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Use these free images for your websites, art projects, reports, and Powerpoint presentations! Jump cuts can be a pain to deal with when cutting interviews and other types of video projects. The Fluid Morph effect predates any other morph cut transition that has been brought to the market lately. Introduced back in April 2015, the new Premiere Pro Morph Cut transition works to hide jump cuts between edits. This recent release from MotionVFX brings Morph Cut transitions to the world of Final Cut Pro X. From what you have seen here, the Morph Cut method of hiding a jump cut can work depending on the footage and the circumstances on which you use it. One of the things I’ve enjoyed about learning the inner workings of Final Cut Pro X is how to work faster despite having a different editing paradigm. In this episode of MacBreak Studio, the folks at Ripple Training show us how to deal with connected clips. The next tip involves deleting a primary clip and leaving the connected clip in place, or creating a ripple edit. The final tip involves slipping a clip in the primary storyline without moving the connected clip. Overall, this collection of tips got me excited at how much faster I could move FCPX, and knowing how to navigate the tedious nature of the secondary storyline. In another edition of MacBreak Studio, the folks at Ripple Training offer insight into using the clip skimmer to navigate the intricacies of the primary and secondary storylines. When you open FCPX from the dock or applications folder, it usually opens the last library or libraries you were working in. Another way to chose which library opens when you start FCPX is to use the inexpensive companion application, Library Manager. Overall, I’ve found these tips to be extremely helpful in getting much more knowledgeable about how FCPX functions. TweetWith the upcoming release of Star Wars the Force Awakens, and the premiere of the recent Star Trek films, there have been many visual effects that filmmakers have looked to replicate to bring to their productions. TweetFire is a common element VFX artists need to work with in television, film, commercial, and web content. TweetDigitally composited fire is a common element that comes up regularly in television, film, commercial advertising, and web content. TweetVery often in the editing process, we get to a point when we need to shift from cutting and assembling our edit, and into the stage of refining it with motion graphics, visual effects, or color grading.


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Supplied as 24-bit, 44.1 kHz, uncompressed Stereo WAV files, Media Edit Soundpack Pro provides you with a palette of high quality royalty free sound effects that will give your projects awesome impact and slick presentation value. Direct compatibility with Final Cut, Adobe Premier, Avid, Sony Vegas, After Effects, Pro Tools, Cubase, Logic, Ableton and most other applications - ita€™s easy to use, simply drag and drop sounds straight into your productions. Here is some inspiring pictures about Royalty Free Music Sound Effects Stock Footage Photos . In this tutorial, GeniusDV master trainer Jon Lynn shows us how to use the Fluid Morph effect to hide jump cuts on an interview clip. Located in the Dissolve category of Video Transitions section, this transition analyzes in the background and attempts to morph frames together to create a seamless transition from multiple frames.
While not perfect by any means, it is a method that can be called upon to smooth out an interview or other type of video project.
Getting used to the magnetic timeline was a struggle at first, but now I’ve become accustomed to it. If you hold down the Shift key and press delete, the primary storyline clip will disappear and the connected clip will be placed above a gap clip. Holding down the tilde key and pressing the T key, you can slip your primary clip while retaining the position of the connected clip in the secondary storyline. With clip skimming enabled and the main skimmer disabled, users can focus on clips solely in the primary or secondary storyline. The application has the ability to create libraries from scratch and open libraries by themselves if you chose. Learning these tips have given me a great appreciation for the application and has suppressed my frustrations I had when it first came out. In a previous lesson, we looked at where to find fire elements and how to quickly composite them into your scene. For obvious reasons, it is much safer than dealing with real fire, and generally it is significantly cheaper than dealing with practical live flames, which always includ additional expensive permits and safety staff on set. Great care has been made to provide usable, high quality sounds that can be used again and again. Click image to get bigger picture, and if you find Royalty Free Music Sound Effects Stock Footage Photos interesting, you might pin it to Pinterest. All conventional wisdom says the best way to hide a jump cut is to use a cutaway or b-roll. From personal experience, I’ve found this transition works best on interviews with static backgrounds and not a lot of motion from the talent.


Try using the Morph Cut method on your next video project and see how it effects your final edit. I find myself trying to do things that are akin to the magnetic timeline that don’t exist in track based NLEs. To get the ripple edit, hold down option + command+ delete to perform the delete selection shortcut. A bonus tip is offered which showcases how to have the override connections command in place until you turn them off. Using the clip skimmer enabled and the main skimmer disabled, they are able to make targeted ripple edits in primary and secondary storylines without effecting the entire timeline. The folks at fcpx.at inform us that by holding down the option key at startup, you will be presented with a dialog box showing you all available libraries.
In the Effect Mode panel, he changes a few parameters and sets the duration to three frames long. However, I discovered new tips and tricks from users across the world that make my FCPX experience more enjoyable.
Holding down the option key, Mark clicks on the bottom of the connected clip and changes the connect to a different clip in the primary storyline.
Holding down the tilde key and the command key, let go of the tilde key and the override command will be active until you press the command key again. They also highlight how much easier it is to insert clips into the secondary storyline when the clip skimmer is enabled so that you can be a power user.
Selecting one of the available libraries or using the Locate function to add another library will open that library in FCPX. However, there are times when those options don’t exist and you are left with jarring jump cuts that can distract or interrupt the piece. After a quick render, you see that the Fluid Morph was able to hide the jump cut in the interview. Overall, I see this transition getting better with time as Adobe engineers improve the code base. With all the innovation that FCPX has brought to the table, I was a bit surprised that it took this long to finally get this plugin. Thanks to technological advances in editing software, there are ways to hide a jump using a Morph Cut transition.
From what I know about diehard users of Media Composer, this effect exists in many of their favorite effects bins. I’ve seen tutorials where it was possible to do this but it seemed rather tedious in execution. I’m going to highlight how each of the three top NLEs on the market are able to do this.



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