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Author: admin, 17.08.2015. Category: Cure Ringing Ears

If you're wondering why this headphone is included in the guide, call it a bit of sentimentality from me--the Sony MDR-V6 was the headphone that got me started on this long, winding headphone hi-fi journey back in the 1980's.
Yeah, it's old, but it's still a rugged, well-isolating, fun, bright, lively sounding headphone with good bass extension and impact.
This many years later, I still like the classic ol' V6, and still feel comfortable recommending it from time to time. After his success with his own PSB headphones, Paul Barton turned his attention to a headphone for NAD Electronics. Like its PSB siblings (I call them siblings since they have the same father in Barton), the NAD VISO HP50 sounds outstanding, with impactful bass that is very taut and well controlled. Additionally, in designing the NAD VISO HP50, Barton addressed two of my biggest quibbles about its largish PSB siblings, with the HP50 being more compact, and able to fold flat for greater portability.
Without a doubt, though, the NAD VISO HP50 is one of the easiest to recommend headphones at its price, and can very capably serve as both a portable over-ear or one's main headphone at the desk. The MDR-ZX700's bass is energetic, yet controlled, which is a trait I don't think is common enough in affordable closed headphones. If you've heard the Shure SRH440, but felt it on the colder side of your tonal preferences, then the Sony's more authoritative bass (and a slightly warmer tilt than the Shure) might be more your speed. I consider the MDR-ZX700 a sort of modern spin by Sony on its classic Sony MDR-V6--a more current, affordable closed headphone, and possibly another affordable classic in the making. There are at least a couple of long-time Head-Fi'ers working at Massdrop, and it certainly shows, as many of Massdrop's famed "Drops" are headphone audio products. Here's the thing, though: Massdrop's version is called the AKG K7XX, and it's available exclusively through them.
I really like AKG's K550, but its lean-ish signature--much as I enjoy it when I'm in the mood--is not one with particularly wide appeal. In 2013, Shure contacted me to ask if I wanted to have an advance listen to a new closed, over-ear flagship headphone to be released later in the year. Fortunately, in terms of sonic performance, Shure absolutely stuck their landing with the SRH1540, making what I feel is their best over-ear headphone so far.
The Shure SRH1540 is also insanely comfortable--one of the most comfortable large, full-size over-ear headphones I've got. Again, in my opinion, the SRH1540 is Shure's best over-ear headphone so far, and an easy recommendation at its $499 price.
Now you may have noticed that the Shure SRH1840, which certainly isn't new (released back in late 2011), has made it into this update of the Buying Guide (though wasn't in the guide previously).
With its bass sounding shy of neutral to me, neutrality through the mids, and treble that is a bit hotter than neutral, the Shure SRH1840's tonal balance is on the leaner side to me.
So if you’re listening to a low-quality recording don’t expect it to sound better just by clicking on the bass boost. The Sony MDR-XB500 tops our list of the best bass headphones for its distinctive sound signature. The Crossfade M-100 by V-MODA are easy to transport, sport extremely deep bass, and remain crystal clear. Like most V-MODA headsets the Crossfade M-100 dishes out punchy bass perfect for intense music styles. The Crossfade M-100 by V-MODA seamlessly combines good bass headphones with clear sound making them one of our top choices.
The soundstage and balance of the MDR-XB90EX is what you’d expect from in-ear headphones.


