Meaning of man wearing earring in right ear 05,sinus problems for 3 weeks,tenis nike mercurial cr7 white - New On 2016

Author: admin, 09.01.2014. Category: Tinnitus Causes And Cures

The following discussion is offered to help explain the the use of Moor's Heads on many of the Morin family Coats of Arms and the Mauran Coat of Arms. The device may also have connections with the Hohenstaufan dynasty, which ruled the Holy Roman Empire from 1138 to 1254.
Frederick's use of black Africans can be explained by his desire to present himself as a 'world ruler'. By 1400 a moor - as a crowned head in profile, or occasionally as a full figure - was relatively common in German heraldry. By the 16th century, when the stained glass medallion above was made, the moor's head had become a conventional motif. The moor's head device was also used in Italian heraldry, especially by families in the north and centre of the peninsula.
The binding shown above, on a book of Seneca's Tragedies, was made for a member of the Pucci family of Florence. Originally, the white band worn by the Pucci moor was decorated with three hammers, perhaps symbolising an ancestor's membership of the carpenter's guild. An older Pucci motto, 'Candida praecordia' ('White at heart'), probably reflects the meaning of the Italian proverbs 'Viso nero, cuore candido' ('Black face, white heart') and 'Il bruno il bel non toglie' ('Dark skin does not beauty remove'). In the upper left section of the plate above, Cardinal Antonio Pucci's (1483-1544) shield is displayed. In the dexter corner (to the left of the person looking at it) is a Moor's head in natural colour [caput Aethiopum] (brown) with red lips, crown and collar.
The moor's head in the coat-of-arms represents St Corbinianus, the patron saint of the Diocese of Freising; the bishopric of Freising was integrated into Bavaria in 1803.
There seem to be many legends and theories how the Blackmoor got to represent Freising, and I believe that many are mentioned on the website pointed out by Stefan Schwoon, which deals with an exhibition made in Skofja Loka (Slovenia) that was one of the cities ruled by Freising bishops, as some other cities in that position inherited the Blackmoor in their coats-of-arms.
Actually we do not know, we can only speculate; and there are many speculations on that topic, for sure! The first image definitely showing a moor is an illumination from 1316 in the so-called Prädialbuch.
The more important thing in the early times of this coat-of-arms seems to be the crown, and not what the head signified.
Another explanation for the moor might be that bishop Emicho had thick lips and therefore perhaps was nicknamed moor.
But the Moor's head, as encyclopedias of heraldic emblems tell us, is generally a sign of law, authority, and power. Since the 11th century, the heraldic term Maure refers to the symbol of an African head, or more specifically any blackened image of an African, or a part of an African, or an item associated with or representing Africans. In the 18th century English usage of the term Moor began to refer specifically to African Muslims, but especially to any person who speaks one of the Hassaniya dialects. The Maure was used in Corsica beginning in 1281, and later during the struggle for independence, by both sides, beginning in 1736.
In medieval Europe the Maure imagery represented the Sudanese command of the German armies of the Holy Roman Empire in the 12th century. In Roman times the Theban Legion was led by yet another Maurice, the warrior saint, and Primicerius (commander) of Roman troops from Thebes in Egypt. Even long before the Crusades, on April 30 in 711, at the invitation of the sons of the late Visigoth King Wittiza, the Umayyad General Tarikh ibn Ziyad (el Moro) led 7000 troops into what was to became Spain and Portugal. After the fall of the Umayyads in Damascas, the Africans in Spain, known as the Moro were cut off and came under threat from successive invasions. The escutcheons (coat of arms) of the blackamoor proliferated in both private and civic European Orders throughout the 11th, 12th, 13th, 14th and 15th centuries.
Even today, Sardinia's coat of arms bears four African heads each displayed in one of the four quarters created by the cross on the white shield. Other sources of inspiration for the AUF Maure include celebrated Africans in ancient world history & mythology, including the Magi, the Arthurian knights Pallamedes (who wore two swords on account of his being ambidextrous), and Moren (whose skin is described as being remarkably black and who taught chivalry to the other knights). The fall of the Kushites, the Phoenicians, the conquest of Egypt, the Rise of the Romans, the advent of Asian slave trade in African persons, and consolidation of Reconquistador attitudes in 17th century Europe, all heralded a nasty turn in the treatment of Africans in world culture.
