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The yearly AKB48 documentariesa€”a sort of annual a€?this year, in AKB48!a€?a€™ promotional exercisea€”have become something of a familiar tradition by this point, and like so much in AKB48 fandom, can often be perceived with a sense of faint unease and anxiety.
Following on from the previous three documentariesa€”to be continued (2011), Show must go on (2012), and No flower without rain (2013)a€”the recent announcement of Documentary of AKB48: The time has come promises to cover the previous tumultuous year, its trailer focusing humorously on stylist Shinobu Kayano at first before weighing in with Yuko Oshimaa€™s graduation statement and a wave of images of tearful regrets and surprise. Yet what is most striking about the brief two minute trailer is that there is not even the slightest mention of Rino Sashihara or her election as centre during the 5th Senbatsu Election and subsequent role in Koi Suru Fortune Cookie.
Regardless of the final product, this admission of AKB48a€™s successes in favour of promotion of the groupa€™s tribulations shows something of a possible desire to return to promoting the group as average-girls-turned-superstars, the plucky pop group underdogs that you can root for.

Despite the fraught politics of both the fandom and the industry, Documentary of AKB48: The time has come is due for general release in Japan on the 4thA July 2014. Visionary director Terrence Malick’s documentary Voyage of Time is taking a leap forward, nearing distribution for a film now thirty years in the making. Following his Oscar-nominated The Thin Red Line (1998), Malick disappeared (this following a much lengthier departure between1978’s Days of Heaven and The Thin Red Line), but has made quite the comeback, with The New World (2005), The Tree of Life (2011), To the Wonder (2012), and a film starring Natalie Portman, Christian Bale, and Cate Blanchett currently in post-production, Knight of Cups (2014).
The star of The Tree of Life, Brad Pitt, will be one of the producers of the documentary, and may act as the film’s narrator.
According to Variety, Vincent Maravel, co-founder of Wild Bunch (who is representing the film) described it as “a project we have been tracking for years and we are passionate about.
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Mariko Shinoda, Tomomi Itano smile through their tears, both assured significant roles in the documentary by merit of their own graduations, whereas the ever loyal, ever patient, upcoming younger members of the group express their earnest desires to do their best, and the trailer wraps up on the forlorn sight of the Tokyo National Olympic Stadium in stormy weather, deserted and rain swept, following the cancellation of Oshimaa€™s graduation concert due to such adverse conditions.
And whilst this approach is something that the previous documentaries have engaged in to a degree, it is hard to consider a group that is consistently shifting 1,000,000 units with each release the underdogs.
Visual effects artist, Dan Glass (The Matrix Trilogy) has been working on this documentary with Malick since the 1970s. Voyage of Time is reportedly nearing an IMAX deal to show a 40 minute version of the film, and is being shopped at the Cannes Film Festival, which begins tomorrow, for distribution of a lengthier version.

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