (the lion-headed images of Sakhmet). The donkey-boys knew how to find the temple but it was not considered a "usual excursion" and after her early visits to the site she said that "The temple itself was much destroyed, and the broken walls so far buried, that one could not trace the plan of more than the outer court and a few small chambers". 15 The Precinct of the Goddess Mut is an extensive field of ruins about twenty-two acres in size, of which Margaret had chosen to excavate only the central structure.
Connected to the southernmost pylons of the larger Amun Temple of Karnak by an avenue of sphinxes, the Mut precinct contains three major temples and a number of smaller structures in various stages of dilapidation.
She noted some of these details in her initial description of the site, but in three short seasons she was only able to work inside the Mut Temple proper and she cleared little of its exterior.
Serious study of the temple complex was started at least as early as the expedition of Napoleon at the end of the eighteenth century when artists and engineers attached to the military corps measured the ruins and made drawings of some of the statues.
Grant, Attorney at Law, Juneau, AK From Wedding Bells to Tales to Tell: The Affidavit of Eric William Swanson, my former spouse AFFIDAVIT OF SHANNON MARIE MCCORMICK, My Former Best Friend THE AFFIDAVIT OF VALERIE BRITTINA ROSE, My daughter, aged 21 THE BEAGLE BRAYS! During the first quarter of the nineteenth century, the great age of the treasure hunters in Egypt, Giovanni Belzoni carried away many of the lion-headed statues and pieces of sculpture to European museums.
Champollion, the decipherer of hieroglyphs, and Karl Lepsius, the pioneer German Egyptologist, both visited the precinct, copied inscriptions and made maps of the remains.16 August Mariette had excavated there and believed that he had exhausted the site. Most of the travelers and scholars who had visited the precinct or carried out work there left some notes or sketches of what they saw and these were useful as references for the new excavation. Since some of the early sources on the site are quoted in her publication, Margaret was obviously aware of their existence. 17A On her return to Egypt at the end of November, 1894, she stopped at Mena House hotel at Giza and for a short time at Helwan, south of Cairo. Helwan was known for its sulphur springs and from about 1880 it had become a popular health resort, particularly suited for the treatment of the sorts of maladies from which Margaret suffered. People at every turn asked if she remembered them and her donkey-boy almost wept to see her. A "On January 1st, 1895, we began the excavation" -- with a crew composed of four men, sixteen boys (to carry away the earth), an overseer, a night guardian and a water carrier. The largest the work gang would be in the three seasons of excavation was sixteen or seventeen men and eighty boys, still a sizable number.
Before the work started Naville came to "interview our overseer and show us how to determine the course of the work". A A good part of Margaret's time was occupied with learning how to supervise the workmen and the basket boys. Since her spoken Arabic was almost nonexistent, she had to use a donkey-boy as a translator.
It would have been helpful if she had had the opportunity to work on an excavation conducted by a professional and profit from the experience but she was eager to learn and had generally good advice at her disposal so she proceeded in an orderly manner and began to clear the temple.


On the second of January she wrote to her mother: "I don't think much will be found of little things, only walls, bases of pillars, and possibly Cat-statues. I shall feel rather like --'Massa in the shade would lay While we poor niggers toiled all day' -- for I am to have a responsible overseer, and my chief duty apparently will be paying. 18A She is described as riding out from the Luxor Hotel on donkey-back with bags of piaster pieces jingling for the Saturday payday.
She had been warned to pay each man and boy personally rather than through the overseer to reduce the chances of wages disappearing into the hands of intermediaries. The workmen believed that she was at least a princess and they wanted to know if her father lived in the same village as the Queen of England.
When they sang their impromptu work songs (as Egyptian workmen still do) they called Margaret the "Princess" and her brother Fred the "Khedive".
A PART II: THE EXCAVATIONSA The clearance was begun in the northern, outer, court of the temple where Mariette had certainly worked. Earth was banked to the north side of the court, against the back of the ruined first pylon but on the south it had been dug out even below the level of the pavement.
Mariette's map is inaccurate in a number of respects suggesting that he was not able to expose enough of the main walls. At the first (northern) gate it was necessary for Margaret Benson to clear ten or twelve feet of earth to reach the paving stones at the bottom. In the process they found what were described as fallen roofing blocks, a lion-headed statue lying across and blocking the way, and also a small sandstone head of a hippopotamus. In the clearance of the court the bases of four pairs of columns were found, not five as on Mariette's map.
After working around the west half of the first court and disengaging eight Sakhmet statues in the process, they came on their first important find. Near the west wall of the court, was discovered a block statue of a man named Amenemhet, a royal scribe of the time of Amenhotep II.