As late as the 19th century major European states were still using Black heads on their armorials.
The Moor's head is often used as a canting coat of arms by families whose name is based on the roots Maure or More.
In this description, animée (animated) means that the eyes are white and clearly visible. Berthelot and Ceccaldi, quoting the historian Carpacino, believe the headband was a royal symbol. In the arms dated XVIIth and XVIIIth centuries, the Moor's head is consistently shown with pearl necklaces and ear pendants. Corsairs abducted the fiancée of a young Corsican from Aleria (a city located on the eastern coastal plain) and sold her to the King of Aragon. In 1297, pope Boniface VIII (1235-1303) vested the king of Aragon with powers on the kingdoms of Sardinia and Corsica. In 1376, Giovanni della Grossa wrote that Arrigo della Rocca, the leader of the Corsican pro-Aragonese party, had placed on his banner a griffin surmonted with the arms of Aragon. Using Blaeu's atlas, Seutter published in 1731 in Augsburg a map of Corsica decorated with a Moor's head.
In a letter dated 23 June 1760 from Rivarola, Pascuale Paoli (1725-1807) proposed a flag for Corsica.
The four Moor's head shown on the flag of Sardinia are traditionally associated to the four Moorish emirs which were defeated by a king of Aragon in the XIth century.
Modern heraldits suspect that the Moor's head is, however, the very opposite of a negative symbol. Valdes writes: 'The insignia of the black head, in a great many instances, was probably meant to represent this soldier saint since a majority of the arms awarded were knightly or military. Furthermore, it cannot be coincidental that the most powerful of the German princes to remain within the Catholic fold, the archbishop Albrecht von Brandenburg, not only dedicated practically all the major institutions under his jurisdiction to St. The medallion features the arms of the Tucher, a large prosperous German family from Nuremberg. Their adoption of the moor's head was probably influenced by their claim to be descended from Jacopo Saracino, a Florentine nobleman. The hammers were later reduced to the form of three letter 'Ts' and the Latin motto 'Tempore tempora tempera', meaning 'Time is a great healer', was added. Variations of these proverbs appear in the mottoes of other Italian families with moor's heads in their arms. Antonio was created Cardinal in 1531 and adopted by Pope Clement VII (Giulio de' Medici) at the urging of his uncle, Cardinal Lorenzo Pucci. Set against a yellow background, the dark colour of his skin contrasts with the white headband and kerchief he wears around his neck.
The coat of arms of the current pope, Benedict XVI, features the profile of a black man wearing a crown and gold earring. This is the ancient emblem of the Diocese of Freising, founded in the eighth century, which became a Metropolitan Archdiocese with the name of München und Freising in 1818, subsequent to the Concordat between Pius VII and King Maximilian Joseph of Bavaria (5 June 1817).
It still appears today in the arms of Sardinia and Corsica, as well as in the blazons of various noble families.


The bishopric had wide-spread possessions in Bavaria as well as in modern-day Austria, Italy and Slovenia where the moor's head has entered local heraldry; by chance I found this website (in Slovenian and German) which traces some of its occurrences.
I am far from remembering it clearly, but I think that it is not Corbinianus represented but one of his servants. The first seal depicting a crowned head dates from 1286: it shows the whole person of the bishop of Freising, Emicho, and in a small escutcheon at the bottom of the seal, a crowned head.
The crown should probably show, that the territory of the bishop of Freising was autonomous, only subject to the Emperor, and not to the Bavarian duke.
From Mahurin the ancient Greeks derive Mauro meaning black, and later Greeks derive Maurikios after them, the Latin derive Mauri meaning Black African. This language, in its purest form, draws heavily from the original Yemeni Arabic spoken by the Bani Hassan tribe, which invaded northwest Africa during the 16th and 17th centuries.
The white ground Maure (sans Adinkra) was also the original flag of the Africans during the successful slave revolt in Haiti (San Domingo) in 1799 AD.