The sound signature of the Crossfade LP is what most people equate with a DJ type sound: recessed treble with ultra low lows.
The Crossfade LP helps round out our choices of best headphones for bass with its signature club-like sound.
The Urbanite XL is a marked departure from Sennheiser’s neutral soundscape, instead it aims to appeal to those after a heavier bass tone. Sennheiser gave the Urbanite XL its classic smooth sound that does well for all musical genres. About Headphones UnboxedWe love headphones, headsets and earbuds and review them to make you feel like you have actually unboxed and tested them yourself. The MDR-V6 (and its pro-audio twin, the Sony MDR-7506) is still widely used in studios and on-location as a pro monitoring piece.
The overall balance of the VISO HP50 is, to my ears, just slightly on the warmer side, but still very resolving.
However, the NAD, like its PSB relatives, is still rather large and awkward on the head (especially when viewed from the front). They decided to use a Drop to rekindle a very well-regarded headphone from the recent pages of AKG's history book.
Gone are the "65th Anniversary" markings, the blue stitching and other blue highlights, replaced by K7XX badges and a stealthier blacked-out treatment. Well, if you've tended to find many of AKG's headphone likable but too lean or a touch brash, then the K7XX's definitely-smooth-for-an-AKG-but-still-an-AKG sound will almost certainly have you grinning big. Yes, you can still find the K702 65th Anniversary Edition out there, but you will almost certainly be paying substantially more for what is essentially the exact same headphone. The answer was an obvious "yes," but there were some admitted reservations about what to expect, as a couple of their previous over-ears--the Shure SRH940 and SRH1440--were definitely not my cup of tea, being, to my ears, too bright, too reedy, too lean. With fantastic, full, controlled bass (though emphasized), and excellent, evenhanded, monitor-like detail and balance from the mids on up. Along with the pads, which are plush enough to quickly create a good seal, the closed earcups do a fine job of keeping your music in, and the world around you muted.
It provides the beat that keeps all the other musicians at the same pace; and it also serves as the basis for the music’s harmony.
To make it easier for you, we researched the market to find the absolute best bass headphones, then used that information to create this easy-to-use guide. Headphones have always had difficulty producing the growling visceral bass that most consumers desire simply because of the way sound is produced. But advances in speaker materials have made it possible to get earbuds with good bass as well.
Just as its name suggests, a bass boost will add more bass to whatever you are listening to. The frame is nonetheless sturdy and feels like it wouldn’t get damaged while inside a gym bag or suitcase.
Most of the components of the M-100 are replaceable in the unlikely event something does happen, including the memory foam ear cushions.
These though, boast midrange and vocals that are well-balanced; neither forgotten nor overwhelming.
These are perfect for anyone who likes to hear bass thump but also wants to enjoy other aspects of the music. It was easy to experience the full soundscape of electronic and classical music because of Sennheiser’s attention to detailed sound.


You can find headphones that isolate more, sound more refined, have better detail retrieval, etc. To my ears, there's a familial sonic resemblance to the PSB M4U 1, both of which use Barton's "RoomFeel" technology, which is intended to provide the rich and natural experience of listening to a set of high-end loudspeakers in a room. Again, listening to it reminds me at times of its PSB sibs, but with greater refinement and a smoother presentation. There's also a very subtle, tasteful "Massdrop" logo on one side (of the inside) of the headband, to remind you who brought you this gem of a headphone for only 200 bucks. Without delving into discontinued models, then, I have to say the AKG K7XX is, for me, the most desirable current-production AKG, unless you're willing to jump up to $1500 for the K812 (and if you're an AKG fan with that kind of budget, definitely audition the K812). It's a safe tuning that I think sounds awesome with every music genre I listen to (and I listen to just about everything). Perhaps the single biggest contributors to the SRH1540's comfort are its Alcantara earpads.
The outside of the earcups are clad in genuine carbon fiber, which I believe was chosen in part for its resistance to resonance--and those carbon fiber outside plates look gorgeous, too.
Though I really do like the SRH1840, I felt its original price of around $700 put it in a tough spot, given what else is out there at the price. Again, I really like this headphone, and, at its new lower price, it's easy for me to recommend, which is why it's now in this guide. Most people associate bass with a specific type of guitar but the low tones are also achieved with the tuba, bass drum, or even keyboard. Some genres, like rock and rap, will have heavy obvious bass signatures while others, like most classical, won’t.
The earcups are covered in plush leather-like material that feel soft and comfortable around your ears. The overall signature may not suit audiophiles interested in critical listening but is articulate enough to hear the full range of notes in classical and electronic music. The highs and mids don’t feel at all overshadowed by the extra bass that these are tuned to. Colored metallic plates attach to the outside of the earcups that add to the edgy feel of the LP. Like the Sony MDR-1R and the Sennheiser MOMENTUM--two of my other favorite portable over-ears--the VISO HP50 is mellow enough to make for fatigue-free long-term listening, yet detailed enough to get the audiophile in me deep into the music. Alcantara might be my favorite synthetic earpad material, with its ultra-soft, sueded hand, and perforated on the SRH1540 which makes it very breathable.
Some time since its release, however, the SRH1840's street price has fallen to around $499, and, at that price, I think it definitely is a candidate for anyone looking for a good, open, full-sized headphone. The best bass headphones will have clear low tones that capture the heartbeat and mood of the music. The XB500 sounds like there’s a party inside your head and someone put the subwoofer next to your eardrum. Filled with what feels to me like memory foam, these are among the most plush, most comfortable earpads of any headphone.
The tradeoff is losing a bit of air and shimmer to its more common AKG siblings, but, for my tastes, it's a positive tradeoff.



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