Slice backhand tennis 2014,tinnitus and ear wax vacuum,partial hearing loss during pregnancy traduccion - Easy Way

Author: admin, 04.10.2014. Category: Ring In The Ears

Players will play a singles point from the baseline, but one player can only hit slice backhands when hitting a backhand. Tennis Fit's elite tennis athletes and coaches in Johns Creek, GA provides instructions for the serve, forehand, backhand, return of serve, overhead, volley, drop shot and lob. Tennis Fit is committed to providing you with the skills you need to become the best all-court player you can be!
Here you will find images and instruction that will help you understand how each of these strokes is performed. One handed backhand slice, one handed backhand topspin, forehand, forehand volley, backhand volley, flat serve, kick serve. For a tennis and fitness evaluation or custom program please contact Bryan Hiner or Amyn Soldier to discuss scheduling and fees. The backhand slice stroke in tennis is a great stroke to have to change the rhythm of the game and to play effective, neutralizing shots from defensive situations. But often times, the slice shot floats too much and therefore bounces too high with not enough speed, which gives your opponent enough time to set up for the shot and continue to dictate the point. The backhand slice technique requires a certain mental discipline as we need to stay sideways through the shot longer than usual.
This technique is especially difficult to acquire for those players who otherwise play a two-handed backhand stroke where they, of course, have to rotate their body as they execute the stroke. Since their body is used to rotating and they are used to getting power from rotation, they usually keep rotating somewhat even when hitting a backhand slice. She manages to defend from difficult situations, but since the slice is too slow, she often ends up in defense again and finds it difficult to turn the tables in the rally in her favor. When we compare her slice technique with my backhand slice, you can see much more clearly the differences – namely the direction of the shoulder axis and the head orientation. In order to correct her backhand slice technique, we need to address the technical and the mental causes; otherwise, the problem will persist. The following tennis drills are not only corrective exercises for the backhand slice but also my usual drills for teaching proper backhand slice technique in the first place.
In this drill, I ask Thea to continue walking across the court and to pay attention to her body orientation which should be at all times in the direction of the walk. Because she is walking all the time, she would find it quite difficult to rotate through the shot as it’s much more natural now to keep the body facing to the side.
While she still turns her body slightly, she is getting the feel for this drill and in combination with the next two drills she can feel the right way to generate power without turning her body.
Since Thea over-rotates and actually wants to face the direction of the stroke too early, I over-correct her and ask her to hit backwards. That way, she starts to develop a new feel for how she can generate power in her body even when she doesn’t rotate the hips and shoulders. She positions herself in a normal neutral position for the backhand slice and hits a few usual shots over the net from my drop feed. Next, I drop the ball slightly closer to her and ask her to hit to the side fence behind her. This is also a very useful correction drill for the one-handed backhand stroke in case the player happens to over-rotate.
Most players think of a backhand slice as a very horizontal and circular stroke when in fact it’s a more downward and linear stroke through contact.
Yes, pro players very quickly turn their shoulders after hitting the ball, and that may deceive us into thinking that we need to rotate through contact. But when it comes to the fundamental technique of a backhand slice stroke in tennis, we don’t rotate through the hitting part. The pros are also such masters of the racquet that sometimes they do intentionally rotate through the stroke in order to impart side spin on the ball.
However, if your fundamentals are not in place, then this advanced slice technique won’t work for you.
In order to give Thea the feel of hitting the ball properly, I ask her to hit slice backhands very close to the net and hit them downwards.
This again leads her in the right direction of engaging her body bio-mechanically correctly, which generates a lot of power without body rotation.
As she starts to feel the power and starts to trust the stroke, she’ll be able to let go of the desire to turn and the desire to look too quickly after her stroke to see what happened. The one drill that I didn’t show in the video above but we also did quickly in a previous training session was the biting backhand slice drill which I already posted before. The tricky part when it comes to the backhand slice is that we often play it in defensive situations and are therefore anxious to get out of them as soon as possible.
Therefore, we must develop the mental discipline to stay sideways through the shot until we feel that we have completed the follow-through. Only then can we hit a penetrating backhand slice stroke that will neutralize our opponent and prevent the next attacking shot. So try these drills out, they usually work very quickly to give you a new feel for how to hit a proper backhand slice.
I think there is some rotation in the slice backhand but it is rotation into the ball and not our of the ball.
In my experience players don’t really have a problem of NOT turning into the slice, they usually keep turning through it. I just came upon another video a few months back on youtube elucidating the same correct backhand slice technique. I went to the court the same day and was pleased to see the same changes in me, as we see here with your student in a very short time.
I was losing my slice altogether in recent seasons focusing on improving my single handed backhand technique.


