Documentary film produced by American Documentary Films and the Black Panther Party from 1968, honoring Huey P. The 20-minute documentary features plenty of the people that fans grew to knew and love over the course of the show, including original judges Paula Abdul, Simon Cowell, and Randy Jackson. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. One of our critics looks at what "Batman v Superman: Dawn of Justice" says about life in 2016.
An extraordinary documentary about race, family and education that's at once epic and intimate, "American Promise" took 14 years to complete since its premise is to follow two boys from kindergarten through high school. When we meet them at age five, in the late '90s, Idriss and Seun are as fortunate as they are cute. From comedy and dramas to horror and documentaries - the history of cinema goes back decades. Now it its fifth edition the AmDocs takes place in beautiful Palm Springs, and is a film festival that continues to push the envelope on how a film festival is defined. While all the films delivered a different concept, I found the ones below to be exceptionally intriguing. A film that needs no introduction, Brothers Keeper, was directed by Joe Berlinger and Bruce Sinofsky.
Brilliantly following the trial of The Ward Brothers (four brothers who lived in poverty on their 99 acre farm in a two-bedroom shack in Central New York that did not have running water or toilet), who's life shattered when one of the boys was found dead in the bed he shared with his brother Delbert.
Following the murder mystery of The Ward Brothers the film displays larger social issues, poverty, as well as the American justice system.
It was a great weekend filled with documentaries that brilliantly showcased a variety of pressing issues in today's society - unapologetically. Closed Circuit (R for profanity and brief violence) Legal thriller about a couple of ex-lover lawyers (Eric Bana and Rebecca Hall) whose lives are threatened when they decide to defend the prime suspect (Dennis Moschitto) in the terrorist bombing of a bustling London market. Getaway (PG-13 for profanity, rude gestures, mayhem and pervasive violence) High-octane action thriller revolving around a retired race car driver (Ethan Hawke) who hijacks a custom-built Mustang and joins forces with a cute computer whiz (Selena Gomez) to rescue his wife (Rebecca Budig) from the clutches of a mysterious kidnapper (Jon Voigt).
One Direction: This Is Us (PG for mild epithets) Oscar-nominee Morgan Spurlock (for Super Size Me) directs this concert flick featuring backstage footage and chronicling the British boy band’s meteoric rise to superstardom. American Made Movie (G) Nostalgic factory documentary revisits the glory days of the United States’ manufacturing industry when exports still exceeded imports. I Declare War (Unrated) Coming-of-age dramedy about a group of 12 year-old neighborhood kids whose fantasy game of Capture the Flag turns realistic when jealousy rears its ugly head.
King: A Filmed Record… Montgomery to Memphis (Unrated) Re-release of the Oscar-nominated, 1970 documentary chronicling the life and career of Dr. The Lifeguard (R for drug use, profanity, disturbing images, graphic nudity and explicit sexuality) Kristen Bell stars in the title role of this jailbait drama as a jaded, NYC TV reporter who quits her to move back home to suburban Connecticut to work as a lifeguard only to end up having an affair with a troubled, 16 year-old (David Lambert). Our Nixon (Unrated) Tricky Dick documentary, first aired on CNN, revisiting the events surrounding the Watergate break-in which brought down the Nixon administration. Passion (R for profanity, sexuality and violence) Brian de Palma directs this English language remake of Crime d’amour, the French thriller about the escalating, cutthroat competition between a corporate executive (Rachel McAdams) and her ambitious protege (Noomi Rapace). Caleb Abrams (Jensen Atwood) is single today only because his former fiancee, Asia (Michelle D.
Sales of existing homes plummeted 10.5 percent in November, the largest such decline since July 2010, according to the National Association of Realtors.