The Theban Legion was sent to suppress a revolt of the Bagandae in Agaunum in Gaul (St-Maurice en Valais) in the 3rd century. The Umayyads took white as their symbolic color as a reminder of the Prophet's first battle at Badr, and to distinguish themselves from the Abbasids, by using white, rather than black, as their color of mourning. However, the Moro retained the white flag and it came to be associated with negro troops specifically, whereas the Saracen Arab invaders who followed them into Spain used the red flag of the Khawarij Republican followers of Caliph Uthman III.
It is unclear what the symbolic significance of the pomegranate bloom was to blacks in Spain. Others include Ogham, the black war leader of the Celts, and Prester John, the Christian King of Ethiopia (Africa), and Cepheus the father of Andromeda.
Shakespeare's insightful Aaron in Titus Andronicus, and the ill-fated Othello reflect the crises and despondency that gripped human society as African civilization succumbed under the persistent attack by Europe and Asia.
The author quotes his sources and makes a clear distinction between evidence, interpretation and legend.
This is the case not only in Corsica, but also in continental France, Flanders, Augsburg, and Switzerland. The heraldist Paillot gave a similar blazoning, which he illustrated with eight blasons showing the Moor's head. The Corsican set free his fiancée and killed the lieutenant sent after him by the king. The Moor's head was reported on the Aragonese arms (four Moor's heads around a red cross) for the first time in 1281. On 12 March 1736, the adventurer Theodor von Neuhoff (1694-1756) landed in Aleria, where he was proclaimed king of Corsica.
It says that the Moor's head appeared on the Corsican flag in the XVIth century, following the drawing of a map of the possessions of Philip II, King of Spain, by an Italian geographer.
Maurice but in what is today one of the most important paintings of the Renaissance, had himself portrayed in Sacred Conversation with him. The emblem has connections to the Crusades, reflecting associating individual families with victories over the moors. His son Frederick II (1194-1250), who was also King of Sicily, took a keen interest in the black Muslim population that had remained in Sicily after the island's return to Christian rule in 1061.
Other families may have adopted the moor's head on their arms to associate themselves with the Hohenstaufan dynasty.
They had acquired wealth and power through trade with Italy in the early 14th century, later expanding their operations to France and the Low Countries. Its use by families such as the Saraceni of Siena, the Morandi of Genoa, the Morese of Bologna, the Negri of Vicenza and the Pagani of Saluzzo suggests that the device was intended as a pun on surnames similar to the Italian words for moor, negro and saracen. They reflect an ancient belief, later adopted and expanded by Christian theologians, that the blackness of Africans was only skin-deep and could conceal the whitest of souls. This explains why the shield contains the Medici balls on the left and the Moor's head device of the Pucci family on the right, surmounted by the cardinal's hat. As any number of families used the device, perhaps as a pun on their surnames, it is unclear who may have commissioned the plate. In an autobiographical work published in 1977, the present pope explained the meaning of these charges for him. Italian heraldry, however, usually depicts the Moor wearing a white band around his head instead of a crown, indicating a slave who has been freed; whereas in German heraldry the Moor is shown wearing a crown. This is the first pictorial evidence of the bishopric coat-of-arms; however, there is no indication, that this crowned head shows a moor. Since then the crowned moor's head is considered the arms of the bishop of Freising and of his territory, the Hochstift.
Some contributors to a very earnest discussion on the American Heraldry Society's Web site suggested that the Moor's head is a potentially explosive image. From the same root we derive: Maur, Maurus, Marra, Moro, Morisco, Mohr, Moritz, Moor, Moru, Maru, Morelo, Maureta, Mauretania, Mauritius, Maureen, Maroon, Morocco, Moore, Maurice, Meuric, Meurig, Morien, Morin, Moryan, Moreto, and such. The Visigoth usurper, Roderic, was defeated by the Africans on 19th July 711 at the battle of Guadalete, near Medina Sidonia. As pressure from the Reyes Católicos (the Christian Reconquistadors) increased over the centuries, African states in Spain mutated and fell and rose many times.
