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Above the ground floor are newer Trajan-derived steel letters whose chief quality is usefulness for pedestrians. The most obvious name when approaching is made of Trajan-derived letters made in steel along the top edge of the new entrance extension, and on a glazed ceramic panel at the Kinga€™s Cross end of the building.
Edinburgh photographer Jane Brettle is best known for her striking portraits of women who are innovators in their various professions. Valerie Lund is a Professor of Rhinology at the UCL Ear Institute, and Honorary Consultant Rhinologist at the Royal National Throat Nose and Ear Hospital. Her portrait was taken in the Council Room of the College, with Joshua Reynolds portrait of John Hunter in the background. Anne Moore is a Consultant Neurosurgeon at the Southwest Neurosurgery Centre, Derriford Hospital, Plymouth. Linda de Cossart graduated in medicine from the University of Liverpool in 1972, and began training for a surgical career in Merseyside. Linda de Cossarta€™s portrait was taken in one of the operating theatres at the Countess of Chester Hospital.
Jane Brettlea€™s work explores the relationship between museum collections and the presence of the a€?bodya€™ in relation to gender, most recently through portraiture.
The works are influenced in their formal and aesthetic quality by the portraits of the painter Jean-Auguste-Dominique Ingres (1780-1867).
The use of a traditional 5x4 large format camera and portable studio lighting creates a sense of occasion or performance.
The artista€™s work is in international, national and private collections including The Deutsche Bank Art Collection and the National Galleries of Scotland.
On the original building the frieze at the top contains egyptian letters cast on terracotta blocks. On the north-facing, flanking wall another version of this name and lettering style appears as a white and blue glazed panel set in the brickwork.
While the letterform a€“ a condensed modern a€“ is more usually associated with fashion magazine mastheads, its execution is interesting being apparently cast with the terrazzo panels of the wall. She graduated from Charing Cross Medical School in 1977 and became a Fellow of the College in 1982.
Valerie Lund was photographed in the operating theatre at the Royal National Throat Nose and Ear Hospital.

She trained at the Royal Free Hospital, gaining her MRCS in 1948 and becoming a Fellow of the College in 1953.
She trained at Atkinson Morleya€™s Hospital, the National Hospital for Neurology and Neurosurgery and Great Ormond Street Hospital, London. Her portrait shows her in the museum, holding a stereotactic frame for neurosurgery used at Atkinson Morleya€™s Hospital.
She became a Fellow of the College in 1978 and gained her ChM from Liverpool on the subject of venous disease. After consultant posts in Liverpool and Hillingdon and Hammersmith Hospitals she moved to St Marya€™s Hospital in 1982.
The portrait was taken in front of the statue of John Hunter in the Inner Hall of the College.
Her work has been exhibited and published nationally and internationally, most recently in 2007 in a major commission for The Scottish National Portrait Gallery, Edinburgh.
This work has developed in response to sculpture and paintings in these collections, using large or medium format photography and the digitally constructed image. They are half or three-quarter length poses, with particular consideration given to situation, detail, colour and scale. Almost monoline in construction, each is placed centrally on a square block which creates an irregular rhythm to the words containing I.
Inspired by the French painter Jean-Auguste-Dominique Ingres (1780-1867), her portraits echo the conventions of formal portraiture to prompt the viewer to consider how subjects for institutional portrait collections are chosen and who might have been missing from the faces on the wall. She was a member of Council from 1994 until 2006, and was Chairman of the Collegea€™s Education Board and the Women in Surgical Training Committee. She worked at Central Middlesex and Great Ormond Street hospitals before returning to the Royal Free, where she worked with the hepatologist Sheila Sherlock. She spent 11 years as a Consultant at Atkinson Morleya€™s Hospital before moving to the West Country. She was appointed as Consultant General Surgeon with an interest in vascular surgery at the Countess of Chester Hospital in 1988. In 1993 she became Professor of Vascular Surgery at Imperial College School of Medicine, the first woman to become chairman of a department of surgery in the UK. She became a Fellow of the College in 1966 and completed her specialist training at Great Ormond Street Hospital, London.

The portraits were commissioned in 2008 to record the work of six surgeons who have played an important role in the work of the College, and in raising the profile of women in surgery. The use of colour and scale are important elements in her photographs in that they a€?mimica€™ the painted portrait in museum collections, making references to Art and Photography History and creating allegories in which the viewer might discover their own meaning. For the artist there is a certain immediate quality of engagement in Ingrea€™s portraits that make them appear almost photographic. This way of working creates the opportunity to re-consider the a€?subjecta€™ in relation to their environment and to make more, or less of elements within the image: technique and process having affinity with both the painted portrait and the photograph. As well as her clinical commitments, she has been closely involved with the changes in surgical education. In 1974 she was appointed Consultant Paediatric Surgeon to the Childrena€™s Hospital (later University Hospital) and City Hospital in Nottingham, where she worked until her retirement in 2002. Within this process she has also asked the question a€?who, historically has been considered a suitable subject to be displayed in these institutions and who is missing?a€™ In some instances the work begins as a solitary personal exploration; but all her portraits develop as collaboration, or shared experience between the artist and her a€?subjectsa€™. She was elected to Council in 1996 and served as Vice-President of the College from 2006 to 2008.
Averil Mansfield served on the College Council from 1990 to 2000 and was Vice President from 1998 to 2000. The commission for the Royal College of Surgeons of England reflects a project developed between 2000 and 2003. She was a member of the Court of Examiners and their first elected chairman, and was also the initiator and first chairman of the Women in Surgical Training scheme.
She was elected to the Court of Examiners in 1989 and to Council in 1992, becoming Vice-President in 2003. Entitled a€?airsidea€™, this is a series of large-scale portraits of women who are innovators in their various professions. The subjects are women who make a substantial contribution to all aspects of contemporary life and culture and who are at different stages in their careers and includes scientists, an airline pilot, police officers, engineers, financiers, chief executives of various organisations and women from the armed forces.

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