The statue is now in the Egyptian Museum in Cairo 19 but Margaret was given a cast of it to take home to England. When it was discovered she wrote to her father: A My Dearest Papa, We have had such a splendid find at the Temple of Mut that I must write to tell you about it. We were just going out there on Monday, when we met one of our boys who works there running to tell us that they had found a statue. When we got there they were washing it, and it proved to be a black granite figure about two feet high, knees up to its chin, hands crossed on them, one hand holding a lotus. 20A The government had appointed an overseer who spent his time watching the excavation for just such finds. He reported it to a sub-inspector who immediately took the block statue away to a store house and locked it up. He said it was hard that Margaret should not have "la jouissance de la statue que vous avez trouve" and she was allowed to take it to the hotel where she could enjoy it until the end of the season when it would become the property of the museum. The statue had been found on the pavement level, apparently in situ, suggesting to the excavator that this was good evidence for an earlier dating for the temple than was generally believed at the time. The presence of a statue on the floor of a temple does not necessarily date the temple, but many contemporary Egyptologists might have come to the same conclusion.
One visitor to the site recalled that a party of American tourists were perplexed when Margaret was pointed out to them as the director of the dig. At that moment she and a friend were sitting on the ground quarreling about who could build the best sand castle.
This was probably not the picture of an "important" English Egyptologist that the Americans had expected. A As work was continued in the first court other broken statues of Sakhmet were found as well as two seated sandstone baboons of the time of Ramesses III. 21 The baboons went to the museum in Cairo, a fragment of a limestone stela was eventually consigned to a store house in Luxor and the upper part of a female figure was left in the precinct where it was recently rediscovered.
The small objects found in the season of 1895 included a few coins, a terra cotta of a reclining "princess", some beads, Roman pots and broken bits of bronze.
Time was spent repositioning Sakhmet statues which appeared to be out of place based on what was perceived as a pattern for their arrangement. Even if they were correct they could not be sure that they were reconstructing the original ancient placement of the statues in the temple or some modification of the original design.
In the spirit of neatness and attempting to leave the precinct in good order, they also repaired some of the statues with the aid of an Italian plasterer, hired especially for that purpose. HELL'S BELLS: THE TELLS OF THE ELVES RING LOUD AND CLEAR IDENTITY THEFT, MISINFORMATION, AND THE GETTING THE INFAMOUS RUNAROUND Double Entendre and DoubleSpeak, Innuendos and Intimidation, Coercion v Common Sense, Komply (with a K) v Knowledge = DDIICCKK; Who's Gunna Call it a Draw? A Margaret was often bed ridden by her illnesses and she was subject to fits of depression as well but she and her brother Fred would while away the evenings playing impromptu parlor games. For a fancy dress ball at the Luxor Hotel she appeared costumed as the goddess Mut, wearing a vulture headdress which Naville praised for its ingenuity. The resources in the souk of Luxor for fancy dress were nonexistent but Margaret was resourceful enough to find material with which to fabricate a costume based, as she said, on "Old Egyptian pictures." A The results of the first season would have been gratifying for any excavator. AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit. In a short five weeks the "English Lady" had begun to clear the temple and to note the errors on the older plans available to her. She had started a program of reconstruction with the idea of preserving some of the statues of Sakhmet littering the site. She had found one statue of great importance and the torso of another which did not seem so significant to her. Her original intention of digging in a picturesque place where she had been told there was nothing much to be found was beginning to produce unexpected results.A The Benson party arrived in Egypt for the second season early in January of 1896. After a trip down to, they reached Luxor Aswan around the twenty-sixth and the work began on the thirtieth. That day Margaret was introduced to Janet Gourlay who had come to assist with the excavation.
The beginning of the long relationship between "Maggie" Benson and "Nettie" Gourlay was not signaled with any particular importance. By May of the same year she was to write (also to her mother): "I like her more and more -- I haven't liked anyone so well in years".
Miss Benson and Miss Gourlay seemed to work together very well and to share similar reactions and feelings. They were to remain close friends for much of Margaret's life, visiting and travelling together often. Their correspondence reflects a deep mutual sympathy and Janet was apparently much on Margaret's mind because she often mentioned her friend in writing to others.
After her relationship with Margaret Benson she faded into obscurity and even her family has been difficult to trace, although a sister was located a few years ago. A For the second season in 1896 the work staff was a little larger, with eight to twelve men, twenty-four to thirty-six boys, a rais (overseer), guardians and the necessary water carrier.
With the first court considered cleared in the previous season, work was begun at the gate way between the first and second courts. An investigation was made of the ruined wall between these two courts and the conclusion was drawn that it was "a composite structure" suggesting that part of the wall was of a later date than the rest.
The wall east of the gate opening is of stone and clearly of at least two building periods while the west side has a mud brick core faced on the south with stone. Margaret thought the west half of the wall to be completely destroyed because it was of mud brick which had never been replaced by stone.
She found the remains of "more than one row of hollow pots" which she thought had been used as "air bricks" in some later rebuilding.
Originally built of mud brick, like many of the structures in the Precinct of Mut, the south face of both halves of the wall was sheathed with stone one course thick no later than the Ramesside Period. During the Ptolemaic Period the core of the east half of the mud brick wall was replaced with stone but the Ramesside sheathing was retained.