When I found the video above and practiced it, I realized I never really had the correct technique in the first place.
Your video today more in depth and perfect timing to deepen the drill and practice in this area of my own game. Tomaz the Slovenian Wunderkind Teaching Maestro also finds yet another visual venue of interest at which to film one of his instructional videos.
The slice, in my opinion is only a colloquial definition (with exception in a drop), perhaps the correct definition is underspin backhand and is a very useful stroke in offensive and defensive situation, for approach is a key stroke. The backhand slice stroke is sometimes tricky because we feel good power source in body rotation but in this case we must not use it. Experience from other sports is often very beneficial since we can make easy analogies and transfer skills between them. Besides the ability of the slice backhand to change the pace of an exchange and neutralize the aggression of the opponent, I find that club-level players often mishit their returns of this shot (probably because it bounces lower than they expected). A couple of tricks I use to help boost the quality of my backhand slice: (1) be sure to take the racquet head back sufficiently high so the forward swing has a definite downward path. The grip Feliciano Lopez uses for slice backhands reflects the overall skew of his backhand grips toward the forehand positions. Richard Gasquet has an unusually large grip change from his slice backhand, which he hits with a Semi-Continental grip, to his topspin backhand, which he hits with a grip a bit beyond the Eastern, toward the Semi-Western. When Richard does slice, rotating his grip makes it easier for him to open the racquet face (tilt it upward), but almost two full racquet planes (90 degrees) is much more rotation than he would need if he had learned to slice with an Eastern or Modified Eastern backhand grip, either of which would feel stronger to most players. Roger Federer uses a Continental grip for slice backhands, a relatively small change (less than 45 degrees) from his topspin grip, between Modified Eastern and Eastern.
A well-executed Lob bounces near the baseline and arches high over the opponent’s head. For the Slice Lob, the racquet makes contact underneath the ball and follow-through happens forward and up.
Because of this, for the Slice Lob, the racquet needs to start even further below the ball in order to have enough momentum to lift the ball.
Contact point is below the ball, so the racquet head needs to get even further below the ball and accelerate upwards.
The goal of this drill is to practice the slice backhand, keep the bounce low, and defend against powerful groundstrokes. You must become a master of all the specific shots that allow you to disable your opponent and prevent them from hitting their particular shots. That unfortunately causes their shots to float too much as the racquet path through the ball is not correct.
While her slice is not bad, it lacks penetration and doesn’t really bite through the court. She also tends to turn her head a lot immediately after contact and she also turns her body quickly towards the court.
She is used to finding power from rotation as she plays a two-handed backhand where she constantly turns her body during the stroke.
She may be anxious to see what happens with her stroke and therefore turns her head quickly, which in turn also pulls her shoulders.
Namely when we hit the slice, our body is facing 90 degrees away from the direction of the stroke.
This disappearing slice stroke started to concern me as less variety was creeping into my game.
Blake's topspin backhand grip is just a bit toward the Modified Eastern from Continental, and that grip would work fairly well for slices, but as he gets ready to slice, James rotates his hand a little more than a full handle plane (45 degrees), all the way to an Eastern Forehand grip. Most players would find Mikhail's topspin backhand grip fairly solid for slices, whereas slicing with the Eastern forehand grip as Mikhail does requires exceptional strength to generate any power and to avoid floating the ball much too high. Many players hit slice backhands lower and harder with an Eastern backhand grip without sacrificing backspin, but with the Eastern grip, you have to rotate your forearm counterclockwise (for a righty) to make the string bed tilt upward enough to hit a slice. The Semi-Continental grip doesn't support the racquet as well as the Eastern backhand grip, but perhaps Nicolas prefers the direction of rotation it requires--or he may have just learned that way and gotten used to it. Gasquet slices fewer backhands than most one-handers, because his topspin backhand is spectacularly powerful and he can execute it up to a much higher contact point than most players can. The Continental grip produces a natural racquet angle well suited to hitting heavy backspin, but it doesn't support the racquet as solidly for driving a slice with power as the Modified Eastern or Eastern backhand grips do. In the advance stroke coaching module, the double motion deception is another useful and popular type of deception that is very deceptive in nature if executed very well. Instead of preparing to move side-to-side to hit a Volley, the opponent at the net has to be ready to spring up for an Overhead. Since she hits 90% or more of her backhands with two hands, she gets very used to that rotation.
For most players, this would be an extremely weak grip that would produce a high, floating slice with a ton of backspin, but because James is exceptionally strong and used to it, he manages to hit a decent, although mostly defensive, slice.
But at the contact the rotation is stopped and that is the purpose of Federer’s left hand going backward so much.
Feliciano is strong enough to generate decent drive on his slice backhand, but it's mostly a defensive shot, and his backhand is clearly his weak side. The power of Fitness Its extremely important in Badminton that you are always fit be it playing or training. The importance of fitness is very important as it plays an important role on how you can improve because: - By being fit, you will have the physical ability to continuously learn properly - By being fit, you will have the mental ability to continuously learn properly b. The power of Proper Footwork The role of footwork in badminton is extremely important since every strokes you do, require you to make few steps of footwork FIRST. Sometimes in teaching the bh I demonstrate stand facing the back fence, which is an over exaggeration of the shoulder turn but when they see it from there they can see the effortless of the arm which almost reacts as a pendulum being slung from a rotating shoulder and the work and power of the body.


