Criticism of the movie when it came out was scattershot – people loved it or hated it.
Martin Cuff has been a leading figure in the South African and global film industry for nearly two decades.
Martin's passions are original content and the inspiring, creative tools used by marketers to get that content out to engaged audiences. Impenetrable, directed by Daniele Incalcaterra and Fausta Quattrini, an Argentina-France co-production. Belated (Deshora), is directed by Barbara  Sarasola-Day, and it’s an Argentina-Colombia-Norway co-production. The Tears (Las Lagrimas), Mexican director Delgado Sanchez’s first feature is about two brothers and a painful camping trip as they struggle in a disturbing parental environment. So Much Water (Tanta Agua), directed by Ana Guevara and Leticia Jorge, it’s an Uruguay-Mexico-Holland-Germany collaboration. International Shipping - items may be subject to customs processing depending on the item's declared value. Your country's customs office can offer more details, or visit eBay's page on international trade. Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment - opens in a new window or tab. This item will be shipped through the Global Shipping Program and includes international tracking.
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Universal Pictures Mexico released a Spanish trailer for the movie Minions with the voices of Thalia, Ricky Martin, Irene Azuela and Alfonso Herrera. Thalia and Ricky Martin, two of the Latin artists of great international renown are joining this successful franchise to lend their voices to two of the primary characters in the film.
Starting as single-celled yellow organisms, Minions evolve through the ages, perpetually serving the most despicable of masters.
The same site that lists Latin American Native children's films also lists films about Central and South American Indians. Production incentives, along with a strong commitment to expanding the countrya€™s film industry and culture, put this Central American country on the global stage. The glitz and glamour of the red carpet captured headlines across Latin America and the Iberian peninsula as Panama hosted the inaugural edition of the Premios Platino, an awards ceremony meant to promote the Ibero-American film industry in the same way the Academy Awards have raised Hollywooda€™s profile worldwide. The event was further indication of what has been a meteoric rise for Panamaa€™s film industry over the last three years. The lowered production costs in Panama are aided by the countrya€™s use of US currency, protecting producers and investors from inflation and currency devaluation.


The diversity of shooting locations in Southern California was a vital factor during the infancy of the US film industry, forever changing the landscape of studio filmmaking as soon as productions relocated from New Jersey to head out west. The Panama Media Centre, a state-of-the-art sound stage and digital arts complex, is currently being developed to offer additional resources for productions that choose to shoot in the country. Film culture is also on the rise in the country after the third edition of the IFF Panama, which has quickly begun to distinguish itself as an important event in the region. The winning title of this yeara€™s MEETS was the Mexican film The Darkness, which took home the eventa€™s $25,000 cash prize. Even the fanfare surrounding the Premios Platino serves a strategic function in the growth of Panamaa€™s film culture.
Like the Academy Awards, the Premios Platino is a vehicle to promote filmmaking and help build a star system across these regional industries, acting as a bridge between Ibero-American films and fans, with Panama situated as the focus point of the activity.
For Benedetti, hosting the awards in Panama is a big priority for the future of the local film industry. Currently in post-production, the film centres around five key moments in the history of the Panama Canal with each of the five segments being directed by leading Panamanian directors.
A critical exploration of a singularly Panamanian phenomenon: the spectacular, strange and stressful world of a€?queen ceremoniesa€™. Enter your email address to receive special offers to key industry events, screenings, news, interviews and more. The good news for film tourism buffs is that the site was purchased with voter-approved bond funds in 2006, and is now part of the Travis Park system.
The former Executive Director of Association of Film Commissioners International, Martin is a sought-after consultant, marketer, producer, strategist, speaker, writer and trainer who has worked to support and develop film production capacity on every continent. Having facilitated hundreds of productions as a film commissioner, Martin now creates and develops original content and content marketing for film and television in South Africa, Serbia and Peru. Latinbeat 2013 features movies from Argentina, Brazil, Chile, Colombia, Guatemala, Mexico, and Uruguay, in many cases co-productions between several countries, including some European countries.
On this occasion, the tribute was for Matias Pineiro, one of the most exciting new young directors from Argentina. Through the use of hand-held camera, the movie deftly explores marriage and a portrait of a decadent landowning aristocracy and its rigidity in a tobacco plantation in northwestern Argentina. Two teenagers and their divorced father go on vacation and get trapped inside a rented cabin under a heavy, seemingly unending rain.
Translator of the Spanish-language on-line section of The Nation and editor of Hispanic New York, an online portal and blog on current events and culture. Contact the seller- opens in a new window or tab and request a shipping method to your location. You have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab.
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The Central American country has made big strides in creating an industry from scratch, both in attracting foreign productions and founding a sustainable domestic industry. The government passed a law in 2012 that offers incentives for foreign productions, such as a 15 per cent cash rebate to projects that spend over $3m, as well as expediting customs issues and offering tax credits on production materials. Panama offers a similar allure for foreign productions looking to shoot in a range of different locations for a fraction of the associated cost.
The country received anywhere around $2a€“3m in foreign production investment before the law was passed, excluding Quantum of Solace, according to Benedetti.


This yeara€™s festival saw the inaugural edition of MEETS, a Latin American film market designed to bridge the global film community with a select group of Latin American productions. What makes the MEETS market different from similar events at other festivals is the awarda€™s no-strings-attached cash prize, granting funds that dona€™t tie filmmakers into collaborations with any associated sponsors, thus allowing producers to spend the cash prize at their discretion. The idea to host the award in Panama came after Panama agreed to contribute $1.5m and offer logistical help in hosting the event alongside the Spanish producersa€™ rights collection society (EGEDA) and the Ibero-American Federation of Film and Audiovisual Producers (FIPCA).
From Roanoke, to the First Fleet, to the Welsh in Patagonia, to Rhodesia, to the American West, I am astounded that men and women moved their families across continents to re-build their lives in hostile environments. It was only in the aftermath of the bloodbath that American forces from the north defeated the Mexicans and Texas joined the Union. The festival, now in its 14th year, is taking place at the Film Society of Lincoln Center in New York City.
His four films to date (“The Stolen Man,” “They All Lie,” “Viola,” and the short “Rosalinda”) are a fascinating mix of young love, Shakespeare, politics and present-day Latin America, and all were screened during the first week of the festival.
If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. I am not Thalia nor associated with her, her family, official fanclub MDC and her company and management.
The event presented a dozen films, five from Panama and seven from the rest of the region, to a group of industry professionals from around the world.
The film has received support from both the Fondo Cine Cinema Fund and the Doha Film Institute.
Latinbeat features films by both up-and-coming and well-established directors, many of whom were first introduced to U.S. But one Minion named Kevin has a plan, and he-alongside teenage rebel Stuart and lovable little Bob-ventures out into the world to find a new evil boss for his brethren to follow. All information and material found on this site is for entertainment and information purposes only. The fact that a great many of those (uninvited) colonists took it upon themselves to dominate the political landscapes of their adoptive homes simply amazes me. The trio embarks upon a thrilling journey that ultimately leads them to their next potential master, Scarlet Overkill (Thalia), the world's first-ever female super-villain, and her husband Herb Overkill (Ricky Martin). Anyway, the reason I recount this is that my history-geek self sat myself down in front of The Alamo the other night, not because the event marks an integral part of America’s somewhat distorted and spin-happy vision of itself, but because of the quirky colonial Texican backstory.
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