From ink and paper to the big screen, Chris Dorsey is known for his profound ability to take big movements and growing trends and turn them into shows that we just can’t stop watching. The boys of summer have returned to major league ballparks throughout North America to begin the 2016 campaign toward a World Series championship, and the players’ contracts have never been bigger. Atlanta’s Hartsfield Jackson International Airport remains the world’s busiest based on passenger traffic in 2015, according to a report released this week by the Airports Council International. When Royal Caribbean’s Harmony of the Seas launches in May, it will be the world’s largest cruise ship.
The lessons, theories and actually proof given in regards to climate change and how it is becoming more and more frightening, are being talked about everywhere.
You are currently viewing the Trail of Tears - A Native American Documentary Collection Movie Poster. Newton's struggle for African American civil rights, advocating for his release from jail and addressing issues of racism in American society. Actually, co-directors (and spouses) Joe Brewster and Michele Stephenson initially set out to film the scholastic careers of several children, including girls, but when all the subjects dropped out except for their own son, Idriss, and his best friend, Seun Summers, they were left with a film about two African-American boys entering a privileged, predominantly white academic environment – a focus that is essential to the film's provocative fascinations and cultural importance. The eldest sons of stable and motivated black professional couples in Brooklyn, the boys are selected to attend Manhattan's tony, private Dalton School, an opportunity that evidently stems both from the school's new commitment to "diversity" (which involves trying to mirror the city's racial makeup) and their parents' desire to give their sons the best educations possible. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. Over the years many film festivals showcase and celebrate filmmakers, actors, and crew in order to honor the power of storytelling through film. As Teddy Grouya, director of the AmDocs and film fund, stated, "AmDocs (is)  seeing the bigger picture, one film at a time and where art meets reality". Quintet includes Niall Horan, Zayn Malik, Liam Payne, Harry Styles and and Louis Tomlinson. Ensemble cast includes Siam Yu, Gage Munroe, Michael Friend, Aidan Gouveia and Mackenzie Munro. Featuring recently-unearthed, Super 8 film footage of White House insiders John Ehrlichman, Dwight Chapin and H.R. Ryan Seacrest, of course, will be back as host Watch the documentary below and tell Gossip Cop what you think.
Although "American Promise" wasn't the project's initial title, it perfectly captures the feeling of hope that both families evince as the boys embark on their big educational adventure. There is one more film festival that perfectly does just that - The American Documentary Film Festival (AmDocs). After experiencing such loss comedian Margaret Cho decided to spread the message, "Don't grieve Robin, Be Robin.". Congrats to the filmmakers for once again shedding light and creating films that continue to inspire. They have worked so hard; they have dreams they have fought for, and the Olympic stage is THE elite stage they have longed to get to. Through the streets on Santa Ana Peterson has created bonds and memories with the homelesswhen all they needed was love and the security of having a "friend". Through spreading awareness about homelessness and mental health Cho has assisted in raising money as well as donating much needed items such as clothing, food, and items needed for personal hygiene to those in need. Both the lithe, delicate-featured Idriss and shy, husky Seun, in addition to being very likable kids, are smart and articulate, and their teachers and counselors seem to go out of their way to help them.


Yet from early on, they seem unable to match or surpass their classroom peers, mostly kids from well-to-do white families. He has bought vans, food, and more in order to spread kindness and cheer through his big heart and willingness to help others. Also includes views of police officers showing the weapons and armor they carry in patrol cars and of African Americans discussing racism in American society. Idriss, who slips into hip-hop patois when he goes out to play basketball with boys from the projects lest he be accused of "talking white," also perceives that he's punished at school more readily than the white kids. By middle school and the onset of adolescence, the challenges have multiplied and the parents' frustrations mounted accordingly.
While Idriss and Seun seem to feel that their folks are pressuring them too relentlessly about schoolwork, the Brewsters and the Summerses say that they don't think they are being tough enough. After arriving late for a martial arts ceremony and being told by his dad that he's screwed up due to being given too much freedom, Seun turns to the camera and smirks, "They think waking up by yourself is freedom." Falling further behind academically toward the end of middle school, he leaves Dalton and moves over to Benjamin Banneker Academy, a distinguished Brooklyn public school with a mostly black student body. The central perplexities here are summed up by a Dalton administrator who says that at their school "African-American girls do okay.
But there seems to be a cultural disconnect between independent schools and African-American boys, and we see a high rate of the boys not being successful.
What are we doing as a school that is not supporting these guys?" Another angle on that question, meanwhile, comes from a teacher at Benjamin Banneker, who suggests that diversity itself may be a misguided goal, pointing to his school's success rate as an indication that black students often do better academically among their fellows than in situations where they feel isolated and constantly compared to more privileged classmates. While they didn't set out to make a film about what newspaper columnists refer to as the "black male achievement gap," Brewster and Stephenson have done just that, and it's hard to imagine a more penetrating and powerful one. Since it's filmed in direct-cinema style (Michael Apted's "Up" series was an inspiration) there are no interviews with experts mulling the reasons for this gap. Rather than pretending to offer any encompassing explanations or solutions for what is obviously a very complex and multi-faceted problem, the filmmakers explore it in the intimate context of two families.
Seeing it that up-close and personal provides a vivid and immediate basis for discussion, and indeed, it's easy to believe that "American Promise" will be the basis for many discussions in U.S. Yet as illuminating as the film is regarding one crucial issue, it is also much more than that. Watching Idriss and Seun from the time they enter school till they set off for college (a happy-enough ending for their arduous academic journeys) is a rich and rewarding experience, one that will surely make most viewers reflect on their own lives and family situations. Hit by unexpected tragedy in the latter stages of filming, the Summerses dropped out of the project for a while, but later returned, perhaps sensing that telling Seun's story in this way might well benefit others.
A film of this scope is obviously a monumental undertaking, yet it's one that Brewster and Stephenson managed to complete while negotiating several technological changes that led documentary filmmakers from shooting on tape to digital. For all that, "American Promise" is beautifully shot (by several camera operators) and assembled. Credited editors Erin Casper, Mary Manhardt and Andrew Siwoff obviously deserve kudos for a film that is eloquently structured and consistently engaging.



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