What is notable, however, is that the Pomegranate gave its name to Granada, as well as to the Hand Grenade which came into use in the 15th century. In Nubian Twilight Alex Keating shows that popular European stories including Hans and Gretel, and Cinderella were taught to Europeans by Sudanese soldiers serving in Germany around the time of the Crusades. At first, the French government gave to the new department of Corsica, arms where the Moor's Head was side by side with the fleur-de-lis and with a motto: The Law, the King. According to Gheusi, the Moor's head used on such arms is mostly shown in profile and looking towards dexter (that is towards viewer's left). In all of Paillot's blasons, the head belongs to a black man (nègre, but without any pejorative connotation) with thick lips, a flat nose and freezy hair. However, Antonetti points out that Carpacino mentioned the headband as a royal symbol in the Hellenic world only. These female representations might have been inspired by the trade of Moorish slaves, which was ruled during the Renaissance by Genoa, then ruler in Corsica.
Since he could not preserve the head too long, he decided to draw it on a white piece of fabric. Vincentello d'Istria, another pro-Aragonese leader, who became in 1418 the first native vice-roy of Corsica, was also said to bear the arms of Aragon, again not described explicitely. Dévote and the obverse should have been charged with the Moor's head as represented on the maps at that time. Corsica had then no official emblem, and the geographer used the Moor's head because of the proximity to Sardinia, whose flag bears four Moor's heads. The essay is entitled: Sigillum Secretum (Secret Seal) - On the image of the Blackamoor in European Heraldry (a preliminary proposal for an iconographical study).
Maurice, the black patron saint of the Holy Roman Empire from the beginning of the Xth century.
Maurice had chosen martyrdom rather than deny his allegiance to his Lord and Saviour, thereby creating for the Christian world an image of the Church Militant that was as impressive numerically as it was colourwise.
Heraldic devices and emblems were included on objects like those featured here to indicate ownership.


He established an enclave for these Muslims near his palace in Lucera in southern Italy, and recruited his musicians and elite bodyguard from the community. The Moor's head is common in the Bavarian tradition and is known as the caput Ethiopicum or the Moor of Freising. At one time the whole of the western arm of Africa (what is now West Africa, from Libya to Nigeria and around the Atlantic coast), was called Mauretania. They were punished by the Emperor Maximian Herculeus first by decimation and finally by the wholesale massacre of the Theban Legion.
Roderic's fall ended Visigoth rule over what the Africans then called Spania (from the Amazigh word for Rabbits), or Al Andalus, and began 800 years of African and Arab control over much of southern and western Europe, but especially over Grenada in Southern Spain. The most stable and longest lived African state in Spain was Grenada, with the magnificent Nasridin dynasty citadel of Al Hambra as its capitol. Moreover, the bloom has the colors Green, Yellow, Red, which coincidentally are the Pan-African colors.
Africans settled Sardinia and founded settlements around the gulf of Cagliari as early as 6000 BC, and founded the Nuragic civilization which bares a remarkable similarity to ancient Zimbabwe). But from 1792, this motto disappeared although the Moor's Head and the fleur-de-lis still remained. Like the Clenched-Black-Fist, or the Chained-Black-Hand, both important African Empowerment emblems, U Moru's blinded and bound face tells eloquently the story of African survival in the face of overwhelming historic aggression and oppression. This description fits the traditional description of Moorish slaves captured and traded by Christians, or of Moors who occupied for a long time Spain, the south of Portugal, parts of the Mediterranean shore of France and several Corsican villages. The kings of Aragon were not really interested in Corsica, and there is no evidence they imported their arms to Corsica. Sampiero, Colonel of the Corsican regiment in the service of the king of France (1547), was reported to have used a black flag with a white cross and a Moor's head in the center.
Corsica was represented there by a golden shiled with a tortil-wearing Moor's head and a Triton armed with a trident.
During the Consulta of Vescovato, on 24 May 1761, it was decided to mint coins with the arms of the kingdom of Corsica.
The papal promulgation published at its institution declared quite unequivocally that the sole purpose for this knighthood was to combat of the Reformation.