For an example: You can initiate the first motion of racket swing similarly like addressing a shuttlecock to do a straight lift but then changing the direction of the shuttlecock by executing a second racket swing and making a hit directing the shuttlecock into a straight or cross court net. Second motion - Referring to the second racket swing performed after the quick withdrawal of the racket following the first motion of racket swing. Requirements Like any other deceptions, to successfully execute a Double Motion Deception, there are certain requirements that a player must fully understand and master first so that this deception can be well executed. A player must understand first how to execute all the full range of normal shots using the correct technique.
A player must have a clear vision and awareness on how he moves his racket in refer to where the opponent positioned in order to properly coordinate the next hit. Timing Timing is essential to coordinate a fluent sequences of racquet swings and withdrawal of racket between swings with the trajectory of the shuttlecock. This is to create a convincing action of racket swing that will convince your opponent that you are making a hit to direct the shuttlecock to the area of intention ( A direction) hence making your opponent react to retrieve it.
If this technique is not executed as stated above and the player will rather just do a racket swing for the sake of making one without any purpose, then most likely, especially in the eyes of an experience player, he will not react to your first swing and subsequently making your double motion deception most likely a fail one. That is why it is important for your first motion of racket swing fulfill its purpose stated at 2(a). Withdrawal After executing the first motion of racket swing, quickly withdraw your racket.
The second motion – the true hit After executing the first motion of racket swing followed by a quick withdrawal, a second motion of racket swing is then executed.
At this point, it is important for you to observe and aware where your opponent is positioned in correlate with his reaction towards your first motion of racket swing.
By applying such type of swings: - Its more maneuverable thus making both of the racket swings easy to execute. Triple Motion Deception A deception that involves 3 actions of racket swings where the first two actions of racket swings will be the false hit and the 3rd racket swing will be the true hit. Fusing with other type of deception – Hold and Hit The double motion deception can be fused with the hold and hit deception. As valid as executing other shots such as a smash or drops, it also makes how we see badminton beautifully played since it a technical skills that is an art by itself. In regards with the way we play badminton now, which emphasize on speed and power, there are still place for deception since the millisecond of breathing space produced while executing it can be part of the preparation as a winner and theoretically it should be part of the coaching module.
Before coaching a player to execute the correct technique about deception, that player must understand first on how to execute all the full range of normal shots using the correct technique. The other important ingredient to successfully execute a deception is to have a fair degree of forearm and wrist strength since they are used ultimately to energize for the late arrival of the racket head to the shuttle upon hitting it. Your eyes also needs to be very sharp and always alert so that you can have a clear vision and awareness on how you move your racket in refer to where is your opponent positioned in order to properly coordinate the next hit in ensuring the deception is a well executed one. As long as badminton has exist, the types of deception also has evolved since it is part of the badminton evolution. Therefore, there are a lot of deceptions available now and only "your fantasy" can be the limit to what available types of deception that can possibly exist.
Personally, i have a lot of type of deception under my belt and frankly speaking, I've used them quite often and it helps me a lot as part of my winning edge in numbers of tournament. I've coached them also to my students as part of the advance modul in the coaching program and i can see its psychological advantage and positive breakthrough on how they are playing and i want to share this knowledge to you. Teaching deception theoretically using words and sentences is not easy since, it is the applied technical part that will give the full effect on how the correct technique should be executed. Therefore, by having the correct knowledge, continously practice on perfecting the technique so that it can eventually be executed correctly. Learning deception is one thing but perfecting it require full dedication and concentration because it is an art that you cannot master overnight. Intro Arguably among the most common deception used, the hold and hit type deception can be a lethal maneuver by itself if executed well. The "hit" portion can either end as a flick or net (if you're retrieving the shuttlecock as a net play) or a drive or drop (if you're retrieving the shuttlecock as a drive shot) depends on where your opponents reacts and moves. Its the combination of both "hold", that makes your opponent mind thinks it is going to be hit at that particular shot hence reacts to it and the "hit" portion where the direction of the shuttlecock upon hitting it will go to the opposite direction that act as a deceptive moves that eventually leaves your opponent stranded. One recent maneuver was performed by Peter Gade yesterday against a Japanese player, Yamada in this year WC. Type The "hold" and "hit" deception has two type of maneuver, the back swing follow through and no back swing follow through.
These two different type exist because it is referring to the different technique applied in its "hold" component.
This thread will only concentrate on teaching the "back swing follow through" "hold" and "hit" type of deception since this is the most difficult and among the most deceptive shot available. This is because the player needs to do a reverse movements or back swing of his forearm as to allow a synchronize movements backwards of the racket head in refer to the shuttlecock to create a time frame delay before hitting the shuttlecock at the last possible moments.
The no back swing follow through will have minimal or no back swing movement and the time frame delay will be more shorter. 3.2 Technique This deception has 4 phase which include preparation, the hold phase - retrieving, the hold phase - back swing follow through and finally the hit phase. Below is the diagram of all the phases and the explanation on what are techniques to executed them.



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