WHY is EASTWOOD wasting our time with People magazine ‘controversy’ retreading? I wondered several times while watching season six of The Walking Dead how much longer it would go on. Contrary to what some people might think, this site does not simply shit on Arnold Schwarzenegger for the hell of it. In 1978, Irving Rosenfeld (Christian Bale) and his lover Sidney Prosser (Amy Adams) are coerced into working for FBI agent Richie DiMaso (Bradley Cooper) in order to bring down four other con-men like themselves, the completion of which would vindicate them of their crimes. The plot is much more intricate than that, which is one of the film’s few shortcomings. The film clocks in at 138 minutes and the audience must pay close attention to every minute to understand what’s going on.


Since the film is a fictionalized account of the ABSCAM scandal, there is more emphasis on the quirky characters and their relationships than there is on the complex plot. When I say it’s a Hollywood film, part of that connotation is trying to appeal to all demographics in hopes of profits. Yes, the plot can be confusing and some might complain about its length, but it’s worth it. The film is loosely based on the ABSCAM scandal of the late 1970’s and features not only great performances but an appropriately nostalgic soundtrack that come together to make a funny, dramatic, albeit somewhat convoluted film.
Sidney is angry at Irving for not leaving the country when they had a chance and seduces Richie to spite Irving.
This is not necessarily a bad thing, just something to keep in mind when watching the film.


Rosenfeld refuses to leave because his ditzy and unpredictable wife, Rosalyn (Jennifer Lawrence) will divorce him and take his adopted son Danny away from him.
Bale puts on another masterful performance playing Rosenfeld, a Bronx-raised Jewish con-man with an unsightly gut and an elaborate comb-over. Jennifer Lawrence’s Rosalind displays destructive behaviour and an ego as big as her mouth, which makes for a decidedly comedic performance. An endearing homage to all things 1970s that older audiences will enjoy with actors that younger audiences will recognize, topped off with humour that everyone will find funny.




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