The moor in Italian art was usually depicted wearing a white band tied above the eyes, instead of the German imperial crown, to represent victory over the moors during the Crusades. Garmisch-Partenkirchen, Wörth), but also in Slovenia (Skofja Loka) and South Tyrol (Innichen). The word Mauretania was interchangeable with all the names of what is now Africa: 'Ethiopia', 'Kemet', 'Netdjer', 'Sudan', 'Libya', 'Cush', 'Guinea' and the now defunct 'Negroland'.
The white flag with the black profile became the flag of several separate Orders named for of St.
The banner of the Maure, the negro head blindfolded on a white background became associated with Tarik's African armies. The representations of Africans among the ancient African culture, and in cultures of the world, is the inspiration for the AUF emblem. The bound face of an African is also symbolic of our oppression, or the African Holocausts perpetated against us on account of our Africanness and our appearance, and we must not forget that millions of our people continue to die and to suffer in bondage at the hands of proxy neocolonial governments and at the hands of racist anti-African regimes.
In the latter cases, the so-called Moors were not black Africans but Arabs or Islamized natives from Maghreb.
They occupied Sardinia, however, which explains the Moor's head in the arms of Cagliari, the capital city of Sardinia, as proved by parchments kept in the municipal archives of Cagliari.
The Moor's head was allegedly added to the regiment flag to distinguish it from the flag used by Piemontese bands. A coin minted at that time in Corsica shows a head, which was interpreted either as the Moor's head or Neuhoff's head. A Moor's head with a tortil on the forehead was placed on a shield, surmonted with a royal crown with fleur-de-lys, itself surmonted with a globe and a cross. Maurice would become the champion of the old Roman church and an opposition symbol to the growing influence of Luther and Calvin.
Many of the cities and municipalities formerly belonging to the Hochstift contain the moor's head in their coat-of-arms. Spain and Portugal followed this action with the conquest of parts of Africa, the destruction of African communities in Europe and the invasion of the Americas. It is important to bear in mind that some African-Profile armorials of Europe in the middle ages bore chains in addition to the blindfold. It is often said, without solid evidence, that the king of Aragon adopted the Moor's head after the battle of Alcoras or Alarcos (1046) during which king Peter I had defeated four Moorish kings. The military historian Poli, however, believes that the report was erroneous and that the Moor's head had been added by modern authors. However, the name Maurice was generic and refers to many different and unrelated black soldiers in medieval European history. Lisbon's black population, that out-numbered Europeans in 1550, was devasted by the plagues of the times. The only solid conclusion which can be drawn is that the Moor's head is not of Corsican origin but was probably imported by the kings of Aragon, although it is not attested before the beginnning ot the XIVth century.
This might be the reason why the Moor's head has been considered as the official symbol of Corsica since then. Philip in Acts of the Apostles was undoubtedly an important element to his significance as well. Although there are no references that point to the existence of official standards with a gagfold covering the mouth rather than the eyes, they do appear from time to time and signify African silence, or more specifically the suppression of African expression. Paoli created a Corsican navy, whose ensign was a Moor's head on a white field without any secondary attribute.
Since this figure from the New Testament was read as a personification of the Gentile world in its entirety, the complexion of St. Such banners are shown on several paintings and frescos, carried by Corsican and Sardinian regiments or mercenaries in the service of the pope or Italian republics. Maurice and his Theban Legion (the number of which signified an infinite contingent) was also understood as a representation of the Church's universality - a dogmatic ideal no longer tolerated by the Reformation's nationalism. Maurice's blackness that must have most antagonized the Protestant faction, however, was the one regarding the mystery of papal authority. Paoli seems to have indeed officialized the placement of the headband on the Moor's forehead.
Corsicans and Sardinians served indistinctively in the same regiments, which might have used the arms of Cagliari on their banner. After the battle of Ponte-Novu (1769) and Paoli's exile to England, France kept the Moor's head but suppressed the headband and added fleurs-de-lys. The conclusion for the XIII-XVIth century period is that Corsican chiefs might have used the Moor's head as their banner, although this was not the official emblem of Corsica.



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