Here the untrained excavator was beginning to understand some of the problems of clearing a temple structure in Egypt. Mariette's plan of the second chamber probably seemed accurate after a superficial examination so a complete clearing seemed unnecessary. Other fragments were found and the original height of the seated statue was estimated between fourteen and sixteen feet high. A  How about some facts, such as the Officer's name, time, location of the vehicle, etc.
The following year de Morgan, the Director General of the Department of Antiquities, ordered the head sent to the museum in Cairo The finding of the large lion head is mentioned in a letter from Margaret to her mother dated February 9, 1896, 22. In the same letter she also mentions the discovery of a statue of Ramesses II on the day before the letter was written. 23.Her published letters often give exact or close dates of discoveries whereas her later publication in the Temple of Mut in Asher was an attempt at a narrative of the work in some order of progression through the temple and dates are often lacking. About the same time that the giant lion head was found some effort was made to raise a large cornerstone block but a crowbar was bent and a rope was broken. The end result of the activity is not explained at that point and the location of the corner not given but it can probably be identified with the southeast cornerstone of the Mut Temple mentioned later in a description of the search for foundation deposits. A Somewhere near the central axis of the second court, but just inside the gateway, they came on the upper half of a royal statue with nemes headdress and the remains of a false beard.
There had been inscriptions on the shoulder and back pillar but these had been methodically erased.
The lower half was found a little later and it was possible to reconstruct an over life-sized, nearly complete, seated statue of a king.
The excavators published it as "possibly" Tutankhamun, an identification not accepted today, and it is still to be seen, sitting to the east of the gateway, facing into the second court.24 A large statue of Sakhmet was also found, not as large as the colossal head, but larger than the other figures still in the precinct and in most Egyptian collections. It was also reconstructed and left in place, on the west side of the doorway where it is one of the most recognizable landmarks in the temple.
In the clearance of the second court a feature described as a thin wall built out from the north wall was found in the northeast corner. It was later interpreted by the nineteenth century excavators as part of the arrangement for a raised cloister and it was not until recent excavation that it was identified as the lower part of the wall of a small chapel, built against the north wall of the court. The process of determining any sequence of the levels in the second court was complicated by the fact that it had been worked over by earlier treasure hunters and archaeologists. In some cases statues were found below the original floor level, leading to the assumption that some pieces had fallen, broken the pavement, and sunk into the floor of their own weight. It is more probable that the stone floors had been dug out and undermined in the search for antiquities. A An attempt was made to put the area in order for future visitors as the excavation progressed. This included the reconstruction of some of the statues as found and the moving of others in a general attempt to neaten the appearance of the temple. Other finds made in the second court included inscribed blocks too large to move or reused in parts of walls still standing. The statue identified as Ramesses II, mentioned in Margaret's letter of February 9, was found on the southwest side of the court, near the center. It was a seated figure in pink granite, rather large in size, but when it was completely uncovered it was found to be broken through the middle with the lower half in an advanced state of disintegration. The upper part was in relatively good condition except for the left shoulder and arm and it was eventually awarded to the excavators.
A Mention was also made of several small finds from the second court including a head of a god in black stone and part of the vulture headdress from a statue of a goddess or a queen. The recent ongoing excavations carried out by the Brooklyn Museum have revealed a female head with traces of a vulture headdress as well as a number of fragments of legs and feet which suggest that the head of the god found by Margaret Benson was from a pair statue representing Amun and Mut.
Another important discovery she made on the south side of the court was a series of sandstone relief blocks representing the arrival at Thebes of Nitocris, daughter of Psamtik I, as God's Wife of Amun.25A At some time during the season Margaret was made aware of the possibility that foundation deposits might still be in place.
These dedicatory deposits were put down at the time of the founding of a structure or at a time of a major rebuilding, and they are often found under the cornerstones, the thresholds or under major walls, usually in the center.
They contain a number of small objects including containers for food offerings, model tools and model bricks or plaques inscribed with the name of the ruler. The importance of finding such a deposit in the Temple of Mut was obvious to Margaret because it would prove to everyone's satisfaction who had built the temple, or at least who had made additions to it. A They first looked for foundation deposits in the middle of the gateway between the first and second courts.
At the same time another part of the crew was clearing the innermost rooms in the south part of the temple. Under the central of the three chambers they discovered a subterranean crypt with an entrance so small that it had to be excavated by "a small boy with a trowel". This chamber has been re-cleared in recent years and proved to be a small rectangular room with traces of an erased one-line text around the four walls. In antiquity the access seems to have been hidden by a paving stone which had to be lifted each time the room was entered.
A The search for foundation deposits continued in the southeast corner of the temple (probably the place where the crowbar was bent and the rope broken). Again no deposit was found but in digging around the cornerstone, below the original ground level, they began to find statues and fragments of statues.
As the earth continued to yield more and more pieces of sculpture, Legrain arrived from the Amun Temple, where he was supervising the excavation, and announced his intention to take everything away to the storehouse. Aside from the pleasure of the find, it was important to have the objects at hand for study, comparison and the copying of inscriptions.



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